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Ross (3284 KP) rated Killer Dungeon (Euphoria Online Book 3) in Books
Jan 4, 2019
So much of the previous books is lost (3 more)
Sudden epic scope creep
Loose ends
deus ex machina abounds
I am (slightly) disappoint
I loved the first two books in this trilogy. The narrative was so detailed and descriptive that you truly lived the action along with the protagonist, you felt every blow, you were part of every strategy, you celebrated every unlikely victory. We knew we were in an epic online world that we hadn't explored yet but were happy with the dangerous little corner we knew inside out.
The book starts off with Chris, low-ranked newbie with a knack for strategy, being the new leader/castellan of Castle Winter, charged with defending, repairing and upgrading the castle, caring for its inhabitants, fending off the nearby army of the undead and still trying to discover the hidden treasure in the dungeon.
This change in his status obviously precipitated a change in focus for him, which is understandable - a castellan with all these responsibilities can't still go off exploring. But this started to feel like those boring aspects of games like the Witcher/Red Dead Redemption where you have to go shopping, play card games, train a horse, collect herbs etc and was relatively dull.
While a raft of super-strength gamers try to tackle the seemingly unbeatable Dungeon, Chris decides he needs to buy goods and services in-game with the help of the deus-ex style pot of money he suddenly inherits. He is taken to explore some of the online world in order to do so. This is where I started to lose interest, as the shopping and political aspects of the world and narrative now takes over, when all you want to do is get into that dungeon (you know, the one mentioned in the title of the book) with the rest of the true gamers.
In all the dungeon is just sort of solved. It just happens. We are treated to a re-telling of the action from some of those gamers but this was totally unsatisfactory. Three perilous rooms are in that dungeon and we get to see next to none of the action in solving them.
There is something of a race against time as Chris has a deadline looming to find the treasure hidden in the dungeon to deliver to the lord of the undead. This adds to the thrill somewhat but then the genre-required conspiracy starts to grow (the game was designed by the all-powerful AI to help save mankind from itself), and then the book loses a lot of its original charm for me.
I loved this trilogy, but can't help but feel Tucker had designed a massive world for the story to take place in, and suddenly realised two books in that he hadn't explored any of it (the first two books were very narrow in scope considering the size of the online world but did not suffer for that) and was nearing the end of the three books he had planned. In my view this story had at least another two or three books in it, I would have loved to have seen the dungeon rooms solved in the same detailed manner as the puzzles in the first two books, and would have liked a lot less metaphysical elephant-god mumbo jumbo. I can't help but feel Tucker realised he had set himself up with unsolvable situations and a character who couldn't really put himself in those positions.
In short: Great story, rushed ending ("sod it, say everyone else does the hard work and then an elephant god solves the unsolvable")
The book starts off with Chris, low-ranked newbie with a knack for strategy, being the new leader/castellan of Castle Winter, charged with defending, repairing and upgrading the castle, caring for its inhabitants, fending off the nearby army of the undead and still trying to discover the hidden treasure in the dungeon.
This change in his status obviously precipitated a change in focus for him, which is understandable - a castellan with all these responsibilities can't still go off exploring. But this started to feel like those boring aspects of games like the Witcher/Red Dead Redemption where you have to go shopping, play card games, train a horse, collect herbs etc and was relatively dull.
While a raft of super-strength gamers try to tackle the seemingly unbeatable Dungeon, Chris decides he needs to buy goods and services in-game with the help of the deus-ex style pot of money he suddenly inherits. He is taken to explore some of the online world in order to do so. This is where I started to lose interest, as the shopping and political aspects of the world and narrative now takes over, when all you want to do is get into that dungeon (you know, the one mentioned in the title of the book) with the rest of the true gamers.
In all the dungeon is just sort of solved. It just happens. We are treated to a re-telling of the action from some of those gamers but this was totally unsatisfactory. Three perilous rooms are in that dungeon and we get to see next to none of the action in solving them.
There is something of a race against time as Chris has a deadline looming to find the treasure hidden in the dungeon to deliver to the lord of the undead. This adds to the thrill somewhat but then the genre-required conspiracy starts to grow (the game was designed by the all-powerful AI to help save mankind from itself), and then the book loses a lot of its original charm for me.
I loved this trilogy, but can't help but feel Tucker had designed a massive world for the story to take place in, and suddenly realised two books in that he hadn't explored any of it (the first two books were very narrow in scope considering the size of the online world but did not suffer for that) and was nearing the end of the three books he had planned. In my view this story had at least another two or three books in it, I would have loved to have seen the dungeon rooms solved in the same detailed manner as the puzzles in the first two books, and would have liked a lot less metaphysical elephant-god mumbo jumbo. I can't help but feel Tucker realised he had set himself up with unsolvable situations and a character who couldn't really put himself in those positions.
In short: Great story, rushed ending ("sod it, say everyone else does the hard work and then an elephant god solves the unsolvable")
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Ross (3284 KP) rated Malice: Book One of the Faithful and the Fallen in Books
Dec 1, 2017
The action (1 more)
The hints of the epic story still to come
The number of characters and places to try and remember (1 more)
A little long and derivative
This book, the first in a series of four, chronicles the beginning hints at the coming God-War, a time when the forces of good and evil will battle for the world (pretty standard fantasy fayre), with prophecies unfolding and battles for thrones.
The book moves between different character PoVs, which is fairly common these days, but I found some of the characters to be indistinguishable. For the first third of the book, if the PoV was Camlin, Kastell or Veradis I struggled to remember who he was or what he had been doing. This did start to improve around the halfway mark, but it is quite a slog at times to remember the events preceding this chapter.
The bulk of the book, however, follows Corban, a young blacksmith's son hoping to become a warrior some day, but is stuck working his da's forge, helping stablemaster Gar or apprenticing to healer Brina. His development over the book is well told, he doesn't suddenly become a master swordsman but at the same time we don't have to sit through chapter after chapter of him learning sword forms (Rand al Thor could learn a lot from Corban!).
Along the way, Corban has also become friends with a wild wolven (giant wolves hunted near extinction), whom he raised from a pup. Yes, exactly like the Stark children in GoT. Leave it.
The political intrigue and manoeuvring throughout the book is great as events seeming to be based on one king/queen's ambitions actually turn out to be based on another's treachery.
The battle scenes are well told and believable without the main characters always escaping unscathed.
The book finished with a number of deceptions uncovered and the main group of characters fleeing for their lives, with more secrets to be uncovered.
The book moves between different character PoVs, which is fairly common these days, but I found some of the characters to be indistinguishable. For the first third of the book, if the PoV was Camlin, Kastell or Veradis I struggled to remember who he was or what he had been doing. This did start to improve around the halfway mark, but it is quite a slog at times to remember the events preceding this chapter.
The bulk of the book, however, follows Corban, a young blacksmith's son hoping to become a warrior some day, but is stuck working his da's forge, helping stablemaster Gar or apprenticing to healer Brina. His development over the book is well told, he doesn't suddenly become a master swordsman but at the same time we don't have to sit through chapter after chapter of him learning sword forms (Rand al Thor could learn a lot from Corban!).
Along the way, Corban has also become friends with a wild wolven (giant wolves hunted near extinction), whom he raised from a pup. Yes, exactly like the Stark children in GoT. Leave it.
The political intrigue and manoeuvring throughout the book is great as events seeming to be based on one king/queen's ambitions actually turn out to be based on another's treachery.
The battle scenes are well told and believable without the main characters always escaping unscathed.
The book finished with a number of deceptions uncovered and the main group of characters fleeing for their lives, with more secrets to be uncovered.
Wow.
Wow. What an ending. I would admit to having my issues with the first 3 books of the series (the cast of characters and locations is just too big from the outset to be able to comfortably remember who/where they all are!), but was generally enjoying it and loved Gwynne's writing style, particularly in action scenes.
There was still a lot of ground to cover in the final book of the series, and it really had to be a pretty epic, pacey tome to address all the plot points and end satisfactorily.
It certainly delivers on the pace. There is barely a chapter where the action isn't thick and fast with plot development and important events or revelations.
And I think Gwynne's storytelling really went up a notch. In numerous places the action was told from different PoV's with punchy short chapters delivering an awesome, rounded description of the action unfolding.
I have some very minor hang-ups about the sheer number of main character deaths in the final quarter of the book but most of these are serving a point and seem necessary.
The battle of good vs evil here has the weight shift a number of times. While in the early stages the clever tactics on the side of good seem to win the day, they are quickly brought back down to earth by the sheer numbers on the side of the bad.
A number of rivalries which have been building over the course of the series come to a climax here, and all are built up with such tension and passion that you are constantly on the edge of your seat longing for the vital sword stroke or arrow, as the action can so often happen suddenly you might not necessarily be expecting it.
Overall, this book has redeemed my minor hang-ups from the earlier books and this may now be amongst my favourite series ever.
There was still a lot of ground to cover in the final book of the series, and it really had to be a pretty epic, pacey tome to address all the plot points and end satisfactorily.
It certainly delivers on the pace. There is barely a chapter where the action isn't thick and fast with plot development and important events or revelations.
And I think Gwynne's storytelling really went up a notch. In numerous places the action was told from different PoV's with punchy short chapters delivering an awesome, rounded description of the action unfolding.
I have some very minor hang-ups about the sheer number of main character deaths in the final quarter of the book but most of these are serving a point and seem necessary.
The battle of good vs evil here has the weight shift a number of times. While in the early stages the clever tactics on the side of good seem to win the day, they are quickly brought back down to earth by the sheer numbers on the side of the bad.
A number of rivalries which have been building over the course of the series come to a climax here, and all are built up with such tension and passion that you are constantly on the edge of your seat longing for the vital sword stroke or arrow, as the action can so often happen suddenly you might not necessarily be expecting it.
Overall, this book has redeemed my minor hang-ups from the earlier books and this may now be amongst my favourite series ever.
tapestry100 (306 KP) rated The Queen of the Night in Books
Aug 2, 2017
I'm not really sure what to say about Alexander Chee's novel The Queen of the Night other than it is magnificent. A sprawling, epic tale that put me in mind of Arthur Golden's Memoirs of a Geisha, we follow Paris Opera sensation Lilliet Berne as she recounts her life from her humble beginnings as an orphaned American child, who tried to make her way to Europe to the only family she new of after the death of her family and ended up being swept up by one circumstance after another into the spectacle that was the Second French Empire. We follow her life from her time with a traveling circus, to becoming a prostitute in one of Paris' more prestigious whorehouses, to her time as a dresser for Empress Eugénie de Montijo at the Tuileries, until she finally makes her debut at the French Opera. Through this tale, she is trying to discover who might know of her secrets, as each time she took on a new role, she also cast off her old life and name and reinvented herself at each turn, trying to finally free herself from her own past and come into the life that she wants for herself.
Chee seems to have thoroughly researched his setting for Lillet's journey, and his writing is strong and precise. Lilliet's life is quite an adventure, but it never seems to be dull, and I never felt like I was wishing that her tale would hurry along. I listened to the audio version, and Lisa Flanagan's narration is spot on; she truly became the voice of Lilliet for me. The only thing that I added to my own listening of the book that I think could possibly benefit other readers is that I listened to selections of the operas and other musical pieces that are mentioned in the book, to add that next level of enjoyment to the story.
Chee is an extraordinary storyteller and I'll definitely be reading more by him in the future.
Chee seems to have thoroughly researched his setting for Lillet's journey, and his writing is strong and precise. Lilliet's life is quite an adventure, but it never seems to be dull, and I never felt like I was wishing that her tale would hurry along. I listened to the audio version, and Lisa Flanagan's narration is spot on; she truly became the voice of Lilliet for me. The only thing that I added to my own listening of the book that I think could possibly benefit other readers is that I listened to selections of the operas and other musical pieces that are mentioned in the book, to add that next level of enjoyment to the story.
Chee is an extraordinary storyteller and I'll definitely be reading more by him in the future.
Haley Mathiot (9 KP) rated Wolfhound Century in Books
Apr 27, 2018
When I first started reading (well, listening) to this book, I got a little confused and disoriented. There were a lot of names and places that, although they were English, they weren’t words or names that I knew, so I had trouble keeping track of what was going on. Part of the problem was I listened to a chapter here, a chapter there. So I put it aside, listened to something else, and went back to it later when I had hours upon hours to invest into it.
Boy am I glad I listened to this story.
I cannot describe to you how beautiful this story was. It was exciting and nerve wracking and terrifying. It was totally new and different and unique from anything else I’ve ever read. It had a love story, but it was an epic love story, not a romance as defined by the modern-day genre. It was sweet and beautiful and enthralling. It’s fantasy, but it’s not “elves and dwarves and fairies” fantasy… it’s fantastical and imaginary and connected with nature, but there aren’t warlocks. Higgins has his own set of creatures, his own city and country, his own history, his own world, and I loved it (though I didn’t want to live there. Read the summary, you wouldn’t either). On top of that, the writing was descriptive and concrete, and I felt like I was a part of the world. I felt like I was Lom an Marucia and Raku (I have no idea how to spell their names because I listened to the audio). I seriously didn’t want it to end.
Man, it’s been a good year for audiobooks! Guys, get this one asap. Give it thirty minutes of your time, and you’ll be sucked in.
Neil Dickson, the narrator, was also wonderful. He’s done a few other audiobooks, including the dramatized edition of The Importance of Being Earnest, and James Patterson’s The Jester. I’m definitely going to keep my eyes open for other work he does.
Content/Recommendation: Some violence, darker themes. Ages 16+
Boy am I glad I listened to this story.
I cannot describe to you how beautiful this story was. It was exciting and nerve wracking and terrifying. It was totally new and different and unique from anything else I’ve ever read. It had a love story, but it was an epic love story, not a romance as defined by the modern-day genre. It was sweet and beautiful and enthralling. It’s fantasy, but it’s not “elves and dwarves and fairies” fantasy… it’s fantastical and imaginary and connected with nature, but there aren’t warlocks. Higgins has his own set of creatures, his own city and country, his own history, his own world, and I loved it (though I didn’t want to live there. Read the summary, you wouldn’t either). On top of that, the writing was descriptive and concrete, and I felt like I was a part of the world. I felt like I was Lom an Marucia and Raku (I have no idea how to spell their names because I listened to the audio). I seriously didn’t want it to end.
Man, it’s been a good year for audiobooks! Guys, get this one asap. Give it thirty minutes of your time, and you’ll be sucked in.
Neil Dickson, the narrator, was also wonderful. He’s done a few other audiobooks, including the dramatized edition of The Importance of Being Earnest, and James Patterson’s The Jester. I’m definitely going to keep my eyes open for other work he does.
Content/Recommendation: Some violence, darker themes. Ages 16+
Andy K (10823 KP) created a poll
Mar 4, 2019
MaryAnn (14 KP) rated The Love Letter in Books
Mar 5, 2019
When Chloe is given a peek at the script for an epic love story, she decides to take her destiny into her own hands and request an audition for the lead female role, Esther Kingsley. The compelling tale, inspired by family lore and a one-page letter from the colonial ancestor of scriptwriter Jesse Gates, just might break her out of this career-crippling rut. Jesse would rather write about romance than live through it after his past relationship ended in disaster. But once on-set together, the chemistry between Jesse and his leading lady is hard to deny.
Centuries earlier, in the heart of the Revolutionary War, Hamilton Lightfoot and Esther Longfellow wrote their saga off the silver screen. Esther’s Loyalist father opposes any relationship with Hamilton, but Esther must face her beloved father’s disapproval and the dangers of war in order to convince Hamilton of their future together. Hamilton has loved Esther for years and on the eve of battle pens the love letter she’s always wanted—something straight from the heart.
Set in stunning upcountry South Carolina, The Love Letter is a beautifully-crafted story of the courage it takes to face down fear and chase after love, even in the darkest of times. And just maybe, all these generations later, love can come home in a way, not even Hollywood could imagine.
My Thoughts:
This book was wonderful. It is a fast-paced book, the story flows well and keeps the reader interested. The characters are entertaining and easy to identify with. The reader finds themselves in the middle of the storyline cheering the characters on. I enjoyed the mix of past and present in the writing, it helped identify with all of the characters and helped the reader understand each of the main characters; what they were feeling and understanding what their life was like. Full of surprises, twists and fun, this is a great read. I highly recommend this book, giving it a 5-star rating.
Centuries earlier, in the heart of the Revolutionary War, Hamilton Lightfoot and Esther Longfellow wrote their saga off the silver screen. Esther’s Loyalist father opposes any relationship with Hamilton, but Esther must face her beloved father’s disapproval and the dangers of war in order to convince Hamilton of their future together. Hamilton has loved Esther for years and on the eve of battle pens the love letter she’s always wanted—something straight from the heart.
Set in stunning upcountry South Carolina, The Love Letter is a beautifully-crafted story of the courage it takes to face down fear and chase after love, even in the darkest of times. And just maybe, all these generations later, love can come home in a way, not even Hollywood could imagine.
My Thoughts:
This book was wonderful. It is a fast-paced book, the story flows well and keeps the reader interested. The characters are entertaining and easy to identify with. The reader finds themselves in the middle of the storyline cheering the characters on. I enjoyed the mix of past and present in the writing, it helped identify with all of the characters and helped the reader understand each of the main characters; what they were feeling and understanding what their life was like. Full of surprises, twists and fun, this is a great read. I highly recommend this book, giving it a 5-star rating.