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BankofMarquis (1832 KP) rated Hereditary (2018) in Movies
Jun 28, 2018
Laughable
For me, the hardest genre of film to get right is horror. In short order the filmmaker needs to set up the premise and "rules of engagement" of the world that is being presented and then execute incredulous situations and predicaments in such a way that are plausible and tense.
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Borat (2006) in Movies
Aug 14, 2019
One of the funniest and most shockingly outrageous comedies in the history of film has arrived, and it is poised not only to make Sacha Baron Cohen a major star, but also ignite controversy. The film is Borat and it follows Cohen’s Kazakhstan news man, Borat, as he leaves his homeland to film a documentary in New York.
Naturally one would expect a fish out of water story, but fans are treated to much more than this as Borat and his backwards thoughts and practices and given form all over the U.S. often to the shock of those around him as well as howls of laughter from the audience.
You see Borat is a man with a few issues. He is anti-Semitic, a misogynist, ignorant and uncultured, and not ashamed of his actions which grow bolder and more outrageous as the film progresses.
The opening segments in his native land like the entire film is filled with one rapid fire joke after another as Borat introduces us to his family and key people in his town such as the town rapist and his sister the prostitute. As funny as the setup and the settings are, it is the clever comments that Cohen slips in that allows Borat to make some biting social and political commentaries.
Once in America, he travels from New York to Los Angeles making several stops along the way with side splitting results as Borat encounters events ranging from a rodeo, polite society, pop culture, a religious revival and much more.
The amazing thing about the film is that it never grows old and over the roughly 84 minutes of the films running time, there are plenty of jokes and a absence of slow spots which are often so common in comedies today.
Cohen is great at portraying Borat as a likeable guy who does not know any better which makes his comments and actions so easy to take. Cohen who is himself Jewish is able to get away with making jokes about his faith as he is doing it through the persona of someone who is ignorant to many realities in the world.
In a way the film allows us to laugh at ourselves as well as Borat is supposed to be a foreigner who does not know better, but is wiser in some ways due to his ignorance of topics. There is a scene where Borat buys a car is a true look at consumerism in the West as he spells out in graphic detail what he wants in a car and what he expects it to do for his love life.
Not only is the scene outrageous but it underscores the message of sex appeal and desirability that is prevalent in car ads aimed at men. Instead of hinting at it, Borat lifts the lid on the subject and takes it on with no punches pulled.
The film is tricky to review as one of the greatest joys of the film is the sense of discovery and not knowing where or what Borat will say or do next. Suffice it to say, that the film is a comedic masterpiece that will have you shocked and laughing harder than any film in recent memory.
Naturally one would expect a fish out of water story, but fans are treated to much more than this as Borat and his backwards thoughts and practices and given form all over the U.S. often to the shock of those around him as well as howls of laughter from the audience.
You see Borat is a man with a few issues. He is anti-Semitic, a misogynist, ignorant and uncultured, and not ashamed of his actions which grow bolder and more outrageous as the film progresses.
The opening segments in his native land like the entire film is filled with one rapid fire joke after another as Borat introduces us to his family and key people in his town such as the town rapist and his sister the prostitute. As funny as the setup and the settings are, it is the clever comments that Cohen slips in that allows Borat to make some biting social and political commentaries.
Once in America, he travels from New York to Los Angeles making several stops along the way with side splitting results as Borat encounters events ranging from a rodeo, polite society, pop culture, a religious revival and much more.
The amazing thing about the film is that it never grows old and over the roughly 84 minutes of the films running time, there are plenty of jokes and a absence of slow spots which are often so common in comedies today.
Cohen is great at portraying Borat as a likeable guy who does not know any better which makes his comments and actions so easy to take. Cohen who is himself Jewish is able to get away with making jokes about his faith as he is doing it through the persona of someone who is ignorant to many realities in the world.
In a way the film allows us to laugh at ourselves as well as Borat is supposed to be a foreigner who does not know better, but is wiser in some ways due to his ignorance of topics. There is a scene where Borat buys a car is a true look at consumerism in the West as he spells out in graphic detail what he wants in a car and what he expects it to do for his love life.
Not only is the scene outrageous but it underscores the message of sex appeal and desirability that is prevalent in car ads aimed at men. Instead of hinting at it, Borat lifts the lid on the subject and takes it on with no punches pulled.
The film is tricky to review as one of the greatest joys of the film is the sense of discovery and not knowing where or what Borat will say or do next. Suffice it to say, that the film is a comedic masterpiece that will have you shocked and laughing harder than any film in recent memory.
Kristy H (1252 KP) rated The Invited in Books
Jun 21, 2019
Helen and Nate have a nice, settled life as teachers at a private school in Connecticut. But they also have aspirations for a simpler life. So using their savings and an inheritance, they buy 40+ acres in the tiny village of Hartsboro, Vermont and decide to build their own dream house themselves. Helen, a history teacher, wants a house and land with history--and she gets her wish when she discovers the story of Hattie Breckenridge, a woman who apparently lived (and died) on their property over a hundred years ago. Marked by the villagers as a witch, Hattie was killed, leaving behind her young daughter, Jane. Helen becomes fascinated with Hattie's past and begins trying to find out what happened to her--and her family members. But a series of more and more weird events start happening once they move in. Is it just the people of Hartsboro, who don't like outsiders? Or is it Hattie? And are Helen and Nate in danger?
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
Gareth von Kallenbach (980 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 17, 2019
It is hard to believe it has been ten years since audiences were introduced to the hysterical yet violent Post-Apocalypse world of Zombieland; but thankfully the crew is back again with the highly enjoyable “Zombieland: Double Tap”.
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
Natari (73 KP) rated Christmas At The Palace in Books
Jul 19, 2019
This book takes a very ordinary romance between two people and places it in an extraordinary circumstance. Boy meets girl, girl and boy fall in love. Ordinary. But boy is a prince of England and girl is a doctor in love with her career and charity work. But that isn't the only conflicts in this romance. They don't fall out over "PUTTING THE DISHES IN THE VICINITY OF THE DISHWASHER IS NOT DOING THE DISHES" like ordinary couples, but there are many ups and downs in their whirlwind romance. That is what makes the story fun to read. Stories need conflict, and human relationships provide such novelties aplenty in various guises.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Second Siege (The Tapestry, #2) in Books
Jan 23, 2020
Original Review posted on <a title="The Second Siege by Henry H. Neff" href="http://bookwyrming-thoughts.blogspot.com/2013/05/review-the-second-siege-by-henry-h-neff.html">Bookwyrming Thoughts</a>
Original Rating: 3.5 out of 5 Owls
Note: Formatting is lost due to copy and paste
In the second book to The Tapestry series, Astaroth has already been released from his confinement and is causing trouble in the outside world with his allies. Max McDaniels and his roommate David Menlo are traveling to different worlds on a quest to acquire the dangerous Book of Thoth before Astaroth gets to it first.
I'm sorry if I can't help but compare the series to Harry Potter (actually, I can't help but compare a lot of books to another book/series...). Both series are just so... similar in so many ways. It may sound ironic, but in my humble opinion, Astaroth isn't that... villainy. I mean, sure, he's cunning and evil when necessary, but I'm pretty sure that if Voldy and Astaroth had a face off, Voldy would probably crush him. Big time. Even if he's noseless. Basically because Voldy is evil 24/7.
<img src="http://i287.photobucket.com/albums/ll152/Contele_Draqula/VoldemortandDeathEaters.jpg"; width="200" height="143" />
On the other hand, Astaroth's "minions" are well... completely the opposite of the Death Eaters. The Death Eaters are pretty loyal, but there's always these little loose knots here and there when it comes to loyalty. Apparently, Astaroth's minions are too loyal to the demon, that there are practically no loose ends at all. One big happy family in taking over the world? Possibly... but don't take my word for granted. I may be wrong for all I know and all of his minions will soon overthrow him as leader of Malevolency.
In a nutshell, you can say I'm sadly disappointed that Astaroth just doesn't seem like a villain at certain times. I don't know. Maybe he'll be more evil later in the series, but for now, I think I'll categorize him a bit as Mr. Nice Guy. I'll nominate him as Dr. Evil II when he has more of the muahaha added in (okay, not exactly muahaha, but closer).
<img src="http://4.bp.blogspot.com/_OjrbRW6e1VE/THP3sett2tI/AAAAAAAAFBw/rsQC8kBELBw/s200/Dr_Evil.jpg"; />
So, the ending. Er, not exactly. Kind of a happy-sad ending, but not exactly an ending that will make me emotional that I'll need a Kleenex in hand and hide someplace so no one sees me crying, because if I get seen crying, it'll be as embarrassing as saying something in an awkward silence.. But I'm pretty glad that Max and his father saw someone they deeply cared for at least one more time after so many years. It's also not an ending where there's this lovely cliffhanger that keeps you at the edge of the seat, eager to read the next book.
As much as I hate cliffhangers, I just feel that there needs to be some sort of cliff waiting to catch more "victims" at the end when it comes to a series (maybe I'm so used to that frame of mind...), which I find missing in The Second Siege. Though hopefully I'm just missing that cliffhanger and just need to dig deeper...
Original Rating: 3.5 out of 5 Owls
Note: Formatting is lost due to copy and paste
In the second book to The Tapestry series, Astaroth has already been released from his confinement and is causing trouble in the outside world with his allies. Max McDaniels and his roommate David Menlo are traveling to different worlds on a quest to acquire the dangerous Book of Thoth before Astaroth gets to it first.
I'm sorry if I can't help but compare the series to Harry Potter (actually, I can't help but compare a lot of books to another book/series...). Both series are just so... similar in so many ways. It may sound ironic, but in my humble opinion, Astaroth isn't that... villainy. I mean, sure, he's cunning and evil when necessary, but I'm pretty sure that if Voldy and Astaroth had a face off, Voldy would probably crush him. Big time. Even if he's noseless. Basically because Voldy is evil 24/7.
<img src="http://i287.photobucket.com/albums/ll152/Contele_Draqula/VoldemortandDeathEaters.jpg"; width="200" height="143" />
On the other hand, Astaroth's "minions" are well... completely the opposite of the Death Eaters. The Death Eaters are pretty loyal, but there's always these little loose knots here and there when it comes to loyalty. Apparently, Astaroth's minions are too loyal to the demon, that there are practically no loose ends at all. One big happy family in taking over the world? Possibly... but don't take my word for granted. I may be wrong for all I know and all of his minions will soon overthrow him as leader of Malevolency.
In a nutshell, you can say I'm sadly disappointed that Astaroth just doesn't seem like a villain at certain times. I don't know. Maybe he'll be more evil later in the series, but for now, I think I'll categorize him a bit as Mr. Nice Guy. I'll nominate him as Dr. Evil II when he has more of the muahaha added in (okay, not exactly muahaha, but closer).
<img src="http://4.bp.blogspot.com/_OjrbRW6e1VE/THP3sett2tI/AAAAAAAAFBw/rsQC8kBELBw/s200/Dr_Evil.jpg"; />
So, the ending. Er, not exactly. Kind of a happy-sad ending, but not exactly an ending that will make me emotional that I'll need a Kleenex in hand and hide someplace so no one sees me crying, because if I get seen crying, it'll be as embarrassing as saying something in an awkward silence.. But I'm pretty glad that Max and his father saw someone they deeply cared for at least one more time after so many years. It's also not an ending where there's this lovely cliffhanger that keeps you at the edge of the seat, eager to read the next book.
As much as I hate cliffhangers, I just feel that there needs to be some sort of cliff waiting to catch more "victims" at the end when it comes to a series (maybe I'm so used to that frame of mind...), which I find missing in The Second Siege. Though hopefully I'm just missing that cliffhanger and just need to dig deeper...
Sarah (7800 KP) rated The Departed (2006) in Movies
Feb 20, 2021
The best gangster flick made to date
Film #15 on the 100 Movies List: The Departed
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
Heather Cranmer (2721 KP) rated Paper Dolls (Dark Carousel #2) in Books
Nov 7, 2020
I really loved Dollhouse, the first book in the Dark Carousel series by Anya Allyn. I couldn't wait to dive into the next book in the series, Paper Dolls. I wanted to love Paper Dolls as much as Dollhouse, but it just wasn't as great.
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Charlie Cobra Reviews (1840 KP) rated Cruella (2021) in Movies
Jun 2, 2021 (Updated Jun 3, 2021)
The Acting- great performances by both Emma Stone and Emma Thompson (2 more)
The costume designs and wardrobe were amazing to see
The soundtrack was phenomenal - great music
Original cartoon Cruella vs this Cruella (1 more)
The pacing was sparratic and movie ran a little too long
Part Devil Wears Prada, Part The Joker, Surprisingly Splendid
https://youtu.be/Ja_Cl-9IKNI
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
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Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
-------------------------------------------------------
Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
BankofMarquis (1832 KP) rated Fast & Furious 9 (2021) in Movies
Jul 24, 2021
Enjoyable...enough
If you have any interest in checking out F9:THE FAST SAGA, then you have seen at least 1 (if not more) of the other 9 films in this series - and you pretty much know what to expect.
And this film delivers on that expectation - no more, no less.
Director Justin Lin - a veteran of these films - knows what needs to happen in this series. So we get fast cars, macho men, kick-ass women, super villains and over-the-top stunts and situations. All brought to us with a wink and a shrug. Unapologetic about the absurdities that we are viewing (not to spoil, but I don’t think magnets really work the way they work in this film) and “upping the ante” at every turn.
This film largely delivers…if not spectacularly. The action sequences (which is really why we watch these films) are “good enough”. Nothing really new here, but I caught myself cackling at the events on the screen from time to time.
The “family” is back together and Vin Diesel & Michelle Rodriguez are the pseudo Mom and Dad of this ragtag group of heroes that include the smart one (Game Of Thrones’ Nathalie Emanuel) and the wise guys (Chris “Ludicrous” Bridges and Tyrese Gibson) - who know exactly what type of film they are making and what their roles in this film are as well as the “emotional center”, Jordana Brewster. All of these deliver their wooden lines with gritty resolve while clenching their jaws during their close-ups during the action scenes.
There also is a boatload of cameos from veterans of previous Fast and Furious films from the likes of Kurt Russell, Helen Mirren, Lucas Black, Shea Wigham and Charlize Theron as well as brief appearances by “newcomers” like Michael Rooker and Cardi B. They all join in on the fun at the appropriate level and look like they are having a good time.
The biggest disappointment for me was John Cena as the main villain in this piece. He just wasn’t “villainous” enough and came off pretty generic and “meh” - never a good thing for a bad guy in these types of films.
Oh…and there is a “surprise return” by a presumably thought dead character, that is no surprise at all, since his face is shown prominently in the advertisements for this film. I won’t spoil it for you here, but he does bring some needed energy to this film. Which leads me to speculate that Gal Gadot will probably show up in the next film (her character was killed off many Fast and Furious films ago when she started becoming a SuperStar).
Ultimately, what is missing from F9 is some “fun energy”. Something that…oh…a good villain…or someone like…Dwayne “The Rock” Johnson would bring. But, alas, “The Rock” and Vin Diesel did not get along in their previous outings together, so we will need to limp along with what we have.
Which is what the 10th film in this Universe ultimately does - limp along just good enough to be enjoyable, but not more than that, which makes F9 neither Fast nor Furious.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And this film delivers on that expectation - no more, no less.
Director Justin Lin - a veteran of these films - knows what needs to happen in this series. So we get fast cars, macho men, kick-ass women, super villains and over-the-top stunts and situations. All brought to us with a wink and a shrug. Unapologetic about the absurdities that we are viewing (not to spoil, but I don’t think magnets really work the way they work in this film) and “upping the ante” at every turn.
This film largely delivers…if not spectacularly. The action sequences (which is really why we watch these films) are “good enough”. Nothing really new here, but I caught myself cackling at the events on the screen from time to time.
The “family” is back together and Vin Diesel & Michelle Rodriguez are the pseudo Mom and Dad of this ragtag group of heroes that include the smart one (Game Of Thrones’ Nathalie Emanuel) and the wise guys (Chris “Ludicrous” Bridges and Tyrese Gibson) - who know exactly what type of film they are making and what their roles in this film are as well as the “emotional center”, Jordana Brewster. All of these deliver their wooden lines with gritty resolve while clenching their jaws during their close-ups during the action scenes.
There also is a boatload of cameos from veterans of previous Fast and Furious films from the likes of Kurt Russell, Helen Mirren, Lucas Black, Shea Wigham and Charlize Theron as well as brief appearances by “newcomers” like Michael Rooker and Cardi B. They all join in on the fun at the appropriate level and look like they are having a good time.
The biggest disappointment for me was John Cena as the main villain in this piece. He just wasn’t “villainous” enough and came off pretty generic and “meh” - never a good thing for a bad guy in these types of films.
Oh…and there is a “surprise return” by a presumably thought dead character, that is no surprise at all, since his face is shown prominently in the advertisements for this film. I won’t spoil it for you here, but he does bring some needed energy to this film. Which leads me to speculate that Gal Gadot will probably show up in the next film (her character was killed off many Fast and Furious films ago when she started becoming a SuperStar).
Ultimately, what is missing from F9 is some “fun energy”. Something that…oh…a good villain…or someone like…Dwayne “The Rock” Johnson would bring. But, alas, “The Rock” and Vin Diesel did not get along in their previous outings together, so we will need to limp along with what we have.
Which is what the 10th film in this Universe ultimately does - limp along just good enough to be enjoyable, but not more than that, which makes F9 neither Fast nor Furious.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)