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Star trek strange new worlds
Star trek strange new worlds
2022 | Sci-Fi
8
8.0 (1 Ratings)
TV Show Rating
This, I feel, is a strong contender to be the best of the recent Star Trek shows.

It's just a pity that so few have seen it, locked away behind yet another streaming subscription paywall.

This goes back to the original, story-of-the-week, style of Star Trek storytelling (although there is a plot arc running throughout in that Captain Pike knows of his fate), with Ethan Peck reprising his role as Spock from whaterver-season-it-was (3?) of Star Trek: Discovery, as does Anson Mount as Captain Pike and Rebecca Romijin as Number One.

As it is so heavily serialised, some of the episodes are better than others: the standout one, for me, being the penultimate episode which borrows heavily from Alien(s) and Predator!
  
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Eleanor (1463 KP) rated Star Trek: Discovery - Season 2 in TV

May 28, 2019 (Updated May 28, 2019)  
Star Trek: Discovery - Season 2
Star Trek: Discovery - Season 2
2019 | Sci-Fi
Action (1 more)
Some strong characters
Story-lines (0 more)
Fall off in form - more of a set up for Season 3....
I enjoyed the first series of this Trek spin off so went into season 2 hoping for a lot. It managed to tackle some of the troublesome storylines but it felt like the characters had lost some of the punchyness that made the first series shine.

In this series we get a lot of Spock (not entirely sold on the acting of Ethan Peck) who must face his past along with his estranged sister Michael Burnham. As well as Captain Pike (played very well by Anson Mount) taking control of Discovery to investigate a series of odd red signals that have being appearing across the universe.

Stories involving time travel are often problematic and unlike the Series 1 mirror universe storyline the time travel aspect in this was clumsy. The AI threat was also not that thrilling for me and left too many questions unanswered.

There seemed to be a much more mopy, exploring feelings and relationships, feel to this series that I think that let it down. The action was great but characters seemed to feel it was necessary to have a heart to heart in the middle of a time critical mission - GET ON WITH IT FFS!!!
  
The Midnight Sky (2020)
The Midnight Sky (2020)
2020 | Drama, Fantasy, Sci-Fi
7
6.6 (12 Ratings)
Movie Rating
Moody and Atmospheric
Ever since his stint on ER, I have been a fan of George Clooney’s - and not just because he is charming and charismatic on film - but because I find that he brings an interesting facet to whatever character he inhabits
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And with his latest effort THE MIDNIGHT SKY (Directed by Mr. Clooney, as well) he does not disappoint as his performance - and his Direction - are fascinating to watch.

Based upon the novel by Lily Brooks-Dalton, THE MIDNIGHT SKY tells the tale of a lone scientist (Clooney) in a remote, arctic research station, who is one of the few remaining people on an Earth that has become uninhabitable. He rushes to warn some returning astronauts to avoid their home planet.

A thoughtful, moody film. THE MIDNIGHT SKY will not be everyone’s cup of tea - and you have to be in the mood for something somewhat slow and contemplative - but if you are, you will be rewarded with a rich tapestry of visuals and performances that will be, ultimately, fulfilling.

Let’s start with what works - George Clooney. His direction and his performance as Augustine, the scientist, are both sparse and compact. Neither of these facets have an extraneous movement or tone and they work hand-in-hand to deliver the film that Clooney, obviously intends to give us.

Visually, this film is beautiful to look at - inter cutting the vast emptiness of space to the vast, snowy emptiness of the Arctic. The images that Clooney was able to create was well worth watching this film for.

Clooney was also fortunate enough to cast a variety of stellar performers in a film that has very few roles, so the ones that are there better deliver the goods - and they do. From Ethan Peck (Spock in Star Trek:Discovery) who plays the young Clooney in a flashback (I am very glad they chose to do this as opposed to “de-aging” Clooney) to the Astronauts: Felicity Jones, David Oyelowo (who I continue to like more and more every time I see him), Kyle Chandler and Tiffany Boone. All strike the right tone for the moodiness of this film.

Special notice should be made for Damien Bechir’s astronaut, Sanchez. He was terrific in the limited screen time he had and elevated every scene he was in. Bechir has become one of those performers who I get excited about when I see that he is going to be involved in a screen project.

What doesn’t work? Well…as I stated before…the pacing. It is slow (almost coming to a stop) at times. Since this is a film that will be streamed via Netflix, I can see many, many folks grabbing their phones at times, which is too bad, for the moodiness - and pace - worked for me (or at least the for the mood I was in while watching this).

My other issue with this film is the contrived circumstances that both Clooney and the Astronauts find themselves in. It isn’t enough that Clooney has to journey across rugged Arctic terrain to find a more powerful antennae to communicate with the Astronauts, we have to throw in cracking and melting ice to it. And, of course, just as the Astronauts connect with Clooney, a surprise meteor shower damages the communication array. These contrivances just wasn’t need for the type of movie this film was trying to be. It’s almost as if the Studio Heads said “it’s too slow and talky - put some action in this thing”.

But, if you are able to stay with this film, the ending pays off very well, indeed. I found that it earned it’s ending and I walked away moved and satisfied.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(OfMarquis)