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I am always a fan of fairy re-tellings, even if it is for a fairy tale I am not actually familiar with, as that of Rose Red. It took me awhile, but I also gathered that the book is a kind of Christian allegory, and parts remind me of Pilgrim's Progress by John Bunyan.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
  
Till We Have Faces
Till We Have Faces
C. S. Lewis | 1956 | Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
No Belief In Relious Fairy Tales Necessary To Enjoy (0 more)
Best Lewis Novel By Far
More than a simple retelling of the Cupid and Psyche myth, this is a masterwork of storytelling by an author often hobbled by his well known and, in my opinion, laughably ridiculous religious beliefs. Yet unlike so many others that let these beliefs dissolve their efforts of mainstream fiction into so many pieces of nonsense too hamstrung by foolishness to ever assemble something coherent, let alone worth reading, Lewis often managed to rise above it, as with (for the most part) his deservedly beloved Narnia chronicles. Till We Have Faces is nothing short of brilliant, beautiful, at times achingly sad, and very profound. Those of you not fooled by the Jesus parade, but who love a damn good book written by a master of his craft, do yourself a HUGE favor and read this gem of a book. Then do the literary world a favor by passing along the good word (lol, couldn't help myself) that this may be the best book that nobody has heard of.
  
Contains spoilers, click to show
The Shakespeare Stories: Henry V, A Midsummer Night's Dream, The Merchant of Venice, Hamlet by Andrew Matthews presents four of William Shakespeare’s famous plays in an easy-to-digest format for kids. Accompanied by Tony Ross’ illustrations, Matthews re-imagines these Shakespearean plays as short stories more akin to classic fairy tales.

Matthews manages to take some of the most plot-heavy and confusing Shakespeare plays and break them down to their most basic elements. The language is easy to follow without lacking intellect or wit, and he stays true to Shakespeare’s concepts and characters. Illustrated short stories for kids are a no-brainer for getting children interested in William Shakespeare, and Matthews was smart to dive into the genre. He isn’t reinventing the wheel, but he is making the wheel accessible to a wide range of audiences.

I like how it has pictures, gives the cast and a quote from the original play. Then it tells the story and finishes up with an explanation of what just happened and some history of Shakespeare and the play.