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Merissa (11656 KP) created a post
Oct 16, 2023
Merissa (11656 KP) created a post
Feb 20, 2023
Merissa (11656 KP) created a post
Jun 20, 2023
colin... (64 KP) rated Black Christmas (2019) in Movies
Sep 30, 2020
I have seen so many films like this that rely on political commentary in an inappropriate way, so I've come up with an outline that I will be filling out as a review for all of them.
Dear Black Christmas, if you are going to use political commentary as your main talking and plot point, it is essential that you use it in a classy and substance filled way. You did not do that, so please fade away into eternity. I especially didn't like the Brett Kavanaugh line, so please get over yourself and make your political commentary make sense. I root for you guys, but you make it very hard.
Dear Black Christmas, if you are going to use political commentary as your main talking and plot point, it is essential that you use it in a classy and substance filled way. You did not do that, so please fade away into eternity. I especially didn't like the Brett Kavanaugh line, so please get over yourself and make your political commentary make sense. I root for you guys, but you make it very hard.
Debbiereadsbook (1074 KP) rated A Lady to Treasure in Books
Oct 17, 2023
very much fade to black and I liked that!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
Debbiereadsbook (1074 KP) rated Island Detour (Sunrise Island #1) in Books
Mar 9, 2024
throughly enjoyable 4 star read
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
Sophie is accused of doing something she knew she did not do, and is suspended from her teaching post. Taking a job in Florida, helping out a friend, seemed the best thing to do during that time. But she was unprepared for taking a lead role in the school and she was totally unprepared for Max, another teacher at the school, trying to get his environmental institute off the ground. They both have demons to fight, but will they be stronger together?
What I especially liked about this book was the slow burn between Sophie and Max. There was immediate attraction, sure, but Max thinks Sophie has ulterior motives for being at the school and he trusts so rarely. It takes him time to see that Sophie can calm his demons, and he, hers. They both just need to admit, trust and give in to each other.
Both Max and Sophie get a say, and I'm glad they did.
There is passion, heat and love here, but I found the smexy times were very much faded to black and I liked that. I do like the smexy books, sure, but I can also appreciate a fade to black book, if the story is a good one.
And this is a good book! It's a great book, and I thoroughly enjoyed reading this, my first by this author. I'd like to read something else, something with a bit more bite.
A thoroughly enjoyable 4 star read.
*same worded review will appear elsewhere
Sophie is accused of doing something she knew she did not do, and is suspended from her teaching post. Taking a job in Florida, helping out a friend, seemed the best thing to do during that time. But she was unprepared for taking a lead role in the school and she was totally unprepared for Max, another teacher at the school, trying to get his environmental institute off the ground. They both have demons to fight, but will they be stronger together?
What I especially liked about this book was the slow burn between Sophie and Max. There was immediate attraction, sure, but Max thinks Sophie has ulterior motives for being at the school and he trusts so rarely. It takes him time to see that Sophie can calm his demons, and he, hers. They both just need to admit, trust and give in to each other.
Both Max and Sophie get a say, and I'm glad they did.
There is passion, heat and love here, but I found the smexy times were very much faded to black and I liked that. I do like the smexy books, sure, but I can also appreciate a fade to black book, if the story is a good one.
And this is a good book! It's a great book, and I thoroughly enjoyed reading this, my first by this author. I'd like to read something else, something with a bit more bite.
A thoroughly enjoyable 4 star read.
*same worded review will appear elsewhere
Merissa (11656 KP) rated Dead of Winter (Aspen Falls #1) in Books
Mar 21, 2018
Dead of Winter (Aspen Falls #1) by Melissa Pearl & Anna Cruise
Dead of Winter is the first book in a new series called Aspen Falls, which is the name of the town Rosie Sweet returns to, even though she swore she never would. Life hasn't turned out how Rosie thought it would, and she seems to have an amazing knack of choosing the wrong men. When this lands her in deep water, she retreats to Aspen Falls, hoping that she will never be found. However, Aspen Falls is suffering a major drugs problem, and the two things just may be connected.
This is an easy-to-read romance suspense, with fade-to-black romance. Written with the combined talents of Melissa Pearl and Anna Cruise, I found their writing styles merged and complemented each other. I don't know who wrote what bit, and that doesn't bother me in the slightest. With no editing or grammatical errors that disrupted my reading flow, I enjoyed the pacing of this book. It felt very smooth as one scene transitioned to another. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is an easy-to-read romance suspense, with fade-to-black romance. Written with the combined talents of Melissa Pearl and Anna Cruise, I found their writing styles merged and complemented each other. I don't know who wrote what bit, and that doesn't bother me in the slightest. With no editing or grammatical errors that disrupted my reading flow, I enjoyed the pacing of this book. It felt very smooth as one scene transitioned to another. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Chris Sawin (602 KP) rated The Black Phone (2022) in Movies
Jun 26, 2022
Ethan Hawke (2 more)
Madeleine McGraw
Leaves much of the horror to the audience's imagination
Writing is a bit silly at times (1 more)
Teases more story elements and horror than it reveals
A Juvenile Curtain Call of Death
Somewhere in North Denver in 1978, The Black Phone sees Finney (Mason Thames) and his sister Gwen (Madeleine McGraw) attempting to survive constant bullying at school and the abuse of an alcoholic father (played by Jeremy Davies). The missing kids in town are said to be a result of The Grabber (Ethan Hawke); a man who drives around in a black van with black balloons kidnapping and eventually killing kids. When Finney is suddenly taken by The Grabber, he’s told that the black phone in his room doesn’t work but then the phone rings.
Based on the short story of the same name by Joe Hill, The Black Phone is directed by Scott Derrickson (Doctor Strange, Sinister) and written by Derrickson and C. Robert Cargill (the two have been collaborating together on everything Derrickson has done since Sinister). What’s interesting is The Black Phone has mastered the art of subtlety and teasing its audience. The Grabber is introduced in the film similar to the shark in Jaws. You only see glimpses of him for the first third of the film. The black van will come into frame and the screen will immediately fade to black. The Grabber will park and get out of his van to abduct a kid, but he’ll purposely be out of focus. The Grabber lurks in the background like a shark waiting for that first drop of blood, which is essentially when Finney walks by alone.
The unfortunate aspect is that it feels like something is missing. The supernatural horror film keeps building and building that when the finale rolls around it feels like it isn’t a big enough payoff. Most of the violence and kills aren’t seen since the film deals with child and teenager victims. The audience is shown the end result instead; the wounds sustained by the victims that call Finney, The Grabber’s game of Naughty Boy, and Gwen being whipped with a belt by her father (you see him holding the belt and her crying, but we never see the contact). There’s artistry to leaving some things to the viewer’s imagination. In a time where horror has evolved into showing its audience every gruesome detail it’s become a forgotten art. It could also be a personal preference, but it feels like The Black Phone teases more than it reveals.
The writing of the film is as genius as it is ridiculous. Most of it is very good, especially with what Finney is building up to in the basement. The unveiling of the location of The Grabber’s house is silly though, especially since an entire police squad didn’t make the connection. Finney and Gwen’s mom is never seen since she’s passed during the events of the film, but she is mentioned. She apparently heard things and seen things that ended up in a fatal situation for her. Gwen has visions of The Grabber while she sleeps and Finney is able to receive phone calls from The Grabber’s victims because of the relation to their mom. This leads to one of the greatest lines in the film when Finney asks why no one has ever called before. “The phone rang, but no one heard it.”
Ethan Hawke’s performance is so mesmerizing that you wish he had more screen time. Even his motive behind what he intends to do with his victims is hinted at, but not really clarified. With all of the bodies piling up and the amount of phone calls Finney receives, the end result is always the same. The Grabber is slightly flamboyant in his demeanor and particular about how everything should play out. His mask and the fact that it resembles the comedy and tragedy masks that tend to symbolize the theater hint at this all being a performance for him. Things not going his way is like someone fumbling over their lines; it’s unforgivable.
Madeleine McGraw is not so secretly the best part of the film. Her career before The Black Phone has mostly been in voice acting (Cars 3, Toy Story 4, The Mitchells vs The Machines) and playing younger versions of other characters (Pacific Rim: Uprising, Ant-Man and the Wasp). McGraw gets a fair amount of screen time here and Gwen is an incredibly resourceful character and arguably the film’s biggest asset. McGraw’s performance is genuine as you believe every word she says. She’s hilarious as she has the best lines of dialogue in the film. Her portrayal of sadness and anguish is top notch as well as she has the most powerful and emotional sequence in the film that breaks your heart and only makes you sympathize with both her and Finney.
With supernatural dread lifted from the likes of Stir of Echoes and The Sixth Sense, The Black Phone features a breakthrough performance from Madeleine McGraw while Ethan Hawke’s hauntingly memorable turn as The Grabber is felt in a hair-raising sense; like someone who has unknowingly snuck up behind you and waits in your peripheral for that dramatic reveal. The Black Phone is a solid, pulse racing horror film that packs a punch, but seems like the type of film that simply won’t be as delectable on repeat viewings.
Based on the short story of the same name by Joe Hill, The Black Phone is directed by Scott Derrickson (Doctor Strange, Sinister) and written by Derrickson and C. Robert Cargill (the two have been collaborating together on everything Derrickson has done since Sinister). What’s interesting is The Black Phone has mastered the art of subtlety and teasing its audience. The Grabber is introduced in the film similar to the shark in Jaws. You only see glimpses of him for the first third of the film. The black van will come into frame and the screen will immediately fade to black. The Grabber will park and get out of his van to abduct a kid, but he’ll purposely be out of focus. The Grabber lurks in the background like a shark waiting for that first drop of blood, which is essentially when Finney walks by alone.
The unfortunate aspect is that it feels like something is missing. The supernatural horror film keeps building and building that when the finale rolls around it feels like it isn’t a big enough payoff. Most of the violence and kills aren’t seen since the film deals with child and teenager victims. The audience is shown the end result instead; the wounds sustained by the victims that call Finney, The Grabber’s game of Naughty Boy, and Gwen being whipped with a belt by her father (you see him holding the belt and her crying, but we never see the contact). There’s artistry to leaving some things to the viewer’s imagination. In a time where horror has evolved into showing its audience every gruesome detail it’s become a forgotten art. It could also be a personal preference, but it feels like The Black Phone teases more than it reveals.
The writing of the film is as genius as it is ridiculous. Most of it is very good, especially with what Finney is building up to in the basement. The unveiling of the location of The Grabber’s house is silly though, especially since an entire police squad didn’t make the connection. Finney and Gwen’s mom is never seen since she’s passed during the events of the film, but she is mentioned. She apparently heard things and seen things that ended up in a fatal situation for her. Gwen has visions of The Grabber while she sleeps and Finney is able to receive phone calls from The Grabber’s victims because of the relation to their mom. This leads to one of the greatest lines in the film when Finney asks why no one has ever called before. “The phone rang, but no one heard it.”
Ethan Hawke’s performance is so mesmerizing that you wish he had more screen time. Even his motive behind what he intends to do with his victims is hinted at, but not really clarified. With all of the bodies piling up and the amount of phone calls Finney receives, the end result is always the same. The Grabber is slightly flamboyant in his demeanor and particular about how everything should play out. His mask and the fact that it resembles the comedy and tragedy masks that tend to symbolize the theater hint at this all being a performance for him. Things not going his way is like someone fumbling over their lines; it’s unforgivable.
Madeleine McGraw is not so secretly the best part of the film. Her career before The Black Phone has mostly been in voice acting (Cars 3, Toy Story 4, The Mitchells vs The Machines) and playing younger versions of other characters (Pacific Rim: Uprising, Ant-Man and the Wasp). McGraw gets a fair amount of screen time here and Gwen is an incredibly resourceful character and arguably the film’s biggest asset. McGraw’s performance is genuine as you believe every word she says. She’s hilarious as she has the best lines of dialogue in the film. Her portrayal of sadness and anguish is top notch as well as she has the most powerful and emotional sequence in the film that breaks your heart and only makes you sympathize with both her and Finney.
With supernatural dread lifted from the likes of Stir of Echoes and The Sixth Sense, The Black Phone features a breakthrough performance from Madeleine McGraw while Ethan Hawke’s hauntingly memorable turn as The Grabber is felt in a hair-raising sense; like someone who has unknowingly snuck up behind you and waits in your peripheral for that dramatic reveal. The Black Phone is a solid, pulse racing horror film that packs a punch, but seems like the type of film that simply won’t be as delectable on repeat viewings.
Merissa (11656 KP) rated Surfacing in Books
Nov 28, 2017
Surfacing by Daniel Stephens
Surfacing is the engrossing story of a young man, hurt beyond belief and grieving, lost to his world but desperately trying to reconnect. Everywhere he turns, he drowns in memories of the life and loves that have been taken from him. So he returns to his roots, to the cabin where he spent the summers with his grandparents, hoping to find some solace. What he finds is a family - a group of people where many of them remember him from his youth. Where he can find out just who he is, and learn to deal with the grief, and maybe even move forwards and find love again.
The descriptions in this book are second to none - whether it is the characters, the wolf, or even the cabin. They will pull you in and keep you reading. It is a story of pain, of loss, of heartbreak. And yet there is also the glimmer of hope, of the future, if only you feed the right wolf! There were no editing or grammatical errors that disrupted my reading flow, and the pacing was smooth throughout. Whilst this book is also about love, the only thing that is 'shown' is kissing - the rest is fade to black.
This is a poignant story that I thoroughly enjoyed, and would highly recommend to all.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The descriptions in this book are second to none - whether it is the characters, the wolf, or even the cabin. They will pull you in and keep you reading. It is a story of pain, of loss, of heartbreak. And yet there is also the glimmer of hope, of the future, if only you feed the right wolf! There were no editing or grammatical errors that disrupted my reading flow, and the pacing was smooth throughout. Whilst this book is also about love, the only thing that is 'shown' is kissing - the rest is fade to black.
This is a poignant story that I thoroughly enjoyed, and would highly recommend to all.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Debbiereadsbook (1074 KP) rated An Unrivaled Off Season (Hockey Ever After #3.5) in Books
Apr 8, 2024
perfect for these two!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3.5 in the Hockey Ever After series, and you MUST read book 3, Unrivaled, before you read this one. This is a continuation of Max and Grady's story. The other books are not necessary though, but they are all 4 and 5 star reads.
What this is, is an immediate pick up from Unrivaled and the summer that Max and Grady spent at Max's home in New Bruinswick. (I have no clue where that is, in relation to Florida or California, but I know its north and colder that those two places!)
Both men are wanting to ask THE QUESTION, but neither man can figure out how best to do it and what follows is a wonderful 100 odd pages of them getting up the courage and spitting the darn question out. But things keep happening and the question comes, finally, at the most perfect time!
These guys love each other, and they make no bones about it! I loved that the smexy times is again fade to grey, maybe even to black, but hey! I don't care! Yes I usually like the smexier times, but I'm big enough and ugly enough to admit that it's not always necessary and these guys do fade to grey perfectly!
I loved the way these two integrated into each others lives, homes, and hearts. They are quite devious in gettting what they want, and I loved that neither one really realsied what the other was doing!
It's got laugh out loud moments (or in my case, a croak cos I have a raging sore throat!) It's got so much love. It's got guys from book 1, Gabe and Dante, playing a huge part. It's got some emotional bits, mostly when Max and Grady are having the internal conversations with themselves about asking the question, but it's not heavy. It's a lighthearted read and it was the perfect way to spend a lazy Sunday morning.
I don't ususally give such short reads 5 stars, since I almost ALWAY want more, but this one??
5 full and shiny stars!
*same worded review will appear elsewhere
This is book 3.5 in the Hockey Ever After series, and you MUST read book 3, Unrivaled, before you read this one. This is a continuation of Max and Grady's story. The other books are not necessary though, but they are all 4 and 5 star reads.
What this is, is an immediate pick up from Unrivaled and the summer that Max and Grady spent at Max's home in New Bruinswick. (I have no clue where that is, in relation to Florida or California, but I know its north and colder that those two places!)
Both men are wanting to ask THE QUESTION, but neither man can figure out how best to do it and what follows is a wonderful 100 odd pages of them getting up the courage and spitting the darn question out. But things keep happening and the question comes, finally, at the most perfect time!
These guys love each other, and they make no bones about it! I loved that the smexy times is again fade to grey, maybe even to black, but hey! I don't care! Yes I usually like the smexier times, but I'm big enough and ugly enough to admit that it's not always necessary and these guys do fade to grey perfectly!
I loved the way these two integrated into each others lives, homes, and hearts. They are quite devious in gettting what they want, and I loved that neither one really realsied what the other was doing!
It's got laugh out loud moments (or in my case, a croak cos I have a raging sore throat!) It's got so much love. It's got guys from book 1, Gabe and Dante, playing a huge part. It's got some emotional bits, mostly when Max and Grady are having the internal conversations with themselves about asking the question, but it's not heavy. It's a lighthearted read and it was the perfect way to spend a lazy Sunday morning.
I don't ususally give such short reads 5 stars, since I almost ALWAY want more, but this one??
5 full and shiny stars!
*same worded review will appear elsewhere