Search
Copenhagen Marco Polo Guide
Book
Experience all of Copenhagen's attractions and get lots of information about the city's sights,...
The Woman Who Stole My Life
8.0
Rate It
Book
Ever wish you could trade your life in for a better one? The Woman Who Stole My Life is a story full...
Kristy H (1252 KP) rated One to Watch in Books
Nov 12, 2020
With more than half a million Instagram followers and a popular blog, Bea Schumacher has a great life. But she doesn't have love--she's still pining after her best friend, who broke her heart. Bea also loves the reality romance juggernaut, Main Squeeze, where men vie for the affections of a beautiful women. When Bea's critique of Main Squeeze goes viral--why doesn't the show feature any diversity of size in its cast--the show comes to her. They want Bea to be the next star. Bea agrees, but she's adamant: she won't fall in love. This is just for her career. But once on set, Bea realizes this might not be as easy as she thinks.
"Life isn’t often a fairy tale, even on a show that aims to create one.”
I've never seen "The Bachelor" (Main Squeeze's equivalent) before in my life, but I found this book fascinating. (Probably more enjoyable than the actual show, ha.) It's frothy and entertaining but also tackles serious topics like body issues and racism. Once on the show, Bea meets a host of men: some truly awful, some quite lovely. It's quite the ride to watch her have her choice of eligible and handsome men.
I found Bea a little frustrating in her absolute unwillingness to open up, leading her to wallow in self-pity and a complete inability to even consider love. But, she had her reasons. The body positivity in the book was excellent and frequent. Bea is fearful of opening up and revealing herself and her body after being hurt. But she's also a successful and strong businesswoman (and now a celebrity!). The book draws you in to the episodes of Main Squeeze--it's honestly quite addictive. It sprinkles in excepts from Twitter, chats, publications, and more to tell the story--a very effective format. And there's true humor, romance, and heartbreak involved as well.
Overall, this was probably 3.75 stars for me--bumping up due to its strong coverage of serious and important topics. Oh and for Bea's stepdad! I loved him so much. Worth a read, for sure.
"Life isn’t often a fairy tale, even on a show that aims to create one.”
I've never seen "The Bachelor" (Main Squeeze's equivalent) before in my life, but I found this book fascinating. (Probably more enjoyable than the actual show, ha.) It's frothy and entertaining but also tackles serious topics like body issues and racism. Once on the show, Bea meets a host of men: some truly awful, some quite lovely. It's quite the ride to watch her have her choice of eligible and handsome men.
I found Bea a little frustrating in her absolute unwillingness to open up, leading her to wallow in self-pity and a complete inability to even consider love. But, she had her reasons. The body positivity in the book was excellent and frequent. Bea is fearful of opening up and revealing herself and her body after being hurt. But she's also a successful and strong businesswoman (and now a celebrity!). The book draws you in to the episodes of Main Squeeze--it's honestly quite addictive. It sprinkles in excepts from Twitter, chats, publications, and more to tell the story--a very effective format. And there's true humor, romance, and heartbreak involved as well.
Overall, this was probably 3.75 stars for me--bumping up due to its strong coverage of serious and important topics. Oh and for Bea's stepdad! I loved him so much. Worth a read, for sure.
Kara Skinner (332 KP) rated Same Time Next Year in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Contemporary
Word Count: 4,560
Average Goodreads Rating: 3.27/5 stars
My rating: 4.5/5 stars
It’s not often a book can surprise me. But Same Time Next Year totally took me off guard.
Every year, for the past either years, Regina White and Tyler Harrison meet at the same hotel, in two connecting rooms for one night.
The receptionist, Elizabeth, thinks she has the whole situation figured out. But she doesn’t know what this night means to the mysterious couple. And somehow she can’t stop thinking about them anyway.
You can read Same Time Next Year for free on Smashwords.
At first I thought I wasn’t going to like this story. I thought it was about two people leaving their depressing and dull lives to have one night of infidelity and debauchery a year, like some sort of modern day fairy tale. On top of that, the “good” character, Elizabeth, is kind of a bitch who is quick to condemn and judge Regina, but smile and admire Tyler.
It’s one thing to disapprove of adultery, it’s another thing to have double standards about it.
But despite my misgivings at first, I got sucked into the very hot sex scene quickly.
“No, I don’t want champagne. I want you. Naked. And wet. And begging.”
Gotta love good dirty talk. Unfortunately the scene ends abruptly and before the couple gets to the really good part, if you know what I mean. 😉
For such a short story there is actually a lot of character development. We learn that Tyler and Regina met at a conference years ago, when they had those two hotel rooms by coincidence. Tyler loves how Regina’s strong and confident in public, but a little submissive in the bedroom. Regina loves how Tyler still wants her, and how he’s always willing to please her. They have great chemistry together and I love how they’re still attracted to each other after all those years, and always come back to the same hotel.
My only complaint, aside from the abrupt end to the sex scene, is Elizabeth. I get why she’s necessary to the story, but she’s undeveloped and unlikeable, and I wish she was gone.
Word Count: 4,560
Average Goodreads Rating: 3.27/5 stars
My rating: 4.5/5 stars
It’s not often a book can surprise me. But Same Time Next Year totally took me off guard.
Every year, for the past either years, Regina White and Tyler Harrison meet at the same hotel, in two connecting rooms for one night.
The receptionist, Elizabeth, thinks she has the whole situation figured out. But she doesn’t know what this night means to the mysterious couple. And somehow she can’t stop thinking about them anyway.
You can read Same Time Next Year for free on Smashwords.
At first I thought I wasn’t going to like this story. I thought it was about two people leaving their depressing and dull lives to have one night of infidelity and debauchery a year, like some sort of modern day fairy tale. On top of that, the “good” character, Elizabeth, is kind of a bitch who is quick to condemn and judge Regina, but smile and admire Tyler.
It’s one thing to disapprove of adultery, it’s another thing to have double standards about it.
But despite my misgivings at first, I got sucked into the very hot sex scene quickly.
“No, I don’t want champagne. I want you. Naked. And wet. And begging.”
Gotta love good dirty talk. Unfortunately the scene ends abruptly and before the couple gets to the really good part, if you know what I mean. 😉
For such a short story there is actually a lot of character development. We learn that Tyler and Regina met at a conference years ago, when they had those two hotel rooms by coincidence. Tyler loves how Regina’s strong and confident in public, but a little submissive in the bedroom. Regina loves how Tyler still wants her, and how he’s always willing to please her. They have great chemistry together and I love how they’re still attracted to each other after all those years, and always come back to the same hotel.
My only complaint, aside from the abrupt end to the sex scene, is Elizabeth. I get why she’s necessary to the story, but she’s undeveloped and unlikeable, and I wish she was gone.
Photo Editor & Collage Maker by Camly
Photo & Video and Lifestyle
5.0
Rate It
App
Camly is an awesome photo editing app that combines professional editing tools and simplicity of...
Debbiereadsbook (1324 KP) rated Elias in Books
May 12, 2020
wonderfully warm and fuzzy and too stinking cute read
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Elias is plodding along, not particularly happy, as such, but getting by. He has a good job, and will be making VP shortly. Then he meets Ty and all bets are off. Ty brings something out in Elias, and Elias in Ty, and they just have to get past their *initial* thoughts about each others jobs.
SO!
I am ALL about my books feelings and this book right, hits a whole damn lot of them! I have not had such a cute story, that left me with so much warm and fuzzies in a long damn time! And I really REALLY enjoyed it!
Both Elias and Ty have a say, in the third person. So we get all the things Elias was thinking about when he meets Ty and Ty tells him off for putting his rubbish in the wrong bin. We get all of Ty's emotions when he realises how much more than friends he wants to be with Elias. We get it all.
It's not especially explicit, but damn, it's hot! There is chemistry, right from the start, between these two and it burns bright and hot the whole way through.
It's a bit emotional in places, when Elias is talking about his family and his past, and I was tearful at that point. Ty's family is great at taking Elias in as one of there own though.
There is no violence, no nutty ex, no major break up. And THAT, my book friends, is what I LOVED most about this book. The fact that; yes they fall out; but it's such a minor, silly thing, and it's resolved pretty quickly, but it's not relationship-break-up material, you know? It's a falling out over the choice of words one of them used, and everyone is happy after they talked it out.
They get their Happy Ever After in a very, almost fairy-tale like way, and I really REALLY enjoyed it!
4 wonderful stars (Can't quite stretch to 5 and most of the webistes don't do halves!)
**same worded review will appear elsewhere**
Elias is plodding along, not particularly happy, as such, but getting by. He has a good job, and will be making VP shortly. Then he meets Ty and all bets are off. Ty brings something out in Elias, and Elias in Ty, and they just have to get past their *initial* thoughts about each others jobs.
SO!
I am ALL about my books feelings and this book right, hits a whole damn lot of them! I have not had such a cute story, that left me with so much warm and fuzzies in a long damn time! And I really REALLY enjoyed it!
Both Elias and Ty have a say, in the third person. So we get all the things Elias was thinking about when he meets Ty and Ty tells him off for putting his rubbish in the wrong bin. We get all of Ty's emotions when he realises how much more than friends he wants to be with Elias. We get it all.
It's not especially explicit, but damn, it's hot! There is chemistry, right from the start, between these two and it burns bright and hot the whole way through.
It's a bit emotional in places, when Elias is talking about his family and his past, and I was tearful at that point. Ty's family is great at taking Elias in as one of there own though.
There is no violence, no nutty ex, no major break up. And THAT, my book friends, is what I LOVED most about this book. The fact that; yes they fall out; but it's such a minor, silly thing, and it's resolved pretty quickly, but it's not relationship-break-up material, you know? It's a falling out over the choice of words one of them used, and everyone is happy after they talked it out.
They get their Happy Ever After in a very, almost fairy-tale like way, and I really REALLY enjoyed it!
4 wonderful stars (Can't quite stretch to 5 and most of the webistes don't do halves!)
**same worded review will appear elsewhere**
Lottie disney bookworm (1056 KP) rated The Prince And The Puppet Thief in Books
Aug 30, 2021
I really loved The Prince and the Puppet Thief. This was a true fairy tale retelling that definitely didn't take itself too seriously.
Simon the Squirm is the son of the (second) most feared bandit in the kingdom and when we meet him he is stuffed into a cannon, ready to be fired to the tallest tower of the castle in order to steal some jewelled slippers. See what I mean about not taking itself seriously?
Simon also loves fairytales and the botched robbery sets into motion his own fairytale adventure, complete with dancing rats, sassy handmaids, the funniest bandits ever and some seriously cute queer relationships.
I loved everything about this book - did I mention I loved it? The writing style was very witty and I loved the little references and "skits" that poked fun at the fairytales we know and love. We even get an alternative version of The Snuggly Duckling pub from Tangled!
The villain of the story is captivating: they are both misunderstood and jaded by their past; trying to help but ruining lives when things don't go their way. The fact that the reader ends up sympathising with them really says a lot about both the writing and character development within this story.
But for me the relationships stole the show: I loved the contrast between one relationship which was very new and tension-filled, where the characters didn't know if their feelings were going to be accepted, never mind reciprocated and the second, forbidden but very settled relationship where the characters had been in love for some time.
There were some moments where the LGBTQ characters were not entirely accepted by others and I can't speak as to whether this would be triggering or not. Thankfully the main characters are very strong, they stand up for themselves and are so sure of their love that, by the end of the book, they are accepted for who they are.
If you're looking for a funny, cute but sassy, camp fairytale-turned-on-it's-head then this is the book for you!
I received an advance review copy for free, and I am leaving this review voluntarily.
Simon the Squirm is the son of the (second) most feared bandit in the kingdom and when we meet him he is stuffed into a cannon, ready to be fired to the tallest tower of the castle in order to steal some jewelled slippers. See what I mean about not taking itself seriously?
Simon also loves fairytales and the botched robbery sets into motion his own fairytale adventure, complete with dancing rats, sassy handmaids, the funniest bandits ever and some seriously cute queer relationships.
I loved everything about this book - did I mention I loved it? The writing style was very witty and I loved the little references and "skits" that poked fun at the fairytales we know and love. We even get an alternative version of The Snuggly Duckling pub from Tangled!
The villain of the story is captivating: they are both misunderstood and jaded by their past; trying to help but ruining lives when things don't go their way. The fact that the reader ends up sympathising with them really says a lot about both the writing and character development within this story.
But for me the relationships stole the show: I loved the contrast between one relationship which was very new and tension-filled, where the characters didn't know if their feelings were going to be accepted, never mind reciprocated and the second, forbidden but very settled relationship where the characters had been in love for some time.
There were some moments where the LGBTQ characters were not entirely accepted by others and I can't speak as to whether this would be triggering or not. Thankfully the main characters are very strong, they stand up for themselves and are so sure of their love that, by the end of the book, they are accepted for who they are.
If you're looking for a funny, cute but sassy, camp fairytale-turned-on-it's-head then this is the book for you!
I received an advance review copy for free, and I am leaving this review voluntarily.
Hazel (1853 KP) rated Alice Takes Back Wonderland in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
Hazel (1853 KP) rated Cuckoo Song in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Lottie disney bookworm (1056 KP) rated The Beast Within: A Tale of Beauty's Prince (Villains #2) in Books
Aug 24, 2019
Beauty and the Beast is arguably one of my favourite Disney classics. I adored Tale as Old as Time and so the Beast’s version of the villain’s tale series had some pretty big boots to fill.
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
