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Merissa (11612 KP) created a post
Jan 26, 2021
Dean (6921 KP) rated Deadly Sins (1995) in Movies
May 4, 2019
Well it was far from great, it sounds like a slasher but it was more like a thriller. It doesn't have many deaths, not the greatest plot, very predictable without much reasoning for the motive. At times it was even more like an erotic thriller. It looks very dated as well for '95, looking a good 10 years older than that, a lot of use of smoke machines here. Overall a funny, odd cheesy film for a late night when nothing else is on.
Dean (6921 KP) rated Three (2006) in Movies
Sep 1, 2018 (Updated Sep 1, 2018)
Seemed like a good idea...
Also known as Survival Island in America. Classed as an erotic thriller, unfortunately failing on both counts. Kelly Brook does get naked for about 2 mins of the film and that's it. There isn't much tension, or scares and it has a daft voodoo sub-plot. A similar and much better film, also starring Billy Zane, is Deep Calm.
Matthew Krueger (10051 KP) rated Disclosure (1994) in Movies
Apr 24, 2021
Power Play
Disclosure- is a good erotic thriller. Micheal Douglas, Demi Moore and Donald Sutherland are all good.
The plot: In this Michael Crichton adaptation, Tom Sanders (Michael Douglas) is a senior executive at a cutting-edge technology corporation on the verge of releasing an innovative new product. Sanders' boss, Bob Galvin (Donald Sutherland), is putting the final touches on a potentially lucrative merger and everything is in order for Tom until a vamp from his past, Meredith Johnson (Demi Moore), swoops in, stealing his impending promotion and then -- doubling down -- suing him for sexual harassment.
Like i said its good.
The plot: In this Michael Crichton adaptation, Tom Sanders (Michael Douglas) is a senior executive at a cutting-edge technology corporation on the verge of releasing an innovative new product. Sanders' boss, Bob Galvin (Donald Sutherland), is putting the final touches on a potentially lucrative merger and everything is in order for Tom until a vamp from his past, Meredith Johnson (Demi Moore), swoops in, stealing his impending promotion and then -- doubling down -- suing him for sexual harassment.
Like i said its good.
LoganCrews (2861 KP) rated Unfaithful (2002) in Movies
Sep 20, 2020
A deceitfully simple erotic thriller that goes from idle 0 to 100 so suddenly it could cause whiplash. A lot of things I love about this one: the trio of stellar performances from Gere, Lane, and Martinez; the way it reaches its cold tendrils into numerous different genres; and while it isn't as visually attractive as ππ―π₯π¦π€π¦π―π΅ ππ³π°π±π°π΄π’π (still looks great though, as is standard with Lyne) it's eight billion times more subtle. Though perhaps the highest nuance for a film that so easily could have been another anemic dump into the ever-sterilizing late-90s-esque trashy erotic thriller genre is how all of these events and the subsequent domino effect they set in motion don't really start out from your standard 'nondescript failing marriage' trope. This is a relatively happy, normal, even healthy family which still ends up... in an Adrian Lyne movie. It gives a false sense of hope and thus almost this feeling of normalcy, like even though you're a model citizen something of this severity could still somehow happen to you or someone you're close with, which quickly becomes rather traumatizing. Has a lot of solid banter and shit-your-pants "get me the fuck out of here" moments strung together nicely. Wasn't sure where it was going at first, but it all made sense in the end.
Awix (3310 KP) rated The Skin I Live In (La piel que habito) (2011) in Movies
Apr 7, 2020
Operatically twisted (and twisty) erotic psycho-horror-thriller-drama from Almodovar. Brilliant scientist and surgeon (Banderas) seems to be keeping a young woman (Anaya) prisoner in his house, and performing various experiments on her (even his mum thinks he is insane). But the truth turns out to be a little more complicated than it at first seems...
Initially seems like much more of a plot-driven genre movie than is typical for this director, but the familiar themes (sex, desire, obsession, family ties) soon resurface albeit in somewhat modulated form. The plot grips like a vice, the performances are superb, it looks fabulous, and the (warped) sensuality of the film makes most so-called erotic thrillers look very bland and tame. This would qualify as a masterpiece, as good as anything Almodovar has ever done, except for the ending, which feels like a significant misstep, stumbling for conventional closure in a way that just doesn't ring true or feel satisfying. Nevertheless, a brilliant piece of film-making. (Do NOT read or hear a plot synopsis before watching if you can possibly avoid it.)
Initially seems like much more of a plot-driven genre movie than is typical for this director, but the familiar themes (sex, desire, obsession, family ties) soon resurface albeit in somewhat modulated form. The plot grips like a vice, the performances are superb, it looks fabulous, and the (warped) sensuality of the film makes most so-called erotic thrillers look very bland and tame. This would qualify as a masterpiece, as good as anything Almodovar has ever done, except for the ending, which feels like a significant misstep, stumbling for conventional closure in a way that just doesn't ring true or feel satisfying. Nevertheless, a brilliant piece of film-making. (Do NOT read or hear a plot synopsis before watching if you can possibly avoid it.)
Awix (3310 KP) rated 365 Days (2020) in Movies
Jul 30, 2020 (Updated Jul 30, 2020)
The same old story: boy meets girl, then he kidnaps her and keeps her prisoner for a year because he is a gangster and had a vision of her a few years previously while taking a bullet during his dad's assassination. Naturally she quickly falls in love with him; many games of hide-the-sausage ensue. Needless to say the whole thing looks like a commercial, albeit with much more cunningly-framed fellatio than the typical advert.
Basically attempts to mash up an erotic thriller (a genre noted for almost never generating excitement or arousal) with a coercive romance (the nastiest of all genres), with results that are virtually unwatchable: woodenly acted, leadenly directed, badly written in every way, it's a mixture of the clumsy and the tasteless from start to (baffling) finish. A horrible, unpleasant film: if future historians want evidence of just how badly screwed up this year was, they need only look at the fact that this film somehow became a streaming hit. Ugh, ugh; a thousand times ugh.
Basically attempts to mash up an erotic thriller (a genre noted for almost never generating excitement or arousal) with a coercive romance (the nastiest of all genres), with results that are virtually unwatchable: woodenly acted, leadenly directed, badly written in every way, it's a mixture of the clumsy and the tasteless from start to (baffling) finish. A horrible, unpleasant film: if future historians want evidence of just how badly screwed up this year was, they need only look at the fact that this film somehow became a streaming hit. Ugh, ugh; a thousand times ugh.
Matthew Krueger (10051 KP) rated Basic Instinct (1992) in Movies
Apr 17, 2021
Love The Way You Lie
Basic Instinct- is a excellent erotic thriller. Both Micheal Douglas and Sharon Stone are excellent in it.
The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.
Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.
She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for βgraphic depictions of extremely explicit violence, sexual content, and strong languageβ, but under pressure from TriStar and Carolco, Verhoeven cut 35β40 seconds to gain an R rating.
Its a excellent thriller and a must watch.
The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.
Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.
She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for βgraphic depictions of extremely explicit violence, sexual content, and strong languageβ, but under pressure from TriStar and Carolco, Verhoeven cut 35β40 seconds to gain an R rating.
Its a excellent thriller and a must watch.