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DC Universe: Rebirth #1
DC Universe: Rebirth #1
Geoff Johns | 2016 | Comics & Graphic Novels
8
8.0 (2 Ratings)
Book Rating
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!

Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.

Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S

There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.

Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!

Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
  
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    Beyond Oasis Classic

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    EPOCH.2

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    FINAL FANTASY VII

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300: Rise of an Empire (2014)
300: Rise of an Empire (2014)
2014 | Action, Drama
Story: 300: Rise of an Empire starts by right where the previous one finished with Xerxes (Santoro) taking the head of Leonidas. Queen Gorgo (Headey) is leading the next onslaught on the Persians.

I think we go prequel with Themistokles (Stapleton) leading the Greek army back against the Persians before they can take any of the Greek cities. The battle leads to the death of King Darius (Naor) leads to Artemisia (Green) and Xerxes son of Darius go on the revenge mission with Xerxes entering into the world of the Gods becoming a God King.

Themistokles goes to Sparta to build a united Greece while Xerxes is waiting for word from the messenger sent. We learn of Artemisia is Greek by descent and is out for revenge on any Greek person she finds after they raped and murdered her whole family. Themistokles builds his navy army for a battle on the sea against the Persian fleet leading to epic battles on the ocean. What follows is a string of battles each one with the other trying to get the upper hand.

Suffering a defeat Themistokles uses his defeat and the Spartans defeat as fuel to unite Greece once and for all as they take the battle to a conclusion once and for all.

300: Rise of an Empire does play the idea of following another side of the battle really well, mixing between the prequel elements and sequel elements. The main problem is that the scenes of the battles come off very confusing which is the main reason for the story. It does show the new historical legends even though they are lesser known names. It really ends up feeling like a forced sequel that has come too late after the first one. I feel this focuses too much on its action sequences and the story falls into the background after a while. (5/10)

 

Actor Review

 

Sullivan Stapleton: Themistokles Greek warrior who leads the navy fleet into battles on the sea against the Persians after he kills their King Darrius. Sullivan does give a good performance and looks the part. (7/10)

 themstokles

Eva Green: Artemisia leader of the Persian naval unit who also plays Xerxes to go into combat the way she wants to win the war. Eva gives a good performance and makes for a great villainous role. (7/10)

 green

Rodrigo Santoro: Xerxes God King of Persia who is at battle with the Spartans and the Greeks. Rodrigo gives a solid performance and has to get praised for the look he ends up having after the makeup. (7/10)

erxes

Support Cast: 300: Rise of an Empire has a huge support cast that are all warriors in either side of the battle.

 

Director Review: Noam Murro – Noam does a solid job directing making the action look very good but doesn’t pull the story through as much as he should be. (6/10)

 

Action: 300: Rise of an Empire can’t be denied about how good the action is even if the naval moments come off confusing at times. (8/10)

War: 300: Rise of an Empire really is one of the war films that really do end up putting the fantasy into legend. (7/10)

Settings: 300: Rise of an Empire creates settings that look the part for the time of the battles. (7/10)
Special Effects: 300: Rise of an Empire has great effects at time but slowly start to feel over used. (7/10)

Suggestion: 300: Rise of an Empire is one to be watched if you enjoyed the first one but not the most interesting for the first time viewer. (Fans Watch)

 

Best Part: Final battle looks good.

Worst Part: A Horse on a boat, really?

Action Scene Of The Film: Final Battle.

 

Believability: No (0/10)

Chances of Tears: No (0/10)

Chances of Sequel: Left open for another sequel.

Post Credits Scene: No

 

Oscar Chances: No

Box Office: $337 Million

Budget: $110 Million

Runtime: 1 Hour 42 Minutes

Tagline: Seize your glory

Trivia: The original script featured King Leonidas from 300 (2006), but he was ultimately cut out. This was due to Gerard Butler, who turned down to reprise his role as Leonidas, since it “wasn’t really [his] thing”.

 

Overall: Sequel we didn’t really need

https://moviesreview101.com/2015/05/17/300-rise-of-an-empire-2014/
  
Dune (2021)
Dune (2021)
2021 | Action, Adventure, Sci-Fi
The Definitive Film Version for the Fans
Fans of the 1965 Frank Herbert Sci-Fi Fantasy Masterpiece DUNE can finally rejoice - the definitive film version of this novel (at least the first 1/2 of the novel) has made it’s way onto the screen.

Lush, dense, rich, well cast and acted with eye-popping visuals that should be seen on the big screen, Directer Denis Villaneuve’s DUNE is everything that a fan of the book (that would include me) has been waiting for in a film version. It IS the “Peter Jackson LORD OF THE RINGS” version of this book - finally!

The question is, how does this film work for casual fans of the book - or for the myriad moviegoers that have never read the novel it is based on.

And, I’m afraid, the answer there is “not as well”. For Dune is a dense novel, filled with mythology that does go somewhat deep in the movie. This makes the pacing of this film problematic - especially at the beginning, for the novice - but is “deep enough” for those that have read the books.

Let’s start with what works - and that is the visuals that Director Denis Villeneuve (Blade Runner 2049) and his crew put on the screen. They are incredible. Unfortunately, most casual on-lookers to this film will decide to check out this 2 hour and 35 minute epic at home for free on HBO MAX, and that would be too bad. This film needs to be seen on the biggest screen possible to totally immerse you in this world.

Villeneuve perfectly cast this film from top to bottom starting with Timothy Chalamet as the hero of this book (and series) Paul Atreides. He brings the right balance of cockiness and unease to Paul who grows into something more than the “perfect prince” as the story progresses.

He is joined by some of the finest performers working today. Rebecca Ferguson and Josh Brolin bring their star power to the roles of Paul’s Mother (who is something more than Paul’s mother) and the head of the military (who is something more than the head of the military). Both of these roles needed to be played by a strong force - and both fill this need admirably.

The always good Oscar Isaac is the right choice for the role of Paul’s father, Duke Leto Atreides, who - by story necessity - is underwritten and, therefore, this film/role does not showcase his talents.

However, Jason Mamoa SHINES as Warrior Duncan Idaho. This is one of my favorite characters from the book and Mamoa brings his “A” game to this charismatic warrior/mentor to Paul. It was the largest pleasant surprise of the performances for me.

Alas, the villains of this piece - Baron Vladimir Harkonnen (Stellan Skarsgard) and his nephew, Beast Rabban Harkonnen (Dave Bautista) are relegated to background “mustache twirling” villains, they were not able to showcase their talents in this film. But, at least, we did not get the “golden speedo” that Sting wore in the 1984 David Lynch film version.

Also, not being able to showcase their talents is Javier Bardem and Zendaya as members of the Freman (the subjugated native people of the “Dune” planet). They are both in this film, briefly, as their characters rise and shine in the 2nd half of the book - so, hopefully, we’ll get to see more of them, then.

Which is the other part of this film that will turn off the casual viewer - it only covers (by necessity) the first half of the book, so only tells half a story with no real emotional payoff. For me, a fan of the books, I was fine with this as I am eagerly anticipating the 2nd film - but as a viewer who is just gonna “check this one out”, I’m not so sure that the visuals of this film will be enough to satisfy them.

Come for the visuals, stay for the performances and the dense story and prepare for Dune: Part 2.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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Sarah (7800 KP) created a post

Jan 18, 2021 (Updated Jan 18, 2021)  
(Posting this separately as it covers as a review for 3 films @The Lord of the Rings: The Fellowship of the Ring (2001) , @The Lord of the Rings: The Two Towers (2002) and @The Lord of the Rings: The Return of the King (2003) )
Film(s) #11 on the 100 Movies Bucket List: The Lord of the Rings Trilogy

Film 11 is actually the three films that make up the Lord of the Rings trilogy: Fellowship of the Ring, The Two Towers and Return of the King. Whilst I can entirely understand featuring the trilogy as a whole, especially as they were filmed back to back and follow the same continuing storyline, however as a watcher this is a tad frustrating. The extended editions of these films, which I own of course, come in at a hefty runtime of just under 12 hours and this means a marathon of a film screening. But gripes about the runtime aside, this trilogy is still every bit the epic I remember it being when they were first released nearly 20 years ago.

The Lord of the Rings trilogy is based by JRR Tolkien’s book of the same name that follows Frodo (Elijah Wood), a hobbit who must journey to the darkest lands of Mordor to destroy a powerful ring before it falls into the hands of the evil lord Sauron. Throughout Frodo’s journey across Middle Earth, he is accompanied by a 9 strong fellowship: hobbits Sam (Sean Astin), Merry (Dominic Monaghan) and Pippin (Billy Boyd); men Aragorn (Viggo Mortensen) and Boromir (Sean Bean); elf Legolas (Orlando Bloom), wizard Gandalf the Grey (Ian McKellen) and dwarf Gimli (John Rhys-Davies). All of whom must also face their own battles in the war to defeat Sauron.

At the time these films were released between 2001 and 2003, we’d never seen filmmaking taken to such extremes and I’d argue that aside from the later Hobbit film trilogy (the less said about those the better), we still haven’t seen anything like it in the decades since. To film these back to back over 15 months with a immense cast, sets and filming locations across New Zealand is no mean feat and watching these back you can really appreciate the sheer amount of work that has gone into these films. The cinematography is stunning and really highlights the beautiful scenery of New Zealand, and the CGI for it’s time was beyond impressive. The motion capture technology used for Andy Serkis’ portrayal of Gollum was incredible and like nothing we’d seen before. All of this paired with Howard Shore’s hugely memorable and iconic score makes for a superb bit of filmmaking.

What makes director Peter Jackson’s take on Lord of the Rings so engaging is the story and the fact that there’s nothing in the main plot that is unnecessary. Jackson had removed all of the erroneous side plots from the book (think Tom Bombadil) yet kept the main thread of the story intact, which effortlessly weaves serious fantasy and war with some rather light hearted and funny moments. While I would normally be an advocate of books over their film counterparts, I happily make an exception for the Lord of the Rings. The films are definitely better than the book. They’re also helped by a stellar cast, from seasoned veterans like Ian McKellen and Christopher Lee (Saruman), to relative newcomers at the time like Viggo Mortensen, who has by far a standout performance, who all do their part to make this trilogy come alive.

This isn’t to say that the trilogy is flawless. Whilst the films look good for their age, some of the special effects haven’t aged quite as well as you’d expect and there are some that are looking decidedly ragged around the edges – Treebeard in Fangorn forest is but one example. The casting of Orlando Bloom was also a questionable one. His acting skills are limited at best and while he is meant to be playing a rather emotionless elf, his performance is very poor compared the rest of the elvish actors. He probably isn’t helped by the fact that Legolas has been given some rather ridiculous and farfetched acrobatics that just look quite silly. And then there’s Éowyn, who is possibly one of the most irritating characters of all, her doe eyed fawning over Aragorn completely overruling the tough, feisty woman she’s trying to be. Finally I’d also question about whether the extended editions are truly necessary, which I appreciate does make me a bit of a hypocrite seen as I own them. They might include scenes we’d never seen in the theatrical releases, but I’d argue that none of these ads particularly much to the overall story.

However despite these flaws, the Lord of the Rings trilogy is undeniably an epic masterclass in filmmaking from Peter Jackson and these are 3 films that you won’t forget in a hurry. It can only be 10/10.