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The Chocolate Lady (94 KP) rated Cassandra French's Finishing School for Boys in Books
Oct 7, 2020
What if women could find a way to teach men how to behave properly? Well, Eric Garcia (yes, a man) came up with one idea, and he wrote about it long before the #MeToo movement. This novel has been called “Sex and the City meets Misery,” as well as a “brilliantly twisted take on chick lit,” and you can see what I think of it in my review here. https://tcl-bookreviews.com/2013/12/14/teaching-men-manners-is-no-laughing-matter/
Mark @ Carstairs Considers (2063 KP) rated A Dish to Die for in Books
Aug 10, 2022
Murder on a Neighboring Key
Even when you live in paradise, you need a break. That’s why Hayley Snow is taking a few hours with her friend Eric and their dogs and heading to a beach on one of the nearby islands. However, the day takes a sad turn when Hayley’s dog finds a dead body half buried in the sand. The man was G.G. Garcia, a Key West developer who had a bad reputation. The local police think there is something suspicious about his death, and Hayley gets pulled into the investigation. Will she figure out what really happened?
I’ve fallen in love with Key West thanks to this series, and I was happy to be back. Sadly, the mystery was very weak. Even the characters got frustrated by their lack of progress throughout the book. Plus, the victim was a little too evil, with a few things that felt thrown in just to make other characters feel virtuous. The book gets a little dark and edgy for a cozy as well. Finally, there’s a subplot that comes across as half-baked, the characters involved definitely deserved better. On the other hand, I really did enjoy the location and the series regulars. Nathan, Hayley’s husband, gets some good development thanks to a visit from his estranged father. If you are new to the series, this isn’t the book for you, but fans will enjoy catching up with the characters.
I’ve fallen in love with Key West thanks to this series, and I was happy to be back. Sadly, the mystery was very weak. Even the characters got frustrated by their lack of progress throughout the book. Plus, the victim was a little too evil, with a few things that felt thrown in just to make other characters feel virtuous. The book gets a little dark and edgy for a cozy as well. Finally, there’s a subplot that comes across as half-baked, the characters involved definitely deserved better. On the other hand, I really did enjoy the location and the series regulars. Nathan, Hayley’s husband, gets some good development thanks to a visit from his estranged father. If you are new to the series, this isn’t the book for you, but fans will enjoy catching up with the characters.
Gareth von Kallenbach (965 KP) rated Repo Men (2010) in Movies
Aug 8, 2019
What does it mean to be both alive and dead?
Based on the novel “The Repossession Mambo” by Eric Garcia, Repo Men is a dark sci-fi action film from director Miguel Sapochnik. It is an oddly sadistic film that begins as a fantastic black comedy/drama, loses its way in the second act with well-shot but mindless action and predictable plot elements, yet still finds its way back before the credits roll.
Remy and Jake, played by Jude Law and Forest Whitaker, are both Repo Men for The Union, an alarming combination of loan shark and artificial organ manufacturer. Those unfortunate patients that fall too far behind on their payments have their artificial parts removed and reclaimed, often accompanied by grisly special effects. Through an accident at a routine repossession, Remy ends up needing a new heart. In the process of trying to pay for it, he realizes that he can no longer find the moral ambivalence necessary to take the life of a stranger in order to earn the money to save his own. This film is definitely not for the squeamish, and many scenes were not unlike watching a surgery in progress.
This film will certainly attract more than a nod from those clamoring for universal healthcare in the United States, as well as those railing against corporate greed at the expense of human life. The Union is everything we love to hate in a corporation. Nothing, from duping emotionally compromised patients, to putting profits above all else, to even killing people, is out of bounds for this corporation. It’s uncommon to see corporate evil of this magnitude in a film, and with Liev Schreiber manning the helm, this evil is personified and delivered with such panache that he becomes an enjoyable caricature to watch.
This movie would be nothing without Remy’s path from classic amoral psychopath to redeemed soul, but the journey at times becomes muddy and obscure. Law plays the part somewhat stiffly, but still manages to shine in his interactions with Whitaker and Schreiber. Whitaker, however, is fantastic as Remy’s uncompromisingly unsympathetic partner Jake, who holds on tightly to what he knows and believes, however unprincipled. By the film’s end, Whitaker’s performance as the frustrated partner becomes even more impressive when compared to Law’s movement from perpetrator to victim to agent of retribution.
For years, Remy had no moral compunction against repossessing organs, nearly always from those who will die without them. But when his heart is removed, he suddenly empathizes with the victims of his profession. An odd paradox: that becoming less human can impart more humanity. Remy is both more genuinely alive after receiving his artificial heart, and more certain he will be dead when he can no longer pay. This is the crux of the film, and on this basis a clever story is told about the intersection of making a living, being alive, and the entanglements they create.
Based on the novel “The Repossession Mambo” by Eric Garcia, Repo Men is a dark sci-fi action film from director Miguel Sapochnik. It is an oddly sadistic film that begins as a fantastic black comedy/drama, loses its way in the second act with well-shot but mindless action and predictable plot elements, yet still finds its way back before the credits roll.
Remy and Jake, played by Jude Law and Forest Whitaker, are both Repo Men for The Union, an alarming combination of loan shark and artificial organ manufacturer. Those unfortunate patients that fall too far behind on their payments have their artificial parts removed and reclaimed, often accompanied by grisly special effects. Through an accident at a routine repossession, Remy ends up needing a new heart. In the process of trying to pay for it, he realizes that he can no longer find the moral ambivalence necessary to take the life of a stranger in order to earn the money to save his own. This film is definitely not for the squeamish, and many scenes were not unlike watching a surgery in progress.
This film will certainly attract more than a nod from those clamoring for universal healthcare in the United States, as well as those railing against corporate greed at the expense of human life. The Union is everything we love to hate in a corporation. Nothing, from duping emotionally compromised patients, to putting profits above all else, to even killing people, is out of bounds for this corporation. It’s uncommon to see corporate evil of this magnitude in a film, and with Liev Schreiber manning the helm, this evil is personified and delivered with such panache that he becomes an enjoyable caricature to watch.
This movie would be nothing without Remy’s path from classic amoral psychopath to redeemed soul, but the journey at times becomes muddy and obscure. Law plays the part somewhat stiffly, but still manages to shine in his interactions with Whitaker and Schreiber. Whitaker, however, is fantastic as Remy’s uncompromisingly unsympathetic partner Jake, who holds on tightly to what he knows and believes, however unprincipled. By the film’s end, Whitaker’s performance as the frustrated partner becomes even more impressive when compared to Law’s movement from perpetrator to victim to agent of retribution.
For years, Remy had no moral compunction against repossessing organs, nearly always from those who will die without them. But when his heart is removed, he suddenly empathizes with the victims of his profession. An odd paradox: that becoming less human can impart more humanity. Remy is both more genuinely alive after receiving his artificial heart, and more certain he will be dead when he can no longer pay. This is the crux of the film, and on this basis a clever story is told about the intersection of making a living, being alive, and the entanglements they create.