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Kristy H (1252 KP) rated Faultlines in Books
Feb 13, 2018
At 20, Jordy Cline's life should be just beginning. Instead, it seems as if he's looking at a long period in jail and a lifetime of guilt. It all begins when his mother, Sandy, receives the call every mother dreads: there's been a car accident. Jordy and his cousin, Travis, were thrown from the vehicle, and their passenger, Michelle, is in a coma. Both boys are seriously injured and even worse, it looks like they were drinking. Local law enforcement seems to think Jordy was drinking and driving--a natural assumption given his history of underage drinking and Travis' usual role as the designated driver--but Jordy is insistent that he wasn't. Suddenly, Sandy finds herself fighting for her son's survival and dealing with her sister Jenna's anger over Jordy's role in the crash. The crash also reveals more family and town secrets. Will things ever be the same? And was Jordy really responsible for the crash?
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
Gareth von Kallenbach (977 KP) rated Almost Christmas (2016) in Movies
Jul 12, 2019
It’s that time of year again, well maybe a little bit sooner than I would prefer because we haven’t hit thanksgiving yet. Holiday Season is here! So the attempts from the studios to get a piece of the holiday season box office. This new comedy from writer David E. Talbert (Baggage Claim) and producer Will Packer (Ride Along, Think Like a Man series, This Christmas), Almost Christmas, tells the story of a beloved patriarch, Walter, played by Danny Glover, a retired mechanic who owned a chain of auto shops and is now getting ready to spend the holiday with his four adult children and their families.
This year is the family’s first Christmas since the death of Walter’s wife, Grace, and the film flashes back to show us a beautiful 45 year relationship, that even when their home overflowed with children, they kept their love and affection.
Grace showed her dedication to Walter and the rest of her family with delicious recipes, especially her sweet potato pie.
Walter asks his family for one gift this holiday season to spend five days under the same roof without killing one another.
But later in the film you find out that the real drama is the rivalry between Rachel and Cheryl and the undergoing feud over each other’s life choices. Rachel (Gabrielle Union) a divorced mom, who after different career attempts, finally decided to become a law student; but unfortunately this last one made her financially unstable. Rachel’s overachieving big sister, Cheryl (Kimberly Elise) is always hiding her own insecurities and trying to control her obnoxious husband J.B. Smoove, and older retired athlete, who played basketball in Croatia in the 80’s, and considers himself a celebrity and an American hero.
Their brothers Christian (Romany Malco) is occupied with his congressional run, and Evan (Jessie Usher), the surprise baby of the family, is attempting to conquer a college football injury and secretly abusing of pain killers.
Finally we have aunt May (Mo’nique), who deserves a special mention for being extremely hilarious having a still-functioning career as a backup singer and in the past performed with Mick Jagger and Chaka Khan and now enjoys imparting all of her wisdom to her nieces, nephews and Walter.
The movie’s sibling dynamics feels authentic, with a relatable blend of rivalry, nostalgia, and dependence; Glover’s quest to perfect his wife’s signature dish will pull at anyone’s heartstrings.
It is surprisingly funny and hits it mark more than it misses. But it is not a secret that the major strength of this movie is its cast led by Danny Glover, and how we start to get too old for some shit, and an amazing team of charming actors and actresses that can transport you in the time with the right music and some dancing in the kitchen.
This year is the family’s first Christmas since the death of Walter’s wife, Grace, and the film flashes back to show us a beautiful 45 year relationship, that even when their home overflowed with children, they kept their love and affection.
Grace showed her dedication to Walter and the rest of her family with delicious recipes, especially her sweet potato pie.
Walter asks his family for one gift this holiday season to spend five days under the same roof without killing one another.
But later in the film you find out that the real drama is the rivalry between Rachel and Cheryl and the undergoing feud over each other’s life choices. Rachel (Gabrielle Union) a divorced mom, who after different career attempts, finally decided to become a law student; but unfortunately this last one made her financially unstable. Rachel’s overachieving big sister, Cheryl (Kimberly Elise) is always hiding her own insecurities and trying to control her obnoxious husband J.B. Smoove, and older retired athlete, who played basketball in Croatia in the 80’s, and considers himself a celebrity and an American hero.
Their brothers Christian (Romany Malco) is occupied with his congressional run, and Evan (Jessie Usher), the surprise baby of the family, is attempting to conquer a college football injury and secretly abusing of pain killers.
Finally we have aunt May (Mo’nique), who deserves a special mention for being extremely hilarious having a still-functioning career as a backup singer and in the past performed with Mick Jagger and Chaka Khan and now enjoys imparting all of her wisdom to her nieces, nephews and Walter.
The movie’s sibling dynamics feels authentic, with a relatable blend of rivalry, nostalgia, and dependence; Glover’s quest to perfect his wife’s signature dish will pull at anyone’s heartstrings.
It is surprisingly funny and hits it mark more than it misses. But it is not a secret that the major strength of this movie is its cast led by Danny Glover, and how we start to get too old for some shit, and an amazing team of charming actors and actresses that can transport you in the time with the right music and some dancing in the kitchen.
Amanda (96 KP) rated Little Fires Everywhere in Books
Mar 21, 2019
I was so close to putting this book on my DNF list. The beginning of it was SO slow that I found myself spacing out and then remembering that I was listening to a book.
Obviously, I'm writing a review on it, so of course, I DID NOT put it on my DNF list. It took quite a few chapters (roughly five I think) to really get into the story and by then, I was completely hooked.
There are several stories going on.
The Richardsons rent out a house to a single mother, Mia Warren with her daughter Pearl. The Richardsons are friends with another family who are in the process of adopting a Chinese-American baby, but the process is paused when the mother comes forward wanting her daughter back. The husband, Mr. Richardson, is a lawyer representing the family who want to keep the baby and Mrs. Richardson basically tries to do some investigating of her own, including finding out things about her tenants past and what she has done to cause this drama for her best friends.
The theme of it all centers around a baby. Not just one baby, but that's the whole premise of the story.
One family wants to adopt the Chinese baby they renamed Mirabelle (I'm sorry, but I really don't like that name, or the reason WHY they changed it) and then the mother coming forward wanting her baby back. Now, the mother left her baby at a fire house cause she was not the right state to take care of her. If someone hadn't tipped her off as to where her baby was, then maybe this whole thing could have been avoided.
I struggled with not yelling at when the woman says the family is stealing her baby. No, they are not. They adopted her when she was left at a fire house. That is a thing that women in her state CAN do. If they cannot afford resources available (cost wise) they can leave their baby with a hospital or a fire house no questions asked. That also means that you give up parental rights. Granted, there should be some sort of grace period, but you cannot say this family stole your baby, because they didn't!
One teenager in the story finds out she's pregnant from her boyfriend and I just cannot fathom her snobby naivete attitude. She swoons over Mirabelle because she's so cute. I'll give you that, babies are cute. But then she starts to fantasize that her and her also teenage boyfriend could work it out and their parents would take care of the baby while at college. Yeah, okay! Reality does hit her hard though, but I won't say how, but it does and I almost feel bad for her, but not quite.
Then there's someone who agreed to be a surrogate and winds up stealing the baby before it was born. Now, technically, that woman did steal a baby. Granted, it's biologically yours, but she agreed, verbally and legally, to be this couple's surrogate. I'm not entirely sure I could do it, cause I really don't want to go through the whole pregnancy, but I can't speak for other women who go into the surrogacy and then start to regret it later. I don't know.
I'm now just babbling. Despite the slow beginning, I can definitely see why this book had as much hype as it did when it was published. It really gets you thinking about different perspectives of motherhood, biological or not. The story is told as if someone was indeed telling a story to a group of people. Almost like when someone is narrating a play and you're watching it as it unfolds before your eyes.
I do look forward to seeing about Celeste Ng's previous novels. This story may be sensitive to some people who have gone through any of these scenarios because I think some things that happen later, could very well get emotional. The story is great, but also keep that in mind if you are at all familiar with these kinds of stories.
Obviously, I'm writing a review on it, so of course, I DID NOT put it on my DNF list. It took quite a few chapters (roughly five I think) to really get into the story and by then, I was completely hooked.
There are several stories going on.
The Richardsons rent out a house to a single mother, Mia Warren with her daughter Pearl. The Richardsons are friends with another family who are in the process of adopting a Chinese-American baby, but the process is paused when the mother comes forward wanting her daughter back. The husband, Mr. Richardson, is a lawyer representing the family who want to keep the baby and Mrs. Richardson basically tries to do some investigating of her own, including finding out things about her tenants past and what she has done to cause this drama for her best friends.
The theme of it all centers around a baby. Not just one baby, but that's the whole premise of the story.
One family wants to adopt the Chinese baby they renamed Mirabelle (I'm sorry, but I really don't like that name, or the reason WHY they changed it) and then the mother coming forward wanting her baby back. Now, the mother left her baby at a fire house cause she was not the right state to take care of her. If someone hadn't tipped her off as to where her baby was, then maybe this whole thing could have been avoided.
I struggled with not yelling at when the woman says the family is stealing her baby. No, they are not. They adopted her when she was left at a fire house. That is a thing that women in her state CAN do. If they cannot afford resources available (cost wise) they can leave their baby with a hospital or a fire house no questions asked. That also means that you give up parental rights. Granted, there should be some sort of grace period, but you cannot say this family stole your baby, because they didn't!
One teenager in the story finds out she's pregnant from her boyfriend and I just cannot fathom her snobby naivete attitude. She swoons over Mirabelle because she's so cute. I'll give you that, babies are cute. But then she starts to fantasize that her and her also teenage boyfriend could work it out and their parents would take care of the baby while at college. Yeah, okay! Reality does hit her hard though, but I won't say how, but it does and I almost feel bad for her, but not quite.
Then there's someone who agreed to be a surrogate and winds up stealing the baby before it was born. Now, technically, that woman did steal a baby. Granted, it's biologically yours, but she agreed, verbally and legally, to be this couple's surrogate. I'm not entirely sure I could do it, cause I really don't want to go through the whole pregnancy, but I can't speak for other women who go into the surrogacy and then start to regret it later. I don't know.
I'm now just babbling. Despite the slow beginning, I can definitely see why this book had as much hype as it did when it was published. It really gets you thinking about different perspectives of motherhood, biological or not. The story is told as if someone was indeed telling a story to a group of people. Almost like when someone is narrating a play and you're watching it as it unfolds before your eyes.
I do look forward to seeing about Celeste Ng's previous novels. This story may be sensitive to some people who have gone through any of these scenarios because I think some things that happen later, could very well get emotional. The story is great, but also keep that in mind if you are at all familiar with these kinds of stories.
Neon's Nerd Nexus (360 KP) rated The Incredibles 2 (2018) in Movies
May 14, 2019
Super
#pixar #disney #incredibles2 is an exceptional #sequel with a much more mature tone & flawless #animation. After doing a double bill of the incredibles films today in #4k I found myself awe of the technical achievement on show. This #film is stunning & I mean visual #perfection, particle effects are complex & mesmerising, #eyes house tiny red veins, faces blush & cloths contain intricate stitching too with character animation also being fluid & #natural. Subject matter is dark this time around & deals with extremely #adult themes, parents might want to think twice before taking kids to see this one as id say almost 80% of the film is a heavily dialog driven #drama. I wont lie at times its incredibly intense, heavy going & hard work but its also always fascinating & higly rewarding housing many very real world/mature themes with great complexity & depth. With things getting very serious the film does break things up every now & again with just enough huge scale top notch memorable action set pieces & slick comedy to let your brain rest briefly (however I found most #Kids in my screening were getting restless & bored by then so parents may want to think twice before taking the #family). Themes of death, jealousy, trust, lies, parent roll reversal, balancing home #life & family with work, teaching kids to be themselves while also making sure they obey the law & fit in, as well as metaphors about technology enslaving us all & how superhero films are only pushed on us to distract us from real world problems & belief someone else will solve all our problems for us (this is not only refreshing but expertly handled & over flowing with intelligence giving the #film a more human, realistic & relevant tone). Voice work is simply top notch with #bobodenkirk being the most interesting & going the extra mile. Score & #sound design are also on point & at times I swear I thought #jackjack was a #kid in my screening running around behind me. The last 20mins felt a tad rushed but with such likeable & well fleshed out characters & a more mature story #incredibles 2 might just be the most intelligent & #fun #superhero film or the year. #odeon #odeonlimitless #beautiful #hero #super
Neon's Nerd Nexus (360 KP) rated Hereditary (2018) in Movies
May 14, 2019
Its all in the family
#Hereditary is a strange/uncomfortable visual bombardment & for a directorial debut its almost stunningly perfect too.For those of you looking for jump scares, a scary #nun or a haunted doll you may want to avoid Hereditary as this is a different kind of horror film & its all the better for it. Sitting comfortably in between #thewitch & #itcomesatnight this is a multi layered film about loss, grieving, mental heath & loneliness & how they slowly bring about the destruction of a #family. Shot flawlessly the film sinks its teeth into your nerves instantly with #beautiful slow camera pans & rotations mixed with eerie lingering shots & overlapping scene fades. It really is a work of #art visually & every location feels like a character its self. Sound design is perfect too with great use of silence to build dread/tension, a fantastic & beautifuly somber score & great use of clicking, chopping, cracking & snapping sounds that constantly keep you feeling #anxious & on edge. Acting is also flawless with #ToniCollette absolutely knocking it out of the park as Annie a character Toni plays so well you cant help but get lost in the intricacy of her personality. While containing horror elements Hereditary plays out more along the lines of a #psychological drama with a plot so multi layered, intricate & intelligent multiple viewings will be necessary to fully understand all of what its truly about & what it really has to say (that's not to say its an easy watch however, at times the film created a tension & atmosphere so unpleasant & unnerving this accompanied by some startling & #dark imagery I found myself feeling very uncomfortable at times). My only gripe stopping it being a 10 is the strange comedy surrounding some scenes which I found immersion breaking (this may be intentional but for me it didnt work). Hereditary really is something special/unique & although not for everyone its certainly destined to win an award or become a #cultclassic. With a fresh take on its subject matter & truly #disturbing imagery this is a must for film #fans. #odeon #odeonlimitless #horror #scary #gore #terror #anxiety #mentalhealthawareness #mentalhealth #filmcritic #filmbuff #filmreview
Sensitivemuse (246 KP) rated Assassin's Heart in Books
Jul 22, 2018
It's Gotta be good with Assassin's in it :)
Contains spoilers, click to show
***Spoilers ahead you’ve been warned***
The world building is really well done with different Families pitted against each other and each one wanting to rise up in the ranks to gain more influence and power. There’s elements of fantasy, as it also involves deities and Gods (each city has their own patron deity). Lea has Safraella for example, who happens to be the Goddess of her city and protects her followers from the ghosts that frequent outside during the night. I loved this concept as it kept the world interesting and played a large role in Lea’s character.
Speaking of Lea. I really enjoyed her as a character. She’s fiercely loyal, headstrong, and her skills are on point. She’s a survivor and once she sets her goals, she does it. Despite all she goes through, she continues to keep going. I love her devotion to Safraella. It may seem fanatical to some but it’s what kept her advancing into her plot for revenge. (Also, she wouldn’t have the drive to go find Les and Marcello)
Although I rather liked Lea and Val together but well he just had to go ahead and do that thing didn’t he but well, Family before family right? Les and Lea were all right. Not the ideal chemistry that I thought she had with Val, but it’s still sweet nevertheless. I can’t say I enjoyed reading the romance in the book though. It felt awkward and out of the place (do we really have time for this when revenge is priority??) and I didn’t care too much for reading about that. I preferred the plotting and surprises that were in store for Lea with the Da Vias.
Aside from the awkward moments of romance, the plot itself was great. It’s got good amounts of action and drama to keep the reading going, and the excellent world building really helps in this case. I especially liked the encounter with Lea and the Goddess Safraella herself. The last third part of the book closed nicely (bwahaha! Revenge was sweet!!!!)
I’m looking forward to the second book, I’d like to know what happens next considering what Lea chose to do.
The world building is really well done with different Families pitted against each other and each one wanting to rise up in the ranks to gain more influence and power. There’s elements of fantasy, as it also involves deities and Gods (each city has their own patron deity). Lea has Safraella for example, who happens to be the Goddess of her city and protects her followers from the ghosts that frequent outside during the night. I loved this concept as it kept the world interesting and played a large role in Lea’s character.
Speaking of Lea. I really enjoyed her as a character. She’s fiercely loyal, headstrong, and her skills are on point. She’s a survivor and once she sets her goals, she does it. Despite all she goes through, she continues to keep going. I love her devotion to Safraella. It may seem fanatical to some but it’s what kept her advancing into her plot for revenge. (Also, she wouldn’t have the drive to go find Les and Marcello)
Although I rather liked Lea and Val together but well he just had to go ahead and do that thing didn’t he but well, Family before family right? Les and Lea were all right. Not the ideal chemistry that I thought she had with Val, but it’s still sweet nevertheless. I can’t say I enjoyed reading the romance in the book though. It felt awkward and out of the place (do we really have time for this when revenge is priority??) and I didn’t care too much for reading about that. I preferred the plotting and surprises that were in store for Lea with the Da Vias.
Aside from the awkward moments of romance, the plot itself was great. It’s got good amounts of action and drama to keep the reading going, and the excellent world building really helps in this case. I especially liked the encounter with Lea and the Goddess Safraella herself. The last third part of the book closed nicely (bwahaha! Revenge was sweet!!!!)
I’m looking forward to the second book, I’d like to know what happens next considering what Lea chose to do.
Lee (2222 KP) rated The Haunting of Hill House in TV
Oct 20, 2018
Outstanding
I'm not familiar with the book that this Netflix show is based on, but then from what I understand this is meant to be more a 'remix' of the book anyway. All I can say though is, faithful to the book or not, this is without a doubt one of the most incredibly brilliant shows I have seen in a very long time.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
Kristy H (1252 KP) rated Good Girls Lie in Books
Mar 19, 2020
The Goode School is an elite prep school in Marchburg, Virginia. Each class contains only fifty girls, hand-picked by Dean Westhaven herself. The school has been in the Dean's family for generations. The girls all go on to college--mostly the Ivies--and are the daughters of the rich and elite. Goode is filled with traditions, rumors, haunted tunnels and arboretums, and secret societies. Coming to Goode from England this year is Ash Carr, now Ash Carlisle. Ash's wealthy parents are dead and Goode gives her a chance to start over without the notoriety that follows in her home country. But soon, a student is dead at Goode. She apparently had a secret--and she isn't the only one.
I am a total sucker for a good boarding school mystery. Add in the fact that this one is set basically in my backyard, the Blue Ridge mountains of Virginia, and it's written by one of my favorite authors, J.T. Ellison: I'm all in. GOOD GIRLS LIE didn't disappoint. This was a captivating thriller that kept me frantically flipping the pages of my Kindle. I didn't know who to believe, what to believe, or what on earth was going on. And I loved it.
The book opens up with a death--a body is found hanging on the school's gates. From there, the story backs up, and you are left guessing, wondering if Ash is a reliable narrator or not. For a story that features teenage girls, it's surprisingly adult and dark.
"Of course, there are a few people who know exactly who is hanging from the school's gates. Know who, and know why. But they will never tell."
This is a mystery filled with juicy backstories and gossip. The town of Marchburg has a storied past, and I found myself caught up in all of it. The Dean and her mother--twisted past. An old incident at the school--twisted past. Ash and her family--twisted past. Do you see a pattern emerging? Around every corner, a new dramatic turn emerges. If you like your thrillers with lots of drama and surprises, you'll enjoy this book. It's different, dark and twisty, and quite good. 4.5 stars.
I am a total sucker for a good boarding school mystery. Add in the fact that this one is set basically in my backyard, the Blue Ridge mountains of Virginia, and it's written by one of my favorite authors, J.T. Ellison: I'm all in. GOOD GIRLS LIE didn't disappoint. This was a captivating thriller that kept me frantically flipping the pages of my Kindle. I didn't know who to believe, what to believe, or what on earth was going on. And I loved it.
The book opens up with a death--a body is found hanging on the school's gates. From there, the story backs up, and you are left guessing, wondering if Ash is a reliable narrator or not. For a story that features teenage girls, it's surprisingly adult and dark.
"Of course, there are a few people who know exactly who is hanging from the school's gates. Know who, and know why. But they will never tell."
This is a mystery filled with juicy backstories and gossip. The town of Marchburg has a storied past, and I found myself caught up in all of it. The Dean and her mother--twisted past. An old incident at the school--twisted past. Ash and her family--twisted past. Do you see a pattern emerging? Around every corner, a new dramatic turn emerges. If you like your thrillers with lots of drama and surprises, you'll enjoy this book. It's different, dark and twisty, and quite good. 4.5 stars.
Emma @ The Movies (1786 KP) rated The Mule (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Thinking Clint Eastwood is a great actor is sadly not enough to get you through this film.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
Jamie (131 KP) rated An Eccentric Engagement in Books
May 24, 2017
Sweet romance (1 more)
Good commentary about social justice
Does more telling than showing (1 more)
Felt more like a lecture than a love story
A sweet regency romance
So this was a bit of a non-traditional romance as it takes place after the courtship. Sorrow and Bertram are engaged to be married and the two return to Sorrow’s country home for the wedding. The two are very clearly in the early stages of excitement over a new relationship, stealing kissing and admiring each other — the “puppy love” stage. Neither of the two truly love each other but are already prepared for marriage. The actual romance was more told than shown and it unfortunately just didn’t work for me. The romantic aspect seemed to take a back seat to the other two major plot lines: Sorrow’s altruistic family and Bert’s difficult relationship with his overbearing father.
Both of these plot lines are actually really good, but I felt that they both needed more time to be developed and would have been better in a full length novel. All of the conflict was resolved in a few pages with barely any resistance and the discussion felt more like a lecture that was repeated multiple times. Not that the message was bad, I appreciated the way they approach discussing the mentally ill and the elderly, and I actually liked the Marchand’s way of life, but I think it could have been delivered better.
It also didn’t help that Sorrow kind of annoyed me. When she talks to other people to try and explain her views it again turns into a mildly pretentious lecture. Her insistence on absolute harmony and willingness to throw everything out of the window if she didn’t get her way was also extremely grating. Creating needless drama for the sake of drama is not a good way of filling up pages.
Overall its not bad, it’s a cute and clean love story that will appeal to folks with a strong sense of social justice. It was a fluffy and pleasant way to pass the time, but I didn’t feel much of anything while reading it.
Both of these plot lines are actually really good, but I felt that they both needed more time to be developed and would have been better in a full length novel. All of the conflict was resolved in a few pages with barely any resistance and the discussion felt more like a lecture that was repeated multiple times. Not that the message was bad, I appreciated the way they approach discussing the mentally ill and the elderly, and I actually liked the Marchand’s way of life, but I think it could have been delivered better.
It also didn’t help that Sorrow kind of annoyed me. When she talks to other people to try and explain her views it again turns into a mildly pretentious lecture. Her insistence on absolute harmony and willingness to throw everything out of the window if she didn’t get her way was also extremely grating. Creating needless drama for the sake of drama is not a good way of filling up pages.
Overall its not bad, it’s a cute and clean love story that will appeal to folks with a strong sense of social justice. It was a fluffy and pleasant way to pass the time, but I didn’t feel much of anything while reading it.