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Matthew Krueger (10051 KP) rated Son of Frankenstein (1939) in Movies
Oct 9, 2020
Boris Karloff (3 more)
Bela Lugosi
Basil Rathbone
Lionel Atwill
The Monster's Alive Once More
Son of Frankenstein- is a great continuation of the frankenstein franchise. Boris Karloff os back as the monster but this would be the last time he would play the monster in the universal monster universe. Its sad cause when you think of frankenstein, you think of Boris.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
LeftSideCut (3776 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 22, 2020 (Updated Jul 5, 2021)
In this sequel to the so far best film of the DCEU, Patty Jenkins dares to ask, what if Wishmaster was a family friendly superhero movie?
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Glory Road
Book
Written in Lauren Denton’s signature Southern style, Glory Road tells the story of three...
Fiction Romance Women's Fiction
Kristy H (1252 KP) rated Gone for Good in Books
Aug 26, 2021
An excellent mystery where a cold case intersects with a new murder
In the 1990s, the Lovelorn Killer killed seven women and disappeared. The last known victim was Katherine Duffy, the wife of a police officer, who was killed on Halloween. After twenty years, many wonder if he's gone for good. But a group of amateur online sleuths, known as the Grave Diggers, don't think that. They take on cold cases and investigate them. One of these Diggers is Grace Harper, a grocery store worker. Grace is sure the Lovelorn Killer is out there, blending into the same neighborhoods he hunted in. Detective Annalisa Vega's father--also a cop--was partnered with Katie Duffy's husband back in the day. Her murder was a defining moment in Annalisa's life. When Annalisa is called to the scene of Grace's murder and realizes she was killed in a similar manner to the Lovelorn Killer, she wonders if the killer is back. Investigating will mean dredging up Annalisa's childhood memories and giving everything she has to catch a murderer.
"With each passing year, the Lovelorn Killer recedes into history and people shrug at the mention of his name. Looks like he's gone for good."
This is an excellent mystery--honestly no surprise when it's by Schaffhausen. I love her Ellery/Reed series, and I'm excited that there's a new series from her. This is a dark read and Annalisa's personal ties to the case and investigation only strengthen this book. It's wonderful reading a story with a strong female detective (and a female boss). Annalisa is a new detective, struggling with the fact that she must work with her ex-husband, Nick Carelli, the established detective on the force. But she doesn't let that, or anything, stop her. Schaffhausen is so good at writing a police procedural; she writes about the processes and force dynamics so well. You feel a part of the investigation and Annalisa's police family superbly. Same with the city of Chicago. She captures the city perfectly. As someone with Chicago ties, this book is so Chicago. I cannot wait for my parents, who grew up in the Chicago suburbs, to read it.
Told from Annalisa's perspective and interspersed with excerpts from Grace's journal, GONE FOR GOOD is tense and crackling with suspense. It's a fast moving read that keeps you guessing from the very beginning, which opens with Grace's death. Yet Grace always feels like another living character in the book, and she's integral to the plot. This is truly a dark read, with a lot of death and murder, and a "bad guy" who is quite bad. I'm always impressed at how Schaffhausen can write stories that permeate with evil and tension.
Overall, I loved everything about this book. The unification of old and new cases and way the Internet sleuths added to the cases. How Annalisa's personal life intertwined with the investigation. GOOD is well-written and keeps you guessing until the very end. I'm looking forward to the next book in the series. 4.5 stars.
I received a copy of this book from Minotaur Books and Netgalley in return for an unbiased review.
"With each passing year, the Lovelorn Killer recedes into history and people shrug at the mention of his name. Looks like he's gone for good."
This is an excellent mystery--honestly no surprise when it's by Schaffhausen. I love her Ellery/Reed series, and I'm excited that there's a new series from her. This is a dark read and Annalisa's personal ties to the case and investigation only strengthen this book. It's wonderful reading a story with a strong female detective (and a female boss). Annalisa is a new detective, struggling with the fact that she must work with her ex-husband, Nick Carelli, the established detective on the force. But she doesn't let that, or anything, stop her. Schaffhausen is so good at writing a police procedural; she writes about the processes and force dynamics so well. You feel a part of the investigation and Annalisa's police family superbly. Same with the city of Chicago. She captures the city perfectly. As someone with Chicago ties, this book is so Chicago. I cannot wait for my parents, who grew up in the Chicago suburbs, to read it.
Told from Annalisa's perspective and interspersed with excerpts from Grace's journal, GONE FOR GOOD is tense and crackling with suspense. It's a fast moving read that keeps you guessing from the very beginning, which opens with Grace's death. Yet Grace always feels like another living character in the book, and she's integral to the plot. This is truly a dark read, with a lot of death and murder, and a "bad guy" who is quite bad. I'm always impressed at how Schaffhausen can write stories that permeate with evil and tension.
Overall, I loved everything about this book. The unification of old and new cases and way the Internet sleuths added to the cases. How Annalisa's personal life intertwined with the investigation. GOOD is well-written and keeps you guessing until the very end. I'm looking forward to the next book in the series. 4.5 stars.
I received a copy of this book from Minotaur Books and Netgalley in return for an unbiased review.
Until You
9.0
Rate It
Book
Paul It feels like I’ve been drowning for five years, barely keeping my head above the water. I...
Contemporary MM Romance
RavenclawPrincess913 (253 KP) rated Blade of secrets in Books
Jun 15, 2022
Title: Blade of Secrets
Author: Tricia Levenseller
This book and it's cover were both amazing. Thank you to Bookishfirst for sending me a copy of it to review.
The book starts off as Ziva a magical bladesmoth dealing with a Karen customer who hurt himself on his blade.
Quote: "It's not nearly as hurt as your pride else you would be at a healers and not here." Page 5. I agree this is very true and he is acting like a two year old which I found hilarious.
Quote: "How can a man who injures himself with his own weapon be dangerous?" Page 7. This had me laughing.
Than the story went on to Ziva meeting Petrik who specializes in ancient magic and wants her help writing the book he's working on. He's an important character in this book so pay attention. I didn't trust him at first he gave bad vibes but in the end he was on Zivas side.
Quote: "This mace steals the breathe of surrounding enemies! It can kill without even touching an opponent, and yet it sits above the mantel as though it were a-a-decoration!" I agree I would have been mad to putting a good magical weapon to no use. Can just use a normal non-magicked mace for a decoration. Ansel goes to try to kiss her and doesn't understand no means no. Quote: "You think saying a few nice words to me earns you a kiss? That's not how it works." This is 100% true and many people need to learn to understand this. He goes on to have a fit but his parents end up believing her. She also meets Warlord Kymora Avedin during this time. She can't be trusted and I also found it funny Ansel didn't get his way.
When Ziva is making the sword for Kymora she sees Kellyn who is important in this story for the first time. The swords magic is made from her feelings for him and her telling it all her secrets. Which was amazing I loved it that part was intense. When showing Kymora it cuts Kymora and Ziva finds out she can hear the victims secrets when it cuts them.
Two of Kymoras secrets are:
Quote "This weapon will make me unbeatable in combat." Which can be a good thing if your a good guy she's not.
Quote "I will crush Ghadra's pathetic rulers and reunite the regions under one rule once more: my own. The people will be enslaved to my will. The royal family will all bow before me. Right before I remove their heads." This is where I couldn't put it down. For the safety of her country and sister they decided to run. Their journey was fun and interesting. I loved it. Ziva and Kellyn fall for each other and she finally opens up about her anxiety which I can relate to. I loved this story and can't wait to read the next one. It has an amazing but sad cliffhanger ending.
P.S. It's on my favorites shelf now.
Author: Tricia Levenseller
This book and it's cover were both amazing. Thank you to Bookishfirst for sending me a copy of it to review.
The book starts off as Ziva a magical bladesmoth dealing with a Karen customer who hurt himself on his blade.
Quote: "It's not nearly as hurt as your pride else you would be at a healers and not here." Page 5. I agree this is very true and he is acting like a two year old which I found hilarious.
Quote: "How can a man who injures himself with his own weapon be dangerous?" Page 7. This had me laughing.
Than the story went on to Ziva meeting Petrik who specializes in ancient magic and wants her help writing the book he's working on. He's an important character in this book so pay attention. I didn't trust him at first he gave bad vibes but in the end he was on Zivas side.
Quote: "This mace steals the breathe of surrounding enemies! It can kill without even touching an opponent, and yet it sits above the mantel as though it were a-a-decoration!" I agree I would have been mad to putting a good magical weapon to no use. Can just use a normal non-magicked mace for a decoration. Ansel goes to try to kiss her and doesn't understand no means no. Quote: "You think saying a few nice words to me earns you a kiss? That's not how it works." This is 100% true and many people need to learn to understand this. He goes on to have a fit but his parents end up believing her. She also meets Warlord Kymora Avedin during this time. She can't be trusted and I also found it funny Ansel didn't get his way.
When Ziva is making the sword for Kymora she sees Kellyn who is important in this story for the first time. The swords magic is made from her feelings for him and her telling it all her secrets. Which was amazing I loved it that part was intense. When showing Kymora it cuts Kymora and Ziva finds out she can hear the victims secrets when it cuts them.
Two of Kymoras secrets are:
Quote "This weapon will make me unbeatable in combat." Which can be a good thing if your a good guy she's not.
Quote "I will crush Ghadra's pathetic rulers and reunite the regions under one rule once more: my own. The people will be enslaved to my will. The royal family will all bow before me. Right before I remove their heads." This is where I couldn't put it down. For the safety of her country and sister they decided to run. Their journey was fun and interesting. I loved it. Ziva and Kellyn fall for each other and she finally opens up about her anxiety which I can relate to. I loved this story and can't wait to read the next one. It has an amazing but sad cliffhanger ending.
P.S. It's on my favorites shelf now.
Kyera (8 KP) rated A Court of Thorns and Roses in Books
Jan 31, 2018
After reading the Throne of Glass series, I didn't think that I could love SJM's next series as much. How could it compare? It doesn't, but not in a bad way. While it's also a book about the Fae, a Court of Thorns and Roses is set in an entirely different world with its own set of unique characters. It is also vaguely a retelling, or reimagining, of the Beauty and the Beast fairytale, which I loved. The human and Fae worlds are separated by an invisible wall and a Treaty that was crafted after a brutal war which took place 500 years earlier.
We are first introduced to Feyre, a girl who tries to take care of her family as best she can despite being the youngest. It is on one of her trip into the forest to feed her family when she stumbles across the path of a wolf whilst hunting a deer. After shooting and killing both animals, she skins the wolf and carries the deer home for food. Unfortunately for her, the wolf was actually a Fae male and her actions force her to make a choice. Either be killed or live forevermore in the Fae realm.
It is not much of a choice and Feyre chooses to go with Tamlin to his estate in Prythian, the land of the Fae. Tamlin, she later discovers is not only a High Fae, but the Lord of the Spring Court and much more powerful than she realized. He is joined by Lucien, another High Fae who is originally from the Autumn Court and not much else besides a few workers. The large estate seems empty and a little bit sad.
As one can expect from a Beauty and the Beast retelling, the girl must fall in love with the shapeshifting Fae beast to break a curse. the curse is not known to the reader or Feyre until the end of the book. She must fight to prove her love under the most harrowing of situations and trials.
A must read, especially if you wish to find out what happens. Highly recommended for teen/young adult readers who like fantasy, supernatural creatures and magic. The world building is amazing, the magic is awe inspiring and the lands are populated by a variety of characters from the heroes to the villains, the cowards, the friends and the just plain misunderstood.
Reread Feelings:
Slight spoiler warning for ACOTAR and ACOWAR.
A second read-through of a Court of Thornes and Roses let me to notice a lot more details that I had missed during my first introduction to the world. The inspiration that the novel drew from Beauty and the Beast was also more prevalent than I had realized. Her family life and desire to protect those she loves is directly pulled and inspired by the original novel. Tamlin’s beast form and temper are also reminiscent of the Beast in the story.
Knowing how the book ends and what happens in ACOMAF, you can more clearly see the actions and personality of Tamlin. He is very protective of Feyre and a little bit controlling, but without any direct threat to her life it is not as apparent. The events that occurred Under the Mountain pushed him over the edge and turned that protectiveness dark. It became corrupted and too strong to be overlooked. He also has an explosive temper and anger, but you see it less frequently as the book goes on. That doesn’t mean it goes away, so his personality in the second book is not as surprising as I thought it was my first time reading the series. It still like him in this series, but I don’t love him as much as I did during the first read through.
The incredible world of Prythian is just so packed with different faeries, Courts, and intense story that you can’t focus on everything the first time you read it. You discover more magic the second, or third, time you read through the book because you know the story and can now also focus on the read of the world building and character development. To me, that is fantastic writing when you can always discover something new hidden in a book you love.
I fell in love with the series even more on the second read-through, especially Rhysand. You truly appreciate just how much he did for Feyre, not just healing her arm when she was on death’s door but mentally and emotionally supporting her when she was ready to give up. He puts on a dark front, but his every action belies his true feelings. Rhys lies to Amarantha about the identity of Tamlin’s human love, even though it could mean his end and his people’s if she discovers the truth. On multiple occasions, he plays the bad guy to maintain a façade but secretly does good. I appreciated and recognized his acts a lot more the second time reading, and it made me fall in love with his character even more.
Even though I know what happens in the book, the emotions are still so prevalent. You ride the story’s highs and lows, feel yourself filling with light when there is goodness, and fear for the dark. I can’t even describe my feelings. I was walking around my room reading the final pages as Feyre is being hurt – and someone calls out her name. I just sort of collapsed to the ground, with my hand on my heart and my feelings bursting from my chest about that particular Fae male. You could almost hear the pain and horror in his voice as he cried out for her, and it destroyed me. The final moments of the book were so beautiful and made me a little teary.
We are first introduced to Feyre, a girl who tries to take care of her family as best she can despite being the youngest. It is on one of her trip into the forest to feed her family when she stumbles across the path of a wolf whilst hunting a deer. After shooting and killing both animals, she skins the wolf and carries the deer home for food. Unfortunately for her, the wolf was actually a Fae male and her actions force her to make a choice. Either be killed or live forevermore in the Fae realm.
It is not much of a choice and Feyre chooses to go with Tamlin to his estate in Prythian, the land of the Fae. Tamlin, she later discovers is not only a High Fae, but the Lord of the Spring Court and much more powerful than she realized. He is joined by Lucien, another High Fae who is originally from the Autumn Court and not much else besides a few workers. The large estate seems empty and a little bit sad.
As one can expect from a Beauty and the Beast retelling, the girl must fall in love with the shapeshifting Fae beast to break a curse. the curse is not known to the reader or Feyre until the end of the book. She must fight to prove her love under the most harrowing of situations and trials.
A must read, especially if you wish to find out what happens. Highly recommended for teen/young adult readers who like fantasy, supernatural creatures and magic. The world building is amazing, the magic is awe inspiring and the lands are populated by a variety of characters from the heroes to the villains, the cowards, the friends and the just plain misunderstood.
Reread Feelings:
Slight spoiler warning for ACOTAR and ACOWAR.
A second read-through of a Court of Thornes and Roses let me to notice a lot more details that I had missed during my first introduction to the world. The inspiration that the novel drew from Beauty and the Beast was also more prevalent than I had realized. Her family life and desire to protect those she loves is directly pulled and inspired by the original novel. Tamlin’s beast form and temper are also reminiscent of the Beast in the story.
Knowing how the book ends and what happens in ACOMAF, you can more clearly see the actions and personality of Tamlin. He is very protective of Feyre and a little bit controlling, but without any direct threat to her life it is not as apparent. The events that occurred Under the Mountain pushed him over the edge and turned that protectiveness dark. It became corrupted and too strong to be overlooked. He also has an explosive temper and anger, but you see it less frequently as the book goes on. That doesn’t mean it goes away, so his personality in the second book is not as surprising as I thought it was my first time reading the series. It still like him in this series, but I don’t love him as much as I did during the first read through.
The incredible world of Prythian is just so packed with different faeries, Courts, and intense story that you can’t focus on everything the first time you read it. You discover more magic the second, or third, time you read through the book because you know the story and can now also focus on the read of the world building and character development. To me, that is fantastic writing when you can always discover something new hidden in a book you love.
I fell in love with the series even more on the second read-through, especially Rhysand. You truly appreciate just how much he did for Feyre, not just healing her arm when she was on death’s door but mentally and emotionally supporting her when she was ready to give up. He puts on a dark front, but his every action belies his true feelings. Rhys lies to Amarantha about the identity of Tamlin’s human love, even though it could mean his end and his people’s if she discovers the truth. On multiple occasions, he plays the bad guy to maintain a façade but secretly does good. I appreciated and recognized his acts a lot more the second time reading, and it made me fall in love with his character even more.
Even though I know what happens in the book, the emotions are still so prevalent. You ride the story’s highs and lows, feel yourself filling with light when there is goodness, and fear for the dark. I can’t even describe my feelings. I was walking around my room reading the final pages as Feyre is being hurt – and someone calls out her name. I just sort of collapsed to the ground, with my hand on my heart and my feelings bursting from my chest about that particular Fae male. You could almost hear the pain and horror in his voice as he cried out for her, and it destroyed me. The final moments of the book were so beautiful and made me a little teary.
Chris Sawin (602 KP) rated Halloween (2007) in Movies
Jun 19, 2019 (Updated Jun 21, 2019)
You probably already know the story of Michael Myers and the horror that took place in Haddonfield, Illinois on Halloween night. How Michael Myers became one of the biggest slasher icons in horror movie history. Now we get to hear the story told by Rob Zombie, the man who brought us House of 1,000 Corpses and The Devil's Rejects. He gives us some insight as to why Michael Myers is the way he is by showing us some of his childhood, the environment he grew up in, and how his family was. After he's institutionalized, we see how his progress continues to deteriorate as Dr. Samuel Loomis tries to do everything he can to save this young boy. Fifteen years go by when Loomis finally throws in the towel and Myers escapes Smith's Grove. Now on his way back to Haddonfield, Myers seeks his sister, Laurie, to finish what he started almost two decades ago.
There seems to be a huge debate amongst horror fans about whether this film was good or not. The results seemed to be pretty one-sided in favor of the original horror film from 1978, but now it seems the remake has almost just as many fans. I wouldn't say it was a 50/50 ratio, but 60/40 (60% of horror fans either hate the remake or prefer the original, 40% like the remake or prefer it over the original) seems about right these days. I managed to see the work print a few years ago and I wasn't impressed. With the release of Halloween 2 at the end of this month though, I promised myself I would give this film another shot. So that time has finally come and I can honestly say that the film isn't as bad as I remembered.
A few aspects of the film are actually quite good. Tyler Mane is a great Michael Myers. He's almost seven feet tall and is built like a giant. He's a total monster and the destruction and mayhem he causes is believable given his size. The adult version of Michael Myers is spot-on for a re-imagining of the film. Malcolm McDowell also does a good job as Dr. Loomis. He's no Donald Pleasance, but McDowell's take on the character isn't bad. Scout Taylor-Compton is also a worthy mention. She slips into the shoes of a modern day Laurie Strode rather flawlessly. Moving on from the acting though, the film is pretty solid from the time Michael gets his iconic mask through the finale. The way Michael made so many masks while he was in Smith's Grove was an interesting idea and the scene where you see his room fifteen years later with nothing but masks on every wall is one of the best in the film. The cinematography is also something that is often overlooked, which is a shame since it's actually pretty exceptional. It seemed to stand out most during the scenes where Michael was stalking Laurie, especially in the abandoned Myers house at the end. There's a scene right after Michael gets out of Smith's Grove where he goes to a truck stop and winds up getting the jumpsuit we're all familiar with. While there, he runs into Big Joe Grizzly in the bathroom stall and is banging Grizzly's hand, which is holding a knife, against the bathroom stall wall. As he's doing this though, the bathroom stall is just getting demolished but with every smashing blow, the camera violently shakes. The camera just always seemed to have a knack for giving a good perspective of what the character was going through, whether it was Michael or Laurie.
The disappointing part of this is pretty much everything leading up to Michael getting his mask back after his escape is pretty terrible. The dialogue, especially in the first ten to fifteen minutes of the film, is horrendous. Everything that's said between Deborah Myers and Ronnie White is just awful. The white trash upbringing just doesn't seem worthy for a horror icon like Michael Myers. It's just hard to believe that Michael Myers is the way he is because his mom was a stripper and his older sister was a whore. Logic seems to just be thrown by the way side as the film progresses. After Michael escapes from Smith's Grove, he returns to his old house where his mask and knife that he used to kill his family happen to just be lying under the floorboards. So did the police just pick up the bodies without searching the house or what? So he got his jumpsuit by stealing it from a guy taking a dump at a truck stop? Really? Hearing some of the original music return from John Carpenter's version of the film was a bit bittersweet. On one hand, it was great hearing it again. On the other, however, it just didn't seem to fit. Made me miss the original film more than anything. Giving Michael Myers a specific origin was probably Zombie's biggest mistake. The most terrifying thing about Michael Myers was that he was The Shape and had a bit of mystery to him. You knew he was going after Laurie, but other than that you had Loomis' word to fall back on. Michael was the human incarnation of pure evil. That's it. That's all you need. Humanizing the character and introducing us to his childhood only watered down the Michael Myers character.
There's a scene with Michael Myers and Dr. Loomis in Smith's Grove Sanitarium where Michael has made a mask that he's colored completely black. When Loomis asks him why it's black, Michael says that it's his favorite color. Loomis goes into an explanation about the color spectrum. Black is on one end and is the absence of color while white is at the opposite end and is every color. That's actually a great explanation of the differences between the original film and the remake. The original film would be the black segment of the spectrum. Carpenter's version leaves more to the viewer's imagination as the only explanation for Michael Myers is that he is "pure evil." While the remake would be the white segment of the spectrum as it goes into full detail why Michael Myers is the way he is and it shows every little violent and vulgar detail. Some people would say that having a little bit of mystery would be a good thing when it comes to a film like this while others like having everything laid out for them. It all depends on the viewer and which end of the spectrum they prefer. In my opinion though, that's the biggest mistake Rob Zombie made. There's no mystery left with the Michael Myers character. He's no longer The Shape, but is a psychopathic killer because he was raised by a white trash family, liked to torture animals, and whose sister didn't take him trick or treating.
The best thing Zombie can do is distance himself from the original film(s) as much as possible. To do something original with these characters. He looks like he'll do just that when Halloween 2 hits theaters on August 28th. One thing re-watching the remake accomplished was that it made me look forward to the sequel. The trailer looks really good (but to be fair, so did the trailer for the original film) and I was on the fence about it until I saw this again. The only problem I have is that Zombie seems to be telling the same story with the same initial cast with all of his films. House of 1,000 Corpses, The Devil's Rejects, and Halloween (first half of the film) are all way too similar. Zombie needs something new to add to his resume. Will Halloween 2 deliver that? Probably not, but a guy can hope.
There seems to be a huge debate amongst horror fans about whether this film was good or not. The results seemed to be pretty one-sided in favor of the original horror film from 1978, but now it seems the remake has almost just as many fans. I wouldn't say it was a 50/50 ratio, but 60/40 (60% of horror fans either hate the remake or prefer the original, 40% like the remake or prefer it over the original) seems about right these days. I managed to see the work print a few years ago and I wasn't impressed. With the release of Halloween 2 at the end of this month though, I promised myself I would give this film another shot. So that time has finally come and I can honestly say that the film isn't as bad as I remembered.
A few aspects of the film are actually quite good. Tyler Mane is a great Michael Myers. He's almost seven feet tall and is built like a giant. He's a total monster and the destruction and mayhem he causes is believable given his size. The adult version of Michael Myers is spot-on for a re-imagining of the film. Malcolm McDowell also does a good job as Dr. Loomis. He's no Donald Pleasance, but McDowell's take on the character isn't bad. Scout Taylor-Compton is also a worthy mention. She slips into the shoes of a modern day Laurie Strode rather flawlessly. Moving on from the acting though, the film is pretty solid from the time Michael gets his iconic mask through the finale. The way Michael made so many masks while he was in Smith's Grove was an interesting idea and the scene where you see his room fifteen years later with nothing but masks on every wall is one of the best in the film. The cinematography is also something that is often overlooked, which is a shame since it's actually pretty exceptional. It seemed to stand out most during the scenes where Michael was stalking Laurie, especially in the abandoned Myers house at the end. There's a scene right after Michael gets out of Smith's Grove where he goes to a truck stop and winds up getting the jumpsuit we're all familiar with. While there, he runs into Big Joe Grizzly in the bathroom stall and is banging Grizzly's hand, which is holding a knife, against the bathroom stall wall. As he's doing this though, the bathroom stall is just getting demolished but with every smashing blow, the camera violently shakes. The camera just always seemed to have a knack for giving a good perspective of what the character was going through, whether it was Michael or Laurie.
The disappointing part of this is pretty much everything leading up to Michael getting his mask back after his escape is pretty terrible. The dialogue, especially in the first ten to fifteen minutes of the film, is horrendous. Everything that's said between Deborah Myers and Ronnie White is just awful. The white trash upbringing just doesn't seem worthy for a horror icon like Michael Myers. It's just hard to believe that Michael Myers is the way he is because his mom was a stripper and his older sister was a whore. Logic seems to just be thrown by the way side as the film progresses. After Michael escapes from Smith's Grove, he returns to his old house where his mask and knife that he used to kill his family happen to just be lying under the floorboards. So did the police just pick up the bodies without searching the house or what? So he got his jumpsuit by stealing it from a guy taking a dump at a truck stop? Really? Hearing some of the original music return from John Carpenter's version of the film was a bit bittersweet. On one hand, it was great hearing it again. On the other, however, it just didn't seem to fit. Made me miss the original film more than anything. Giving Michael Myers a specific origin was probably Zombie's biggest mistake. The most terrifying thing about Michael Myers was that he was The Shape and had a bit of mystery to him. You knew he was going after Laurie, but other than that you had Loomis' word to fall back on. Michael was the human incarnation of pure evil. That's it. That's all you need. Humanizing the character and introducing us to his childhood only watered down the Michael Myers character.
There's a scene with Michael Myers and Dr. Loomis in Smith's Grove Sanitarium where Michael has made a mask that he's colored completely black. When Loomis asks him why it's black, Michael says that it's his favorite color. Loomis goes into an explanation about the color spectrum. Black is on one end and is the absence of color while white is at the opposite end and is every color. That's actually a great explanation of the differences between the original film and the remake. The original film would be the black segment of the spectrum. Carpenter's version leaves more to the viewer's imagination as the only explanation for Michael Myers is that he is "pure evil." While the remake would be the white segment of the spectrum as it goes into full detail why Michael Myers is the way he is and it shows every little violent and vulgar detail. Some people would say that having a little bit of mystery would be a good thing when it comes to a film like this while others like having everything laid out for them. It all depends on the viewer and which end of the spectrum they prefer. In my opinion though, that's the biggest mistake Rob Zombie made. There's no mystery left with the Michael Myers character. He's no longer The Shape, but is a psychopathic killer because he was raised by a white trash family, liked to torture animals, and whose sister didn't take him trick or treating.
The best thing Zombie can do is distance himself from the original film(s) as much as possible. To do something original with these characters. He looks like he'll do just that when Halloween 2 hits theaters on August 28th. One thing re-watching the remake accomplished was that it made me look forward to the sequel. The trailer looks really good (but to be fair, so did the trailer for the original film) and I was on the fence about it until I saw this again. The only problem I have is that Zombie seems to be telling the same story with the same initial cast with all of his films. House of 1,000 Corpses, The Devil's Rejects, and Halloween (first half of the film) are all way too similar. Zombie needs something new to add to his resume. Will Halloween 2 deliver that? Probably not, but a guy can hope.
Phillip McSween (751 KP) rated Avengers: Age of Ultron (2015) in Movies
May 12, 2018
Awesome
When an artificial intelligence outthinks its creator and forms itself into dozens of destructive robots, Earth's mightiest heroes come together once again to put a stop to the threat.
Acting: 10
Beginning: 10
As most MCU (Marvel Cinematic Universe) films tend to do, Avengers: Age of Ultron gets off to a really quick start wasting no time with action. Everyone gets a piece in the first ten minutes and they're working even better together than they did in the first film. While Hulk (Mark Ruffalo) and Thor (Chris Hemsworth) flex their muscle and rip tanks in half, Hawkeye Jeremy Renner) pierces through dudes like the modern-day Legolas.
Characters: 10
A part of what works so well for these characters is how grossly different their backstories and personalities are. Hawkeye is a family man that uses humor to mask his annoyance in certain situations. Tony Stark (Robert Downey Jr.) is constantly pushing the boundary envelope and acts superior to the ideas and thoughts of the rest of the group. Normally you hate a guy like this but he wears the hat so well. Throw in Vision, a benevolent AI with a sense of purpose, and the rest of the crew and you have a pretty solid character-base.
AI of the hour Ultron (James Spader) is a villain with a surprising amount of depth. He fights for his own cause which, in his mind, is the only necessary option for balance and preservation. His smooth, even-keeled voice can be chilling at times making for some pretty solid scenes.
Cinematography/Visuals: 10
Conflict: 10
There is enough action in the film for two films. The plot steamrolls into new scenes of combat, one after the next. Dull moments are nonexistent. There is something about having all of these characters on the screen at the same time that keeps the film exciting and fresh. Teamups are especially cool, watching pairs like Captain America (Chris Evans) and Thor perform unique combo moves. You want eye candy? The film delivers.
Genre: 8
Not the best superhero film I've seen, although I believe that says more about the emergence of the genre than the film itself. This century has ushered in some phenomenal superhero movies that do the genre proud, including ones that set themselves apart by having enriched characters and deeper meaning. Age of Ultron is solid, but falls just slightly out of the Cream of the Crop territory.
Memorability: 9
The action sequences alone played throughout my mind well after having watched the film. Among other things, Age of Ultron gives you a falling city along with a classic matchup between Hulk and Stark in the Hulkbuster suit. Perhaps the most memorable part came at the very end when Ultron and Vision are having a conversation about the fate of humanity. Part foreshadowing, part introspection, it was a very fitting way to bring the curtain down on the action.
Pace: 10
Plot: 9
Resolution: 8
Overall: 94
No, it's not the best MCU film made to date, but it's still a high-quality film with a solid story and memorable sequences that keep you glued to your seat. Thankful for the rewatch as I enjoyed it even more the second time around.
Acting: 10
Beginning: 10
As most MCU (Marvel Cinematic Universe) films tend to do, Avengers: Age of Ultron gets off to a really quick start wasting no time with action. Everyone gets a piece in the first ten minutes and they're working even better together than they did in the first film. While Hulk (Mark Ruffalo) and Thor (Chris Hemsworth) flex their muscle and rip tanks in half, Hawkeye Jeremy Renner) pierces through dudes like the modern-day Legolas.
Characters: 10
A part of what works so well for these characters is how grossly different their backstories and personalities are. Hawkeye is a family man that uses humor to mask his annoyance in certain situations. Tony Stark (Robert Downey Jr.) is constantly pushing the boundary envelope and acts superior to the ideas and thoughts of the rest of the group. Normally you hate a guy like this but he wears the hat so well. Throw in Vision, a benevolent AI with a sense of purpose, and the rest of the crew and you have a pretty solid character-base.
AI of the hour Ultron (James Spader) is a villain with a surprising amount of depth. He fights for his own cause which, in his mind, is the only necessary option for balance and preservation. His smooth, even-keeled voice can be chilling at times making for some pretty solid scenes.
Cinematography/Visuals: 10
Conflict: 10
There is enough action in the film for two films. The plot steamrolls into new scenes of combat, one after the next. Dull moments are nonexistent. There is something about having all of these characters on the screen at the same time that keeps the film exciting and fresh. Teamups are especially cool, watching pairs like Captain America (Chris Evans) and Thor perform unique combo moves. You want eye candy? The film delivers.
Genre: 8
Not the best superhero film I've seen, although I believe that says more about the emergence of the genre than the film itself. This century has ushered in some phenomenal superhero movies that do the genre proud, including ones that set themselves apart by having enriched characters and deeper meaning. Age of Ultron is solid, but falls just slightly out of the Cream of the Crop territory.
Memorability: 9
The action sequences alone played throughout my mind well after having watched the film. Among other things, Age of Ultron gives you a falling city along with a classic matchup between Hulk and Stark in the Hulkbuster suit. Perhaps the most memorable part came at the very end when Ultron and Vision are having a conversation about the fate of humanity. Part foreshadowing, part introspection, it was a very fitting way to bring the curtain down on the action.
Pace: 10
Plot: 9
Resolution: 8
Overall: 94
No, it's not the best MCU film made to date, but it's still a high-quality film with a solid story and memorable sequences that keep you glued to your seat. Thankful for the rewatch as I enjoyed it even more the second time around.
Heather Cranmer (2721 KP) rated The Brotherhood of Olympus and the Deadliest Game (Book 1) in Books
Jun 7, 2018
(This review can be found on my blog at <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I really, really thought the synopsis of The Brotherhood of Olympus and the Deadliest Game by Guy T. Simpson Jr. sounded very interesting. This was a book that I knew I would have to read. Luckily, I was able to read it, and it was very interesting!
The Fraiser boys lose their favourite uncle in car crash on Friday the thirteenth. After the accident, weird things start happening so the boys consult a spirit board. Is the spirit board helping the boys or is it actually evil? Also, Drake learns through a dream that he is destined to be a king and a leader. Will Drake live long enough to see that day?
I think the author picked a fantastic title for his book!! A lot of people consider a spirit board a game, so I believe this is where the deadliest game bit comes in.
I'm not overly keen on the cover of this book. I mean, it fits the book as it's a photo of the Fraiser boys wither their uncle Wally, but it's just too plain for my liking. However, this could just be a personal thing since I'm a harsh judge of covers.
The world building was done fantastically well!! The setting (1978-1979) was quite believable. I wasn't around at that time, but although there's not really many references about it being the late 70's besides the chapter telling you. I could imagine myself being part of this whole story!
The pacing was really good. Each chapter was full of action and suspense, and I couldn't wait to find out what would happen next. The chapters flow into each other, and not once did I find myself bored whilst reading this story.
For a middle grade read, I'd say that there were some words that might be hard for younger kids to understand, and to be honest, there were some big words I didn't understand. Context clues are important sometimes to figure out what words mean in the story. I did feel that the two younger brothers spoke as if they were much older than eight and ten. There is mild swearing so it's not bad at all when it comes to bad language.
All the characters were well formed and each had their own unique personality which definitely shown through during the story. Martin is the oldest boy, and it's obvious by how much he looks after his younger brothers. Mark is the second oldest, followed by Drake who is the brainy one in the family. Dennis is ten and Albert is 8. As I said in the previous paragraph, the two youngest boys came across as being older then they actually were especially Dennis. However, besides that, they were all believable characters, and I'm sure we all have at least one friend who has one of the boys' personality.
I did feel that the last chapter in the book was a bit repetitive of what the story already told us. I didn't really learn anything I didn't know from the last chapter besides a mention of Wally. However, overall, I thoroughly enjoyed this story as it is very well-written. Oh, and I must say that I really enjoyed enjoy individual drawing at the beginning of each chapter!
I'd recommend this book to those aged 12+.
(I was provided a free ebook copy of this title from the author in exchange for a fair and honest review).
I really, really thought the synopsis of The Brotherhood of Olympus and the Deadliest Game by Guy T. Simpson Jr. sounded very interesting. This was a book that I knew I would have to read. Luckily, I was able to read it, and it was very interesting!
The Fraiser boys lose their favourite uncle in car crash on Friday the thirteenth. After the accident, weird things start happening so the boys consult a spirit board. Is the spirit board helping the boys or is it actually evil? Also, Drake learns through a dream that he is destined to be a king and a leader. Will Drake live long enough to see that day?
I think the author picked a fantastic title for his book!! A lot of people consider a spirit board a game, so I believe this is where the deadliest game bit comes in.
I'm not overly keen on the cover of this book. I mean, it fits the book as it's a photo of the Fraiser boys wither their uncle Wally, but it's just too plain for my liking. However, this could just be a personal thing since I'm a harsh judge of covers.
The world building was done fantastically well!! The setting (1978-1979) was quite believable. I wasn't around at that time, but although there's not really many references about it being the late 70's besides the chapter telling you. I could imagine myself being part of this whole story!
The pacing was really good. Each chapter was full of action and suspense, and I couldn't wait to find out what would happen next. The chapters flow into each other, and not once did I find myself bored whilst reading this story.
For a middle grade read, I'd say that there were some words that might be hard for younger kids to understand, and to be honest, there were some big words I didn't understand. Context clues are important sometimes to figure out what words mean in the story. I did feel that the two younger brothers spoke as if they were much older than eight and ten. There is mild swearing so it's not bad at all when it comes to bad language.
All the characters were well formed and each had their own unique personality which definitely shown through during the story. Martin is the oldest boy, and it's obvious by how much he looks after his younger brothers. Mark is the second oldest, followed by Drake who is the brainy one in the family. Dennis is ten and Albert is 8. As I said in the previous paragraph, the two youngest boys came across as being older then they actually were especially Dennis. However, besides that, they were all believable characters, and I'm sure we all have at least one friend who has one of the boys' personality.
I did feel that the last chapter in the book was a bit repetitive of what the story already told us. I didn't really learn anything I didn't know from the last chapter besides a mention of Wally. However, overall, I thoroughly enjoyed this story as it is very well-written. Oh, and I must say that I really enjoyed enjoy individual drawing at the beginning of each chapter!
I'd recommend this book to those aged 12+.
(I was provided a free ebook copy of this title from the author in exchange for a fair and honest review).