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Merissa (11666 KP) rated Confined Desires (Rehoboth Pact #1) in Books
Feb 1, 2021 (Updated Aug 7, 2023)
CONFINED DESIRES is the first book in the Rehoboth Pact series. Sky had a crush on her best friend but was hurt when she left without much of a warning. Then Mia was with a guy, so Sky definitely thought her ship had sailed. Mia returns into her life though, at a time when quarantine gives them no option but to be in close contact. The question is whether both Sky and Mia are able to work through the baggage of their past, to make a future together.
This is the first FF romance by Katherine McIntyre I have read, and it's a contemporary! I make no bones about preferring MM and Paranormal, but it's Katherine McIntyre!!! I had no choice, honest! And speaking of honesty, that's what I got. An honest and thoughtful, sweet and sexy, story that also proves women are just as bad at communicating as men are.
I enjoyed the parallels between their story and the current state of affairs in my world, with it enhancing the story without shoving the similarities down my throat.
The world- and character-building are just what I would expect from a KM book. I am left with the warm and fuzzies from this book, and also left wanting the next in the series. A great read I have no hesitation in recommending.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 1, 2021
This is the first FF romance by Katherine McIntyre I have read, and it's a contemporary! I make no bones about preferring MM and Paranormal, but it's Katherine McIntyre!!! I had no choice, honest! And speaking of honesty, that's what I got. An honest and thoughtful, sweet and sexy, story that also proves women are just as bad at communicating as men are.
I enjoyed the parallels between their story and the current state of affairs in my world, with it enhancing the story without shoving the similarities down my throat.
The world- and character-building are just what I would expect from a KM book. I am left with the warm and fuzzies from this book, and also left wanting the next in the series. A great read I have no hesitation in recommending.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 1, 2021
Lyndsey Gollogly (2893 KP) rated Guardian Ascending ( Collectors Division book 3) in Books
Aug 29, 2022
155 of 230
Kindle
Guardian Ascending ( Collectors Division book 3)
By Lexie Winston
⭐️⭐️⭐️⭐️⭐️
🌶🌶🌶🌶🌶
Mina’s in trouble again. Knocked out and captured by AoA, she has no idea what they want from her. Has friend turned to foe? And how is she going to be able to feed her hungers while in captivity?
Meanwhile her parents are on the war path, and her team are trying to rescue her, but they are blocked at every turn.
With time running out to defeat Hammus, Team Alpha receives some much needed help from an unlikely source.
Can they rescue Mina and together, save the worlds from total domination and enslavement.
Join Jessamina and her team in Book three of the Collectors Division.
Guardian’s Blood is a Reverse harem novel and as such there will be no choosing. Contains both MM and FF and scenes of a sexual nature and isn’t recommend for young readers.
Holy hell that’s one way to wrap up a trilogy! Omg I had every emotion going! I’ve enjoyed this series so so much and I’m hoping and praying we get a spin off I mean there is just too much not too! I won’t post spoilers but once you have read this you will totally understand. Mina is one hot pink bar or demon! Spicy scenes I normally brush over but these were just dragging me in. The world building and characters I just absolutely loved I’ve literally stayed up all night to finish it. Please give this author and series a go!
Kindle
Guardian Ascending ( Collectors Division book 3)
By Lexie Winston
⭐️⭐️⭐️⭐️⭐️
🌶🌶🌶🌶🌶
Mina’s in trouble again. Knocked out and captured by AoA, she has no idea what they want from her. Has friend turned to foe? And how is she going to be able to feed her hungers while in captivity?
Meanwhile her parents are on the war path, and her team are trying to rescue her, but they are blocked at every turn.
With time running out to defeat Hammus, Team Alpha receives some much needed help from an unlikely source.
Can they rescue Mina and together, save the worlds from total domination and enslavement.
Join Jessamina and her team in Book three of the Collectors Division.
Guardian’s Blood is a Reverse harem novel and as such there will be no choosing. Contains both MM and FF and scenes of a sexual nature and isn’t recommend for young readers.
Holy hell that’s one way to wrap up a trilogy! Omg I had every emotion going! I’ve enjoyed this series so so much and I’m hoping and praying we get a spin off I mean there is just too much not too! I won’t post spoilers but once you have read this you will totally understand. Mina is one hot pink bar or demon! Spicy scenes I normally brush over but these were just dragging me in. The world building and characters I just absolutely loved I’ve literally stayed up all night to finish it. Please give this author and series a go!
Gareth von Kallenbach (965 KP) rated Kingsglaive: Final Fantasy XV (2016) in Movies
Jul 15, 2019
It seems like just last week that the creators of the Final Fantasy game franchise sought to bring their vision of the universe they created, and their story, to the silver screen. Well, okay. It wasn’t last week. It’s actually been about 15 years since this really took place in 2001.
I remember being extremely excited for Final Fantasy: The Spirits Within, but the movie itself escapes me today. I think the lack of a lasting impact could have to do with those same creators scrambling to find the distinction between a wide-release movie and a game they’re already heavily invested in. After re-visiting the film, I remember my initial thoughts and they remain the same today. The nowhere-near-photo-realistic animated characters battled and chased each other to and fro in a tale that made little to no sense, with or without the rules of the (bad for its time) computer animated gamescape it’s all set in.
Flash back forward to today, another Japanese made FF movie makes its way to the screen via Kingsglaive: Final Fantasy XV. Kingsglaive represents a quantum leap forward in animation and design, if not a great leap in mo-cap technology and story. The images are far more flexible, more mobile, and more tactile; though, the faces still lack expression, much less what anyone could called subtle or nuanced. The backdrops are striking and surreal, on a par with many of the big sci-fi and fantasy films hitting theaters these days.
But, take away the advertorial nature of Kingsglaive, ignore its use as a cheat sheet, prep for the players of various corners of the game world it depicts, and deal with it as a story with characters and incidents anybody not devoted to the game would watch, and it’s the same old, same old when it comes to FF. It remains a misshapen mash-up heavy with sci-fi fantasy exposition and a back story so convoluted that a single two-hour movie cannot encapsulate it.
Kingsglaive dwells mostly in the realm of fantasy, inside a universe of medieval castles, steampunk weaponry, armor, and creatrues. A world where the Kingdom of Lucis faces a new threat at the end of an uneasy peace with the Niflheim Empire. There’s a magic crystal (of course there is) and the only warriors King Regis (Sean Bean) trusts to defend it are his Kingsglaive, who are empowered by the magic of their sovereign. There are tusked wildebeest warhorses. You would think these would be the point of reference when someone shouts, “Release the DEMON!” But no, they’re actually talking about war crabs – crabs that spit out a hailstorm of fireballs.
The stakes are high, and there’s been quite a bit of intermixing of Lucians and Niflheimers in the “hundred years of peace”, but anti-immigrant backlash rears its ugly head. Taunts and slurs against the immigrants are present, as is there a wall – who says video game movies can’t be topical. With the immigrants who must prove themselves, there are good soldiers, an evil prince, all with tongue-twisting names like Lenafreya Nox Fleuret, should you choose to try and remember them.
The dialogue, delivered by the likes of Aaron Paul and Lena Heady, could have been better. Though I don’t so much blame the voice talent as much as I do the script itself, with classics like “Get back here alive! That’s an order!” and “You speak of matters beyond the wall.”
Probably the biggest thing most movie fans will remember, is the name of the city under threat. It probably has the silliest name this side of Raccoon City. They call it, Insomnia. Which is kind of ironic, because Kingsglaive may be a cure for the condition for some.
I remember being extremely excited for Final Fantasy: The Spirits Within, but the movie itself escapes me today. I think the lack of a lasting impact could have to do with those same creators scrambling to find the distinction between a wide-release movie and a game they’re already heavily invested in. After re-visiting the film, I remember my initial thoughts and they remain the same today. The nowhere-near-photo-realistic animated characters battled and chased each other to and fro in a tale that made little to no sense, with or without the rules of the (bad for its time) computer animated gamescape it’s all set in.
Flash back forward to today, another Japanese made FF movie makes its way to the screen via Kingsglaive: Final Fantasy XV. Kingsglaive represents a quantum leap forward in animation and design, if not a great leap in mo-cap technology and story. The images are far more flexible, more mobile, and more tactile; though, the faces still lack expression, much less what anyone could called subtle or nuanced. The backdrops are striking and surreal, on a par with many of the big sci-fi and fantasy films hitting theaters these days.
But, take away the advertorial nature of Kingsglaive, ignore its use as a cheat sheet, prep for the players of various corners of the game world it depicts, and deal with it as a story with characters and incidents anybody not devoted to the game would watch, and it’s the same old, same old when it comes to FF. It remains a misshapen mash-up heavy with sci-fi fantasy exposition and a back story so convoluted that a single two-hour movie cannot encapsulate it.
Kingsglaive dwells mostly in the realm of fantasy, inside a universe of medieval castles, steampunk weaponry, armor, and creatrues. A world where the Kingdom of Lucis faces a new threat at the end of an uneasy peace with the Niflheim Empire. There’s a magic crystal (of course there is) and the only warriors King Regis (Sean Bean) trusts to defend it are his Kingsglaive, who are empowered by the magic of their sovereign. There are tusked wildebeest warhorses. You would think these would be the point of reference when someone shouts, “Release the DEMON!” But no, they’re actually talking about war crabs – crabs that spit out a hailstorm of fireballs.
The stakes are high, and there’s been quite a bit of intermixing of Lucians and Niflheimers in the “hundred years of peace”, but anti-immigrant backlash rears its ugly head. Taunts and slurs against the immigrants are present, as is there a wall – who says video game movies can’t be topical. With the immigrants who must prove themselves, there are good soldiers, an evil prince, all with tongue-twisting names like Lenafreya Nox Fleuret, should you choose to try and remember them.
The dialogue, delivered by the likes of Aaron Paul and Lena Heady, could have been better. Though I don’t so much blame the voice talent as much as I do the script itself, with classics like “Get back here alive! That’s an order!” and “You speak of matters beyond the wall.”
Probably the biggest thing most movie fans will remember, is the name of the city under threat. It probably has the silliest name this side of Raccoon City. They call it, Insomnia. Which is kind of ironic, because Kingsglaive may be a cure for the condition for some.
LeftSideCut (3778 KP) rated Final Fantasy VII Remake in Video Games
Apr 28, 2020
Like many of you, Final Fantasy VII is my favourite game, ever. It was the first FF title I played all the way back in 1997, and have since played it through a silly amount of times in the years since.
The prospect of a remake was cautiously exciting to me, but any doubts I may have had were completely blown away withkn the first hour or two of play.
Final Fantasy VII Remake looks absolutely stunning. It plays on nostalgia in all the right ways as it brings characters and locations from the original straight into the modern times, and a few texture issues aside, it's one of the best looking games available.
The combat mechanics are superb as well. Fairly similar to FFXV in style, with some elements taken from XIII, make for an easily addictive play style, and one that has buckets of replayability.
There has been a lot of concerns raised about the decision to release the remakes in parts - this game is based on the first 5-6 hours of the original. Remake however, is a fully fledged gaming experience in its own right. After finishing the main story, my play time had clocked in at a respectable 42 hours, and this isn't taking into consideration endgame content, and new game plus mode. It's hefty for sure.
Nobuo Uematsu's beloved score from the original has had and incredibly crafted upgrade as well. The music score is just phenomenal, and elevates the whole thing to bigger and better heights.
This isn't to say that Remake is flawless, because it's not. The main issue that people have taken seems to be with the story (no spoilers, don't worry). A lot of the new stuff added to pad out the game is genuinely great, however, there are some big changes made to the original, which is bound to piss off die hard fans. Personally, I'm ok with it at the moment, but I do have some concerns about how it will effect future installments.
Some of the exploration is very linear, but honestly, it's something that didn't impact my enjoyment too much, especially with the likely hood of part 2 being more open.
All things considered, Remake is above and beyond what I thought we would get. It's a fantastic reimagining of a stone cold classic, and part 2 can't come soon enough. My heart is full.
The prospect of a remake was cautiously exciting to me, but any doubts I may have had were completely blown away withkn the first hour or two of play.
Final Fantasy VII Remake looks absolutely stunning. It plays on nostalgia in all the right ways as it brings characters and locations from the original straight into the modern times, and a few texture issues aside, it's one of the best looking games available.
The combat mechanics are superb as well. Fairly similar to FFXV in style, with some elements taken from XIII, make for an easily addictive play style, and one that has buckets of replayability.
There has been a lot of concerns raised about the decision to release the remakes in parts - this game is based on the first 5-6 hours of the original. Remake however, is a fully fledged gaming experience in its own right. After finishing the main story, my play time had clocked in at a respectable 42 hours, and this isn't taking into consideration endgame content, and new game plus mode. It's hefty for sure.
Nobuo Uematsu's beloved score from the original has had and incredibly crafted upgrade as well. The music score is just phenomenal, and elevates the whole thing to bigger and better heights.
This isn't to say that Remake is flawless, because it's not. The main issue that people have taken seems to be with the story (no spoilers, don't worry). A lot of the new stuff added to pad out the game is genuinely great, however, there are some big changes made to the original, which is bound to piss off die hard fans. Personally, I'm ok with it at the moment, but I do have some concerns about how it will effect future installments.
Some of the exploration is very linear, but honestly, it's something that didn't impact my enjoyment too much, especially with the likely hood of part 2 being more open.
All things considered, Remake is above and beyond what I thought we would get. It's a fantastic reimagining of a stone cold classic, and part 2 can't come soon enough. My heart is full.
Debbiereadsbook (1080 KP) rated Constitution Check (Dungeons and Dating #4) by Katherine McIntyre in Books
Sep 24, 2022
i love this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Dungeons & Dating book, and while not strictly necessary to have read the other three before this, I STRONGLY recommend you do. Not least because they are ALL five star reads, from me. But I would probably say read book 3, at least. Something happens in that book that leads into this one, and you get an inkling as to what Kelly is living through.
Ms McIntyre never ceases to amaze me, she can flip on a penny and it takes you a while to catch up with that little nugget of info, or this little comment that someone says. I have to slow my reading down to pay great attention, and I love that I have to.
Both Tabby and Kelly appear in previous books, although I couldn't place Tabby til there was something said here. (see above!)
Both girls are suffering in one way or another, but it takes a long time for them to open up to each other, to us. The clues are all there, they really are, but I didn't put the pieces together for Tabby, not straight away. I did for Kelly, because the signs were there in book 3.
Its not an easy read, given what Kelly went through, but it is extremely well written. Emotional reading, I had a tear or too. When Kelly finally lets Tabby in and vice versa, I cried, I really did.
Its steamy too! And while it IS steamy, it takes a back step, I think, to the emotions involved for these girls.
All the other pairings take part here, given as they all work together at the cafe, and we meet Eli, Tabby's cousin. He is one of the leads in the next book along with Arjun.
I read this in one sitting, stayed up way past my bedtime and was entirely unrepentant of that fact! I bloody loved it!
I love that McIntyre can flip from MM to MF and then to FF. Quite a skill to deliver each, but to be able to deliver them ALL?? Amazing. Please keep them coming!!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 4 in the Dungeons & Dating book, and while not strictly necessary to have read the other three before this, I STRONGLY recommend you do. Not least because they are ALL five star reads, from me. But I would probably say read book 3, at least. Something happens in that book that leads into this one, and you get an inkling as to what Kelly is living through.
Ms McIntyre never ceases to amaze me, she can flip on a penny and it takes you a while to catch up with that little nugget of info, or this little comment that someone says. I have to slow my reading down to pay great attention, and I love that I have to.
Both Tabby and Kelly appear in previous books, although I couldn't place Tabby til there was something said here. (see above!)
Both girls are suffering in one way or another, but it takes a long time for them to open up to each other, to us. The clues are all there, they really are, but I didn't put the pieces together for Tabby, not straight away. I did for Kelly, because the signs were there in book 3.
Its not an easy read, given what Kelly went through, but it is extremely well written. Emotional reading, I had a tear or too. When Kelly finally lets Tabby in and vice versa, I cried, I really did.
Its steamy too! And while it IS steamy, it takes a back step, I think, to the emotions involved for these girls.
All the other pairings take part here, given as they all work together at the cafe, and we meet Eli, Tabby's cousin. He is one of the leads in the next book along with Arjun.
I read this in one sitting, stayed up way past my bedtime and was entirely unrepentant of that fact! I bloody loved it!
I love that McIntyre can flip from MM to MF and then to FF. Quite a skill to deliver each, but to be able to deliver them ALL?? Amazing. Please keep them coming!!
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1080 KP) rated Restrained Desires (Rehoboth Pact #3) in Books
Apr 9, 2022
Saved the best for last!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book in the Rehoboth Pact trilogy. It CAN be read as a stand alone, however I STRONGLY recommend you read the other two books first. It will give you a better picture of Kyle and how, up to now, she has been kind of in the background. Confined got 4 stars, Opposed crept up to 4.5 stars.
But this one? Knocked it out the park, baby, and it gets the full and shiny 5 star rating! Saving the best for last was the right thing to do!
Chelsea is Aubrey's sister (from Opposed) and is newly divorced from her husband. Kyle is, well, at best, plodding along. Her mother (and I use the term very loosely!) pushes Kyle to say she is bringing a date to the family gathering and then panics because she doesn't have one. Chelsea, being all single, steps up to the plate to help Kyle. And there follows a journey of self discovery, and learning to love yourself, and that found families can be so much more than blood families.
Kyle. . .oh! i wanted to wrap her up and give her a big cuddle cos that parental female unit was not a nice person! Wanted to punch the b*tch a time or two! But Chelsea? She really SEES Kyle, and Kyle does struggle a bit with that, at first. Once she and Chelsea take their fake relationship up a notch, Kyle really benefits for having someone in her corner. And Chelsea? She's different to Aubs, but not less a force to be reckoned with. Once she gets her hands on Kyle, there was no going back.
Til someone does something stoopid and then there is a fight to be had.
Aubs nearly got a punch, here, along with that parental unit. She didn't take too well to Chelsea and Kyle getting together and deals with it badly. She DOES redeem herself, giving Chelsea the means to win the fight for Kyle, but still.
It is again, HEAVY on the emotional aspect, but for Kyle dealing with that parental unit b*tch and feelings of inadequacy, and Chelsea, dealing with her divorce, but her father's betrayal cuts deep. He does come out the other side, but faced with losing both his daughters will make anyone turnaround rapidly!
The smexy stuff? Oh! My! Days! steamiest of the three. Mostly because Kyle pushes every single button of Chelsea's and then some. And Chelsea pushes buttons in Kyle she never knew she needed pushing!
Obviously, Aubs and Selina play a part here, but also Mia and Sky, and it was lovely to catch up with them all.
I again commend Ms McIntyre on her writing skills. Switching from MF, to MM and then to FF can't be easy, but McIntyre NAILS it with the final book in this trilogy. Keep 'em coming, please!
As I said . .
5 full and shiny stars!
*same worded review will appear elsewhere
This is the final book in the Rehoboth Pact trilogy. It CAN be read as a stand alone, however I STRONGLY recommend you read the other two books first. It will give you a better picture of Kyle and how, up to now, she has been kind of in the background. Confined got 4 stars, Opposed crept up to 4.5 stars.
But this one? Knocked it out the park, baby, and it gets the full and shiny 5 star rating! Saving the best for last was the right thing to do!
Chelsea is Aubrey's sister (from Opposed) and is newly divorced from her husband. Kyle is, well, at best, plodding along. Her mother (and I use the term very loosely!) pushes Kyle to say she is bringing a date to the family gathering and then panics because she doesn't have one. Chelsea, being all single, steps up to the plate to help Kyle. And there follows a journey of self discovery, and learning to love yourself, and that found families can be so much more than blood families.
Kyle. . .oh! i wanted to wrap her up and give her a big cuddle cos that parental female unit was not a nice person! Wanted to punch the b*tch a time or two! But Chelsea? She really SEES Kyle, and Kyle does struggle a bit with that, at first. Once she and Chelsea take their fake relationship up a notch, Kyle really benefits for having someone in her corner. And Chelsea? She's different to Aubs, but not less a force to be reckoned with. Once she gets her hands on Kyle, there was no going back.
Til someone does something stoopid and then there is a fight to be had.
Aubs nearly got a punch, here, along with that parental unit. She didn't take too well to Chelsea and Kyle getting together and deals with it badly. She DOES redeem herself, giving Chelsea the means to win the fight for Kyle, but still.
It is again, HEAVY on the emotional aspect, but for Kyle dealing with that parental unit b*tch and feelings of inadequacy, and Chelsea, dealing with her divorce, but her father's betrayal cuts deep. He does come out the other side, but faced with losing both his daughters will make anyone turnaround rapidly!
The smexy stuff? Oh! My! Days! steamiest of the three. Mostly because Kyle pushes every single button of Chelsea's and then some. And Chelsea pushes buttons in Kyle she never knew she needed pushing!
Obviously, Aubs and Selina play a part here, but also Mia and Sky, and it was lovely to catch up with them all.
I again commend Ms McIntyre on her writing skills. Switching from MF, to MM and then to FF can't be easy, but McIntyre NAILS it with the final book in this trilogy. Keep 'em coming, please!
As I said . .
5 full and shiny stars!
*same worded review will appear elsewhere
Bob Mann (459 KP) rated American Made (2017) in Movies
Sep 29, 2021
Cruise Flying High Again.
If you ask anyone to list the top 10 film actors, chance is that “Tom Cruise” would make many people’s lists. He’s in everything isn’t he? Well, actually, no. Looking at his imdb history, he’s only averaged just over a movie per year for several years. I guess he’s just traditionally made a big impact with the films he’s done. This all rather changed in the last year with his offerings of the rather lacklustre “Jack Reacher: Never Go Back” (FFF) and the pretty dreadful “The Mummy” (Ff) as one of this summer’s big blockbuster disappointments. So Thomas Cruise Mapother IV was sorely in need of a upward turn and fortunately “American Made” delivers in spades.
A quick stop in Nicaragua to pick up some paperwork from Noriega.
“Based on a True Story” this is a biopic on the life of Barry Seal, a hot shot ‘maverick’ (pun intended) TWA pilot who gets drawn into a bizarre but highly lucrative spiral of gun- and drug-running to and from Central America at the behest of a CIA operative Monty Schafer (Domhnall Gleeson). All this is completely mystifying to Barry’s wife Lucy (Sarah Wright) who is, at least not initially, allowed to be ‘in’ on the covert activities.
Flying high over Latin America.
The film is a roller-coaster ride of unbelievable action from beginning to end. In the same manner as you might have thought “that SURELY can’t be true” when watching Spielberg’s “Catch Me If You Can”, this thought constantly flits through your mind. At each turn Seal can’t believe his luck, and Cruise brilliantly portrays the wide-eyed astonishment required. This is a role made for him.
Also delivering his best performance in years is Domhnall Gleeson (“Ex Machina“, “Star Wars: The Force Awakens“) as the CIA man with the (whacky) plan. Large chunks of the film are powered by his manic grin.
Domhnall Gleeson as the CIA man with a sense of Contra-rhythm.
As an actress, Sarah Wright is new to me but as well as being just stunningly photogenic she works with Cruise really well (despite being 20 years his junior – not wanting to be ageist, but this is the second Cruise film in a row I’ve pointed that out!)). Wright also gets my honourary award for the best airplane sex scene this decade!
“Time to pack honey”. Seal (Cruise) delivering a midnight surprise to wife Lucy (Sarah Wright) – and not in a good way.
Written by Gary Spinelli (this being only his second feature) the script is full of wit and panache and – while almost certainly (judging from wiki) stretches the truth as far as Seal’s cash-storage facilities – never completely over-eggs the pudding.
Doug Liman (“Jason Bourne“, “Edge of Tomorrow“) directs brilliantly, giving space among the action for enough character development to make you invest in what happens to the players. The 80’s setting is lovingly crafted with a garish colour-palette with well-chosen documentary video inserts of Carter, Reagan, Oliver Stone, George Bush and others. It also takes really chutzpah to direct a film that (unless I missed it) had neither a title nor any credits until the end.
The real Barry Seal.
The only vaguely negative view I had about this film is that it quietly glosses over the huge pain, death and suffering that the smuggled drugs will be causing to thousands of Americans under the covers. And this mildly guilty thought lingers with you after the lights come up to slightly – just slightly – take the edge off the fun.
Stylish, thrilling, moving and enormously funny in places, this is action cinema at its best. A must see film.
A quick stop in Nicaragua to pick up some paperwork from Noriega.
“Based on a True Story” this is a biopic on the life of Barry Seal, a hot shot ‘maverick’ (pun intended) TWA pilot who gets drawn into a bizarre but highly lucrative spiral of gun- and drug-running to and from Central America at the behest of a CIA operative Monty Schafer (Domhnall Gleeson). All this is completely mystifying to Barry’s wife Lucy (Sarah Wright) who is, at least not initially, allowed to be ‘in’ on the covert activities.
Flying high over Latin America.
The film is a roller-coaster ride of unbelievable action from beginning to end. In the same manner as you might have thought “that SURELY can’t be true” when watching Spielberg’s “Catch Me If You Can”, this thought constantly flits through your mind. At each turn Seal can’t believe his luck, and Cruise brilliantly portrays the wide-eyed astonishment required. This is a role made for him.
Also delivering his best performance in years is Domhnall Gleeson (“Ex Machina“, “Star Wars: The Force Awakens“) as the CIA man with the (whacky) plan. Large chunks of the film are powered by his manic grin.
Domhnall Gleeson as the CIA man with a sense of Contra-rhythm.
As an actress, Sarah Wright is new to me but as well as being just stunningly photogenic she works with Cruise really well (despite being 20 years his junior – not wanting to be ageist, but this is the second Cruise film in a row I’ve pointed that out!)). Wright also gets my honourary award for the best airplane sex scene this decade!
“Time to pack honey”. Seal (Cruise) delivering a midnight surprise to wife Lucy (Sarah Wright) – and not in a good way.
Written by Gary Spinelli (this being only his second feature) the script is full of wit and panache and – while almost certainly (judging from wiki) stretches the truth as far as Seal’s cash-storage facilities – never completely over-eggs the pudding.
Doug Liman (“Jason Bourne“, “Edge of Tomorrow“) directs brilliantly, giving space among the action for enough character development to make you invest in what happens to the players. The 80’s setting is lovingly crafted with a garish colour-palette with well-chosen documentary video inserts of Carter, Reagan, Oliver Stone, George Bush and others. It also takes really chutzpah to direct a film that (unless I missed it) had neither a title nor any credits until the end.
The real Barry Seal.
The only vaguely negative view I had about this film is that it quietly glosses over the huge pain, death and suffering that the smuggled drugs will be causing to thousands of Americans under the covers. And this mildly guilty thought lingers with you after the lights come up to slightly – just slightly – take the edge off the fun.
Stylish, thrilling, moving and enormously funny in places, this is action cinema at its best. A must see film.
Bob Mann (459 KP) rated Mother! (2017) in Movies
Sep 29, 2021
Welcome to the Crystal Maze.
Darren Aronosfsky’s mother! is like no other film you’ll see this year: guaranteed. As a film lover, an Aronosfsky film is a bit like root canal at the dentist: you know you really need to go ahead and do it, but you know you’re not going to be very comfortable in the process.
Jennifer Lawrence (“Passengers“, “Joy“) plays “mother!” doing up a dilapidated old house in the middle of nowhere with her much older husband “Him” (Javier Bardem, “Skyfall”). he (sorry…. He) is a world-famous poet struggling to overcome a massive writing block. The situation is making things tense between the couple, and things get worse when He inexplicably invites a homeless couple “man” (Ed Harris, “Westworld”, “The Truman Show”) and “woman” (Michelle Pfeiffer, “Stardust”) to stay at the house. As things go progressively downhill, is mother losing her mind or is all the crazy stuff going on actually happening?
Jennifer Lawrence can do no wrong at the moment, and her complexion in the film is flawless: it needs to be, since she has the camera constantly about 3 inches from her face for large chunks of the movie: I sat in the very back row, and I still wasn’t far enough away! Her portrayal of a house-proud woman getting progressively more and more irritated by her guests’ inconsiderate acts – a glass? without a table mat??! – is a joy to watch. As her DIY ‘paradise’ is progressively sullied my ‘man’ and ‘woman’, so her distress grows exponentially.
Some of the supporting acting is also superb, with Ed Harris and particularly Michelle Pfeiffer enjoying themselves immensely. Also worthy of note are the brothers played by real-life brothers Brian Gleeson and Domhnall Gleeson: the latter must never sleep since he must be *constantly* on set at the moment. One of these guys in particular is very abel! (sic).
Whereas the trailer depicts this as a kind of normal haunted house spookfest, it is actually nothing of the sort: much of the action (although far-fetched) has a reasonably rational explanation (a continuation of my theme of the “physics of horror” from my last two reviews). The film is largely seen through mother!’s eyes, and the skillful cinematographer Matthew Libatique – an Aronosfsky-regular – oppressively and relentlessly delivers a uniquely tense cinematic experience. For me, for the first two thirds of the film at least, it succeeds brilliantly.
Aronosfsky is no shirker of film controversy: having Natalie Portman perform oral sex on Natalie Portman in “Black Swan” was enough to teach you that. But in the final reels of this film, Aronosfsky doesn’t just wind the dial past 10 to the Spinal Tap 11…. he keeps going right on up to 20. There are a few scenes in movies over the years that I wish I could go back and “unsee”, and this film has one of those: a truly upsetting slice of horror, playing to your worst nightmares of loss and despair. While the religious allegory in these scenes is splatted on as heavily as the splodges of mother!’s decorative plaster, they are nonetheless extremely disturbing and bound to massively divide the cinema audience. I think it’s fair to say that this DVD is not going to have “The Perfect Gift for Mother’s Day” as its marketing strapline.
Which all leaves me… where exactly? For the first time in a long time I actually have no idea! This is a film that I was willing to give an “FF” to while I was watching it, but as time has passed and I have thought more on the environmental and religious allegories, and the portrayal of the cult worship prevalent in popular X-factor celebrity, I am warming to it despite my best instincts not to. I’m not religious, but I would love to compare notes on this one with someone with strongly Christian views.
So, I’m actually going to break all the rules (a snake told me to) and not provide any rating below at this time. I might revisit it again at Christmas* to see if I can resolve it in my mind as either a movie masterpiece or over-indulgent codswallop.
* I have, and have decided to give it 4 Fads… its a film I’ve thought about a lot over the last few months.
Jennifer Lawrence (“Passengers“, “Joy“) plays “mother!” doing up a dilapidated old house in the middle of nowhere with her much older husband “Him” (Javier Bardem, “Skyfall”). he (sorry…. He) is a world-famous poet struggling to overcome a massive writing block. The situation is making things tense between the couple, and things get worse when He inexplicably invites a homeless couple “man” (Ed Harris, “Westworld”, “The Truman Show”) and “woman” (Michelle Pfeiffer, “Stardust”) to stay at the house. As things go progressively downhill, is mother losing her mind or is all the crazy stuff going on actually happening?
Jennifer Lawrence can do no wrong at the moment, and her complexion in the film is flawless: it needs to be, since she has the camera constantly about 3 inches from her face for large chunks of the movie: I sat in the very back row, and I still wasn’t far enough away! Her portrayal of a house-proud woman getting progressively more and more irritated by her guests’ inconsiderate acts – a glass? without a table mat??! – is a joy to watch. As her DIY ‘paradise’ is progressively sullied my ‘man’ and ‘woman’, so her distress grows exponentially.
Some of the supporting acting is also superb, with Ed Harris and particularly Michelle Pfeiffer enjoying themselves immensely. Also worthy of note are the brothers played by real-life brothers Brian Gleeson and Domhnall Gleeson: the latter must never sleep since he must be *constantly* on set at the moment. One of these guys in particular is very abel! (sic).
Whereas the trailer depicts this as a kind of normal haunted house spookfest, it is actually nothing of the sort: much of the action (although far-fetched) has a reasonably rational explanation (a continuation of my theme of the “physics of horror” from my last two reviews). The film is largely seen through mother!’s eyes, and the skillful cinematographer Matthew Libatique – an Aronosfsky-regular – oppressively and relentlessly delivers a uniquely tense cinematic experience. For me, for the first two thirds of the film at least, it succeeds brilliantly.
Aronosfsky is no shirker of film controversy: having Natalie Portman perform oral sex on Natalie Portman in “Black Swan” was enough to teach you that. But in the final reels of this film, Aronosfsky doesn’t just wind the dial past 10 to the Spinal Tap 11…. he keeps going right on up to 20. There are a few scenes in movies over the years that I wish I could go back and “unsee”, and this film has one of those: a truly upsetting slice of horror, playing to your worst nightmares of loss and despair. While the religious allegory in these scenes is splatted on as heavily as the splodges of mother!’s decorative plaster, they are nonetheless extremely disturbing and bound to massively divide the cinema audience. I think it’s fair to say that this DVD is not going to have “The Perfect Gift for Mother’s Day” as its marketing strapline.
Which all leaves me… where exactly? For the first time in a long time I actually have no idea! This is a film that I was willing to give an “FF” to while I was watching it, but as time has passed and I have thought more on the environmental and religious allegories, and the portrayal of the cult worship prevalent in popular X-factor celebrity, I am warming to it despite my best instincts not to. I’m not religious, but I would love to compare notes on this one with someone with strongly Christian views.
So, I’m actually going to break all the rules (a snake told me to) and not provide any rating below at this time. I might revisit it again at Christmas* to see if I can resolve it in my mind as either a movie masterpiece or over-indulgent codswallop.
* I have, and have decided to give it 4 Fads… its a film I’ve thought about a lot over the last few months.