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Heather Cranmer (2721 KP) rated Almost Just Friends (Wildstone #4) in Books
Jan 21, 2020
Usually I don't read romance novels since they really aren't my thing. However, there was something about the synopsis of Almost Just Friends by Jill Shalvis that caught my attention. Perhaps it was the fact that there were family secrets involved! Luckily, I really really enjoyed Almost Just Friends.
Piper is a young woman who has always been in control, so much so that she even has a bullet journal to help her through life. She's raised her siblings since she was 13, and when they return home, Piper eventually learns what secrets her brother and sister are keeping from her. During this, she is falling head over heels for her next door neighbor's son, Cam, who is home from the military. These feelings for Cam might just be her undoing!
I will say that I loved the plot for Almost Just Friends. Everything about it felt very realistic and like something that happens almost every day in small town America. I enjoyed the love story between Cam and Piper and how it took its time developing instead of just being instalove. I also enjoyed the narrative between Piper and her siblings. I could picture every single scene in my mind quite clearly thanks to Jill Shalvis' fantastic story telling! Almost Just Friends answered all my questions by the end of the book, and there were no cliffhangers which I was thankful for.
I enjoyed every single character in Almost Just Friends. They all brought their own personality to the table, and they were each very interesting to read about. All of the characters in this novel felt like they could be someone I could relate to as well as making fantastic friends. Piper starts off being too self reliant. It was nice to see her start letting others help her. She was forced to grow up at a young age after the death of her parents, so I could understand why she was scared of losing control and putting faith in other people. I loved how patient Cam was with Piper. He was so loving and helpful. It was also nice to see him blending in so well with Piper's siblings and wanting to help out. Cam was such a charming man with such a larger than life personality. Gavin, Piper's brother, had been fighting his own demons. I kept wondering if he'd go back to his own ways or not. I loved his relationship with CJ and how he wasn't going to let CJ walk away from him so easily. Gavin always was great at relieving tense and awkward situations which one thing I really loved about him! Winnie, Piper's sister, was the youngest out of Piper, Gavin, and herself. Winnie decided it was time for her to start being more adult like instead of child like. Her news was the biggest, in my opinion, and while I could understand why she wanted to keep it from Piper, I wish she would have told Piper from the get go. However, Winnie had me smiling whenever I read about her. I admired her tenacity to want to be Miss Fix It. Emmit, Cam's dad, was ever the comedian! I loved how happy go lucky he was and his sunny disposition on life was. It was as if nothing ever bothered him, and I admired that about him. Every single character in Almost Just Friends made it such a fantastic read!
Trigger warnings for Almost Just Friends include profanity, some sexual situations (although nothing too graphic), death, and mentions of prescription drug abuse.
All in all, Almost Just Friends is such a heartwarming read with a fantastic set of characters and a solid plot. This was my first book I read by Jill Shalvis, but it certainly won't be my last! I would definitely recommend Almost Just Friends by Jill Shalvis to those aged 17+ who are after an uplifting novel that deals with family with a sweet romance thrown in.
--
(A special thank you to William Morrow with a paperback of Almost Just Friends by Jill Shalvis in exchange for an honest and unbiased review.)
Piper is a young woman who has always been in control, so much so that she even has a bullet journal to help her through life. She's raised her siblings since she was 13, and when they return home, Piper eventually learns what secrets her brother and sister are keeping from her. During this, she is falling head over heels for her next door neighbor's son, Cam, who is home from the military. These feelings for Cam might just be her undoing!
I will say that I loved the plot for Almost Just Friends. Everything about it felt very realistic and like something that happens almost every day in small town America. I enjoyed the love story between Cam and Piper and how it took its time developing instead of just being instalove. I also enjoyed the narrative between Piper and her siblings. I could picture every single scene in my mind quite clearly thanks to Jill Shalvis' fantastic story telling! Almost Just Friends answered all my questions by the end of the book, and there were no cliffhangers which I was thankful for.
I enjoyed every single character in Almost Just Friends. They all brought their own personality to the table, and they were each very interesting to read about. All of the characters in this novel felt like they could be someone I could relate to as well as making fantastic friends. Piper starts off being too self reliant. It was nice to see her start letting others help her. She was forced to grow up at a young age after the death of her parents, so I could understand why she was scared of losing control and putting faith in other people. I loved how patient Cam was with Piper. He was so loving and helpful. It was also nice to see him blending in so well with Piper's siblings and wanting to help out. Cam was such a charming man with such a larger than life personality. Gavin, Piper's brother, had been fighting his own demons. I kept wondering if he'd go back to his own ways or not. I loved his relationship with CJ and how he wasn't going to let CJ walk away from him so easily. Gavin always was great at relieving tense and awkward situations which one thing I really loved about him! Winnie, Piper's sister, was the youngest out of Piper, Gavin, and herself. Winnie decided it was time for her to start being more adult like instead of child like. Her news was the biggest, in my opinion, and while I could understand why she wanted to keep it from Piper, I wish she would have told Piper from the get go. However, Winnie had me smiling whenever I read about her. I admired her tenacity to want to be Miss Fix It. Emmit, Cam's dad, was ever the comedian! I loved how happy go lucky he was and his sunny disposition on life was. It was as if nothing ever bothered him, and I admired that about him. Every single character in Almost Just Friends made it such a fantastic read!
Trigger warnings for Almost Just Friends include profanity, some sexual situations (although nothing too graphic), death, and mentions of prescription drug abuse.
All in all, Almost Just Friends is such a heartwarming read with a fantastic set of characters and a solid plot. This was my first book I read by Jill Shalvis, but it certainly won't be my last! I would definitely recommend Almost Just Friends by Jill Shalvis to those aged 17+ who are after an uplifting novel that deals with family with a sweet romance thrown in.
--
(A special thank you to William Morrow with a paperback of Almost Just Friends by Jill Shalvis in exchange for an honest and unbiased review.)
Night Reader Reviews (683 KP) rated The Devil's Workshop in Books
Jan 10, 2020
Honest Review for Free Copy of Book
The Devil’s Workshop by Donnally Miller is one of the few books that I felt like I had to read twice, and did. Even after that I still feel like I am missing quite a bit of what this book has to offer. If there were ever a book that deserves to be torn apart (and I mean that in the best possible sense) and be studied in depth to have all the hidden meanings exposed this is it. However, I am not the one to do it.
Tom and Katie love each other to the point that when Tom leaves to work on a ship for a while, Katie gives him an extremely special engraved pocket watch to take with him. Little does Tom know, he helped bury the Son of Light shortly before leaving and this has thrown the world into chaos. Katie loses her job at the mansion where she lives and finds herself traveling with a dog and a lovesick man whom she has no affection for on a journey to find Tom. Meanwhile, Tom has lost Katie’s pocket watch, was thrown overboard, and is trying to make his way back to her. Thanks to Deirdre, The Queen of the Witches, the journey these two lovers are on is excruciatingly long and dangerous.
The Indians who live peacefully in the Forest have started to band together in preparation for driving “the white man” back into the sea where they came from. Slaves have also started rebelling all along the Coast and are being hunted by a military who wants them destroyed. Making things even worse Pirates are causing the roads to be unsafe for travelers and Tom finds himself mixed up with them. All the while Deirdre is playing her games with each of the separate groups. The only way to set everything right once more is to create a new Child of Light.
I enjoyed how all the characters seem to cross paths at one point or another in ways that are more natural than forced by the author. All the trials that Tom and Katie are willing to endure in an attempt to see each other again restore a person’s faith in humanity and love. At the same time, the book forces the reader to question just what is love and why will we go to the ends of the Earth for it. What I did not like was that there were a few different times where I would lose track of who was talking or what was going on. I am not sure if this was in any way due to how the book was written or because I was not devoting the amount of attention to the book as it deserves. Even so philosophical books are expected to confuse readers at times and force them to re-evaluate passages, so it in no way changes my opinion of this book.
I would only recommend this book to adult readers. While there is nothing inappropriate for readers in high school, the philosophy would probably be a bit much for them. The casual reader should also be prepared for a long and at times difficult read. Nonetheless, I rate this book to be a perfect 4 out of 4. People who do not realize what kind of book this is would probably put it down during the first few chapters and give it a low rating for being hard to read. Those that realize what they are reading will find that the seemingly random ramblings do make sense if you slow down. There is a wonderful plotline and a beautiful love story (thankfully not a mushy one) that takes place throughout the book if readers are willing to take their time and look.
https://www.facebook.com/nightreaderreviews
Tom and Katie love each other to the point that when Tom leaves to work on a ship for a while, Katie gives him an extremely special engraved pocket watch to take with him. Little does Tom know, he helped bury the Son of Light shortly before leaving and this has thrown the world into chaos. Katie loses her job at the mansion where she lives and finds herself traveling with a dog and a lovesick man whom she has no affection for on a journey to find Tom. Meanwhile, Tom has lost Katie’s pocket watch, was thrown overboard, and is trying to make his way back to her. Thanks to Deirdre, The Queen of the Witches, the journey these two lovers are on is excruciatingly long and dangerous.
The Indians who live peacefully in the Forest have started to band together in preparation for driving “the white man” back into the sea where they came from. Slaves have also started rebelling all along the Coast and are being hunted by a military who wants them destroyed. Making things even worse Pirates are causing the roads to be unsafe for travelers and Tom finds himself mixed up with them. All the while Deirdre is playing her games with each of the separate groups. The only way to set everything right once more is to create a new Child of Light.
I enjoyed how all the characters seem to cross paths at one point or another in ways that are more natural than forced by the author. All the trials that Tom and Katie are willing to endure in an attempt to see each other again restore a person’s faith in humanity and love. At the same time, the book forces the reader to question just what is love and why will we go to the ends of the Earth for it. What I did not like was that there were a few different times where I would lose track of who was talking or what was going on. I am not sure if this was in any way due to how the book was written or because I was not devoting the amount of attention to the book as it deserves. Even so philosophical books are expected to confuse readers at times and force them to re-evaluate passages, so it in no way changes my opinion of this book.
I would only recommend this book to adult readers. While there is nothing inappropriate for readers in high school, the philosophy would probably be a bit much for them. The casual reader should also be prepared for a long and at times difficult read. Nonetheless, I rate this book to be a perfect 4 out of 4. People who do not realize what kind of book this is would probably put it down during the first few chapters and give it a low rating for being hard to read. Those that realize what they are reading will find that the seemingly random ramblings do make sense if you slow down. There is a wonderful plotline and a beautiful love story (thankfully not a mushy one) that takes place throughout the book if readers are willing to take their time and look.
https://www.facebook.com/nightreaderreviews
Emma @ The Movies (1786 KP) rated Love, Simon (2018) in Movies
Jun 29, 2019 (Updated Sep 25, 2019)
Simon Spier keeps a huge secret from his family, his friends, and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.
I had been looking forward to this one, book adaptation... of course I was going to be... so getting this as our secret screening was fun great. But it really divided the pack and there was much discussion online about it after. But not so much about the film. I'm going to get the grumpy portion of this out of the way first.
I think this is only the second secret screening I've been to. The first one was Molly's Game, which again, was one I'd been looking forward to seeing, and when the card came up at the beginning I think only one person left. It certainly wasn't many. The card comes up for this one... well, it was like a mass exodus. Without the film even rolling I think we lost about half a dozen people. After the first couple of minutes we lost another load. It was that second lot that made me lose faith in humanity a little, because it wasn't more than seconds after Simon says that he's gay that I heard disapproving noises and footsteps trotting out of seats.
Most people online said the same thing about their cinemas. And I know that you don't have to watch every film ever made. But don't just turn your nose up at it because (and here's me being optimistic) it's a young adult film/novel. If you turned your nose up at it because its main character is gay... well... welcome to the real world, they're here, they're queer, and they're here to stay.
I was pleased to see that lots of people gave it a chance, and many seemed to enjoy it. There was a lot of hate for it from others though, and honestly, when you read the comments for it... well, just don't read the comments. For every good there is a bad, but most of the bad either just walked out or don't really give much in the way of a genuine excuse. Several feel like they're being cheated by Cineworld for showing things that aren't blockbusters... people... this isn't how these things work. Trust me, the company comes to the middle man who presents it to the consumer. Business 101. Companies know that you're going to pay to see their big blockbusters and buy their merchandise... why would they give it to you for free? (Yes I know we all have Unlimited cards and essentially get them for free, but you get my meaning.) There's already hype around them, they don't need more. Anyway, away from my rant.
Love, Simon was a wonderful film, and despite what some are saying, (sorry, swerving into rant territory there again) it was laugh out loud funny... and everyone was laughing. Except those people who left without giving it a chance... wow, sorry, I just can't let this go.
If you haven't quite forgotten your teenage years you'll see lots of bits in this that really ring a bell. Those awkward moments, the crushes, the annoying teachers, the pain. If you've experienced any of them then there will be bits that you physically react to. You can feel the emotions that are running around the characters, you know the decisions they're making are good, bad and terrible, and you can almost see the future. As the story unfolds you really do get pulled along with Simon. You feel his pain and you feel his joy.
A genuine smile inducing film. I think you can see my favourite bit in one of the trailers... straight people not having to come out... it honestly cracked me up.
Of course the book is in the TBR, I'll get round to it eventually. But regardless of how it stacks up next to the book is was a wonderful film. You can only hope that it is enlightening to some that watch it, and helpful to others.
I had been looking forward to this one, book adaptation... of course I was going to be... so getting this as our secret screening was fun great. But it really divided the pack and there was much discussion online about it after. But not so much about the film. I'm going to get the grumpy portion of this out of the way first.
I think this is only the second secret screening I've been to. The first one was Molly's Game, which again, was one I'd been looking forward to seeing, and when the card came up at the beginning I think only one person left. It certainly wasn't many. The card comes up for this one... well, it was like a mass exodus. Without the film even rolling I think we lost about half a dozen people. After the first couple of minutes we lost another load. It was that second lot that made me lose faith in humanity a little, because it wasn't more than seconds after Simon says that he's gay that I heard disapproving noises and footsteps trotting out of seats.
Most people online said the same thing about their cinemas. And I know that you don't have to watch every film ever made. But don't just turn your nose up at it because (and here's me being optimistic) it's a young adult film/novel. If you turned your nose up at it because its main character is gay... well... welcome to the real world, they're here, they're queer, and they're here to stay.
I was pleased to see that lots of people gave it a chance, and many seemed to enjoy it. There was a lot of hate for it from others though, and honestly, when you read the comments for it... well, just don't read the comments. For every good there is a bad, but most of the bad either just walked out or don't really give much in the way of a genuine excuse. Several feel like they're being cheated by Cineworld for showing things that aren't blockbusters... people... this isn't how these things work. Trust me, the company comes to the middle man who presents it to the consumer. Business 101. Companies know that you're going to pay to see their big blockbusters and buy their merchandise... why would they give it to you for free? (Yes I know we all have Unlimited cards and essentially get them for free, but you get my meaning.) There's already hype around them, they don't need more. Anyway, away from my rant.
Love, Simon was a wonderful film, and despite what some are saying, (sorry, swerving into rant territory there again) it was laugh out loud funny... and everyone was laughing. Except those people who left without giving it a chance... wow, sorry, I just can't let this go.
If you haven't quite forgotten your teenage years you'll see lots of bits in this that really ring a bell. Those awkward moments, the crushes, the annoying teachers, the pain. If you've experienced any of them then there will be bits that you physically react to. You can feel the emotions that are running around the characters, you know the decisions they're making are good, bad and terrible, and you can almost see the future. As the story unfolds you really do get pulled along with Simon. You feel his pain and you feel his joy.
A genuine smile inducing film. I think you can see my favourite bit in one of the trailers... straight people not having to come out... it honestly cracked me up.
Of course the book is in the TBR, I'll get round to it eventually. But regardless of how it stacks up next to the book is was a wonderful film. You can only hope that it is enlightening to some that watch it, and helpful to others.
Paul Chesworth (3 KP) created a post
Feb 20, 2018
RəX Regent (349 KP) rated The Passion of Joan of Arc (1928) in Movies
Feb 19, 2019
Silent cinema is not my strongest subject but one which I have been making a concerted effort to learn about over the past decade, but admittedly at a slow pace. The idea of sitting through a silent film can seem to be chore to a modern audience and to be honest, it can be inconceivable to the vast majority, but these attitudes only serve to deprive us of 30 years of cinema, both in primitive evolution and cinematic excellence.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
Phillip McSween (751 KP) rated The Last Dragon (1985) in Movies
Jun 7, 2019
So Bad You Just Might Like it
In his quest to find “The Master” and expand his training, black martial arts expert Bruce Leroy (Taimak) has to square off against Sho’nuff the Shogun of Harlem. With me, yet?
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
Heather Cranmer (2721 KP) rated Emily, Gone in Books
Jun 7, 2019
I have been a fan of author Bette Lee Crosby since reading her book The Summer of New Beginnings. When I heard of her latest book, Emily, Gone, I knew I would have to read it sooner rather than later. Miss Crosby did not disappoint at all with this one.
Six month old Emily's parents are beyond exhausted due to a music festival very close to their house during 1971. After laying Emily down in her crib in her room, Emily's parents, Rachel and George Dixon, go to their room and finally have a good night's sleep. In the morning when Rachel checks on baby Emily, she is missing from her crib. Vicki gave birth to a stillborn baby girl about a month before Emily was born. When Vicki and her boyfriend decide to stop at a random house to get some food after the festival late one night, it's the perfect opportunity for her to steal baby Emily. What follows is a years long search for Emily all the while Emily is being raised by Vicki and her family. Will Rachel and George ever be united with their Emily?
I enjoyed the plot for Emily, Gone immensely. There are no plot holes or cliffhangers, and Bette Lee Crosby writes about 1971 and the subsequent years very well. It's as if I was transported back in time to that era. Everything flows together smoothly. I found myself wanting Rachel and George to be reunited with Emily quickly, but that wasn't the case. Back in 1971, things like the internet and Amber Alerts weren't a thing, so as frustrating as it was, I could see how hard it would be to recover a kidnapped child. I wish the story would have involved Murph, Vicki's boyfriend, a bit more. He's in the story for about halfway and that's about it. I would have liked to know about him in the epilogue at least. Also, I did find the ending a bit far fetched albeit it probable. It just seems like it would have been highly unlikely. Bette Lee Crosby does touch on the Christian faith lightly throughout this book which could explain the ending.
I found the characters in Emily, Gone to be written superbly. All of them were fleshed out enough to feel like a real person instead of a character in a book. My heart went out to Rachel throughout the years without her Emily. George, Emily's father, had better coping mechanisms, but I still felt bad to him. I can't imagine, and I don't even want to imagine what it would be like if someone kidnapped one of my kids. Mama Dixon was my favorite character in the book. I loved what a warm presence she was throughout the novel to her family. I felt like she was part of my family as well! Although Vicki was written well, I just did not like her. I found her to be very selfish, and I suppose that's because she was mentally ill after the stillborn birth of her baby girl. I kept silently pleading with her to do the right thing and return Emily. I kept wanting her to get caught so she could get the help she needed and the Dixons could have their baby back. I liked Murph, Vicki's boyfriend, but I wish he would have done the right thing and told someone what Vicki had done. In a way, I understand why he didn't turn Vicki in, but it would have been better for everyone in the long run. In a way, my heart also went out to Angela and Kenny for being pulled into Vicki's mess. They were also completely innocent of everything.
I found the pacing to be perfect from the very first page to the very last page. Every time I had to stop reading Emily, Gone I felt like I was leaving a long lost friend, and I couldn't wait to return.
Trigger warnings for Emily, Gone include some drug references, kidnapping, stillborn birth, mental illness, death, some alcohol use, slight references to child molestation, incest, and other sexual references (such as couples making love, nothing graphic).
Overall, Emily, Gone is a highly interesting read with an entertaining plot that will hold you tight and not let go of you until you're done reading! This is one of those stories that will tug at your heartstrings. I would definitely recommend Emily, Gone by Bette Lee Crosby to everyone aged 17+ who would love a fantastically written emotional story.
Six month old Emily's parents are beyond exhausted due to a music festival very close to their house during 1971. After laying Emily down in her crib in her room, Emily's parents, Rachel and George Dixon, go to their room and finally have a good night's sleep. In the morning when Rachel checks on baby Emily, she is missing from her crib. Vicki gave birth to a stillborn baby girl about a month before Emily was born. When Vicki and her boyfriend decide to stop at a random house to get some food after the festival late one night, it's the perfect opportunity for her to steal baby Emily. What follows is a years long search for Emily all the while Emily is being raised by Vicki and her family. Will Rachel and George ever be united with their Emily?
I enjoyed the plot for Emily, Gone immensely. There are no plot holes or cliffhangers, and Bette Lee Crosby writes about 1971 and the subsequent years very well. It's as if I was transported back in time to that era. Everything flows together smoothly. I found myself wanting Rachel and George to be reunited with Emily quickly, but that wasn't the case. Back in 1971, things like the internet and Amber Alerts weren't a thing, so as frustrating as it was, I could see how hard it would be to recover a kidnapped child. I wish the story would have involved Murph, Vicki's boyfriend, a bit more. He's in the story for about halfway and that's about it. I would have liked to know about him in the epilogue at least. Also, I did find the ending a bit far fetched albeit it probable. It just seems like it would have been highly unlikely. Bette Lee Crosby does touch on the Christian faith lightly throughout this book which could explain the ending.
I found the characters in Emily, Gone to be written superbly. All of them were fleshed out enough to feel like a real person instead of a character in a book. My heart went out to Rachel throughout the years without her Emily. George, Emily's father, had better coping mechanisms, but I still felt bad to him. I can't imagine, and I don't even want to imagine what it would be like if someone kidnapped one of my kids. Mama Dixon was my favorite character in the book. I loved what a warm presence she was throughout the novel to her family. I felt like she was part of my family as well! Although Vicki was written well, I just did not like her. I found her to be very selfish, and I suppose that's because she was mentally ill after the stillborn birth of her baby girl. I kept silently pleading with her to do the right thing and return Emily. I kept wanting her to get caught so she could get the help she needed and the Dixons could have their baby back. I liked Murph, Vicki's boyfriend, but I wish he would have done the right thing and told someone what Vicki had done. In a way, I understand why he didn't turn Vicki in, but it would have been better for everyone in the long run. In a way, my heart also went out to Angela and Kenny for being pulled into Vicki's mess. They were also completely innocent of everything.
I found the pacing to be perfect from the very first page to the very last page. Every time I had to stop reading Emily, Gone I felt like I was leaving a long lost friend, and I couldn't wait to return.
Trigger warnings for Emily, Gone include some drug references, kidnapping, stillborn birth, mental illness, death, some alcohol use, slight references to child molestation, incest, and other sexual references (such as couples making love, nothing graphic).
Overall, Emily, Gone is a highly interesting read with an entertaining plot that will hold you tight and not let go of you until you're done reading! This is one of those stories that will tug at your heartstrings. I would definitely recommend Emily, Gone by Bette Lee Crosby to everyone aged 17+ who would love a fantastically written emotional story.
Movie Metropolis (309 KP) rated Justice League (2017) in Movies
Jun 10, 2019
Hoorah, it's not a total dud
The entire production of Justice League has been enveloped in the tragedy surrounding director Zack Snyder’s sudden departure from the project in March this year.
After losing his daughter, Autumn, to suicide, the DC regular decided to hand over the reins of his passion project to Avengers director Joss Whedon so that he could spend time with his family. Whedon came on board and decided to undertake costly reshoots in order to get the film finished on time.
In that respect, it’s a miracle we’ve even got a Justice League movie in the first place. What’s even more of a miracle is that it turns out to be not rubbish – unfortunately that’s probably the biggest compliment I can give this frequently entertaining but messy outing for our favourite selection of DC Comic superheroes.
Fuelled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) act of selflessness, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince (Gal Gadot) to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against their newly awakened enemy, Steppenwolf. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and the Flash (Ezra Miller) – it may be too late to save the planet from an assault of catastrophic proportions.
This year’s Wonder Woman proved that the DC Universe can be at least a passable alternative to the might of Marvel and Batman v Superman: Dawn of Justice was an entertaining, if entirely forgettable mash up of the two titular heroes. Justice League sits somewhere in between – it’s not as much of an ordeal as BvS, but it’s also not as interesting as Wonder Woman. The less said about Suicide Squad, the better.
Acting wise, it’s a good start for the League. Ben Affleck is a cracking Bruce Wayne, but his Batman is lacking the gritty humanity of Christian Bale’s turn as the caped crusader. Ezra Miller, Jason Momoa and Ray Fisher all perform well with the former in particular being a highlight, but their rushed introductions do them no favours. However, the standout once again is the wonderful Gal Gadot. Her selfless Diana Prince really is magnificent and her increased screen-time in Justice League when compared to Batman v Superman is more than welcome.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film.
The main villain, Steppenwolf, voiced well by Ciarán Hinds is less successful. Masked behind walls of at-times poor CGI, his threat never feels truly realised and poor Hinds is wasted in a role reminiscent of the dreadful work 20th Century Fox did on Oscar Issac in X-Men: Apocalypse. He gets some good lines however, and makes for a decent, if unremarkable antagonist.
Amy Adams and Diane Lane are once again side-lined in their roles as Lois Lane and Martha Kent respectively. These incredible actresses really are wasted in roles that have little-to-no outcome to the plot. And this is a problem that has blighted the DCEU from the get-go. The calibre of actors used in these films is frankly, astounding and each one of them deserves better than the overly expositional and cringe worthy dialogue they continue to be lumped with.
The final act, like so many films before it, is a mess of ugly CGI that spoils a very decent middle section that has some truly poignant moments. The return of Superman (that isn’t a spoiler if you’ve been following the marketing for Justice League) is handled well and the moment he is reunited with his mother is touching and well-acted.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film. It’s also painfully obvious where Snyder’s very ‘operatic’ filming style is replaced with Joss Whedon’s trademark wit and this doesn’t sit well all of the time. It’s clear that a turbulent production has created a film that’s biggest merit is that it even managed to exist in the first place, and that’s a real shame. Entertaining? Yes. But entertainment can’t mask a film that reeks of mediocrity.
https://moviemetropolis.net/2017/11/19/justice-league-review/
After losing his daughter, Autumn, to suicide, the DC regular decided to hand over the reins of his passion project to Avengers director Joss Whedon so that he could spend time with his family. Whedon came on board and decided to undertake costly reshoots in order to get the film finished on time.
In that respect, it’s a miracle we’ve even got a Justice League movie in the first place. What’s even more of a miracle is that it turns out to be not rubbish – unfortunately that’s probably the biggest compliment I can give this frequently entertaining but messy outing for our favourite selection of DC Comic superheroes.
Fuelled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) act of selflessness, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince (Gal Gadot) to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against their newly awakened enemy, Steppenwolf. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and the Flash (Ezra Miller) – it may be too late to save the planet from an assault of catastrophic proportions.
This year’s Wonder Woman proved that the DC Universe can be at least a passable alternative to the might of Marvel and Batman v Superman: Dawn of Justice was an entertaining, if entirely forgettable mash up of the two titular heroes. Justice League sits somewhere in between – it’s not as much of an ordeal as BvS, but it’s also not as interesting as Wonder Woman. The less said about Suicide Squad, the better.
Acting wise, it’s a good start for the League. Ben Affleck is a cracking Bruce Wayne, but his Batman is lacking the gritty humanity of Christian Bale’s turn as the caped crusader. Ezra Miller, Jason Momoa and Ray Fisher all perform well with the former in particular being a highlight, but their rushed introductions do them no favours. However, the standout once again is the wonderful Gal Gadot. Her selfless Diana Prince really is magnificent and her increased screen-time in Justice League when compared to Batman v Superman is more than welcome.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film.
The main villain, Steppenwolf, voiced well by Ciarán Hinds is less successful. Masked behind walls of at-times poor CGI, his threat never feels truly realised and poor Hinds is wasted in a role reminiscent of the dreadful work 20th Century Fox did on Oscar Issac in X-Men: Apocalypse. He gets some good lines however, and makes for a decent, if unremarkable antagonist.
Amy Adams and Diane Lane are once again side-lined in their roles as Lois Lane and Martha Kent respectively. These incredible actresses really are wasted in roles that have little-to-no outcome to the plot. And this is a problem that has blighted the DCEU from the get-go. The calibre of actors used in these films is frankly, astounding and each one of them deserves better than the overly expositional and cringe worthy dialogue they continue to be lumped with.
The final act, like so many films before it, is a mess of ugly CGI that spoils a very decent middle section that has some truly poignant moments. The return of Superman (that isn’t a spoiler if you’ve been following the marketing for Justice League) is handled well and the moment he is reunited with his mother is touching and well-acted.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film. It’s also painfully obvious where Snyder’s very ‘operatic’ filming style is replaced with Joss Whedon’s trademark wit and this doesn’t sit well all of the time. It’s clear that a turbulent production has created a film that’s biggest merit is that it even managed to exist in the first place, and that’s a real shame. Entertaining? Yes. But entertainment can’t mask a film that reeks of mediocrity.
https://moviemetropolis.net/2017/11/19/justice-league-review/
BookblogbyCari (345 KP) rated A Short History of the World in Books
Aug 5, 2018
Best known for his classic fiction, HG Wells also wrote a non-fiction book summarising the history of the world, going from the history of the solar system, right up to the date the book was published in 1922.
As I hoped, the book often reads like a novel, with 67 distinct sections, each like a mini story. In order to fit the history of the whole world into one book, by nature the story telling ranges from nice and rapid, to a little too rapid. I found it rather like a catalogue of numerous interesting little nuggets of information. Despite covering events from all over the world, the topics often flow seamlessly from one topic to the next. Due to so many overlapping topics, this history of the world isn't told in a linear purely chronological pattern, but has to go backwards a little, now and again.
At various times throughout, the stories are gripping and Wells successfully brings history to life. I particularly liked the various sections on religious leaders. Appropriately, Wells tackles religion as would any unbiased historian-become storyteller. I also enjoyed the beginning, where Wells paints a crystal clear picture of our solar system and the vast empty space that our dramas are within. His description of our galaxy sounds nothing short of beautiful.
The book was meant to be predominantly factual, but Wells did include a substantial amount of speculation and opinion. This does not distract from the storyline, but adds value in generating the concepts of the time periods.
It covers progress and prosperity as much as carnage and decimation, and provides good explanations of everything it covers. (Although it would benefit from more illustrations). At times it feels detail heavy but also gives the reader a feel for each age - the book is not limited to which country went to war with which country and when, but also examines changes in ways of thinking through the ages. Including the Ancient Greek philosophers, Arabian progress in maths and science, the advent of experimental science, and the development of political and social ideas in Wells’ time.
I was reassured to learn that despite not studying the history of the world in its entirety in school, I was already familiar with much of the book’s content. Having said that, there were also topics where I really felt I was learning something. I read Wells’ opinion on why the Roman Empire fell, and how the industrial revolution was not merely a revolution in machinery, but rather a revolution in how people conducted their everyday lives. There were also some important figures from history described that were never mentioned in my school days, particularly Charlemagne and Roger Bacon.
Towards the end of the book, Wells correctly predicts another war like that of the Great War. However his final message was one of faith and hope in humanity’s progress.
With such a huge scope, Wells must have struggled with deciding what topics to include and what to exclude. I thought he ought to have included a touch more detail on Ancient Egypt, and on the causes of the Great War (World War 1). As a British person myself I would have liked to have seen more on British history.
Likewise, if the book were written now rather than 1922 I began to speculate on what he would and wouldn’t have included. I imagine there would certainly be a section on World War 2, rockets into space, the internet, and 9/11. He would have provided an excellently conducted section on how humans are destroying the planet.
One of the beauties of this book has to be its availability. If you type “short history of the world” into Google, the free PDF of this book takes up much of the first 2 pages of results. If you’re sketchy on world history, this book will fill in the main blanks, and is worth a read if this is your aim, especially if you wish to do so quickly. The fact that it’s split up into so many succinct sections also means that you can pick up and put down the book as often as opportunity allows. It also works well as a reference book, as it does not need to be read from cover to cover in order to look up one particular event or time period.
In summary, this book would be a welcome addition to bookshelf (or ebook library) of the general non-fiction fan or historian.
Find more of my book review on www.bookblogbycari.com
As I hoped, the book often reads like a novel, with 67 distinct sections, each like a mini story. In order to fit the history of the whole world into one book, by nature the story telling ranges from nice and rapid, to a little too rapid. I found it rather like a catalogue of numerous interesting little nuggets of information. Despite covering events from all over the world, the topics often flow seamlessly from one topic to the next. Due to so many overlapping topics, this history of the world isn't told in a linear purely chronological pattern, but has to go backwards a little, now and again.
At various times throughout, the stories are gripping and Wells successfully brings history to life. I particularly liked the various sections on religious leaders. Appropriately, Wells tackles religion as would any unbiased historian-become storyteller. I also enjoyed the beginning, where Wells paints a crystal clear picture of our solar system and the vast empty space that our dramas are within. His description of our galaxy sounds nothing short of beautiful.
The book was meant to be predominantly factual, but Wells did include a substantial amount of speculation and opinion. This does not distract from the storyline, but adds value in generating the concepts of the time periods.
It covers progress and prosperity as much as carnage and decimation, and provides good explanations of everything it covers. (Although it would benefit from more illustrations). At times it feels detail heavy but also gives the reader a feel for each age - the book is not limited to which country went to war with which country and when, but also examines changes in ways of thinking through the ages. Including the Ancient Greek philosophers, Arabian progress in maths and science, the advent of experimental science, and the development of political and social ideas in Wells’ time.
I was reassured to learn that despite not studying the history of the world in its entirety in school, I was already familiar with much of the book’s content. Having said that, there were also topics where I really felt I was learning something. I read Wells’ opinion on why the Roman Empire fell, and how the industrial revolution was not merely a revolution in machinery, but rather a revolution in how people conducted their everyday lives. There were also some important figures from history described that were never mentioned in my school days, particularly Charlemagne and Roger Bacon.
Towards the end of the book, Wells correctly predicts another war like that of the Great War. However his final message was one of faith and hope in humanity’s progress.
With such a huge scope, Wells must have struggled with deciding what topics to include and what to exclude. I thought he ought to have included a touch more detail on Ancient Egypt, and on the causes of the Great War (World War 1). As a British person myself I would have liked to have seen more on British history.
Likewise, if the book were written now rather than 1922 I began to speculate on what he would and wouldn’t have included. I imagine there would certainly be a section on World War 2, rockets into space, the internet, and 9/11. He would have provided an excellently conducted section on how humans are destroying the planet.
One of the beauties of this book has to be its availability. If you type “short history of the world” into Google, the free PDF of this book takes up much of the first 2 pages of results. If you’re sketchy on world history, this book will fill in the main blanks, and is worth a read if this is your aim, especially if you wish to do so quickly. The fact that it’s split up into so many succinct sections also means that you can pick up and put down the book as often as opportunity allows. It also works well as a reference book, as it does not need to be read from cover to cover in order to look up one particular event or time period.
In summary, this book would be a welcome addition to bookshelf (or ebook library) of the general non-fiction fan or historian.
Find more of my book review on www.bookblogbycari.com
Gareth von Kallenbach (968 KP) rated The Lone Ranger (2013) in Movies
Jun 19, 2019
With much of the pre-release coverage of the film centered on the reportedly $250 million plus shooting budget, audiences can finally see the fruits of this labor as Disney brings “The Lone Ranger” to the big screen. The movie stars Johnny Depp as Tonto and tells a slightly updated tale of the masked ranger, yet stays refreshingly grounded in the traditions and history of the source material.
Armie Hammer stars as John Reid, a district attorney who returns to Texas to provide justice to a lawless land that is in the process of great expansion thanks to the pending completion of the Transcontinental Railroad. In the 1860s, the country is in a great state of change as the completion of the railroad will allow people to travel coast-to-coast across, something that was once an extremely long and dangerous journey to undertake.
The local railroad administrator plans to do a public hanging of notorious outlaw murder Butch Cavendish (William Fichtner), as an example of how law and order has come to the wild frontier, a show to encourage Western expansion and install a sense of security in the local populace. The local Comanche tribes are told that as long as they continue to honor the established treaties they will be able to coexist in peace with the Western settlers.
Following a daring escape from the train that is carrying him to justice, Cavendish departs into the desert with his gang of outlaws. Not willing to let him escape justice once again, Reid’s brother Dan deputizes John, and leads the posse to bring Cavendish to justice. Now as anybody who’s followed any of the previous incarnations of the story knows, the posse is ambushed and all the Rangers are brutally murdered by Cavendish and is outlaws. Enter Tonto, who discovers John barely alive, and overseas his restoration to health. It is Tonto who convinces Reid to wear a mask as he is convinced that Cavendish had help and that it would be best for John and his brother’s family if the world believed John died with the other rangers to save them from any possible retribution
In a refreshing change of pace, Reid is not a swaggering fountain of machismo. He is a man who puts his faith in the law rather than in a six shooter and is actually hesitant to fire a weapon and use lethal forms of violence to dispense justice. This brings him at odds from time to time with Tonto who tries to walk the thin line between his people and his beliefs and the ever-changing modern world around him.
When the military began systematically retaliating against Tonto’s people for perceived raids against the townspeople, Reid and Tonto not only must deal with Cavendish and his gang of outlaws but must get to the bottom of a larger mystery that threatens to not only eradicate the Comanche people but to threaten the good citizens of the area. With his trusty and at times comical white horse, Silver, Reid and Tonto must learn to coexist with each other in a desperate race against time.
The film was an extremely enjoyable and fresh take on the characters that I really enjoyed. By giving the characters slightly more updated and relatable personas and traits yet retaining their core identities in history, Depp and Hammer made this a Western that was fun and cool and yet stayed true to the origins of the characters while making them more appealing to a modern audience. What really impressed me was Depp how he took what is often jokingly seen as a stereo typical Western sidekick and made him a very compelling yet diverse character. Yes, there is a lot of humor in the film but it is entertainingly at the expense of Reid, most often with Tonto getting some of the best lines in the film. I really appreciated the fact how it told a story without being overly politically correct or preaching, letting the characters and the action convey the message.
The action in the film is solid and the harrowing finale had people in the test screening cheering the action. Producer Jerry Bruckheimer and Director Gore Verbinski are to be commended for bringing a lively story that introduces the iconic characters to a new generation of fans. I hope that the film is able to draw fans and gives Disney’s a good return on its large investment as I would love to see Depp and Hammer back for future adventures. “The Lone Ranger” was the most pleasant surprise of the summer to date and the only summer film so far that I would pay to see again.
http://sknr.net/2013/07/03/the-lone-ranger/
Armie Hammer stars as John Reid, a district attorney who returns to Texas to provide justice to a lawless land that is in the process of great expansion thanks to the pending completion of the Transcontinental Railroad. In the 1860s, the country is in a great state of change as the completion of the railroad will allow people to travel coast-to-coast across, something that was once an extremely long and dangerous journey to undertake.
The local railroad administrator plans to do a public hanging of notorious outlaw murder Butch Cavendish (William Fichtner), as an example of how law and order has come to the wild frontier, a show to encourage Western expansion and install a sense of security in the local populace. The local Comanche tribes are told that as long as they continue to honor the established treaties they will be able to coexist in peace with the Western settlers.
Following a daring escape from the train that is carrying him to justice, Cavendish departs into the desert with his gang of outlaws. Not willing to let him escape justice once again, Reid’s brother Dan deputizes John, and leads the posse to bring Cavendish to justice. Now as anybody who’s followed any of the previous incarnations of the story knows, the posse is ambushed and all the Rangers are brutally murdered by Cavendish and is outlaws. Enter Tonto, who discovers John barely alive, and overseas his restoration to health. It is Tonto who convinces Reid to wear a mask as he is convinced that Cavendish had help and that it would be best for John and his brother’s family if the world believed John died with the other rangers to save them from any possible retribution
In a refreshing change of pace, Reid is not a swaggering fountain of machismo. He is a man who puts his faith in the law rather than in a six shooter and is actually hesitant to fire a weapon and use lethal forms of violence to dispense justice. This brings him at odds from time to time with Tonto who tries to walk the thin line between his people and his beliefs and the ever-changing modern world around him.
When the military began systematically retaliating against Tonto’s people for perceived raids against the townspeople, Reid and Tonto not only must deal with Cavendish and his gang of outlaws but must get to the bottom of a larger mystery that threatens to not only eradicate the Comanche people but to threaten the good citizens of the area. With his trusty and at times comical white horse, Silver, Reid and Tonto must learn to coexist with each other in a desperate race against time.
The film was an extremely enjoyable and fresh take on the characters that I really enjoyed. By giving the characters slightly more updated and relatable personas and traits yet retaining their core identities in history, Depp and Hammer made this a Western that was fun and cool and yet stayed true to the origins of the characters while making them more appealing to a modern audience. What really impressed me was Depp how he took what is often jokingly seen as a stereo typical Western sidekick and made him a very compelling yet diverse character. Yes, there is a lot of humor in the film but it is entertainingly at the expense of Reid, most often with Tonto getting some of the best lines in the film. I really appreciated the fact how it told a story without being overly politically correct or preaching, letting the characters and the action convey the message.
The action in the film is solid and the harrowing finale had people in the test screening cheering the action. Producer Jerry Bruckheimer and Director Gore Verbinski are to be commended for bringing a lively story that introduces the iconic characters to a new generation of fans. I hope that the film is able to draw fans and gives Disney’s a good return on its large investment as I would love to see Depp and Hammer back for future adventures. “The Lone Ranger” was the most pleasant surprise of the summer to date and the only summer film so far that I would pay to see again.
http://sknr.net/2013/07/03/the-lone-ranger/