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Chris Sawin (602 KP) rated Messengers 2: The Scarecrow (2009) in Movies
Jun 22, 2019
John Rollins is a guy who's just trying to catch a break. He lives on a farm with his wife and two children, but his crops just won't grow. His cornfield is infested with crows and his water pump won't work. Stress and fatigue don't begin to describe what John is currently going through. He's a man of faith that's just trying to figure out how he can support his family with no income. He's pretty much lost all hope until he stumbles upon the scarecrow in his barn. After being convinced by his neighbor, he puts the scarecrow up in his cornfield. Besides, he has nothing to lose and everything to gain. John wakes up to a field full of dead crows and his water pump begins working again. Everything looks to finally be turning in John's favor, but there's two sides to every coin. People that get in the way of John's crops or his family begin to turn up dead. What makes matters worse is that John finds possessions of the victims in his cornfield and he is the only person all the evidence points to. Once he realizes that the scarecrow is the root of his newfound problems and that he could wind up losing his family, John knows he has to get rid of it but he may already be too late...
In my movie watching experience, I've learned that it's usually important to watch an original film before its sequel. With this day and age though where sequels are actually prequels and we get prequel trilogies sixteen years AFTER the original trilogy, there aren't really any guidelines to follow when it comes to watching films anymore. So being somebody who had no interest in seeing The Messengers, the sequel didn't really interest me until they announced Norman Reedus in the title role. Since Reedus had been impressive in films such as The Boondock Saints, Blade II, and even his brief (but rather incredible) cameo in Antibodies, I felt it was my obligation to at least give this film a chance. The results are pretty much what you'd expect for a direct to DVD horror film.
The acting isn't terrible, but doesn't really do much to stand out. Norman Reedus, Heather Stephens, and Richard Riehle are pretty much the cream of the crop as far as acting goes. Reedus does a good job of acting like a farmer who's going through troubled times and just wants to support his family. He was easy to relate to since just about everyone is either going through tough times or has so in the past. Stephens played the concerned wife and was able to portray the widest range of emotions in the film. Riehle always seemed to show up to encourage John Rollins to do mischievous things, so the seeds are planted from the get-go that something isn't quite right with him. The boy who played John's son, Michael, is the only actor in the film that could really be considered atrocious as his lines are delivered so nonchalantly.
The way the rest of the film plays out just feels like it borrowed heavily from Jeepers Creepers 2 and the Children of the Corn films. The scarecrow drags its scythe on the ground as it's stalking its victims, which was a nice touch but was really the only enjoyable part of the scarecrow. Once it reveals itself at the end of the film and starts walking around, it makes pterodactyl sounds and trust me, that's just as incredible as it sounds. The film actually starts going downhill in the second half, which is when the cheesy effects come in and unanswered questions begin. The latter half of the film is filled with a lot of moments that will leave you scratching your head wondering why you even decided to watch this film to begin with.
Messengers 2: The Scarecrow isn't exactly the greatest film to watch, but it isn't the worst either. While it does have its fair share of blood and isn't half bad at times, it doesn't really offer anything most horror fans haven't seen before. Messengers 2 is really only recommended for die hard fans of Norman Reedus since it's basically just a rehash of Jeepers Creepers 2 with a lower budget. It's the type of film that's a decent watch at 3 o' clock in the morning when you stumble across it channel surfing, but isn't worth deliberately tracking down on DVD.
In my movie watching experience, I've learned that it's usually important to watch an original film before its sequel. With this day and age though where sequels are actually prequels and we get prequel trilogies sixteen years AFTER the original trilogy, there aren't really any guidelines to follow when it comes to watching films anymore. So being somebody who had no interest in seeing The Messengers, the sequel didn't really interest me until they announced Norman Reedus in the title role. Since Reedus had been impressive in films such as The Boondock Saints, Blade II, and even his brief (but rather incredible) cameo in Antibodies, I felt it was my obligation to at least give this film a chance. The results are pretty much what you'd expect for a direct to DVD horror film.
The acting isn't terrible, but doesn't really do much to stand out. Norman Reedus, Heather Stephens, and Richard Riehle are pretty much the cream of the crop as far as acting goes. Reedus does a good job of acting like a farmer who's going through troubled times and just wants to support his family. He was easy to relate to since just about everyone is either going through tough times or has so in the past. Stephens played the concerned wife and was able to portray the widest range of emotions in the film. Riehle always seemed to show up to encourage John Rollins to do mischievous things, so the seeds are planted from the get-go that something isn't quite right with him. The boy who played John's son, Michael, is the only actor in the film that could really be considered atrocious as his lines are delivered so nonchalantly.
The way the rest of the film plays out just feels like it borrowed heavily from Jeepers Creepers 2 and the Children of the Corn films. The scarecrow drags its scythe on the ground as it's stalking its victims, which was a nice touch but was really the only enjoyable part of the scarecrow. Once it reveals itself at the end of the film and starts walking around, it makes pterodactyl sounds and trust me, that's just as incredible as it sounds. The film actually starts going downhill in the second half, which is when the cheesy effects come in and unanswered questions begin. The latter half of the film is filled with a lot of moments that will leave you scratching your head wondering why you even decided to watch this film to begin with.
Messengers 2: The Scarecrow isn't exactly the greatest film to watch, but it isn't the worst either. While it does have its fair share of blood and isn't half bad at times, it doesn't really offer anything most horror fans haven't seen before. Messengers 2 is really only recommended for die hard fans of Norman Reedus since it's basically just a rehash of Jeepers Creepers 2 with a lower budget. It's the type of film that's a decent watch at 3 o' clock in the morning when you stumble across it channel surfing, but isn't worth deliberately tracking down on DVD.
Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies
Feb 22, 2020 (Updated Feb 23, 2020)
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
5 Minute Movie Guy (379 KP) rated A Million Ways to Die in the West (2014) in Movies
Jun 26, 2019
Neil Patrick Harris is delightfully devious. (1 more)
MacFarlane shows he has potential in his on-screen acting debut.
The humor is at times very vulgar and immature. (2 more)
The film is slow-paced and overly long.
"A Dozen Ways to Die in the West" would have been a more appropriate title.
A Million Ways to Die in the West is good for a few laughs but it feels like it goes on unreasonably long. Still, if you're a fan of MacFarlane's other works, you'll most likely enjoy his parody of the Old West.
Following the success of his directorial debut, Ted, Seth MacFarlane steps in front of the movie camera for the first time in his new film, A Million Ways to Die in the West. MacFarlane is best known as the creator of the popular animated television series, Family Guy, and he was also the host of the Oscars just two years ago. Now he’s taking the starring role in a film he wrote and directed himself. Here MacFarlane plays a cowardly sheep farmer named Albert who is miserably living in the dangerous Old West. Or rather, the not-so-dangerous Old West. Despite what the title suggests, there’s not a whole lot of dying going on in A Million Ways to Die in the West. You won’t find a whole lot of substance either, but there are a fair amount of laughs if you’re able to tolerate the crude toilet humor and dirty jokes. All in all, MacFarlane does a decent job in this comedy, but his jokes stick too close to his own conventions, and much like life on the frontier, the film can be kind of a drag.
If you’ve ever seen Family Guy, you should feel right at home with the humor in this film. It’s crass, edgy, violent, and full of pop culture references. Although, given that this is an R-rated movie, MacFarlane’s able to push the limits further than usual, and he makes sure to do that by including a lot of raunchy humor and toilet-gags. Oh, and in case you were wondering, yes, male genitals are still the hottest thing in comedy right now. As you’ve no doubt deduced, this is certainly not a film you’d want to take your kids to see. Nor is it for the easily-offended. Though in the film’s defense, it’s not entirely tasteless, and its use of vulgarity isn’t overly frequent. There’s plenty of great slapstick physical comedy and some pretty hilarious dialogue. I laughed more than I thought I would, and was never so disgusted that I wanted to walk out. It’s an entertaining film, it just happens to run a little long and lose momentum down the stretch. Plus the main premise of the film is never all that compelling to begin with.
In A Million Ways to Die in the West, MacFarlane’s character Albert is a man entirely self-aware of the time and place he’s living in, as well as the many dangers that come with it. He sheepishly lives his life, terrified by the threat of death that lurks around every corner. When his beloved girlfriend leaves him for a man with a mighty mustache, Albert has to cowboy up to prove his machismo and try to win her back. Luckily for him, he meets a gun-toting woman named Anna who’s happy to help him face his fears and show him the ropes of being a cowboy. Unfortunately however, this new friendship ends up putting Albert right into the crosshairs of Clinch Leatherwood, the deadliest outlaw around.
While MacFarlane does a respectable job in his first foray into acting, his character feels rather uninspired. I couldn’t help but see him as a hodgepodge of various Family Guy characters, having the clumsiness of Peter Griffin, the self-consciousness of Chris Griffin, and the intelligence and charm of Brian. Given that he created that show, perhaps that should be expected, but it just felt like Albert was lacking a unique and consistent identity. He’s a character who can be charming and funny, but he also comes off seeming like a jerk. All in all, the film has a good cast of actors, with Neil Patrick Harris being the stand-out of the bunch. He plays the pompous, mustached snob, Foy, who steals the heart of Albert’s girlfriend, Louise. Giovanni Ribisi and Sarah Silverman are likable as the flawed, clueless couple who serve as Albert’s close friends, Edward and Ruth. Although their characters stay pretty comfortably within the realm of what you would expect from their respective actors, with Edward being the naïve nice guy, while Silverman’s Ruth is the seemingly-sweet-and-innocent, foul-mouthed hussy. Charlize Theron does a fine job as Albert’s mentor, Anna. She has a strong presence in the film and is fun to watch, but despite her best efforts, the emotional element she brings to the story ends up feeling forced and unconvincing. Though that’s no fault of her own. It’s just hard to imagine her, or anyone, falling head over heels so easily and suddenly for a guy like Albert. Then, of course, there’s Liam Neeson, who is effective in his performance as the intimidating villain, Clinch, but would have benefitted from more screen-time.
A Million Ways to Die in the West proficiently parodies the western film genre, capturing the right atmosphere for the setting and time period. Visually it’s a pleasant film to look at, with good camera-work, well-created sets, and lots of beautiful scenery. This makes it all the more disappointing then that the filmmakers decided to place a visual filter over the entirety of the film to give it a more old-fashioned look. As a result, there is a constant flickering throughout the whole movie, and while not quite seizure-inducing, it certainly is distracting. At times you kind of get used to it and forget about it, but it really stands out in scenes with heavy lighting and most of the movie takes place in broad daylight. On the audio side of things, the music is appropriately fitting, but little of it is particularly noteworthy. There is a great song about mustaches, accompanied with a well-orchestrated dance number led by Neil Patrick Harris in what is undoubtedly one of the highlights of the film. Additionally the film’s theme song is appropriately fun. The visual effects in the movie, although limited, are done quite well and nicely add to the film’s comedic effect. Although I’m sure I speak for everyone when I say the movie could have done just fine without all of the animated urinating sheep.
I think the film’s greatest flaw is the fact that it’s doing too much as it tries to incorporate all of the main stereotypes of the western genre. It has duels, bar brawls, jailbreaks, horse chases, and even capture by Indians thrown in for good measure. In trying to cover all of the bases, the movie ends up running too long and becomes a little boring and tired. Rather than building up to a climax, the film diverges with some unnecessary scenes, and then concludes with a lackluster ending. It would have been cool to see Clinch and his group of bandits lay siege to the main town, which could have given the filmmakers an opportunity to create a wide variety of deaths, and allow Albert to exercise his newly developed skills before setting up to an ultimate final showdown. Maybe that would be adding to the long list of clichés, but at least it would have given this slow-paced film some much needed adrenaline and would have made it more true to its misleading title. There are also several cameo appearances in the film, and while a couple of them are great conceptually, I don’t think any of them are quite as satisfying as they should be. They end up feeling out of place, like last-second additions that have no purpose other than to acknowledge other films. I can appreciate the attempt but the cameos aren’t particularly funny and they just seems to emphasize how much better those other films are.
Seth MacFarlane’s A Million Ways to Die in the West is good for a few laughs, but just like his character Albert’s long-winded ramblings, it feels like it goes on unreasonably long. It’s still an entertaining film regardless, and if you’re a fan of MacFarlane’s other work, you’ll most likely enjoy his parody of the Old West. The movie has a talented cast, some truly great scenes such as a bar brawl and a memorable dance, as well as plenty of good old-fashioned slapstick, and witty dialogue. If you can handle the occasional gross-out gag, you’ll probably have a good time. Just don’t expect to actually see the many ways people can die In the Old West. The movie doesn’t show many deaths at all, and all the best ones you likely already saw in the trailer.
(This review was originally posted at 5mmg.com on 6.3.14.)
If you’ve ever seen Family Guy, you should feel right at home with the humor in this film. It’s crass, edgy, violent, and full of pop culture references. Although, given that this is an R-rated movie, MacFarlane’s able to push the limits further than usual, and he makes sure to do that by including a lot of raunchy humor and toilet-gags. Oh, and in case you were wondering, yes, male genitals are still the hottest thing in comedy right now. As you’ve no doubt deduced, this is certainly not a film you’d want to take your kids to see. Nor is it for the easily-offended. Though in the film’s defense, it’s not entirely tasteless, and its use of vulgarity isn’t overly frequent. There’s plenty of great slapstick physical comedy and some pretty hilarious dialogue. I laughed more than I thought I would, and was never so disgusted that I wanted to walk out. It’s an entertaining film, it just happens to run a little long and lose momentum down the stretch. Plus the main premise of the film is never all that compelling to begin with.
In A Million Ways to Die in the West, MacFarlane’s character Albert is a man entirely self-aware of the time and place he’s living in, as well as the many dangers that come with it. He sheepishly lives his life, terrified by the threat of death that lurks around every corner. When his beloved girlfriend leaves him for a man with a mighty mustache, Albert has to cowboy up to prove his machismo and try to win her back. Luckily for him, he meets a gun-toting woman named Anna who’s happy to help him face his fears and show him the ropes of being a cowboy. Unfortunately however, this new friendship ends up putting Albert right into the crosshairs of Clinch Leatherwood, the deadliest outlaw around.
While MacFarlane does a respectable job in his first foray into acting, his character feels rather uninspired. I couldn’t help but see him as a hodgepodge of various Family Guy characters, having the clumsiness of Peter Griffin, the self-consciousness of Chris Griffin, and the intelligence and charm of Brian. Given that he created that show, perhaps that should be expected, but it just felt like Albert was lacking a unique and consistent identity. He’s a character who can be charming and funny, but he also comes off seeming like a jerk. All in all, the film has a good cast of actors, with Neil Patrick Harris being the stand-out of the bunch. He plays the pompous, mustached snob, Foy, who steals the heart of Albert’s girlfriend, Louise. Giovanni Ribisi and Sarah Silverman are likable as the flawed, clueless couple who serve as Albert’s close friends, Edward and Ruth. Although their characters stay pretty comfortably within the realm of what you would expect from their respective actors, with Edward being the naïve nice guy, while Silverman’s Ruth is the seemingly-sweet-and-innocent, foul-mouthed hussy. Charlize Theron does a fine job as Albert’s mentor, Anna. She has a strong presence in the film and is fun to watch, but despite her best efforts, the emotional element she brings to the story ends up feeling forced and unconvincing. Though that’s no fault of her own. It’s just hard to imagine her, or anyone, falling head over heels so easily and suddenly for a guy like Albert. Then, of course, there’s Liam Neeson, who is effective in his performance as the intimidating villain, Clinch, but would have benefitted from more screen-time.
A Million Ways to Die in the West proficiently parodies the western film genre, capturing the right atmosphere for the setting and time period. Visually it’s a pleasant film to look at, with good camera-work, well-created sets, and lots of beautiful scenery. This makes it all the more disappointing then that the filmmakers decided to place a visual filter over the entirety of the film to give it a more old-fashioned look. As a result, there is a constant flickering throughout the whole movie, and while not quite seizure-inducing, it certainly is distracting. At times you kind of get used to it and forget about it, but it really stands out in scenes with heavy lighting and most of the movie takes place in broad daylight. On the audio side of things, the music is appropriately fitting, but little of it is particularly noteworthy. There is a great song about mustaches, accompanied with a well-orchestrated dance number led by Neil Patrick Harris in what is undoubtedly one of the highlights of the film. Additionally the film’s theme song is appropriately fun. The visual effects in the movie, although limited, are done quite well and nicely add to the film’s comedic effect. Although I’m sure I speak for everyone when I say the movie could have done just fine without all of the animated urinating sheep.
I think the film’s greatest flaw is the fact that it’s doing too much as it tries to incorporate all of the main stereotypes of the western genre. It has duels, bar brawls, jailbreaks, horse chases, and even capture by Indians thrown in for good measure. In trying to cover all of the bases, the movie ends up running too long and becomes a little boring and tired. Rather than building up to a climax, the film diverges with some unnecessary scenes, and then concludes with a lackluster ending. It would have been cool to see Clinch and his group of bandits lay siege to the main town, which could have given the filmmakers an opportunity to create a wide variety of deaths, and allow Albert to exercise his newly developed skills before setting up to an ultimate final showdown. Maybe that would be adding to the long list of clichés, but at least it would have given this slow-paced film some much needed adrenaline and would have made it more true to its misleading title. There are also several cameo appearances in the film, and while a couple of them are great conceptually, I don’t think any of them are quite as satisfying as they should be. They end up feeling out of place, like last-second additions that have no purpose other than to acknowledge other films. I can appreciate the attempt but the cameos aren’t particularly funny and they just seems to emphasize how much better those other films are.
Seth MacFarlane’s A Million Ways to Die in the West is good for a few laughs, but just like his character Albert’s long-winded ramblings, it feels like it goes on unreasonably long. It’s still an entertaining film regardless, and if you’re a fan of MacFarlane’s other work, you’ll most likely enjoy his parody of the Old West. The movie has a talented cast, some truly great scenes such as a bar brawl and a memorable dance, as well as plenty of good old-fashioned slapstick, and witty dialogue. If you can handle the occasional gross-out gag, you’ll probably have a good time. Just don’t expect to actually see the many ways people can die In the Old West. The movie doesn’t show many deaths at all, and all the best ones you likely already saw in the trailer.
(This review was originally posted at 5mmg.com on 6.3.14.)
Whatchareadin (174 KP) rated Not That I Could Tell in Books
Apr 9, 2019
Six women from the small town of Yellow Springs, Ohio decide to get together for a few glasses of wine and some conversation on a Sunday night. This is the first time they have all been gathered together like this. Surprised that their baby monitors are able to reach to Clara's backyard, they enjoy the childless night. The next morning, one of them is missing. Is foul play a part of the disappearance or did Kristin simply walk away from her life? Admittedly, even though they have been neighbors for a while, no one really knew each other all that well. Will the police be able to find Kristin? Did her husband have something to do with it?
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.
I'm not sure why, but I had a hard time connecting with this book. While I was intrigued by the story, I didn't find myself drawn to find out what was going to happen next. It took me 10 days to read this book which is very rare for me.
What would you do if you woke up from a girls night out to find out one of the girls and her twins had disappeared in the middle of the night? Gone without a trace. Most of the women felt guilty because they couldn't remember what had happened the night before and if Kristin had said something that would help to locate her now. Everyone looks to Clara who lived right next door and who's son was in class with Kristin's twins, but she knows as much as the others, which is not much at all. How well to we really know our neighbors? We're on the outside looking in, but do we really know what goes on behind closed doors? Kristin's husband, Paul, the local OB/GYN seems like the kind of guy everyone would like, but what secrets of his own is he hiding. Did he do something to make his family disappear? After almost a month, the police have all but given up the search, but incidents in the neighborhood, cause them them to question whether they should or not.
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.
I'm not sure why, but I had a hard time connecting with this book. While I was intrigued by the story, I didn't find myself drawn to find out what was going to happen next. It took me 10 days to read this book which is very rare for me.
What would you do if you woke up from a girls night out to find out one of the girls and her twins had disappeared in the middle of the night? Gone without a trace. Most of the women felt guilty because they couldn't remember what had happened the night before and if Kristin had said something that would help to locate her now. Everyone looks to Clara who lived right next door and who's son was in class with Kristin's twins, but she knows as much as the others, which is not much at all. How well to we really know our neighbors? We're on the outside looking in, but do we really know what goes on behind closed doors? Kristin's husband, Paul, the local OB/GYN seems like the kind of guy everyone would like, but what secrets of his own is he hiding. Did he do something to make his family disappear? After almost a month, the police have all but given up the search, but incidents in the neighborhood, cause them them to question whether they should or not.
Kristy H (1252 KP) rated P.S. I Still Love You (To All the Boys I've Loved Before, #2) in Books
Feb 1, 2018
In this sequel to "To All the Boys I've Loved Before," Lara Jean is back - still a hopeless romantic, but also a bit more grown up. Lara Jean is struggling with the ramifications of her relationship with Peter, including a viral Instagram post that leads to a great deal of humiliation (oh the joys of high school). As she and Peter learn to navigate a "real" relationship, she also finds herself writing John Ambrose McClaren-- one of the original boys who received a love letter in Book #1. Suddenly, Lara Jean is even more confused. Is it possible to love more than one boy? Is Peter still in love with his old girlfriend (and Lara Jean's ex-friend)? How exactly does one navigate the ins and outs of love and high school?
I actually found myself enjoying this book more than the first. Perhaps I'd just become more accustomed to Lara Jean and her style, but this was a really sweet and enjoyable novel. Lara Jean comes into her own in the sequel, as she negotiates high school and all the romantic woes she encounters along the way. The second book also avoids a few of the "icks" I felt from the first (e.g., crushing on her older sister's boyfriend). You become a little more used to some of Lara Jean's idioms, and she really does grow up a bit -- taking care of her sitter, Kitty (still a spitfire and a great character all in her own), looking out for her dad, and coming out of her own world a bit.
Even better, the plot is unpredictable and keeps you guessing. Both boys seem viable options for Lara Jean, and she truly comes out of her shell and lives a little, while still remaining true to her self (key). The book presents a great family dynamic with Lara Jean's dad, a single guy raising his three girls, and the supporting cast of characters (especially Kitty) are fun and well-developed. Overall, I read this one in about 24 hours and found it quite entertaining and delightful. A great presentation of high school life and certainly a worthy sequel.
I actually found myself enjoying this book more than the first. Perhaps I'd just become more accustomed to Lara Jean and her style, but this was a really sweet and enjoyable novel. Lara Jean comes into her own in the sequel, as she negotiates high school and all the romantic woes she encounters along the way. The second book also avoids a few of the "icks" I felt from the first (e.g., crushing on her older sister's boyfriend). You become a little more used to some of Lara Jean's idioms, and she really does grow up a bit -- taking care of her sitter, Kitty (still a spitfire and a great character all in her own), looking out for her dad, and coming out of her own world a bit.
Even better, the plot is unpredictable and keeps you guessing. Both boys seem viable options for Lara Jean, and she truly comes out of her shell and lives a little, while still remaining true to her self (key). The book presents a great family dynamic with Lara Jean's dad, a single guy raising his three girls, and the supporting cast of characters (especially Kitty) are fun and well-developed. Overall, I read this one in about 24 hours and found it quite entertaining and delightful. A great presentation of high school life and certainly a worthy sequel.
Bong Mines Entertainment (15 KP) rated Feels Like Summer - Single by Samuel Jack in Music
Jun 17, 2019
Samuel Jack is a singer-songwriter based in London, England. Not too long ago, he released a charming contemporary soul tune, entitled, “Feels Like Summer”.
“There’s definitely a sense of nostalgia about the whole song. I wrote it at a time when I needed those good times to see me through some stuff. Music can totally transcend time and space and take you to all sorts of places when you’re not exactly where you want to be. That’s what this song is for me. It takes me back, it takes me forward, it takes me through.” – Samuel Jack
‘Feels Like Summer’ tells an interesting tale of a young guy who celebrates the good times shared with someone from his past.
Apparently, reminiscing about those magical moments when he was a teenager somehow makes him feel alive. Therefore, he wishes he could live in that moment forever.
‘Feels Like Summer’ contains a relatable storyline, ear-welcoming vocals, and feel-good instrumentation seasoned with stomping percussion, bright brass, and shimmering soundscapes.
Samuel Jack spent his formative years in Johannesburg with his father, a film director.
He was raised on Motown, blues, soul, and roots music. His favorite musical themes include love, pain, and occasionally politics.
Everything he sings is from the heart, about moments in his life and the journey he is currently on.
Not too long ago, he confessed that writing for him is a form of therapy and that honesty plays a key role throughout his songwriting.
“I listen to all sorts of music, but there is something about Rhythm ‘n’ Blues, about Soul, about Gospel that just gets into my veins. The history of it all, the hurt, the pain, the joy, the sex. And when those emotions are delivered by a voice that really means it, I just feel like there can’t be a better way to express yourself.” – Samuel Jack
Samuel Jack’s upcoming album, which is due later this year, narrates the struggles with inner demons and the turbulence of family and relationships.
Also, the project highlights the desire and want for something or someone, and how music helps to build bridges and establish new relationships.
https://www.bongminesentertainment.com/samuel-jack-feels-like-summer/
“There’s definitely a sense of nostalgia about the whole song. I wrote it at a time when I needed those good times to see me through some stuff. Music can totally transcend time and space and take you to all sorts of places when you’re not exactly where you want to be. That’s what this song is for me. It takes me back, it takes me forward, it takes me through.” – Samuel Jack
‘Feels Like Summer’ tells an interesting tale of a young guy who celebrates the good times shared with someone from his past.
Apparently, reminiscing about those magical moments when he was a teenager somehow makes him feel alive. Therefore, he wishes he could live in that moment forever.
‘Feels Like Summer’ contains a relatable storyline, ear-welcoming vocals, and feel-good instrumentation seasoned with stomping percussion, bright brass, and shimmering soundscapes.
Samuel Jack spent his formative years in Johannesburg with his father, a film director.
He was raised on Motown, blues, soul, and roots music. His favorite musical themes include love, pain, and occasionally politics.
Everything he sings is from the heart, about moments in his life and the journey he is currently on.
Not too long ago, he confessed that writing for him is a form of therapy and that honesty plays a key role throughout his songwriting.
“I listen to all sorts of music, but there is something about Rhythm ‘n’ Blues, about Soul, about Gospel that just gets into my veins. The history of it all, the hurt, the pain, the joy, the sex. And when those emotions are delivered by a voice that really means it, I just feel like there can’t be a better way to express yourself.” – Samuel Jack
Samuel Jack’s upcoming album, which is due later this year, narrates the struggles with inner demons and the turbulence of family and relationships.
Also, the project highlights the desire and want for something or someone, and how music helps to build bridges and establish new relationships.
https://www.bongminesentertainment.com/samuel-jack-feels-like-summer/
Jessica - Where the Book Ends (15 KP) rated Reflect Me (Reflect Me, #1) in Books
Jan 30, 2019
This is the first book by K.B. Webb I've ever read, and have found a new favorite to add to my list. After reading Reflect Me and Follow You Down I think I will buy just about anything this amazing writer publishes.
All of the characters in the stories are easy to relate to in some way. Molly is amazing. The way she grows, matures, and finds her true self on this journey is really inspiring. I've been lucky enough to not be a battered woman, but from the way Molly is written this is exactly how I would expect her to act. She starts of weak and timid with rumors flying around of how Molly used to be. Then she starts to cowgirl up if you will.
Logan is a stand up guy. He's been broken in the past, and doesn't really have that many people around him that he really trusts, but you quickly start to see a family come together. Logan is hoe I wish every man would act. Since I know every man doesn't act that way, he seems a little far fetched; but it works for this story.
The supporting characters (Wynee, Justin, Lucas, Brian, and Dani) are all great characters. They are never just filler and always add to the story, which I love. I can't stand characters that just take up space but then never really have a reason to be there in the first place.
Parts of this story were hard for me to read, not because they were bad, but because they were so real. There are several scenes that Molly endures and I had trouble picturing the hell she was going through, and I had trouble imagining what it would be like to hear these hateful words on a daily basis. The scene where Molly stands up for herself and finally starts to take her life back I literally cheered for her.
This book was well written, the characters were not at all one dimensional. I loved that this was an emotional book and also left me wanting more. I will definitely been one clicking more books by this author.
All of the characters in the stories are easy to relate to in some way. Molly is amazing. The way she grows, matures, and finds her true self on this journey is really inspiring. I've been lucky enough to not be a battered woman, but from the way Molly is written this is exactly how I would expect her to act. She starts of weak and timid with rumors flying around of how Molly used to be. Then she starts to cowgirl up if you will.
Logan is a stand up guy. He's been broken in the past, and doesn't really have that many people around him that he really trusts, but you quickly start to see a family come together. Logan is hoe I wish every man would act. Since I know every man doesn't act that way, he seems a little far fetched; but it works for this story.
The supporting characters (Wynee, Justin, Lucas, Brian, and Dani) are all great characters. They are never just filler and always add to the story, which I love. I can't stand characters that just take up space but then never really have a reason to be there in the first place.
Parts of this story were hard for me to read, not because they were bad, but because they were so real. There are several scenes that Molly endures and I had trouble picturing the hell she was going through, and I had trouble imagining what it would be like to hear these hateful words on a daily basis. The scene where Molly stands up for herself and finally starts to take her life back I literally cheered for her.
This book was well written, the characters were not at all one dimensional. I loved that this was an emotional book and also left me wanting more. I will definitely been one clicking more books by this author.
Gareth von Kallenbach (980 KP) rated Run All Night (2015) in Movies
Aug 6, 2019
Run All Night” is directed by Jaume Collet-Serra. The film stars Liam
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Graham Massey recommended Angel's Egg by Gong in Music (curated)
Leanne Crabtree (480 KP) rated More than Meets the Ink (The Bowen Boys #1) in Books
Jan 6, 2021
This review and more can be found at my blog https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
2.5 stars
This has been borrowed from the Kindle Unlimited library and has been on my "want-to-read-don't-own" shelf on Goodreads for quite a while
This starts with Tate crawling across the garden with her mother as they try to spy on their neighbour, who Tate's mum believes has taken her cat, Amy. They are interrupted by tattooed pretty boy, James, who happens to be their neighbours son. Instant attraction leads to flirting. Flirting leads to lots of hot almost-sex, almost because they keep being interrupted by the residents of the older peoples housing facility where they're visiting their respective parents. They finally do the deed before they both have to head home, only they now know they live in the same city. And of course they end up meeting again.
Before I started this I thought it was more of a new adult type thing with it's older cover but the new one (above) has made it all a bit more mysterious. I wasn't sure what the story was going to be other than a romance so its detailed sex scenes threw me off a bit and after so many, I started skipping them entirely. The romance was already starting to bloom so I wasn't really missing anything.
There's also a secondary storyline involving Tate's family restaurant and someone trying to get her to close it with daily threatening emails and stuff going wrong in the restaurant. When James gets wind of what's been happening he insists on helping her deal with it.
I have to admit that I liked James, quite a lot to be honest. He was a little take-charge and bull headed at times but you could tell he did it because he cared. Tate was far too judgmental at the start and it took me quite a while to warm up to her. She seemed really argumentative at times and somewhat whiny.
I'll admit that towards the end I started skipping bits, starting to lose interest in it. I was mainly waiting for the show down with the bad guy.
Not as good as I wanted it to be.
A Romance Reader's Reviews
2.5 stars
This has been borrowed from the Kindle Unlimited library and has been on my "want-to-read-don't-own" shelf on Goodreads for quite a while
This starts with Tate crawling across the garden with her mother as they try to spy on their neighbour, who Tate's mum believes has taken her cat, Amy. They are interrupted by tattooed pretty boy, James, who happens to be their neighbours son. Instant attraction leads to flirting. Flirting leads to lots of hot almost-sex, almost because they keep being interrupted by the residents of the older peoples housing facility where they're visiting their respective parents. They finally do the deed before they both have to head home, only they now know they live in the same city. And of course they end up meeting again.
Before I started this I thought it was more of a new adult type thing with it's older cover but the new one (above) has made it all a bit more mysterious. I wasn't sure what the story was going to be other than a romance so its detailed sex scenes threw me off a bit and after so many, I started skipping them entirely. The romance was already starting to bloom so I wasn't really missing anything.
There's also a secondary storyline involving Tate's family restaurant and someone trying to get her to close it with daily threatening emails and stuff going wrong in the restaurant. When James gets wind of what's been happening he insists on helping her deal with it.
I have to admit that I liked James, quite a lot to be honest. He was a little take-charge and bull headed at times but you could tell he did it because he cared. Tate was far too judgmental at the start and it took me quite a while to warm up to her. She seemed really argumentative at times and somewhat whiny.
I'll admit that towards the end I started skipping bits, starting to lose interest in it. I was mainly waiting for the show down with the bad guy.
Not as good as I wanted it to be.