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Andy K (10821 KP) rated Creature from the Black Lagoon (1954) in Movies
Sep 22, 2019
The creature lurks!
In the Amazon jungle, a prehistoric amphibian claw fossil is found prodding local scientists to investigate its origins. They decide on an expedition to gain more information and possibly locate its origins.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.
Health Import
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Thanks to Health Import you can now import the XML file generated by Health App on your device in a...
Modern Combat 2: Black Pegasus HD
Games
6.0
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Modern Combat 3: Fallen Nation is coming this fall! Watch the exclusive trailer on YouTube :...
Shadow and Light (Arizona Raptors #3)
RJ Scott and V.L. Locey
10.0
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Is it easier to fall into the shadows than hold onto the light? Injured in a horrific car...
Contemporary MM Sports Romance
Modern Combat 2: Black Pegasus
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Modern Combat 3: Fallen Nation is coming this fall! Watch the exclusive trailer on YouTube :...
Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
Laura Doe (1350 KP) rated Wish You Were Here in Books
Jan 26, 2022
I didn’t quite realise how much this book would resonate with me until I started reading it. It reminded me sometimes about the awful things that we have lived through the past 2 years but also reminded me how strong people can be.
Diana and Finn are living in New York as the Covid-19 pandemic is beginning, they have planned to go on a once in a lifetime holiday to The Galápagos Islands just as the world seems to be shutting down. Finn, being a surgical resident, has been told that he can’t take time off, even pre planned holidays. While Diana, who is an art specialist working for Sotheby’s, knows that she needs to take time off as a deal she had brokered for a painting has fallen through. Finn tells Diana to go anyway as he doesn’t want to make her sick since he’s working in the hospital.
We then follow Diana exploring the beautiful, scenic Isabela island, and meeting a family who take her in and look after her when she becomes stranded there. She explores the island and although she doesn’t speak the language she manages to get by because she needs to. She has no phone service and very limited access to the internet so she has no way to contact the outside world, but it doesn’t seem to matter too much when you’re in paradise.
The second part of the book was a complete surprise, but a pleasant one. It reminded me of exactly how we were at the start of the pandemic, wiping down anything that came from outside, not opening mail for days and for some of us stripping as soon as we came in from work for fear we’d brought the virus home with us. I am a support worker and so had no choice but to go into work and look after people that had Covid-19 because as much as I was scared, I knew that they needed me more. One line that sticks in my head is also one that I thought myself: “Well if I catch it, I catch it” and that became my opinion for a lot of the pandemic.
It was a nice change that not everything was tied up with a neat little bow at the end of this book, as that’s how life is sometimes. I really enjoyed this book and I feel like it will be one of those that helps us to remember the pandemic in years to come.
Diana and Finn are living in New York as the Covid-19 pandemic is beginning, they have planned to go on a once in a lifetime holiday to The Galápagos Islands just as the world seems to be shutting down. Finn, being a surgical resident, has been told that he can’t take time off, even pre planned holidays. While Diana, who is an art specialist working for Sotheby’s, knows that she needs to take time off as a deal she had brokered for a painting has fallen through. Finn tells Diana to go anyway as he doesn’t want to make her sick since he’s working in the hospital.
We then follow Diana exploring the beautiful, scenic Isabela island, and meeting a family who take her in and look after her when she becomes stranded there. She explores the island and although she doesn’t speak the language she manages to get by because she needs to. She has no phone service and very limited access to the internet so she has no way to contact the outside world, but it doesn’t seem to matter too much when you’re in paradise.
The second part of the book was a complete surprise, but a pleasant one. It reminded me of exactly how we were at the start of the pandemic, wiping down anything that came from outside, not opening mail for days and for some of us stripping as soon as we came in from work for fear we’d brought the virus home with us. I am a support worker and so had no choice but to go into work and look after people that had Covid-19 because as much as I was scared, I knew that they needed me more. One line that sticks in my head is also one that I thought myself: “Well if I catch it, I catch it” and that became my opinion for a lot of the pandemic.
It was a nice change that not everything was tied up with a neat little bow at the end of this book, as that’s how life is sometimes. I really enjoyed this book and I feel like it will be one of those that helps us to remember the pandemic in years to come.
Kristy H (1252 KP) rated Then She Was Gone in Books
Apr 24, 2018 (Updated Apr 24, 2018)
Excellent psychological thriller - hard to put down!
It's been ten years since Laurel Mack's beloved youngest daughter, Ellie, disappeared. She was fifteen and adored by her parents and boyfriend. Intelligent, bright, and excited about her future, Ellie was just about to sit for her exams when she vanished. In the years since her daughter's disappearance, Laurel's marriage has fallen apart, and her relationship with her two remaining children is strained. She is resigned to her lonely life until she randomly meets Floyd one day in a coffee shop. The two begin to date, bringing some joy and excitement back into Laurel's solitary life. She also meets Floyd's daughters; the youngest, Poppy, reminds Laurel so much of Ellie sometimes that she can barely stand it. As Laurel tentatively allows herself to feel happy again, she also cannot help but to again question Ellie's disappearance. What really happened to her daughter? And why does she feel so strangely drawn to this young girl who looks so very much like her long-lost daughter?
This was a great one. It drew me in immediately and then just kept going. Jewell slowly doles out these tantalizing, fun snippets and clues that you have to carefully piece together. The novel is composed of interesting, suspicious, and strange pieces of information; as it progresses, it's wonderfully creepy and menacing. The result is an incredibly well-done novel that has you frantically turning the pages. In fact, I had worked some of the plot out and still found myself willing the book forward, wanting Laurel to do the same. It was compulsively readable, and I read the entire second half in one sitting, staying up late to finish it (and this is saying a lot, because sleep is a precious commodity in my life).
The book is divided into three parts, each with some varying narrators, with Laurel as the thread that ties it all together. This works really well at building suspense. It's also heartbreaking at times. It's so awful and terrifying to think of your child going missing, and there are parts that made me cry. And, in turn, the book is realistic. For instance, Laurel comes across as a very true-to-form. She is truly a grieving mom and Jewell also captures the complexities of being a mother quite well too.
Overall, this is an excellent psychological thriller. It's incredibly easy to get absorbed into its well-written plot and strong characters. It also has a tender side, as well. Even when you might see where (some) things are going, it's completely impossible to put down, as it rushes toward a crazy and exciting conclusion. Definitely a great read!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was a great one. It drew me in immediately and then just kept going. Jewell slowly doles out these tantalizing, fun snippets and clues that you have to carefully piece together. The novel is composed of interesting, suspicious, and strange pieces of information; as it progresses, it's wonderfully creepy and menacing. The result is an incredibly well-done novel that has you frantically turning the pages. In fact, I had worked some of the plot out and still found myself willing the book forward, wanting Laurel to do the same. It was compulsively readable, and I read the entire second half in one sitting, staying up late to finish it (and this is saying a lot, because sleep is a precious commodity in my life).
The book is divided into three parts, each with some varying narrators, with Laurel as the thread that ties it all together. This works really well at building suspense. It's also heartbreaking at times. It's so awful and terrifying to think of your child going missing, and there are parts that made me cry. And, in turn, the book is realistic. For instance, Laurel comes across as a very true-to-form. She is truly a grieving mom and Jewell also captures the complexities of being a mother quite well too.
Overall, this is an excellent psychological thriller. It's incredibly easy to get absorbed into its well-written plot and strong characters. It also has a tender side, as well. Even when you might see where (some) things are going, it's completely impossible to put down, as it rushes toward a crazy and exciting conclusion. Definitely a great read!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Debbiereadsbook (1202 KP) rated Skin and Bone (Digging Up Bones #2) in Books
Mar 7, 2019
fabulous second book!
I was lucky enough to win an ARC of this book.
This is book TWO in the Digging Up Bones series, and you really SHOULD read book one, Bone To Pick, before you read this one. You'll need it to get a feel for Javi and Cloister before this book.
I'm not gonna write a blurby bit, cos if I'm honest (and I'm ALL about the honest!) I got a bit lost with the Janet Morrow storyline, and once I decided I would just read those bits, and not pay much attention, I liked this a lot better. Also being honest, this is highly likely to be ME (since I'm a bit of a mess at the moment) rather than this book, because I really did LOVE catching up with Javi, Cloister and Bournville!
They are such damaged, broken men, and it really is a pleasure watching them fall. Because they HAVE fallen, they just can't admit, not even to themselves, how much the other man means to him. Javi nearly does, but he shuts that thought down right quick! Cloister does admit he LIKES Javi, but I read far more into that, than was actually said.
It's the little things that tell a lot, you know? Like how Javi looks after Clositer when he gets hit by the truck. Like how Cloister tells Javi not to get shot. The random thoughts that make you giggle how they come out of nowhere, about they think about the other, about how they feel. They DO admit to feeling, at least to themselves, sorta, kinds, and it's those out of nowhere things I LOVE about these two! There is no way to predict where the comments and thoughts will come from. Love being kept on my toes.
We get more of Cloister's history, about his family and some of my questions (that I had after book one) are answered here. We get why Javi was sent to town, to work, after what happened in Phoenix.
I hope there is at least one more book, I really do! These guys NEED to be happy, like REALLY happy with each other and at the moment, while . . . . . content . . . .they aren't really happy. And you know, we don't know what's going to happen to Javi when his replacement comes to twon, a woman who does NOT have happy thoughts about Javi! And there is something going on in Javi's head about higher ups in the food chain, so I need to know about that!
So, thank you, Ms Moore, for my copy, I'm sorry I got a bit lost, but I'm still giving it the rating it deserves.
5 stars
**same worded review will appear elsewhere**
This is book TWO in the Digging Up Bones series, and you really SHOULD read book one, Bone To Pick, before you read this one. You'll need it to get a feel for Javi and Cloister before this book.
I'm not gonna write a blurby bit, cos if I'm honest (and I'm ALL about the honest!) I got a bit lost with the Janet Morrow storyline, and once I decided I would just read those bits, and not pay much attention, I liked this a lot better. Also being honest, this is highly likely to be ME (since I'm a bit of a mess at the moment) rather than this book, because I really did LOVE catching up with Javi, Cloister and Bournville!
They are such damaged, broken men, and it really is a pleasure watching them fall. Because they HAVE fallen, they just can't admit, not even to themselves, how much the other man means to him. Javi nearly does, but he shuts that thought down right quick! Cloister does admit he LIKES Javi, but I read far more into that, than was actually said.
It's the little things that tell a lot, you know? Like how Javi looks after Clositer when he gets hit by the truck. Like how Cloister tells Javi not to get shot. The random thoughts that make you giggle how they come out of nowhere, about they think about the other, about how they feel. They DO admit to feeling, at least to themselves, sorta, kinds, and it's those out of nowhere things I LOVE about these two! There is no way to predict where the comments and thoughts will come from. Love being kept on my toes.
We get more of Cloister's history, about his family and some of my questions (that I had after book one) are answered here. We get why Javi was sent to town, to work, after what happened in Phoenix.
I hope there is at least one more book, I really do! These guys NEED to be happy, like REALLY happy with each other and at the moment, while . . . . . content . . . .they aren't really happy. And you know, we don't know what's going to happen to Javi when his replacement comes to twon, a woman who does NOT have happy thoughts about Javi! And there is something going on in Javi's head about higher ups in the food chain, so I need to know about that!
So, thank you, Ms Moore, for my copy, I'm sorry I got a bit lost, but I'm still giving it the rating it deserves.
5 stars
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated Gods Of Egypt (2016) in Movies
Jun 10, 2019
God Awful
Those of you who keep up to date with the goings on in the film world may be thinking Gods of Egypt was released way back in February; and you’d be right for thinking that.
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/