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I am always a fan of fairy re-tellings, even if it is for a fairy tale I am not actually familiar with, as that of Rose Red. It took me awhile, but I also gathered that the book is a kind of Christian allegory, and parts remind me of Pilgrim's Progress by John Bunyan.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
  
Captain Hook: Villain or Victim
Captain Hook: Villain or Victim
6
6.0 (1 Ratings)
Book Rating
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<b><i>Has it ever occurred to you that there might be another version to Peter Pan’s story? Would you want to see Captain Hook’s point of view? If so, then you will truly enjoy this lovely short read: Captain Hook: Villain or Victim by Ellwyn Autumn. </i></b>

I have always loved Peter Pan and this fairy tale is without a doubt my favourite fairy tale. The world is unique, and the story is amazing. Maybe Peter Pan was the reason I was always so in love with England. I will never know.

When Ellwyn introduced me to her book, I knew I had to have it. I had to read it and find out what Captain Hook’s story might be. The book is quite short, but full of adventures throughout. We follow the journalist, David J. Locke, who sails through the seas searching for Captain Hook. When he finally gets a clue, he dives into the story of Captain Hook and discovers truths that have never been told before.

Even though there were times when the Captain Hook’s story seems like a side-story to David J. Locke’s adventures, it was a pleasure to read it, and I read it in one sitting. The book keeps you interested throughout, and the fiction of the re-telling is quite smart and uniquely thought through. I am very happy that I read this book! I would recommend it to all of you that love retellings and love fairy tales.

A huge thank you to Ellwyn Autumn, for sending me a paperback copy of this book in exchange for an honest review.

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Maleficent: Mistress of Evil (2019)
Maleficent: Mistress of Evil (2019)
2019 | Adventure, Family, Fantasy
In “Maleficent: Mistress of Evil”; Angelina Jolie returns as the title character to the smash Live-Action film based on the classic Fairy Tale and Animated film.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.

Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.

Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.

The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.

The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.

The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.

The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.

In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.