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Darren (1599 KP) rated Iceman (2014) in Movies
Aug 6, 2019
Story: Iceman starts when Ho Ying (Yen) gets awoken from a frozen sleep of 400-years in the modern time, he must look to adapt fast to a world different from his own. Ying isn’t the only one to make it to the modern time, his brothers Sao (Wang) and Niehu (Yu) arrive as they look to hunt him down after all these years after he is meant to of betrayed his emperor.
Ying must use the people willing to help him in May (Huang) to locate the Golden Wheel of Time, to prove that he is innocent to stop his brother’s from hunting him down.
Thoughts on Iceman
Characters – Ying was once one of the emperor’s most trusted imperial guards, he is betrayed and framed for treason before getting frozen in time. He gets defrosted in the modern time, where he must go in search for the Golden Wheel of Time to prove his true innocence and protect the world from his own brothers. Sao and San Ko are the two brothers that have also, they are causing more havoc in their hunt for Ying which has drawn more police presence. May is the young lady that takes Ying in, teaches him about the modern day unaware of the true danger that could come their direction. Cheung is running a military chase for Ying, he has learnt the power of the Golden Wheel of Time and believes that he can use it for his own good.
Performances – Donnie Yen is the main attraction to this film, we know he can handle the action which is does with ease, it is when it needs to work on the comedy side of things when his performance goes downhill. Baoqiang Wang and Kang Yu are both entertaining enough in their roles, while Simon Yam brings much needed seriousness to the film. Shengyi Huang is the strongest part of the comedy in the film.
Story – The story follows three brothers and former imperial guards in ancient China, find themselves waking up in the modern time, still at battle for the action that happened in the ancient times. This story is an ambitious idea and it does work for the idea of having the fish out of water situation created for the imperial guards. We do go through the idea of needing to figure out how survive in the new surrounding, which does work too and seeing the twists along the way with the flashbacks does fill in moments of blanks in the storyline. Parts of the storyline can come off confusing though because we do seem to have a lot going on and it does feel like if you blink you might miss something.
Action/Comedy – The action in this film is easily the highlight of it, we get to see Donnie Yen doing his fighting sequences which are always entertaining to watch. The comedy however falls flat resorting to fart jokes, May is the only one that gets proper laughs.
Settings – The film uses the settings to show how the ancient men must adapt to the modern world with the different type of locations they visit.
Special Effects – The effects in the film are good in places, but weak if others, when it comes to the roaring faces they particular look weak.
Scene of the Movie – Bridge fight.
That Moment That Annoyed Me – Fart Jokes.
Final Thoughts – This is an easy watch action sci-fi film, if you want martial arts entertainment this will give you what you need.
Overall: Enjoyable action film.
Ying must use the people willing to help him in May (Huang) to locate the Golden Wheel of Time, to prove that he is innocent to stop his brother’s from hunting him down.
Thoughts on Iceman
Characters – Ying was once one of the emperor’s most trusted imperial guards, he is betrayed and framed for treason before getting frozen in time. He gets defrosted in the modern time, where he must go in search for the Golden Wheel of Time to prove his true innocence and protect the world from his own brothers. Sao and San Ko are the two brothers that have also, they are causing more havoc in their hunt for Ying which has drawn more police presence. May is the young lady that takes Ying in, teaches him about the modern day unaware of the true danger that could come their direction. Cheung is running a military chase for Ying, he has learnt the power of the Golden Wheel of Time and believes that he can use it for his own good.
Performances – Donnie Yen is the main attraction to this film, we know he can handle the action which is does with ease, it is when it needs to work on the comedy side of things when his performance goes downhill. Baoqiang Wang and Kang Yu are both entertaining enough in their roles, while Simon Yam brings much needed seriousness to the film. Shengyi Huang is the strongest part of the comedy in the film.
Story – The story follows three brothers and former imperial guards in ancient China, find themselves waking up in the modern time, still at battle for the action that happened in the ancient times. This story is an ambitious idea and it does work for the idea of having the fish out of water situation created for the imperial guards. We do go through the idea of needing to figure out how survive in the new surrounding, which does work too and seeing the twists along the way with the flashbacks does fill in moments of blanks in the storyline. Parts of the storyline can come off confusing though because we do seem to have a lot going on and it does feel like if you blink you might miss something.
Action/Comedy – The action in this film is easily the highlight of it, we get to see Donnie Yen doing his fighting sequences which are always entertaining to watch. The comedy however falls flat resorting to fart jokes, May is the only one that gets proper laughs.
Settings – The film uses the settings to show how the ancient men must adapt to the modern world with the different type of locations they visit.
Special Effects – The effects in the film are good in places, but weak if others, when it comes to the roaring faces they particular look weak.
Scene of the Movie – Bridge fight.
That Moment That Annoyed Me – Fart Jokes.
Final Thoughts – This is an easy watch action sci-fi film, if you want martial arts entertainment this will give you what you need.
Overall: Enjoyable action film.
Gareth von Kallenbach (977 KP) rated The Finest Hours (2016) in Movies
Aug 6, 2019
The Finest Hours tells the story of four men who, in February of 1952, undertook one of the most daring rescue attempts in the history of the Unites States Coast Guard. A tanker, the SS Pendleton, is caught in a storm off the coast of New England and is ripped in half, leaving more than 30 sailors adrift and sinking. While Bernard Webber (Chris Pine) leads an impossible rescue in a lifeboat designed to hold only 12, his fiancée, Miriam (Holliday Grainger), struggles to come to terms with what it means to be the wife of a man who has to willingly risk his life for others.
Year after year, it proves out. January is just not a good month for cinema. With one hand, the studios campaign for award season glory and with the other, dump their trash. That’s not to say The Finest Hours is total garbage. Even I’m not that cynical to unconditionally condemn something that shines a light on the triumph of the human spirit when faced with insurmountable odds. It’s just that there is only about one-third of a good film here. Anytime the crew of the Pendelton was onscreen, I was captivated. Their struggle for survival and their feats of engineering under incredible pressure make for riveting entertainment and should have been a film unto itself. These scenes unfortunately are interspaced with and, more often than not, forced to take a back seat to paint-by-numbers dialogue, two-dimensional caricatures (both disappointing when you consider the three writers on this film were behind The Fighter) and a shockingly abrasive score during the main U.S. Coast Guard narrative. And yes, it may be called The Finest Hours, but if that’s the title they’re going with a little more effort should have been put into the rescuers, as opposed to those being rescued. Overall, we’re deprived of a sense of urgency, in what is supposed to be a race against time, and an intimacy with any character performed well enough to be worth caring about.
At least this isn’t a complete waste of an all-star cast. I’ll ease off on Chris Pine, tempted as I might be to pick on him. After having fumbled his way through both Captain Kirk and Jack Ryan, doing so now in a flick produced by Disney would feel rather like a cheap shot. Instead it’s fairer to write off the other, usually more dependable leads and praise Casey Affleck, who alone makes The Finest Hours watchable. Ironically, he plays the man who has to keep not only half a ship afloat, but an entire crew together. Between Eric Bana’s overstatement, Ben Foster’s understatement, and a questionable casting choice in Holliday Grainger, Affleck is heads above the rest when it comes to making courage and sentiment ring true.
A regrettable execution notwithstanding, better can and should have been done to honor these distinguished service members and viewers looking for a storytelling standard above the level of your average Hallmark original are advised to look elsewhere. Try, for instance, Oliver Stone’s (not as controversial as we all thought it was going to be) World Trade Center for a better example of how these tales of perseverance and survival are supposed to be done.
Year after year, it proves out. January is just not a good month for cinema. With one hand, the studios campaign for award season glory and with the other, dump their trash. That’s not to say The Finest Hours is total garbage. Even I’m not that cynical to unconditionally condemn something that shines a light on the triumph of the human spirit when faced with insurmountable odds. It’s just that there is only about one-third of a good film here. Anytime the crew of the Pendelton was onscreen, I was captivated. Their struggle for survival and their feats of engineering under incredible pressure make for riveting entertainment and should have been a film unto itself. These scenes unfortunately are interspaced with and, more often than not, forced to take a back seat to paint-by-numbers dialogue, two-dimensional caricatures (both disappointing when you consider the three writers on this film were behind The Fighter) and a shockingly abrasive score during the main U.S. Coast Guard narrative. And yes, it may be called The Finest Hours, but if that’s the title they’re going with a little more effort should have been put into the rescuers, as opposed to those being rescued. Overall, we’re deprived of a sense of urgency, in what is supposed to be a race against time, and an intimacy with any character performed well enough to be worth caring about.
At least this isn’t a complete waste of an all-star cast. I’ll ease off on Chris Pine, tempted as I might be to pick on him. After having fumbled his way through both Captain Kirk and Jack Ryan, doing so now in a flick produced by Disney would feel rather like a cheap shot. Instead it’s fairer to write off the other, usually more dependable leads and praise Casey Affleck, who alone makes The Finest Hours watchable. Ironically, he plays the man who has to keep not only half a ship afloat, but an entire crew together. Between Eric Bana’s overstatement, Ben Foster’s understatement, and a questionable casting choice in Holliday Grainger, Affleck is heads above the rest when it comes to making courage and sentiment ring true.
A regrettable execution notwithstanding, better can and should have been done to honor these distinguished service members and viewers looking for a storytelling standard above the level of your average Hallmark original are advised to look elsewhere. Try, for instance, Oliver Stone’s (not as controversial as we all thought it was going to be) World Trade Center for a better example of how these tales of perseverance and survival are supposed to be done.
Gareth von Kallenbach (977 KP) rated Madagascar 3: Europe's Most Wanted (2012) in Movies
Aug 7, 2019
After being shipped from New York to Madagascar and then leaving Madagascar only to end up stranded in Africa, our four favorite zoo animals are back and causing a ruckus once again, but this time in Europe.
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Gareth von Kallenbach (977 KP) rated The Muppets (2011) in Movies
Aug 7, 2019
As a child, I have fond memories of watching The Muppet Show and enjoying the mix of comedy, music, and dance with my family and recapping the show with my friends the following day. Kermit, Ms. Piggy, Fozzie the Bear, and the whole gang were my childhood icons and provided countless hours of entertainment with their brilliant and inspired variety show as well as the three movies that followed. It is hard to believe that 1989 was the last time the gang graced the big screen with “The Muppets in Space”. Thankfully they are back in a big way to delight fans, old and new, this holiday season.
The new films stars Jason Segel as Gary, a mild-mannered guy who has a swell life in his small community. He has been dating the lovely Mary (Amy Adams) for ten years and they are excited to plan their first visit to Los Angeles. Gary has a younger brother named Walter who is a huge fan of the Muppets, having grown up watching the beloved show with Gary. The fact that Walter actually is a Muppet might explain his utter devotion to the show and characters. So when Gary invites Walter to accompany Mary and him on their trip, Walter is ecstatic. At long last, he can visit The Muppet Studios.
Upon their arrival in L.A., Walter is shocked to find the studio in shambles and disrepair. Undaunted, Walter sneaks into Kermit’s old office and accidentally overhears a businessman named Tex Richman (Chris Cooper) plotting to steal the property from the Muppets. Determined to thwart Richman, Walter and Gary look up Kermit the Frog who, despite his reluctance, agrees to reunite the gang to put on a tele-thon to raise the needed money to save the theater.
Along the way there are some great and touching segments where we see what many of the characters have been up to in the recent years, and more than a few laughs and musical numbers also follow. In a race against time, and despite the lack of confidence the network has in their relevance, Kermit must whip the cast and theater into shape for an epic performance.
The movie was an absolute joy. It was so refreshing to see how Segel and director James Bobin have brought the Muppets to a new generation without losing the previous ones and staying very faithful to the characters and to Jim Henson’s vision. Segel, who came up with the story and co-wrote the script, seems to be having the time of his life as he sings and dances his way through several production numbers and gives a very funny, and in turns, tender performance.
Adams is a joy as the sweet, yet determined Mary, and the addition of the new Muppet Walter was a treat. Sure the plot may have been fairly formulaic but there were more than enough moments to keep the adults happy. At our screener, the adults were laughing even lauder than the kids in attendance, especially at the numerous pop culture reference, celebrity cameos, and nostalgic nods to the show.
I do not want to spoil the film but from Beaker doing his take on the Nirvana classic “Smells Like Teen Spirit”, to the Swedish Chef channeling Tony Montana from “Scarface” I was thoroughly entertained. I can honestly say this is not only one of the best of the Muppet movies but it is a perfect film to take the family. Just don’t be surprised if you find yourself enjoying the magic as much, if not more, than the kids.
The new films stars Jason Segel as Gary, a mild-mannered guy who has a swell life in his small community. He has been dating the lovely Mary (Amy Adams) for ten years and they are excited to plan their first visit to Los Angeles. Gary has a younger brother named Walter who is a huge fan of the Muppets, having grown up watching the beloved show with Gary. The fact that Walter actually is a Muppet might explain his utter devotion to the show and characters. So when Gary invites Walter to accompany Mary and him on their trip, Walter is ecstatic. At long last, he can visit The Muppet Studios.
Upon their arrival in L.A., Walter is shocked to find the studio in shambles and disrepair. Undaunted, Walter sneaks into Kermit’s old office and accidentally overhears a businessman named Tex Richman (Chris Cooper) plotting to steal the property from the Muppets. Determined to thwart Richman, Walter and Gary look up Kermit the Frog who, despite his reluctance, agrees to reunite the gang to put on a tele-thon to raise the needed money to save the theater.
Along the way there are some great and touching segments where we see what many of the characters have been up to in the recent years, and more than a few laughs and musical numbers also follow. In a race against time, and despite the lack of confidence the network has in their relevance, Kermit must whip the cast and theater into shape for an epic performance.
The movie was an absolute joy. It was so refreshing to see how Segel and director James Bobin have brought the Muppets to a new generation without losing the previous ones and staying very faithful to the characters and to Jim Henson’s vision. Segel, who came up with the story and co-wrote the script, seems to be having the time of his life as he sings and dances his way through several production numbers and gives a very funny, and in turns, tender performance.
Adams is a joy as the sweet, yet determined Mary, and the addition of the new Muppet Walter was a treat. Sure the plot may have been fairly formulaic but there were more than enough moments to keep the adults happy. At our screener, the adults were laughing even lauder than the kids in attendance, especially at the numerous pop culture reference, celebrity cameos, and nostalgic nods to the show.
I do not want to spoil the film but from Beaker doing his take on the Nirvana classic “Smells Like Teen Spirit”, to the Swedish Chef channeling Tony Montana from “Scarface” I was thoroughly entertained. I can honestly say this is not only one of the best of the Muppet movies but it is a perfect film to take the family. Just don’t be surprised if you find yourself enjoying the magic as much, if not more, than the kids.
Gareth von Kallenbach (977 KP) rated Final Destination 5 (2011) in Movies
Aug 7, 2019
Director Steven Quale brings us the latest bloody installment of the “Final Destination” series 5 in 3D.
In this installment Sam Lawton (Nicholas D’Agosto) and his girlfriend Molly Harper (Emma Bell), work in the same office with their friends and boss Dennis (David Koechner).
Sam has been offered an apprenticeship in Paris as a cook and though this has been Sam’s dream Molly feels that she is holding him back. This becomes awkward for the both of them as this happens right before they leave for a conference with their co-workers.
As with past films in the series, Sam has a vision of a very gruesome accident that kills him and his friends in a very grisly manner, this time through a bridge accident.
Sam awakens from his vision and manages to get several of his friends and his boss to safety before the accident happens. Despite being unable to explain how he saw the accident coming to his friends and the local authorities, Sam and his friends are thankful to be alive.
As fans of the series know, death does not like to be cheated, and one by one the survivors die in a series of freak accidents. In a race against time, they must follow the advice of a creepy medical examiner (Tony Todd), who advises them they must find someone to replace them in order to escape their fate.
What follows is a gory thrill ride that should delight fans of the series old and new.
Final Destination 5 is the perfect ending to a long and drawn out series of events. In Final Destination 4 is almost seemed as though the series would just keep going and we would see the same old story plot.
After the first two movies the sequels to those became dull and boring for me as how often can you play out the same formula? This time out, the deaths are over the top and cringe worthy and have breathed a new life into the franchise. Sure the acting is bad, but I would ask if anyone has ever gone to see any of the movies in the series for the acting?
For me it is all about the blood and guts with the outrageous death scenes and in this regard “Final Destination 5” delivers.
The studio made a very wise decision to film the entire movie in 3D rather than converting it after the fact as the opening title sequence alone is amazing with tons of glass and other objects floating in front of you in a menacing fashion.
The movie in a whole with its cheesy lines and absolutely horrible acting is made up for with the 3D effects. You will find yourself laughing often as the film plays up the humor and shock value instead of the frights. Be sure to pay close attention to references of past “Final Destination” movies as this chapter has a nice way to connect itself to the previous films. If you go to the theater with low expectations which most of you probably will you will sure to be blown away by this latest outing as this movie will provide you with great entertainment and is a must see in 3D!
In this installment Sam Lawton (Nicholas D’Agosto) and his girlfriend Molly Harper (Emma Bell), work in the same office with their friends and boss Dennis (David Koechner).
Sam has been offered an apprenticeship in Paris as a cook and though this has been Sam’s dream Molly feels that she is holding him back. This becomes awkward for the both of them as this happens right before they leave for a conference with their co-workers.
As with past films in the series, Sam has a vision of a very gruesome accident that kills him and his friends in a very grisly manner, this time through a bridge accident.
Sam awakens from his vision and manages to get several of his friends and his boss to safety before the accident happens. Despite being unable to explain how he saw the accident coming to his friends and the local authorities, Sam and his friends are thankful to be alive.
As fans of the series know, death does not like to be cheated, and one by one the survivors die in a series of freak accidents. In a race against time, they must follow the advice of a creepy medical examiner (Tony Todd), who advises them they must find someone to replace them in order to escape their fate.
What follows is a gory thrill ride that should delight fans of the series old and new.
Final Destination 5 is the perfect ending to a long and drawn out series of events. In Final Destination 4 is almost seemed as though the series would just keep going and we would see the same old story plot.
After the first two movies the sequels to those became dull and boring for me as how often can you play out the same formula? This time out, the deaths are over the top and cringe worthy and have breathed a new life into the franchise. Sure the acting is bad, but I would ask if anyone has ever gone to see any of the movies in the series for the acting?
For me it is all about the blood and guts with the outrageous death scenes and in this regard “Final Destination 5” delivers.
The studio made a very wise decision to film the entire movie in 3D rather than converting it after the fact as the opening title sequence alone is amazing with tons of glass and other objects floating in front of you in a menacing fashion.
The movie in a whole with its cheesy lines and absolutely horrible acting is made up for with the 3D effects. You will find yourself laughing often as the film plays up the humor and shock value instead of the frights. Be sure to pay close attention to references of past “Final Destination” movies as this chapter has a nice way to connect itself to the previous films. If you go to the theater with low expectations which most of you probably will you will sure to be blown away by this latest outing as this movie will provide you with great entertainment and is a must see in 3D!
156Reviews (7 KP) rated Emma (2020) in Movies
May 1, 2020
Have you ever been at a dinner party that has gone on little too long? You were greeted warmly, settled quickly and comfortably, it's been fun, the company has been in fine form, spinning anecdotes that have entertained. But towards the end, you've all run out of things to say, no one quite knows if it's time to leave or not and it's all got a bit awkward.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
Phillip McSween (751 KP) rated Fast & Furious 6 (2013) in Movies
Feb 22, 2020
Flying...Headbutt
The gang is back in Fast & Furious 6 to take down a group of criminals led by someone that was once their own…I gotta tell you, after I watched this movie, my inner me clapped. Not because this was a phenomenal movie, but because director Justin Lin got a legit grasp on what this franchise is supposed to be. Sure it’s action and car chases, rinse and repeat, but I think that was taken way too seriously in the previous five movies. I mean, serious to the point of being flat-out obnoxious. In this sixth installment, Lin embraces the craziness of it all and plays on it, makes it bigger and more ridiculous at times. Seeing this put a smile on my face and made me think this franchise, with however many movies it has left, just might have some legs afterall. Clearly I feel some kind of way as this is the longest Intro I’ve written in a long time.
Acting: 10
Beginning: 6
If you’ve seen one of these beginnings, you’ve seen them all. There’s not much new under the sun here but it’s definitely better than average. I’ve seen worse starts, I’ll just say that.
Characters: 10
Ok, so these guys are not going to wow you with their exponential growth throughout the movie, but they’re still fun characters. Dom, Letty, Brian…when you see them all together, you get a real sense of what they are going for: really creating a family-like atmosphere. These guys have been through hell and back together and you can’t help but feel connected to them at this sixth installment. Roman (Tyrese Gibson) is just the best. His comedic timing can be everything in a scene and he’s a blast to watch. His character is literally there for a charm effect and you know what? It works.
Cinematography/Visuals: 9
Conflict: 8
Entertainment Value: 7
Here’s what makes this movie entertaining: The absolute ridiculousness of it all. After seeing Dom singlehandedly lift a car and snidely joke about it, nothing surprises me anymore about these movies. Also two words for you: Flying Headbutt. You’ll thank me later.
Memorability: 7
As always, there are some extremely fun car chases scattered throughout the movie, including one involving a big airplane stunt. Not bad as action movies go. And also: Flying Headbutt.
Pace: 7
Plot: 4
These stories will never be nominated for any type of major awards, that’s no secret. The plans are completely improbable, the bad guys usually over-the-top ridiculous, and the story is a rollercoaster of keeping things interesting. And why the hell does the GOVERNMENT keep calling on these clowns to save the world? Seriously! Just put your expectations aside of finding any plausible story and just enjoy the damn movie.
Resolution: 10
Once the Flying Headbutt (yes, that’s my third mention) happens, it’s all downhill from there. However, the movie does wrap nicely and gives me a sense of completion for the story. It ended with me thinking, “You know, I could probably stomach one more of these.”
Overall: 78
Based on my previous experience with this franchise, I was really surprised by my level of enjoyment for Fast & Furious 6. It’s not a movie I would put on if I had multiple choices, but it’s a movie I could have on in the background as I’m working on my scripts. This franchise is growing…even if its characters aren’t.
Acting: 10
Beginning: 6
If you’ve seen one of these beginnings, you’ve seen them all. There’s not much new under the sun here but it’s definitely better than average. I’ve seen worse starts, I’ll just say that.
Characters: 10
Ok, so these guys are not going to wow you with their exponential growth throughout the movie, but they’re still fun characters. Dom, Letty, Brian…when you see them all together, you get a real sense of what they are going for: really creating a family-like atmosphere. These guys have been through hell and back together and you can’t help but feel connected to them at this sixth installment. Roman (Tyrese Gibson) is just the best. His comedic timing can be everything in a scene and he’s a blast to watch. His character is literally there for a charm effect and you know what? It works.
Cinematography/Visuals: 9
Conflict: 8
Entertainment Value: 7
Here’s what makes this movie entertaining: The absolute ridiculousness of it all. After seeing Dom singlehandedly lift a car and snidely joke about it, nothing surprises me anymore about these movies. Also two words for you: Flying Headbutt. You’ll thank me later.
Memorability: 7
As always, there are some extremely fun car chases scattered throughout the movie, including one involving a big airplane stunt. Not bad as action movies go. And also: Flying Headbutt.
Pace: 7
Plot: 4
These stories will never be nominated for any type of major awards, that’s no secret. The plans are completely improbable, the bad guys usually over-the-top ridiculous, and the story is a rollercoaster of keeping things interesting. And why the hell does the GOVERNMENT keep calling on these clowns to save the world? Seriously! Just put your expectations aside of finding any plausible story and just enjoy the damn movie.
Resolution: 10
Once the Flying Headbutt (yes, that’s my third mention) happens, it’s all downhill from there. However, the movie does wrap nicely and gives me a sense of completion for the story. It ended with me thinking, “You know, I could probably stomach one more of these.”
Overall: 78
Based on my previous experience with this franchise, I was really surprised by my level of enjoyment for Fast & Furious 6. It’s not a movie I would put on if I had multiple choices, but it’s a movie I could have on in the background as I’m working on my scripts. This franchise is growing…even if its characters aren’t.
Phillip McSween (751 KP) rated All About Steve (2009) in Movies
Jun 15, 2020
A Movie About a Crossword Puzzle Designer? Ummm...
With a mindblowing 6% Rating on Rotten Tomatoes (mindblowing because it’s too high), All About Steve is the story of a crossword puzzle designer who travels across the country with the hopes of convincing a CNN newsreporter that they belong together. I can feel your excitement. It’s palpable.
Acting: 3
Have you ever seen a mouse try and get off of a glue trap? That’s the equivalent of the acting work in this movie. Let’s start with the woman of the hour, Sandra Bullock playing the leading role of Mary Horowitz. I couldn’t help but think as she runs through her lines, “Do you even want to be on set right now?” She reads the lines of her character like a robocaller at times. I can actually say that for quite a few of the actors that bought into this dud.
Beginning: 6
I’ve seen worse starts to movies, I’ll be honest. The career fair scene is actually pretty hilarious which is probably about the only nice thing I have to say about this movie. If the entire movie had been like this, the overall score would have been double. Unfortunately the movie still would have been shit.
Characters: 5
I’ve always said, if you hate the main character of a movie, there’s a good chance you’re going to hate the movie. That theory definitely holds true here as Mary pains me with every single scene I watch her in. And the way they paint Bradley Cooper’s character Steve out to be such a jerk is just wrong. I mean this a reverse Pepe Le Peu situation we got going on here but he is the one we’re supposed to be mad at? Nightmare.
Cinematography/Visuals: 5
Conflict: 1
Yeah, there’s nothing I care about that’s happening throughout the duration of this movie. I could care less about Mary’s quest to win Steve because it’s just wrong. She’s a psycopath! When I say, “Nothing to see here!” I mean it.
Entertainment Value: 2
Ok, so here’s why I gave it a 2 despite how dreadful the entire movie was: I kept waiting to see how much worse things would get. The further I went down the rabbit hole, things just got more and more painful. Ever watch elementary school kids play basketball? Pretty much the same kind of train wreck here.
Memorability: 0
Pace: 0
Considering this is one of the worst movies imaginable, it’s no secret that “snail’s pace” doesn’t do it justice. Getting through All About Steve almost requires much drinking. Sure, you can survive it sober. Not advisable.
Plot: 1
It’s a story that makes no sense revolving around characters that don’t have a single solid motivation to their name. Even when you think for a moment that things might redeem themselves, the movie manages to set itself on fire again. Lost count of the number of times I asked myself, “Where the hell is this going?”
Resolution: 3
Overall: 26
Maybe it was because I was tired. Maybe it’s because I think Sandra Bullock is beautiful and who the hell would be stupid enough to run from that? Maybe it was because I had just watched A Quiet Place right before and was blown away by how incredible it was. Or maybe…All About Steve is just a terrible terrible movie. Yeah, I think I’ll go with the latter.
Acting: 3
Have you ever seen a mouse try and get off of a glue trap? That’s the equivalent of the acting work in this movie. Let’s start with the woman of the hour, Sandra Bullock playing the leading role of Mary Horowitz. I couldn’t help but think as she runs through her lines, “Do you even want to be on set right now?” She reads the lines of her character like a robocaller at times. I can actually say that for quite a few of the actors that bought into this dud.
Beginning: 6
I’ve seen worse starts to movies, I’ll be honest. The career fair scene is actually pretty hilarious which is probably about the only nice thing I have to say about this movie. If the entire movie had been like this, the overall score would have been double. Unfortunately the movie still would have been shit.
Characters: 5
I’ve always said, if you hate the main character of a movie, there’s a good chance you’re going to hate the movie. That theory definitely holds true here as Mary pains me with every single scene I watch her in. And the way they paint Bradley Cooper’s character Steve out to be such a jerk is just wrong. I mean this a reverse Pepe Le Peu situation we got going on here but he is the one we’re supposed to be mad at? Nightmare.
Cinematography/Visuals: 5
Conflict: 1
Yeah, there’s nothing I care about that’s happening throughout the duration of this movie. I could care less about Mary’s quest to win Steve because it’s just wrong. She’s a psycopath! When I say, “Nothing to see here!” I mean it.
Entertainment Value: 2
Ok, so here’s why I gave it a 2 despite how dreadful the entire movie was: I kept waiting to see how much worse things would get. The further I went down the rabbit hole, things just got more and more painful. Ever watch elementary school kids play basketball? Pretty much the same kind of train wreck here.
Memorability: 0
Pace: 0
Considering this is one of the worst movies imaginable, it’s no secret that “snail’s pace” doesn’t do it justice. Getting through All About Steve almost requires much drinking. Sure, you can survive it sober. Not advisable.
Plot: 1
It’s a story that makes no sense revolving around characters that don’t have a single solid motivation to their name. Even when you think for a moment that things might redeem themselves, the movie manages to set itself on fire again. Lost count of the number of times I asked myself, “Where the hell is this going?”
Resolution: 3
Overall: 26
Maybe it was because I was tired. Maybe it’s because I think Sandra Bullock is beautiful and who the hell would be stupid enough to run from that? Maybe it was because I had just watched A Quiet Place right before and was blown away by how incredible it was. Or maybe…All About Steve is just a terrible terrible movie. Yeah, I think I’ll go with the latter.
Charlie Cobra Reviews (1840 KP) rated Doom Patrol in TV
Jul 4, 2020
Not Your Average Superhero Show - 7/10
Doom Patrol Is a 2019 action/sci-fi, comedy/drama superhero TV series based on the DC comic created by writers Arnold Drake and Bob Haney and artist Bruno Premiani. It was developed by Jeremy Carver, and produced by DC Entertainment and Warner Bros. Television for DC Universe. Doom Patrol is a spin-off of Titans, a superhero TV series also on DC Universe. Starring Brendan Fraser, Timothy Dalton, Alan Tudyk, Matt Bomer and April Bowlby.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Phillip McSween (751 KP) rated Minority Report (2002) in Movies
Jul 19, 2020
I Knew I Would Love it Before I Watched it...See What I Did There?
In the future, “precogs” help predict a murder before it happens. When they predict that John Anderton, head of the precrime divison, will be the next killer, Anderton has to go on the run to prove his innocence.
Acting: 10
We give Tom Cruise shit for being crazy in real life. Say what you want about him on a personal level, the energy that he brings to the big screen is excellent. The way he taps into the emotions of a father that just lost his son hits you with a strong emotional tie to the movie.
Outside of a strong performance from Cruise as John Anderton, it’s also the lesser roles that drive this movie into classic status. Actors/actresses like Lois Smith as the matter-of-fact Dr. Hinneman and Colin Farrell sticking his nose into every single scene as Detective Danny Witwer bring fresh life to this movie throughout its duration. The female performances were particularly strong. This movie just doesn’t function the same without wonderful actresses Samantha Morton and Kathryn Morris helping to drive the story.
Beginning: 10
The first ten minutes really set the stage for the insanity to come. We see the precrime unit led by Anderton moving on their next target: A man who catches his wife in bed cheating, or at least he will. The act has yet to happen, but the unit is there to stop it before it does.
Characters: 10
Anderton is a troubled cop stuck between a terrible past and a troubling future. You can relate to his pain and why he has ended up the way he has. Like Anderton, each character has enough depth and backstory to make you care about them one way or the other. I was particularly drawn to Agatha, head of the precogs, and her story.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
There is a scene in this movie I consider one of the greatest in any film ever done. Anderton has captured the precog Agatha to try and get into her brain to unearth his innocence. With the police in hot pursuit, he has to escape through a mall using Agatha as a cognitive guide to help him escape danger. It is truly a brilliant layout of a scene and it really enhances this movie. This is a movie packed with a number of those same type of scenes that leave an impact in your brain.
Pace: 10
Plot: 10
A brilliant story from cover to cover. Steven Spielberg pulls out the heart and glitz of this movie with true wonder that only he can achieve. There is a reason I consider him the GOAT, because his stories wow you while making you think and feel at the same time. This story couldn’t have been put together more perfectly.
Resolution: 10
The ending couldn’t have been more perfect. It’s all about redemption and starting over. I won’t spoil it by going into further detail.
Overall: 100
Every now and then a movie comes along that manages to sit with me for a long time. It’s the primary reason I consider Minority Report to be the greatest sci-fi movie ever made and #3 on my all-time list. Quite frankly, it’s just plain dope.
Acting: 10
We give Tom Cruise shit for being crazy in real life. Say what you want about him on a personal level, the energy that he brings to the big screen is excellent. The way he taps into the emotions of a father that just lost his son hits you with a strong emotional tie to the movie.
Outside of a strong performance from Cruise as John Anderton, it’s also the lesser roles that drive this movie into classic status. Actors/actresses like Lois Smith as the matter-of-fact Dr. Hinneman and Colin Farrell sticking his nose into every single scene as Detective Danny Witwer bring fresh life to this movie throughout its duration. The female performances were particularly strong. This movie just doesn’t function the same without wonderful actresses Samantha Morton and Kathryn Morris helping to drive the story.
Beginning: 10
The first ten minutes really set the stage for the insanity to come. We see the precrime unit led by Anderton moving on their next target: A man who catches his wife in bed cheating, or at least he will. The act has yet to happen, but the unit is there to stop it before it does.
Characters: 10
Anderton is a troubled cop stuck between a terrible past and a troubling future. You can relate to his pain and why he has ended up the way he has. Like Anderton, each character has enough depth and backstory to make you care about them one way or the other. I was particularly drawn to Agatha, head of the precogs, and her story.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
There is a scene in this movie I consider one of the greatest in any film ever done. Anderton has captured the precog Agatha to try and get into her brain to unearth his innocence. With the police in hot pursuit, he has to escape through a mall using Agatha as a cognitive guide to help him escape danger. It is truly a brilliant layout of a scene and it really enhances this movie. This is a movie packed with a number of those same type of scenes that leave an impact in your brain.
Pace: 10
Plot: 10
A brilliant story from cover to cover. Steven Spielberg pulls out the heart and glitz of this movie with true wonder that only he can achieve. There is a reason I consider him the GOAT, because his stories wow you while making you think and feel at the same time. This story couldn’t have been put together more perfectly.
Resolution: 10
The ending couldn’t have been more perfect. It’s all about redemption and starting over. I won’t spoil it by going into further detail.
Overall: 100
Every now and then a movie comes along that manages to sit with me for a long time. It’s the primary reason I consider Minority Report to be the greatest sci-fi movie ever made and #3 on my all-time list. Quite frankly, it’s just plain dope.