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Awix (3310 KP) rated Godzilla: King of the Monsters (2019) in Movies

May 30, 2019 (Updated May 30, 2019)  
Godzilla: King of the Monsters (2019)
Godzilla: King of the Monsters (2019)
2019 | Action, Adventure, Fantasy
Japan's biggest movie star returns to the screen in a solid, entertaining sequel (and I'm not talking about Ken Watanabe). Eco-terrorists steal a new gadget that allows people to communicate with and control giant monsters, intending to use it to save the environment by getting the world's monsters to destroy industrial civilisation: possibly not the most thought-through plan in history, but it has originality on its side.

I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
  
Three Billboards Outside Ebbing, Missouri (2017)
Three Billboards Outside Ebbing, Missouri (2017)
2017 | Comedy, Crime, Drama
Frances McDormand (2 more)
Sam Rockwell
Comedy
Slow paced (0 more)
Darkly funny and depressing
I went into this film with a lot of preconceptions, having seen earlier reviews and loved Martin McDonagh’s previous films. I’m not entirely sure for me that it quite lived up to the hype.

Don’t get me wrong, it was a very good film. There are some fantastic performances in it from Frances McDormand and Sam Rockwell and they deserve every accolade that gets thrown at them. The rest of the supporting cast too are great, with the exception of Abbie Cornish who I really don’t rate. I know she’s Australian but her accent in this seems very changeable and atrocious.


The cinematography itself is beautiful and the plot takes some very good and unexpected twists and turns. The bits of dark humour throughout really help lift what would otherwise be a very depressing and sad film. My issue is that for me it seemed very slow paced. For me it felt like it had been on for far too long and dragged a little, but I was surprised when it finished that it had been on for less than 2 hours.


I’ll happily acknowledge that this will likely be one of the best films I’ll see in 2018, impressive as it’s only January. But I feel like I need to reserve a final judgement until after a second viewing (preferably in a nice peaceful environment - not a noisy cinema screen).
  
The Quiche of Death (Agatha Raisin, #1)
The Quiche of Death (Agatha Raisin, #1)
M.C. Beaton | 1992 | Crime, Humor & Comedy, Mystery
9
8.3 (6 Ratings)
Book Rating
PIck up. Open. Don't move for five hours.
Agatha Raisin is an awful woman but I promise that by the time you finish this book you will love her, warts and all.

A self-made woman who sells her business and retires early to her dream-cottage in the Cotswolds (furnished by an expensive interior decortator, naturally).

Agatha suddenly finds herself in a completely alien environment. In a effort to make her mark on the village and announce her arrival, she plots to win the village Quiche baking contest. Her plan is simple - she will enter, as her own work, a quiche bought from a top-class delicatessan in London. Unfortunatly for Agatha, the judge dies after eating it and her deception is uncovered. Worse she finds herself being held responsible for his death.

And this is when you start finding your self falling for her. From the moment the plot is hatched the reader can't fail to know the outcome, but rather than feeling righteous indignation on the part of the other contestants you can only feel sympathetic embarrasment for the situation you know Agatha is going to find herself in.

Convinced that she can redeem herself in the eyes of those around her Agatha sets off to solve a crime the police insist hasn't happened.

Highly enjoyable and amusing, you will alternate between wanting to throttle her and offer her a shoulder to cry on.