"I can guarantee you this film isn’t on anyone else’s list. It stars Gene Hackman and it’s made by my favorite British film director, even more than Nick Park. He’s a guy named Nick Roeg, and he’s most famous, probably, for Don’t Look Now. Eureka is the film that probably ended his American career. I think it was a disaster when it was released. The first half of this movie is as good as you’ll ever get in a movie. It’s about a guy who discovers, literally, liquid gold. He becomes the richest man in the world and the man who has everything and the man who has nothing. The second half of the film is a trial and takes place in a courtroom and that part doesn’t work as well, which is what probably led to it being a flop, but the first half is as good as it gets. And I love Nick Roeg. He’s idiosyncratic, highly individual and yet for a ten year period he was working in the studio system with big stars like Gene Hackman. Hackman’s never been better. People say “Hackman” and think of The Conversation but he’s never better than he is in Eureka. If you can imagine a man who has everything and he (Hackman) just plays it as a guy who has nothing."

"“In 1985, I was 15 and Psychocandy came out. With all the records I’ve mentioned so far, there’s not much there that you would call extreme, except for Tomorrow Never Knows, maybe… but into that regular world came this absolutely mental record! “The first time I heard it was when Muriel Gray played a track on Radio 1, and I remember her introducing it and saying, ‘This is going to divide the listeners!’ It’s hard to overstate the effect that record had. It really did shatter everything! “Sound-wise, it was so relentlessly extreme - for 40 minutes - and it was just a brilliant piece of production as well. As soon as I heard them, it was one of those eureka moments.”"

"Listening to this in Brazil a few years ago was a proper Eureka moment for me. We'd moved to the middle of nowhere for seven months, and I decided to properly have some time properly listening to music, so got a lot of stuff off Thom on a hard drive. I was really into Burial and that side of dubstep back then. Stuff that works perfectly underneath railway arches at 3am strangely enough didn't resonate on the edge of the rainforest, though. What did was Screamadelica. 

I'd first heard Loaded when I was studying at Manchester University in 1990. I remember it coming out after 'Fools Gold' and 'Hallelujah', and seeing Primal Scream on a double-header with Looper. I remember thinking, ah, this is good, a bit different for them, but they're jumping on the bandwagon, aren't they? Later, 'Don't Fight It Feel It' became the ultimate tune of that time for me. But away from that time, this album still stands alone. It's so colourful. It's like gospel dance music. It's got all the euphoria of house music, plus the community and love. It reminded me that that moment in culture wasn't just about the drugs – those drugs were just there to pierce the veil. Music held the ultimate power to bring people up. I want my music to have that joy, that light, that sense of possibility."