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Allan Arkush recommended If.... (1968) in Movies (curated)
LeftSideCut (3778 KP) rated Resident Evil (2002) in Movies
Oct 28, 2020
Let's just brush aside for a moment that this adaption of Resident Evil bares little resemblance to the video game it's based upon and instead take a look at it as its own film, how it's comes off as a horror, and what visionary director Paul WS Anderson has to offer to the zombie genre...
...it's a terrible film, it's a shitty horror, and Anderson should just keep away from beloved franchises forever. I actually actively hate most of his films (have I mentioned this before?).
The big gaping issue with Resident Evil is it's characters and screenplay. The characters are a collection of edgy shitbags who spout one liners every two seconds and are just ripped straight from the "cliché action bastard handbook". It's difficult to care about any of them. I understand that Alice (Milla Jovovich) goes on to lead the entire franchise, but in the first entry, she hardly does or says anything, and as such, the audience doesn't get much of a chance to bond with her before the credits roll.
The script is just eye rollingly cringey. Every single line is either a "witty" quip, or lazy exposition and it becomes tiresome very quickly.
Some of the effects are ok - the zombie dogs look pretty gnarly, but The Licker (one of the only concrete connections to the game series) is brought to life with some of the worst CGI I've ever seen. To say it's aged badly would be an understatement, as I remember it looking dodgy AF back in 2002 when I was a humble 14 year old. Other than that, the whole film has that awful early 2000s aesthetic (The Matrix truly has a lot to answer for) and the inclusion of obnoxious breakbeat music cues that everyone was obsessed with at the time is the cherry on the mouldy cake. Ugh.
It's not all terrible... There are a couple of memorable set pieces, and the film manages to be somewhat entertaining here and there, but overall, Resident Evil is another garbage pile video game adaption, and the fact that George Romero wrote an unused screenplay that was much closer to the first game (and was poised to direct!) just rubs salt in this horrible festering wound left behind by Paul WS Anderson's Resident Evil. Hate it.
...it's a terrible film, it's a shitty horror, and Anderson should just keep away from beloved franchises forever. I actually actively hate most of his films (have I mentioned this before?).
The big gaping issue with Resident Evil is it's characters and screenplay. The characters are a collection of edgy shitbags who spout one liners every two seconds and are just ripped straight from the "cliché action bastard handbook". It's difficult to care about any of them. I understand that Alice (Milla Jovovich) goes on to lead the entire franchise, but in the first entry, she hardly does or says anything, and as such, the audience doesn't get much of a chance to bond with her before the credits roll.
The script is just eye rollingly cringey. Every single line is either a "witty" quip, or lazy exposition and it becomes tiresome very quickly.
Some of the effects are ok - the zombie dogs look pretty gnarly, but The Licker (one of the only concrete connections to the game series) is brought to life with some of the worst CGI I've ever seen. To say it's aged badly would be an understatement, as I remember it looking dodgy AF back in 2002 when I was a humble 14 year old. Other than that, the whole film has that awful early 2000s aesthetic (The Matrix truly has a lot to answer for) and the inclusion of obnoxious breakbeat music cues that everyone was obsessed with at the time is the cherry on the mouldy cake. Ugh.
It's not all terrible... There are a couple of memorable set pieces, and the film manages to be somewhat entertaining here and there, but overall, Resident Evil is another garbage pile video game adaption, and the fact that George Romero wrote an unused screenplay that was much closer to the first game (and was poised to direct!) just rubs salt in this horrible festering wound left behind by Paul WS Anderson's Resident Evil. Hate it.
Whatchareadin (174 KP) rated Take One With You in Books
Apr 9, 2019
Imagine a world where you could get back at those who had done you wrong. "An eye for an eye." In, Take One With You, Oak Anderson takes that ideal to a whole new extreme.
Charlie and Sarah had both suffered great loss. They had 'met' each other online in chat rooms dedicated to such things. They met several other people with the same suffering. One particular person, though, was an inspiration to them. She was courageous and brave.
Melissa Stevenson was tired and wanted to end her life. But there was someone else's life that had to end too. The person who made her life so horrible. Missy was going to take her life and take him with her.
From this inspiration, Charlie and Sarah created the TOWY website. People who were suicidal or terminally ill could take their own life and take the life of someone else as well. What a way to rid this earth of all the scum!
I really enjoyed this book. It's an original idea that is eerily realistic. The relationship between Charlie and Sarah is very intense. One part of this book, that was very different from any other book that I have ever read was the use of different media articles that talk about the effects the website is having on the world. I didn't like where they were placed in the book, but that was my own issue.
This is a great novel that will get you thinking. Are there really people out here who are already doing these things. Murder/suicide is a common practice. "If you die tomorrow...who would you kill tonight?"
Please read Take One With You!
Charlie and Sarah had both suffered great loss. They had 'met' each other online in chat rooms dedicated to such things. They met several other people with the same suffering. One particular person, though, was an inspiration to them. She was courageous and brave.
Melissa Stevenson was tired and wanted to end her life. But there was someone else's life that had to end too. The person who made her life so horrible. Missy was going to take her life and take him with her.
From this inspiration, Charlie and Sarah created the TOWY website. People who were suicidal or terminally ill could take their own life and take the life of someone else as well. What a way to rid this earth of all the scum!
I really enjoyed this book. It's an original idea that is eerily realistic. The relationship between Charlie and Sarah is very intense. One part of this book, that was very different from any other book that I have ever read was the use of different media articles that talk about the effects the website is having on the world. I didn't like where they were placed in the book, but that was my own issue.
This is a great novel that will get you thinking. Are there really people out here who are already doing these things. Murder/suicide is a common practice. "If you die tomorrow...who would you kill tonight?"
Please read Take One With You!
BeRad89 (48 KP) rated I Was Anastasia in Books
Mar 26, 2018
Anna Anderson has spent over fifty years of her life fighting to prove she is the Grand Duchess Anastasia. Her story begins near the end as she battles in court to get recognition. Anastasia is 18 months away from that fateful night in Yekaterinburg. Does she in fact survive?
I love the time line set up in this book. It is an amazing idea to have both women moving toward each other like trains on the same track. The moment they collide will be the moment we learn the truth. While I do not like Anna on a personal level, I appreciate how cunning, clever, and totally insane she is. She is one of most interesting characters I have ever read. I appreciate the amount of research that must have went into this novel. While it is a work of fiction, I bet that was a time consuming task.
The only criticism I can possibly have for this book is the very thing I like most: The Timeline. Some readers may find the nonlinear design difficult to follow.
I Was Anastasia by Ariel Lawhon is a work of historical fiction. It is the prefect marriage of creativity and intelligence. From her character development to the time line set up, it is an amazing piece of work. I Was Anastasia will be published March 27, 2018 by Doubleday Books.
I give this book a 5 out of 5 stars rating. It is by far the best book I have read this year. I would recommend it to any lover of the Romanov history or historical fiction lover. However, I do recommend doing some research first. I have a good deal of knowledge on the Romanovs and that improved my experience with this book.
I love the time line set up in this book. It is an amazing idea to have both women moving toward each other like trains on the same track. The moment they collide will be the moment we learn the truth. While I do not like Anna on a personal level, I appreciate how cunning, clever, and totally insane she is. She is one of most interesting characters I have ever read. I appreciate the amount of research that must have went into this novel. While it is a work of fiction, I bet that was a time consuming task.
The only criticism I can possibly have for this book is the very thing I like most: The Timeline. Some readers may find the nonlinear design difficult to follow.
I Was Anastasia by Ariel Lawhon is a work of historical fiction. It is the prefect marriage of creativity and intelligence. From her character development to the time line set up, it is an amazing piece of work. I Was Anastasia will be published March 27, 2018 by Doubleday Books.
I give this book a 5 out of 5 stars rating. It is by far the best book I have read this year. I would recommend it to any lover of the Romanov history or historical fiction lover. However, I do recommend doing some research first. I have a good deal of knowledge on the Romanovs and that improved my experience with this book.
LeftSideCut (3778 KP) rated Scream 4 (2011) in Movies
Nov 12, 2020
11 years after Scream 3 "graced" cinema screens, Wes Craven returned to his meta horror series in an era where the genre had gone into full remake mode.
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
Bill Nighy recommended Punch-Drunk Love (2002) in Movies (curated)
JT (287 KP) rated The Sweeney (2012) in Movies
Mar 10, 2020
Nick Love’s take on the ’70s TV cop show of the same name packs every bit a hard knuckled punch as you would expect it to. The director of such films as The Football Factory and The Business even manages to stay clear of Danny Dyer and cast a slick and talented bunch of individuals, led by Ray Winstone.
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.
Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Gareth von Kallenbach (965 KP) rated Ferdinand (2017) in Movies
Jul 11, 2019
The movie follows the main character Ferdinand on his journey to find a way to “just be himself”, even though what he “wants” to be (and how he feels) is not what he is “supposed” to be.
The voice cast includes John Cena (Ferdinand), Kate McKinnon (Lupe), Gina Rodriguez (Una), Anthony Anderson (Bones), Daveed Diggs (Dos), Gabriel Iglesias (Cuatro), Bobby Cannavale (Valiente), and Peyton Manning (Guapo).
The movie opens to Ferdinand already bucking the system, tending a flower sprouting in the calves play yard. Born on a ranch and destined for either the bull fighting ring or “the chop shop” if he can’t make the cut, while the others play fight and trash talk, Ferdinand is trying to secretly water and nurture the pretty red flower. The other calves bully and intimidate each other, while Ferdinand is “softer”. Shortly after the opening, Ferdinand asks his father why he can’t be “the Champion of not fighting”. Ferdinand’s father responds that he wishes the world could work that way.
When Ferdinand realizes that there is no “winning” when it comes to being chosen by the matador, and his father never comes back from his contest with the matador, Ferdinand realizes he must escape. He runs away and eventually finds himself taken in by a family that has a flower farm. Ferdinand grows up surrounded by the love of a little girl and her family.
As a bulky adult bull, Ferdinands adopted family tells him he must stay home from the marketplace because he is too big, but Ferdinand defies their instructions and follows them to the market, where he is stung by a bee, and goes on a pain induced flight through the town, scaring people and breaking carts. The townspeople call for him to be removed, and lo and behold he is caught and returned to his origins at the ranch.
His original pen-mates are all still there, and practicing for their bouts with the matador. Ferdinand tries to tell them that nothing ever good comes of the meeting with the matador, that there is no winning, and that once gone, there is no glory and they will never return. Eventually they believe him and they make their hilarious escape.
The movie moves along at a good pace, and has a good message. It is full of bright colors and the music works well within the movie. The final scenes are wonderful and (to me) shed light on the absolute absurdity of the “sport” of bull-fighting, while at the same time wrapping up the movie with a well-deserved “happy ending”.
My 9-year-old son liked the movie a lot, my husband and I laughed out loud at many parts, and the 15-month-old was kept entertained by the music and characters dancing.
The voice cast includes John Cena (Ferdinand), Kate McKinnon (Lupe), Gina Rodriguez (Una), Anthony Anderson (Bones), Daveed Diggs (Dos), Gabriel Iglesias (Cuatro), Bobby Cannavale (Valiente), and Peyton Manning (Guapo).
The movie opens to Ferdinand already bucking the system, tending a flower sprouting in the calves play yard. Born on a ranch and destined for either the bull fighting ring or “the chop shop” if he can’t make the cut, while the others play fight and trash talk, Ferdinand is trying to secretly water and nurture the pretty red flower. The other calves bully and intimidate each other, while Ferdinand is “softer”. Shortly after the opening, Ferdinand asks his father why he can’t be “the Champion of not fighting”. Ferdinand’s father responds that he wishes the world could work that way.
When Ferdinand realizes that there is no “winning” when it comes to being chosen by the matador, and his father never comes back from his contest with the matador, Ferdinand realizes he must escape. He runs away and eventually finds himself taken in by a family that has a flower farm. Ferdinand grows up surrounded by the love of a little girl and her family.
As a bulky adult bull, Ferdinands adopted family tells him he must stay home from the marketplace because he is too big, but Ferdinand defies their instructions and follows them to the market, where he is stung by a bee, and goes on a pain induced flight through the town, scaring people and breaking carts. The townspeople call for him to be removed, and lo and behold he is caught and returned to his origins at the ranch.
His original pen-mates are all still there, and practicing for their bouts with the matador. Ferdinand tries to tell them that nothing ever good comes of the meeting with the matador, that there is no winning, and that once gone, there is no glory and they will never return. Eventually they believe him and they make their hilarious escape.
The movie moves along at a good pace, and has a good message. It is full of bright colors and the music works well within the movie. The final scenes are wonderful and (to me) shed light on the absolute absurdity of the “sport” of bull-fighting, while at the same time wrapping up the movie with a well-deserved “happy ending”.
My 9-year-old son liked the movie a lot, my husband and I laughed out loud at many parts, and the 15-month-old was kept entertained by the music and characters dancing.
Gareth von Kallenbach (965 KP) rated Clerks II (2006) in Movies
Aug 14, 2019
In 1994, Writer/Director/Producer Kevin Smith emerged as a talented filmmaker to watch with his independent film Clerks The film was a no holds barred look at the lives of two desk clerks, who toil away behind the counters of a video and convince store.
The film was made on a tight budget with a cast of unknowns who discussed all manner of issues from life, love, and beyond in very graphic and outlandish terms as they go through a very long day and evening on the job.
The film went on to be a darling at Sundance and paved the way from Kevin Smith to do a series of films which featured lovable yet realistic characters trying to understand life, and get by in a world where they do not always seem to fit. Of course the films always had Smith’s trademark ability to discuss topics in new and unique ways that blended raunchy moments with inspired dialogue and genuine emotions.
A few years back I interviewed Kevin Smith in support of his film Jersey Girl and it seemed that he was on the fast track to do films such as The Green Hornet and Fletch Lives. Despite the series of frustrations due to reported studio conflicts over his Superman Lives script, it seemed that Kevin was moving towards larger budget studio films.
Fate can be a funny thing, especially in Hollywood, and while preparing the 10th anniversary DVD edition of Clerks as well as the work on the short-lived Clerks animated series, Smith reportedly became inspired as to what the characters from his breakout film had become ten years further on.
Despite some delays caused by the departure of the Weinstein brothers from Miramax and the reluctance of one of the principal cast members, who was concerned that they would not be able to recapture the magic of the first film, “Clerks II” has arrived and is easily one of the funniest films I have ever seen.
The stars of the first film Dante (Brian O’Halloran), and Randal (Jeff Anderson), now find themselves working at a fast food store called Moobys, and as usual, Randal never finds a shortage of bizarre and outrageous topics to impart his wisdom and theories to a usual shocked Dante. It is learned that Dante is about to work his last shift, as in the morning he is moving to Florida from his New Jersey home, in order to get married and start a new career as a manager at a business owned by his future father in law.
Dante also must contend with his friendship with his manager Becky (Rosario Dawson), who wants to make sure that he is moving and getting married for the right reasons and not because it is expected of him.
Of course there are no shortage of characters in the film who add to the merriment, from the customers, to an employee named Elias (Trevor Fehrman), whose mild mannered ways and bizarre obsession with Lord of the Rings makes him a constant foil for the ever irascible Randal, who never loses interest in finding new ways to give Elias a hard time.
Then there are series favorites Jay and Silent Bob, (Jason: Mewes), and (Kevin Smith). The two slackers and drug dealers have now cleaned up their act. They still sell drugs; they just no longer use them. Jay is also prone to spouting his theories on religion to his customers, as he attempts to pass the faith while passing pot.
The duo feature throughout the film and offer some of the funniest moments in the film including a hilarious parody of The Silence of the Lambs.
As the day and evening plays out, one manner of hilarious and outrageous event after another occurs, which forces Dante and Randal to evaluate their lives, as well as what truly being happy and successful means.
While some may say this film is just a collection of crude humor that would be underscoring the true triumph of the film. Smith once again shows that he can portray flawed but realistic characters with surprising realism and charm. The characters know who they are, and make no apologies for being what society would call rough around the edges or failures they are being true to themselves and it is their frank and blunt ways of communicating that make them real and endear them to the audience.
They face the same issues that most of us have to face in life when we examine the paths we take, as well as the decisions we make and the resulting consequences which underscores the ultimate fact that one must be true to themselves.
A true classic and easily the best film Kevin Smith has ever done do not miss this film.
The film was made on a tight budget with a cast of unknowns who discussed all manner of issues from life, love, and beyond in very graphic and outlandish terms as they go through a very long day and evening on the job.
The film went on to be a darling at Sundance and paved the way from Kevin Smith to do a series of films which featured lovable yet realistic characters trying to understand life, and get by in a world where they do not always seem to fit. Of course the films always had Smith’s trademark ability to discuss topics in new and unique ways that blended raunchy moments with inspired dialogue and genuine emotions.
A few years back I interviewed Kevin Smith in support of his film Jersey Girl and it seemed that he was on the fast track to do films such as The Green Hornet and Fletch Lives. Despite the series of frustrations due to reported studio conflicts over his Superman Lives script, it seemed that Kevin was moving towards larger budget studio films.
Fate can be a funny thing, especially in Hollywood, and while preparing the 10th anniversary DVD edition of Clerks as well as the work on the short-lived Clerks animated series, Smith reportedly became inspired as to what the characters from his breakout film had become ten years further on.
Despite some delays caused by the departure of the Weinstein brothers from Miramax and the reluctance of one of the principal cast members, who was concerned that they would not be able to recapture the magic of the first film, “Clerks II” has arrived and is easily one of the funniest films I have ever seen.
The stars of the first film Dante (Brian O’Halloran), and Randal (Jeff Anderson), now find themselves working at a fast food store called Moobys, and as usual, Randal never finds a shortage of bizarre and outrageous topics to impart his wisdom and theories to a usual shocked Dante. It is learned that Dante is about to work his last shift, as in the morning he is moving to Florida from his New Jersey home, in order to get married and start a new career as a manager at a business owned by his future father in law.
Dante also must contend with his friendship with his manager Becky (Rosario Dawson), who wants to make sure that he is moving and getting married for the right reasons and not because it is expected of him.
Of course there are no shortage of characters in the film who add to the merriment, from the customers, to an employee named Elias (Trevor Fehrman), whose mild mannered ways and bizarre obsession with Lord of the Rings makes him a constant foil for the ever irascible Randal, who never loses interest in finding new ways to give Elias a hard time.
Then there are series favorites Jay and Silent Bob, (Jason: Mewes), and (Kevin Smith). The two slackers and drug dealers have now cleaned up their act. They still sell drugs; they just no longer use them. Jay is also prone to spouting his theories on religion to his customers, as he attempts to pass the faith while passing pot.
The duo feature throughout the film and offer some of the funniest moments in the film including a hilarious parody of The Silence of the Lambs.
As the day and evening plays out, one manner of hilarious and outrageous event after another occurs, which forces Dante and Randal to evaluate their lives, as well as what truly being happy and successful means.
While some may say this film is just a collection of crude humor that would be underscoring the true triumph of the film. Smith once again shows that he can portray flawed but realistic characters with surprising realism and charm. The characters know who they are, and make no apologies for being what society would call rough around the edges or failures they are being true to themselves and it is their frank and blunt ways of communicating that make them real and endear them to the audience.
They face the same issues that most of us have to face in life when we examine the paths we take, as well as the decisions we make and the resulting consequences which underscores the ultimate fact that one must be true to themselves.
A true classic and easily the best film Kevin Smith has ever done do not miss this film.