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Ten Things Video Games Can Teach Us: (About Life, Philosophy and Everything)
Jordan Erica Webber and Daniel Griliopoulos
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WOULD YOU KILL ONE PERSON TO SAVE FIVE OTHERS? If you could upload all of your memories into a...
Lyndsey Gollogly (2893 KP) rated The Unpassing in Books
Dec 22, 2021
212 of 250
Book
The Unpassing
By Chia-Chia Lin
Once read a review will be written via Smashbomb and link posted in comments
In Chia-Chia Lin's debut, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When 10-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
Routine takes over for the grieving family: The siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby's death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.
With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher but ultimately more profound reality.
To start off I’ll say it’s very well written. Sadly I just struggled to connect with the book and it’s characters, yes I’ve still given it 4 stars because it at least deserves that considering it is also the first book from this author. I don’t want to discourage anyone from reading it as someone else may connect I just struggles.
Book
The Unpassing
By Chia-Chia Lin
Once read a review will be written via Smashbomb and link posted in comments
In Chia-Chia Lin's debut, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When 10-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
Routine takes over for the grieving family: The siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby's death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.
With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher but ultimately more profound reality.
To start off I’ll say it’s very well written. Sadly I just struggled to connect with the book and it’s characters, yes I’ve still given it 4 stars because it at least deserves that considering it is also the first book from this author. I don’t want to discourage anyone from reading it as someone else may connect I just struggles.
Night Reader Reviews (683 KP) rated Scavengers in Books
Dec 5, 2020
Surprisingly amazing book!!
Scavengers by Alessandra Melville is ideal for those who like post-apocalyptic stories. While readers won’t find zombies in these pages they will discover a world with Fallout tones mixed with Divergent.
Olivia Taylor lives safely within the confines of the Community along with other survivors. This Community was founded after a virus outbreak to protect the survivors from raider attacks. Unfortunately not all is perfect in the Community. Soaring temperatures and a lack of resources mixed with the ever present threat of discovery cause the Community’s numbers to drop, resulting in the need for a Scavenging trip. Olivia and all the other children of the Community that are of age report to volunteer to scavenge and this year she is finally picked. Now along with four others Olivia must leave the safety of the Community in an attempt to bring back supplies, food, and new members or not come back at all.
Before the foundation of the Community disaster struck the world. A virus ran rampant and high temperatures cause drought and dehydration. Out of desperation the entire Taylor family leaves their home, along with many others, in search of a safer place to live. Yet in a world that is falling apart danger is everywhere and the journey is not an easy one. Finally they meet up with others fleeing the city but they have to stop and wonder if anywhere is safe anymore.
I was very happy to find halfway through the book that it changes focus from Olivia to Grace. This answered many questions that I was beginning to forum but was afraid I would never get an answer too, and yet did not explain everything. The book is also well detailed and I can sense a well thought out backstory driving everything. I wanted more out of the book in the end for both parts of the story. The cliffhangers and unanswered questions would easily be fixed with a sequel that I feel this book deserves. Although this is a full length book it still felt more like a teaser than anything.
Teens and young adults will enjoy this book just as much if not more so than adults. While there are hints toward sexual activities both wanted and not nothing happens with any detail and will go over the heads of many young readers. The young readers will enjoy the story and I suppose some of the older readers will start questioning just how these events came to pass. I rate this book 4 out of 4. This book deserves a sequel. It is very well written and an enjoyable book with a style that reminded me of Hunger Games (along with a few others previously mentioned). It could easily make itself at home on shelves right alongside other such dystopian books. This book is so gripping a read that many reader should be able to finish it in just a couple of days.
Scavengers | Book| Austin Macauley Publishers
Olivia Taylor lives safely within the confines of the Community along with other survivors. This Community was founded after a virus outbreak to protect the survivors from raider attacks. Unfortunately not all is perfect in the Community. Soaring temperatures and a lack of resources mixed with the ever present threat of discovery cause the Community’s numbers to drop, resulting in the need for a Scavenging trip. Olivia and all the other children of the Community that are of age report to volunteer to scavenge and this year she is finally picked. Now along with four others Olivia must leave the safety of the Community in an attempt to bring back supplies, food, and new members or not come back at all.
Before the foundation of the Community disaster struck the world. A virus ran rampant and high temperatures cause drought and dehydration. Out of desperation the entire Taylor family leaves their home, along with many others, in search of a safer place to live. Yet in a world that is falling apart danger is everywhere and the journey is not an easy one. Finally they meet up with others fleeing the city but they have to stop and wonder if anywhere is safe anymore.
I was very happy to find halfway through the book that it changes focus from Olivia to Grace. This answered many questions that I was beginning to forum but was afraid I would never get an answer too, and yet did not explain everything. The book is also well detailed and I can sense a well thought out backstory driving everything. I wanted more out of the book in the end for both parts of the story. The cliffhangers and unanswered questions would easily be fixed with a sequel that I feel this book deserves. Although this is a full length book it still felt more like a teaser than anything.
Teens and young adults will enjoy this book just as much if not more so than adults. While there are hints toward sexual activities both wanted and not nothing happens with any detail and will go over the heads of many young readers. The young readers will enjoy the story and I suppose some of the older readers will start questioning just how these events came to pass. I rate this book 4 out of 4. This book deserves a sequel. It is very well written and an enjoyable book with a style that reminded me of Hunger Games (along with a few others previously mentioned). It could easily make itself at home on shelves right alongside other such dystopian books. This book is so gripping a read that many reader should be able to finish it in just a couple of days.
Scavengers | Book| Austin Macauley Publishers
Joe Goodhart (27 KP) rated Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1 in Books
Nov 30, 2020
So, before I begin my review of ULTIMATE COMICS: SPIDER-MAN Vol. 1, I feel the need to confess something: there was a point in life where I was a lot less liberal, a lot less "forward thinking". I felt heroes like Miles Morales were unnecessary, examples of "lazy writing". I felt that instead of creating a non-white Spider-Man, he should have been a newly created hero, not a copy of one already in existence.
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Andy K (10821 KP) rated Rope (1948) in Movies
Sep 18, 2019
80 minutes of magic!
Two men, the charismatic and charming Phillip, and the cowardly and sheepish Brandon have just strangled their mutual friend, David, and are holding him in their arms. To dispose of the body, they decide on the bold move a placing it in a large trunk in the middle of the living room of their high rise apartment building. They don't have much time to discuss their situation before guests start arriving for their dinner party which had been planned beforehand.
After the guests arrive, the usual small talk and chit chat commences with those attending including David fiance and a former college professor of the men. After the idle conversation starts to bore, it is mentioned how interesting it would be to murder someone and the consequences of doing so. It's no dig deal to dispose of people you don't like is it? Some party-goers are not keen on this conversation and lead it in a new direction eventually focusing on the missing David who has not yet arrived.
Eventually, the unresolved issue of David's absence is brushed aside for the moment and the guests leave to go about their lives. The college professor returns after having been given verbal clues in the former conversations about the nefarious activity of Phillip and David as well as some physical ones. He confronts the duo and David is unable to hold back.
The mystery has been revealed and the men have to deal with the fallout and consequences.
The physical limitation of the amount of film cameras of the day were able to hold was the only drawback for the way Hitchcock managed to shoot this film. There are only 10 total shots within the film ranging from 4 to 10 minutes. The cuts were achieved through normal editing, but also the actors and camera intersecting for brief moments where a momentary black frame would occur continuing the action right after this moment.
I can't even imagine the amount of rehearsal and takes would have been necessary for both the actors and production crew to orchestrate visual and vocal cues and not making mistakes for such a long time for each shot to be completed successfully. The film feels much like a stage production having all the scenes occur mainly in the living room and foyer areas, but that had to be by design.
With no elaborate staging, the audience is left to enjoy the masterful screenplay nonstop and trying to figure out if the two murderers will actually be able to dissuade blame or be confronted with the guilt.
One of many Jimmy Stewart's many Hitchcock collaborations, his performance mostly gets overlooked here in comparison to Vertigo and Rear Window; however, once he arrives at the party it is kind to see him and he delivers another captivating and motivated performance.
In the current days of digital filmmaking and continuous camera shots which can now be processed with computers, it is monumental Hitchcock was able to achieve this feat back in the day with only relentless dedication, but also precise and genius execution.
After the guests arrive, the usual small talk and chit chat commences with those attending including David fiance and a former college professor of the men. After the idle conversation starts to bore, it is mentioned how interesting it would be to murder someone and the consequences of doing so. It's no dig deal to dispose of people you don't like is it? Some party-goers are not keen on this conversation and lead it in a new direction eventually focusing on the missing David who has not yet arrived.
Eventually, the unresolved issue of David's absence is brushed aside for the moment and the guests leave to go about their lives. The college professor returns after having been given verbal clues in the former conversations about the nefarious activity of Phillip and David as well as some physical ones. He confronts the duo and David is unable to hold back.
The mystery has been revealed and the men have to deal with the fallout and consequences.
The physical limitation of the amount of film cameras of the day were able to hold was the only drawback for the way Hitchcock managed to shoot this film. There are only 10 total shots within the film ranging from 4 to 10 minutes. The cuts were achieved through normal editing, but also the actors and camera intersecting for brief moments where a momentary black frame would occur continuing the action right after this moment.
I can't even imagine the amount of rehearsal and takes would have been necessary for both the actors and production crew to orchestrate visual and vocal cues and not making mistakes for such a long time for each shot to be completed successfully. The film feels much like a stage production having all the scenes occur mainly in the living room and foyer areas, but that had to be by design.
With no elaborate staging, the audience is left to enjoy the masterful screenplay nonstop and trying to figure out if the two murderers will actually be able to dissuade blame or be confronted with the guilt.
One of many Jimmy Stewart's many Hitchcock collaborations, his performance mostly gets overlooked here in comparison to Vertigo and Rear Window; however, once he arrives at the party it is kind to see him and he delivers another captivating and motivated performance.
In the current days of digital filmmaking and continuous camera shots which can now be processed with computers, it is monumental Hitchcock was able to achieve this feat back in the day with only relentless dedication, but also precise and genius execution.
Daniel Boyd (1066 KP) created a post
Sep 23, 2020
Goddess in the Stacks (553 KP) rated Looking for Alaska in Books
Jan 25, 2018
I just finished reading Looking for Alaska, making it the fifth John Green book I've read, after Will Grayson, Will Grayson, Let It Snow, The Fault In Our Stars, and An Abundance of Katherines. I enjoyed Looking for Alaska immensely, just like I did the other three. (My favorite being Let It Snow, which he wrote with two other authors as a set of three related short stories.) I haven't made a habit out of reading young adult fiction, but for John Green I'll definitely make an exception. I should also pick up some of Maureen Johnson's books; her contribution to Let It Snow was excellent.
I have a confession to make before I go any further: I am a Nerdfighter. I was introduced to John and Hank Green about two years ago by one of my best friends, by way of Crash Course. Since then I've (almost!) caught up on their Vlogbrother videos, watched most of the Crash Course videos (sorry Hank, I'm just not into chemistry) and started watching Sci Show. John and Hank are both extremely educated, well spoken, and yet extremely entertaining and fun to watch. Watching the vlogbrothers episodes where John talks about writing the books (as he's writing them!) is what finally made me go pick up his books to read. And he's GOOD.
In Looking for Alaska, Miles Halter goes away to boarding school at Culver Creek, his father's alma mater. He's in search of his "great perhaps," his meaning for life. (The phrase comes from Francois Rabelais' last words "I go to seek a Great Perhaps." Miles doesn't want to wait until he dies to go in search of his.) Culver Creek really marks a turning point in Miles' life - from a friendless outcast in his old school to one of the closest friends of Alaska Young. Alaska is a bit of a bad girl (sneaking cigarettes and alcohol into school constantly and pulling ingenious pranks) but also an enigma. The entire school body loves her, but even to her closest friends she doesn't reveal much about herself.
The book is divided into "before" and "after" and it wasn't until within a few pages till the end of the "before" section that I realized what the event was. "After" deals with the characters of the book coming to terms with their life-altering event.
In The Fault In Our Stars, John Green dealt with the lead up to a life-altering event that the characters knew was coming - a long, drawn-out sort of grief. Looking For Alaska deals with the fallout of an event no one knew was coming, and while the emotions are just as deep, they feel sharper somehow for being so unexpected.
I definitely recommend this book, and all of John Green's books. He's a very talented writer, and isn't afraid to put "adult" themes into his "young adult" books. As if sex and alcohol and death and deep meaning-of-life questions aren't things every teenager deals with? I like that he doesn't pull his emotional punches. His books may be "young adult" but they're not fluffy or "easy to read." Easy in terms of grammar and flow perhaps, but not in content. I teared up reading parts of Looking For Alaska, and outright sobbed for a good portion of The Fault In Our Stars. (Which is now a movie!)
You can find all my reviews at http://goddessinthestacks.wordpress.com (review originally written 4 years ago.)
I have a confession to make before I go any further: I am a Nerdfighter. I was introduced to John and Hank Green about two years ago by one of my best friends, by way of Crash Course. Since then I've (almost!) caught up on their Vlogbrother videos, watched most of the Crash Course videos (sorry Hank, I'm just not into chemistry) and started watching Sci Show. John and Hank are both extremely educated, well spoken, and yet extremely entertaining and fun to watch. Watching the vlogbrothers episodes where John talks about writing the books (as he's writing them!) is what finally made me go pick up his books to read. And he's GOOD.
In Looking for Alaska, Miles Halter goes away to boarding school at Culver Creek, his father's alma mater. He's in search of his "great perhaps," his meaning for life. (The phrase comes from Francois Rabelais' last words "I go to seek a Great Perhaps." Miles doesn't want to wait until he dies to go in search of his.) Culver Creek really marks a turning point in Miles' life - from a friendless outcast in his old school to one of the closest friends of Alaska Young. Alaska is a bit of a bad girl (sneaking cigarettes and alcohol into school constantly and pulling ingenious pranks) but also an enigma. The entire school body loves her, but even to her closest friends she doesn't reveal much about herself.
The book is divided into "before" and "after" and it wasn't until within a few pages till the end of the "before" section that I realized what the event was. "After" deals with the characters of the book coming to terms with their life-altering event.
In The Fault In Our Stars, John Green dealt with the lead up to a life-altering event that the characters knew was coming - a long, drawn-out sort of grief. Looking For Alaska deals with the fallout of an event no one knew was coming, and while the emotions are just as deep, they feel sharper somehow for being so unexpected.
I definitely recommend this book, and all of John Green's books. He's a very talented writer, and isn't afraid to put "adult" themes into his "young adult" books. As if sex and alcohol and death and deep meaning-of-life questions aren't things every teenager deals with? I like that he doesn't pull his emotional punches. His books may be "young adult" but they're not fluffy or "easy to read." Easy in terms of grammar and flow perhaps, but not in content. I teared up reading parts of Looking For Alaska, and outright sobbed for a good portion of The Fault In Our Stars. (Which is now a movie!)
You can find all my reviews at http://goddessinthestacks.wordpress.com (review originally written 4 years ago.)
Daniel Boyd (1066 KP) rated No Man's Sky in Video Games
Jul 25, 2017
Hyped Up Nonsense
Earlier this month No Man’s Sky was released, a game that had been hyped and anticipated by so many. Unfortunately, it has failed to live up to the expectations that gamers had for it, however in the eyes of many this isn’t due to the faults or shortcomings of the actual game itself, but is rather due to the way that Sony marketed the game, (this game is technically an indie title, yet Sony treated it as a 1st party exclusive,) and the gaming media blowing expectations insanely out of proportion. Personally, I have only played the game for a couple of hours, but I feel that I have already seen everything there is to see, in that I know that if I play for longer all I will come across is the same things with different skins and textures and that is okay, if that is all that you are looking for. The reason that I stole the phrase, “a mile wide and an inch deep,” from Colin Moriarty and used it as the headline to this article, is because I feel that it is the most accurate description that I have heard of this game to date. However, if the game was marketed as an exploratory crafting game with very light story elements and no real characters, it would have been received a lot better. The point of this paper isn’t to insult No Man’s Sky, I am simply using it as an example as that game is currently at the forefront of the gaming zeitgeist. I don’t think that the gaming community’s disappointment in No Man’s Sky is down to the developers of the game, I believe that it was Sony’s treatment, as well as the gaming press’ treatment of the game that caused the hype train to come to a crash.
This isn’t the first time that this has happened, it happened last year with The Phantom Pain, that game took over three years to come out after it was officially announced and it was still an unfinished mess. The example that always comes up when discussing games stuck in development hell for years is Duke Nukem Forever, which was objectively a bad game, but even if it was more competent, in the leagues of Halo or COD, it would still be considered a failure. Final Fantasy 15 and The Last Guardian are also going to suffer for these reasons, too much time has been spent, reporting development news and hyping up the release that feels like it will never arrive and both of those games could be stellar masterpieces and they still wouldn’t reach anywhere near the payoff that is expected of them due to all of this overhyping and false hope that has been created by the gaming press. Lastly, even if Half Life 3 ever does release and against all odds does meet the standard of the previous games in the series, that still won’t be enough for die hard fans, due to the vast amount of time between now and the previous entry and the unrealistically high standards that this has caused gamers to expect.
I am fed up of this occurring, but the press isn’t going to stop reporting any news on these projects as its released, that’s their job. The only way that I can see to get around this issue is for developers to use the Fallout 4 method and release their game with 6 months of announcing it, quelling the inevitable explosion of hype that is created if the game takes any longer than that to release. The old saying goes that, ‘there is no such thing as bad publicity,’ but if the developer has any integrity and tact and isn’t just making something for the sake of a cash grab, perhaps they would do well to think of the No Man’s Sky release saga as a cautionary tale.
This isn’t the first time that this has happened, it happened last year with The Phantom Pain, that game took over three years to come out after it was officially announced and it was still an unfinished mess. The example that always comes up when discussing games stuck in development hell for years is Duke Nukem Forever, which was objectively a bad game, but even if it was more competent, in the leagues of Halo or COD, it would still be considered a failure. Final Fantasy 15 and The Last Guardian are also going to suffer for these reasons, too much time has been spent, reporting development news and hyping up the release that feels like it will never arrive and both of those games could be stellar masterpieces and they still wouldn’t reach anywhere near the payoff that is expected of them due to all of this overhyping and false hope that has been created by the gaming press. Lastly, even if Half Life 3 ever does release and against all odds does meet the standard of the previous games in the series, that still won’t be enough for die hard fans, due to the vast amount of time between now and the previous entry and the unrealistically high standards that this has caused gamers to expect.
I am fed up of this occurring, but the press isn’t going to stop reporting any news on these projects as its released, that’s their job. The only way that I can see to get around this issue is for developers to use the Fallout 4 method and release their game with 6 months of announcing it, quelling the inevitable explosion of hype that is created if the game takes any longer than that to release. The old saying goes that, ‘there is no such thing as bad publicity,’ but if the developer has any integrity and tact and isn’t just making something for the sake of a cash grab, perhaps they would do well to think of the No Man’s Sky release saga as a cautionary tale.
Daniel Boyd (1066 KP) rated Mass Effect Trilogy in Video Games
Jul 25, 2017
An Example Of Why Dialogue Options In Video Games Are More Trouble Than They Are Worth
The first Mass Effect game was released 10 years ago this year and it pioneered many RPG mechanics that are still being used in RPG’s today. Like any pioneer, it spawned many clones that tried to emulate the cover based shooting mechanics that the game used, the romance situations that took place between the characters and the infamous dialogue options that the player could choose from during conversation cutscenes.
Mass Effect wasn’t the first game to do it, there are plenty of earlier examples of the mechanic being used before in games, such as the Fallout series. Bioware actually included the mechanic themselves in their earlier game in Knights Of The Old Republic, but its inclusion Mass Effect is what brought it to the mainstream and soon every developer was wanting a piece of the dialogue tree pie.
I never owned the original Mass Effect, the most exposure I got of it was through a few mates that owned the game at the time, but eventually the mechanic did end up creeping into games that I did own including; Alpha Protocall, Deus Ex, any Telltale game, The Amazing Spiderman 2, (for some reason,) and even in Uncharted 4.
As much as I enjoy a good ‘choose your own adventure,’ story and as much as I appreciate the trust that developers put in gamers to be able to tell their own story; whether that be through dialogue options, moral choices or customization options, I want you to tell me your story. I didn’t pay 50 quid to get given a setting and a bunch of characters to tell my own story. You guys get paid to craft amazingly immersive works of fiction, so do your job and suck me in. Whenever I’m playing a game with dialogue options and I am starting to get invested in the story and the characters, the inevitable dialogue tree pops up and takes me right out of the experience.
Sure, there are some movies that I watch and wonder why a writer or a director made a certain creative choice, but even if I don’t agree with the decision, it is the creator’s job to make those tough choices and that is what makes great art. One of my favorite movies of the last decade is Nicolas Winding Refn’s ‘Drive’ and that is purely because of the creative choices that the cast and crew made on that movie. I know people that hate Drive and I’m sure if given the option they would change it to be a less daring, more cookie cutter action thriller, but that wouldn’t have earned my respect like it has. Sometimes creators need to stop handholding the audience and make a tough call, even if it could potentially be a polarizing one.
In fact, when I think about it, all of my favorite stories are adored so much because of the definitive, drastic calls that they dare to make. I already spoke about Drive, Fight Club’s twist took some balls to pull off, the ambitious non linear storytelling of Pulp Fiction makes it iconic, Breaking Bad was consistently shocking and yet brilliant, MGS is insanely unconventional and I love it for it and The Last Of Us delivers a divisive finishing blow that we have no choice but to partake in.
That is how you tell a great story and that is how you stand out as a creator, by doing something that no one else could do, especially not your audience. When I come home after a long day at work, I don’t want to do much thinking. I want to relax and be told a story by the folks that are best at doing so. Personally, I think that you should believe in the story you are telling enough to make a definitive decision and if you don’t, is it really a story that’s worth telling?
Mass Effect wasn’t the first game to do it, there are plenty of earlier examples of the mechanic being used before in games, such as the Fallout series. Bioware actually included the mechanic themselves in their earlier game in Knights Of The Old Republic, but its inclusion Mass Effect is what brought it to the mainstream and soon every developer was wanting a piece of the dialogue tree pie.
I never owned the original Mass Effect, the most exposure I got of it was through a few mates that owned the game at the time, but eventually the mechanic did end up creeping into games that I did own including; Alpha Protocall, Deus Ex, any Telltale game, The Amazing Spiderman 2, (for some reason,) and even in Uncharted 4.
As much as I enjoy a good ‘choose your own adventure,’ story and as much as I appreciate the trust that developers put in gamers to be able to tell their own story; whether that be through dialogue options, moral choices or customization options, I want you to tell me your story. I didn’t pay 50 quid to get given a setting and a bunch of characters to tell my own story. You guys get paid to craft amazingly immersive works of fiction, so do your job and suck me in. Whenever I’m playing a game with dialogue options and I am starting to get invested in the story and the characters, the inevitable dialogue tree pops up and takes me right out of the experience.
Sure, there are some movies that I watch and wonder why a writer or a director made a certain creative choice, but even if I don’t agree with the decision, it is the creator’s job to make those tough choices and that is what makes great art. One of my favorite movies of the last decade is Nicolas Winding Refn’s ‘Drive’ and that is purely because of the creative choices that the cast and crew made on that movie. I know people that hate Drive and I’m sure if given the option they would change it to be a less daring, more cookie cutter action thriller, but that wouldn’t have earned my respect like it has. Sometimes creators need to stop handholding the audience and make a tough call, even if it could potentially be a polarizing one.
In fact, when I think about it, all of my favorite stories are adored so much because of the definitive, drastic calls that they dare to make. I already spoke about Drive, Fight Club’s twist took some balls to pull off, the ambitious non linear storytelling of Pulp Fiction makes it iconic, Breaking Bad was consistently shocking and yet brilliant, MGS is insanely unconventional and I love it for it and The Last Of Us delivers a divisive finishing blow that we have no choice but to partake in.
That is how you tell a great story and that is how you stand out as a creator, by doing something that no one else could do, especially not your audience. When I come home after a long day at work, I don’t want to do much thinking. I want to relax and be told a story by the folks that are best at doing so. Personally, I think that you should believe in the story you are telling enough to make a definitive decision and if you don’t, is it really a story that’s worth telling?