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Gareth von Kallenbach (980 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 17, 2019
It is hard to believe it has been ten years since audiences were introduced to the hysterical yet violent Post-Apocalypse world of Zombieland; but thankfully the crew is back again with the highly enjoyable “Zombieland: Double Tap”.
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
Natari (73 KP) rated Christmas At The Palace in Books
Jul 19, 2019
This book takes a very ordinary romance between two people and places it in an extraordinary circumstance. Boy meets girl, girl and boy fall in love. Ordinary. But boy is a prince of England and girl is a doctor in love with her career and charity work. But that isn't the only conflicts in this romance. They don't fall out over "PUTTING THE DISHES IN THE VICINITY OF THE DISHWASHER IS NOT DOING THE DISHES" like ordinary couples, but there are many ups and downs in their whirlwind romance. That is what makes the story fun to read. Stories need conflict, and human relationships provide such novelties aplenty in various guises.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Second Siege (The Tapestry, #2) in Books
Jan 23, 2020
Original Review posted on <a title="The Second Siege by Henry H. Neff" href="http://bookwyrming-thoughts.blogspot.com/2013/05/review-the-second-siege-by-henry-h-neff.html">Bookwyrming Thoughts</a>
Original Rating: 3.5 out of 5 Owls
Note: Formatting is lost due to copy and paste
In the second book to The Tapestry series, Astaroth has already been released from his confinement and is causing trouble in the outside world with his allies. Max McDaniels and his roommate David Menlo are traveling to different worlds on a quest to acquire the dangerous Book of Thoth before Astaroth gets to it first.
I'm sorry if I can't help but compare the series to Harry Potter (actually, I can't help but compare a lot of books to another book/series...). Both series are just so... similar in so many ways. It may sound ironic, but in my humble opinion, Astaroth isn't that... villainy. I mean, sure, he's cunning and evil when necessary, but I'm pretty sure that if Voldy and Astaroth had a face off, Voldy would probably crush him. Big time. Even if he's noseless. Basically because Voldy is evil 24/7.
<img src="http://i287.photobucket.com/albums/ll152/Contele_Draqula/VoldemortandDeathEaters.jpg"; width="200" height="143" />
On the other hand, Astaroth's "minions" are well... completely the opposite of the Death Eaters. The Death Eaters are pretty loyal, but there's always these little loose knots here and there when it comes to loyalty. Apparently, Astaroth's minions are too loyal to the demon, that there are practically no loose ends at all. One big happy family in taking over the world? Possibly... but don't take my word for granted. I may be wrong for all I know and all of his minions will soon overthrow him as leader of Malevolency.
In a nutshell, you can say I'm sadly disappointed that Astaroth just doesn't seem like a villain at certain times. I don't know. Maybe he'll be more evil later in the series, but for now, I think I'll categorize him a bit as Mr. Nice Guy. I'll nominate him as Dr. Evil II when he has more of the muahaha added in (okay, not exactly muahaha, but closer).
<img src="http://4.bp.blogspot.com/_OjrbRW6e1VE/THP3sett2tI/AAAAAAAAFBw/rsQC8kBELBw/s200/Dr_Evil.jpg"; />
So, the ending. Er, not exactly. Kind of a happy-sad ending, but not exactly an ending that will make me emotional that I'll need a Kleenex in hand and hide someplace so no one sees me crying, because if I get seen crying, it'll be as embarrassing as saying something in an awkward silence.. But I'm pretty glad that Max and his father saw someone they deeply cared for at least one more time after so many years. It's also not an ending where there's this lovely cliffhanger that keeps you at the edge of the seat, eager to read the next book.
As much as I hate cliffhangers, I just feel that there needs to be some sort of cliff waiting to catch more "victims" at the end when it comes to a series (maybe I'm so used to that frame of mind...), which I find missing in The Second Siege. Though hopefully I'm just missing that cliffhanger and just need to dig deeper...
Original Rating: 3.5 out of 5 Owls
Note: Formatting is lost due to copy and paste
In the second book to The Tapestry series, Astaroth has already been released from his confinement and is causing trouble in the outside world with his allies. Max McDaniels and his roommate David Menlo are traveling to different worlds on a quest to acquire the dangerous Book of Thoth before Astaroth gets to it first.
I'm sorry if I can't help but compare the series to Harry Potter (actually, I can't help but compare a lot of books to another book/series...). Both series are just so... similar in so many ways. It may sound ironic, but in my humble opinion, Astaroth isn't that... villainy. I mean, sure, he's cunning and evil when necessary, but I'm pretty sure that if Voldy and Astaroth had a face off, Voldy would probably crush him. Big time. Even if he's noseless. Basically because Voldy is evil 24/7.
<img src="http://i287.photobucket.com/albums/ll152/Contele_Draqula/VoldemortandDeathEaters.jpg"; width="200" height="143" />
On the other hand, Astaroth's "minions" are well... completely the opposite of the Death Eaters. The Death Eaters are pretty loyal, but there's always these little loose knots here and there when it comes to loyalty. Apparently, Astaroth's minions are too loyal to the demon, that there are practically no loose ends at all. One big happy family in taking over the world? Possibly... but don't take my word for granted. I may be wrong for all I know and all of his minions will soon overthrow him as leader of Malevolency.
In a nutshell, you can say I'm sadly disappointed that Astaroth just doesn't seem like a villain at certain times. I don't know. Maybe he'll be more evil later in the series, but for now, I think I'll categorize him a bit as Mr. Nice Guy. I'll nominate him as Dr. Evil II when he has more of the muahaha added in (okay, not exactly muahaha, but closer).
<img src="http://4.bp.blogspot.com/_OjrbRW6e1VE/THP3sett2tI/AAAAAAAAFBw/rsQC8kBELBw/s200/Dr_Evil.jpg"; />
So, the ending. Er, not exactly. Kind of a happy-sad ending, but not exactly an ending that will make me emotional that I'll need a Kleenex in hand and hide someplace so no one sees me crying, because if I get seen crying, it'll be as embarrassing as saying something in an awkward silence.. But I'm pretty glad that Max and his father saw someone they deeply cared for at least one more time after so many years. It's also not an ending where there's this lovely cliffhanger that keeps you at the edge of the seat, eager to read the next book.
As much as I hate cliffhangers, I just feel that there needs to be some sort of cliff waiting to catch more "victims" at the end when it comes to a series (maybe I'm so used to that frame of mind...), which I find missing in The Second Siege. Though hopefully I'm just missing that cliffhanger and just need to dig deeper...
Sarah (7800 KP) rated The Departed (2006) in Movies
Feb 20, 2021
The best gangster flick made to date
Film #15 on the 100 Movies List: The Departed
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
Heather Cranmer (2721 KP) rated Paper Dolls (Dark Carousel #2) in Books
Nov 7, 2020
I really loved Dollhouse, the first book in the Dark Carousel series by Anya Allyn. I couldn't wait to dive into the next book in the series, Paper Dolls. I wanted to love Paper Dolls as much as Dollhouse, but it just wasn't as great.
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Charlie Cobra Reviews (1840 KP) rated Cruella (2021) in Movies
Jun 2, 2021 (Updated Jun 3, 2021)
The Acting- great performances by both Emma Stone and Emma Thompson (2 more)
The costume designs and wardrobe were amazing to see
The soundtrack was phenomenal - great music
Original cartoon Cruella vs this Cruella (1 more)
The pacing was sparratic and movie ran a little too long
Part Devil Wears Prada, Part The Joker, Surprisingly Splendid
https://youtu.be/Ja_Cl-9IKNI
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
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Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
-------------------------------------------------------
Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
BankofMarquis (1832 KP) rated Fast & Furious 9 (2021) in Movies
Jul 24, 2021
Enjoyable...enough
If you have any interest in checking out F9:THE FAST SAGA, then you have seen at least 1 (if not more) of the other 9 films in this series - and you pretty much know what to expect.
And this film delivers on that expectation - no more, no less.
Director Justin Lin - a veteran of these films - knows what needs to happen in this series. So we get fast cars, macho men, kick-ass women, super villains and over-the-top stunts and situations. All brought to us with a wink and a shrug. Unapologetic about the absurdities that we are viewing (not to spoil, but I don’t think magnets really work the way they work in this film) and “upping the ante” at every turn.
This film largely delivers…if not spectacularly. The action sequences (which is really why we watch these films) are “good enough”. Nothing really new here, but I caught myself cackling at the events on the screen from time to time.
The “family” is back together and Vin Diesel & Michelle Rodriguez are the pseudo Mom and Dad of this ragtag group of heroes that include the smart one (Game Of Thrones’ Nathalie Emanuel) and the wise guys (Chris “Ludicrous” Bridges and Tyrese Gibson) - who know exactly what type of film they are making and what their roles in this film are as well as the “emotional center”, Jordana Brewster. All of these deliver their wooden lines with gritty resolve while clenching their jaws during their close-ups during the action scenes.
There also is a boatload of cameos from veterans of previous Fast and Furious films from the likes of Kurt Russell, Helen Mirren, Lucas Black, Shea Wigham and Charlize Theron as well as brief appearances by “newcomers” like Michael Rooker and Cardi B. They all join in on the fun at the appropriate level and look like they are having a good time.
The biggest disappointment for me was John Cena as the main villain in this piece. He just wasn’t “villainous” enough and came off pretty generic and “meh” - never a good thing for a bad guy in these types of films.
Oh…and there is a “surprise return” by a presumably thought dead character, that is no surprise at all, since his face is shown prominently in the advertisements for this film. I won’t spoil it for you here, but he does bring some needed energy to this film. Which leads me to speculate that Gal Gadot will probably show up in the next film (her character was killed off many Fast and Furious films ago when she started becoming a SuperStar).
Ultimately, what is missing from F9 is some “fun energy”. Something that…oh…a good villain…or someone like…Dwayne “The Rock” Johnson would bring. But, alas, “The Rock” and Vin Diesel did not get along in their previous outings together, so we will need to limp along with what we have.
Which is what the 10th film in this Universe ultimately does - limp along just good enough to be enjoyable, but not more than that, which makes F9 neither Fast nor Furious.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And this film delivers on that expectation - no more, no less.
Director Justin Lin - a veteran of these films - knows what needs to happen in this series. So we get fast cars, macho men, kick-ass women, super villains and over-the-top stunts and situations. All brought to us with a wink and a shrug. Unapologetic about the absurdities that we are viewing (not to spoil, but I don’t think magnets really work the way they work in this film) and “upping the ante” at every turn.
This film largely delivers…if not spectacularly. The action sequences (which is really why we watch these films) are “good enough”. Nothing really new here, but I caught myself cackling at the events on the screen from time to time.
The “family” is back together and Vin Diesel & Michelle Rodriguez are the pseudo Mom and Dad of this ragtag group of heroes that include the smart one (Game Of Thrones’ Nathalie Emanuel) and the wise guys (Chris “Ludicrous” Bridges and Tyrese Gibson) - who know exactly what type of film they are making and what their roles in this film are as well as the “emotional center”, Jordana Brewster. All of these deliver their wooden lines with gritty resolve while clenching their jaws during their close-ups during the action scenes.
There also is a boatload of cameos from veterans of previous Fast and Furious films from the likes of Kurt Russell, Helen Mirren, Lucas Black, Shea Wigham and Charlize Theron as well as brief appearances by “newcomers” like Michael Rooker and Cardi B. They all join in on the fun at the appropriate level and look like they are having a good time.
The biggest disappointment for me was John Cena as the main villain in this piece. He just wasn’t “villainous” enough and came off pretty generic and “meh” - never a good thing for a bad guy in these types of films.
Oh…and there is a “surprise return” by a presumably thought dead character, that is no surprise at all, since his face is shown prominently in the advertisements for this film. I won’t spoil it for you here, but he does bring some needed energy to this film. Which leads me to speculate that Gal Gadot will probably show up in the next film (her character was killed off many Fast and Furious films ago when she started becoming a SuperStar).
Ultimately, what is missing from F9 is some “fun energy”. Something that…oh…a good villain…or someone like…Dwayne “The Rock” Johnson would bring. But, alas, “The Rock” and Vin Diesel did not get along in their previous outings together, so we will need to limp along with what we have.
Which is what the 10th film in this Universe ultimately does - limp along just good enough to be enjoyable, but not more than that, which makes F9 neither Fast nor Furious.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Avengers: Age of Ultron (2015) in Movies
Jun 26, 2019
Hulk Continues to Smash...and I'm Here For All of it
When an artificial intelligence outthinks its creator and forms itself into dozens of destructive robots, Earth's mightiest heroes come together once again to put a stop to the threat.
Acting: 10
Beginning: 10
As most MCU (Marvel Cinematic Universe) films tend to do, Avengers: Age of Ultron gets off to a really quick start wasting no time with action. Everyone gets a piece in the first ten minutes and they're working even better together than they did in the first film. While Hulk (Mark Ruffalo) and Thor (Chris Hemsworth) flex their muscle and rip tanks in half, Hawkeye Jeremy Renner) pierces through dudes like the modern-day Legolas.
Characters: 10
A part of what works so well for these characters is how grossly different their backstories and personalities are. Hawkeye is a family man that uses humor to mask his annoyance in certain situations. Tony Stark (Robert Downey Jr.) is constantly pushing the boundary envelope and acts superior to the ideas and thoughts of the rest of the group. Normally you hate a guy like this but he wears the hat so well. Throw in Vision, a benevolent AI with a sense of purpose, and the rest of the crew and you have a pretty solid character-base.
AI of the hour Ultron (James Spader) is a villain with a surprising amount of depth. He fights for his own cause which, in his mind, is the only necessary option for balance and preservation. His smooth, even-keeled voice can be chilling at times making for some pretty solid scenes.
Cinematography/Visuals: 10
Conflict: 10
There is enough action in the film for two films. The plot steamrolls into new scenes of combat, one after the next. Dull moments are nonexistent. There is something about having all of these characters on the screen at the same time that keeps the film exciting and fresh. Teamups are especially cool, watching pairs like Captain America (Chris Evans) and Thor perform unique combo moves. You want eye candy? The film delivers.
Genre: 8
Not the best superhero film I've seen, although I believe that says more about the emergence of the genre than the film itself. This century has ushered in some phenomenal superhero movies that do the genre proud, including ones that set themselves apart by having enriched characters and deeper meaning. Age of Ultron is solid, but falls just slightly out of the Cream of the Crop territory.
Memorability: 9
The action sequences alone played throughout my mind well after having watched the film. Among other things, Age of Ultron gives you a falling city along with a classic matchup between Hulk and Stark in the Hulkbuster suit. Perhaps the most memorable part came at the very end when Ultron and Vision are having a conversation about the fate of humanity. Part foreshadowing, part introspection, it was a very fitting way to bring the curtain down on the action.
Pace: 10
Plot: 9
Resolution: 8
Overall: 94
No, it's not the best MCU film made to date, but it's still a high-quality film with a solid story and memorable sequences that keep you glued to your seat. Thankful for the rewatch as I enjoyed it even more the second time around.
Acting: 10
Beginning: 10
As most MCU (Marvel Cinematic Universe) films tend to do, Avengers: Age of Ultron gets off to a really quick start wasting no time with action. Everyone gets a piece in the first ten minutes and they're working even better together than they did in the first film. While Hulk (Mark Ruffalo) and Thor (Chris Hemsworth) flex their muscle and rip tanks in half, Hawkeye Jeremy Renner) pierces through dudes like the modern-day Legolas.
Characters: 10
A part of what works so well for these characters is how grossly different their backstories and personalities are. Hawkeye is a family man that uses humor to mask his annoyance in certain situations. Tony Stark (Robert Downey Jr.) is constantly pushing the boundary envelope and acts superior to the ideas and thoughts of the rest of the group. Normally you hate a guy like this but he wears the hat so well. Throw in Vision, a benevolent AI with a sense of purpose, and the rest of the crew and you have a pretty solid character-base.
AI of the hour Ultron (James Spader) is a villain with a surprising amount of depth. He fights for his own cause which, in his mind, is the only necessary option for balance and preservation. His smooth, even-keeled voice can be chilling at times making for some pretty solid scenes.
Cinematography/Visuals: 10
Conflict: 10
There is enough action in the film for two films. The plot steamrolls into new scenes of combat, one after the next. Dull moments are nonexistent. There is something about having all of these characters on the screen at the same time that keeps the film exciting and fresh. Teamups are especially cool, watching pairs like Captain America (Chris Evans) and Thor perform unique combo moves. You want eye candy? The film delivers.
Genre: 8
Not the best superhero film I've seen, although I believe that says more about the emergence of the genre than the film itself. This century has ushered in some phenomenal superhero movies that do the genre proud, including ones that set themselves apart by having enriched characters and deeper meaning. Age of Ultron is solid, but falls just slightly out of the Cream of the Crop territory.
Memorability: 9
The action sequences alone played throughout my mind well after having watched the film. Among other things, Age of Ultron gives you a falling city along with a classic matchup between Hulk and Stark in the Hulkbuster suit. Perhaps the most memorable part came at the very end when Ultron and Vision are having a conversation about the fate of humanity. Part foreshadowing, part introspection, it was a very fitting way to bring the curtain down on the action.
Pace: 10
Plot: 9
Resolution: 8
Overall: 94
No, it's not the best MCU film made to date, but it's still a high-quality film with a solid story and memorable sequences that keep you glued to your seat. Thankful for the rewatch as I enjoyed it even more the second time around.
BankofMarquis (1832 KP) rated Enola Holmes 2 (2022) in Movies
Nov 14, 2022
Pleasant and Entertaining
Back in September 2020 - in the heart of the pandemic shutdown - Netflix released ENOLA HOLMES which was dubbed “the teen version of Guy Ritchie’s Sherlock Holmes” - one can decide for themselves if that is a good or a bad thing. For me, this flick was an agreeable way to spend a few hours and I, for one, was looking forward to further adventures of Enola and her more well-known older brother, Sherlock.
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated War of the Worlds (2005) in Movies
Aug 14, 2019
In a summer season of grand blockbusters, War of the Worlds” is perhaps the biggest dud in years, and is a failure of epic proportions. The film is a remake of the classic 1953 film of the same name which like the new one is inspired from the H.G. Wells novel of 1898.
The new version is directed by Steven Spielberg, and stars Tom Cruise as Ray Ferrier, a divorced dockworker who is spending some time with his estranged children, Robbie (Justin Chatwin), and Rachael (Dakota Fanning), while his ex-wife and her new husband take a trip.
The children are very cold to Ray as they feel they were dumped on their mother as Ray only cares about himself. When a series of freak electrical storms hits various cities around the world, Ray attempts to comfort his children who are disturbed by the storm as well as the fact that all electronic devices have ceased to function.
Ray leaves the children at home and ventures into the neighborhood and is soon facing a waking nightmare as giant machines burst from the ground laying waste to everything in their paths.
Ray gathers his family and flees in a working vehicle trying to stay one step ahead of the alien machines in an attempt to find safety and reunite the children with their mother in Boston.
As basic as the above plot outline is, it is pretty much the entire plot of the film. There is little else to it aside from a few interruptions such as the family seeking shelter in a couple of houses or facing an angry mob as they attempt to reach a ferry.
While a thin plot can be excused for many action films, what cannot be excused are the painfully bad lack of any excitement in the film and the lack of any compelling action or suspense.
We are supposed to believe that the world is being destroyed by the alien’s but aside from a few blasted bridges, and small buildings, we see a surprising lack of carnage. There are no sequences of classic landmarks being reduced to rubble, there are no scenes of vast armies locked in a desperate struggle against the invaders.
Instead, we get a sequence of helicopters firing, and a line of soldiers firing, but they never show us what they are shooting at, nor do we see the alien retaliation behind a bright explosion and a few vehicles emerging on fire. This is particularly frustrating when you consider that the 1954 version at least showed a few tanks being blasted outright.
Another issue I had with the film was the painfully obvious superimposed backdrops as during the films limited action scenes; the background was clearly inserted into the shot as it was so fuzzy that it did not fit in with the events in the foreground.
While I am willing to dismiss this as stylistic nitpicking what cannot be ignored is that for most of the films running length, the cast does little more than stand around waiting for something to happen.
There are no great segments of character development, no insight into why the aliens waited all this time to attack when they could have done so centuries earlier, why they want the planet, and numerous other plot holes, some of which are so glaring. One of my favorites was the guy who was able to use a video camera to record the opening attacks when it was clearly shown that all electronic devices were rendered useless.
Much has been made of Cruise’s recent off screen actions and I must say that those have been far more interesting and engaging than his performance here. Cruise spends the majority of the film in a wide-eyed gaze or frantically moving and yelling. His character like his annoyingly bratty daughter are so unsympathetic, I found myself hoping that the aliens would take them out and end our suffering.
I hate stated prior that I thought this film may have problems as in light of films such as “ID4”, the story would seem bland to modern audiences unless the action was increased and there was a dynamic story with interesting characters. Sadly all of those are missing from a film that also has one of the worst endings in recent history.
There is no build up, no final confrontation, no moment of high tension to get to the payoff; it just ends with a whimper. One would think that a grand battle or an effects royale is in store instead, it plays out in a very matter of fact fashion with shockingly little action or suspense.
I could go on and on, but suffice it to say that between the weak acting, tired, thin plot, and infrequent and underwhelming action and effects, this is a film that exists only due to the talents of Cruise and Spielberg., That being said, I have to wonder how and why they could not have picked a better product than this stale offering.
The new version is directed by Steven Spielberg, and stars Tom Cruise as Ray Ferrier, a divorced dockworker who is spending some time with his estranged children, Robbie (Justin Chatwin), and Rachael (Dakota Fanning), while his ex-wife and her new husband take a trip.
The children are very cold to Ray as they feel they were dumped on their mother as Ray only cares about himself. When a series of freak electrical storms hits various cities around the world, Ray attempts to comfort his children who are disturbed by the storm as well as the fact that all electronic devices have ceased to function.
Ray leaves the children at home and ventures into the neighborhood and is soon facing a waking nightmare as giant machines burst from the ground laying waste to everything in their paths.
Ray gathers his family and flees in a working vehicle trying to stay one step ahead of the alien machines in an attempt to find safety and reunite the children with their mother in Boston.
As basic as the above plot outline is, it is pretty much the entire plot of the film. There is little else to it aside from a few interruptions such as the family seeking shelter in a couple of houses or facing an angry mob as they attempt to reach a ferry.
While a thin plot can be excused for many action films, what cannot be excused are the painfully bad lack of any excitement in the film and the lack of any compelling action or suspense.
We are supposed to believe that the world is being destroyed by the alien’s but aside from a few blasted bridges, and small buildings, we see a surprising lack of carnage. There are no sequences of classic landmarks being reduced to rubble, there are no scenes of vast armies locked in a desperate struggle against the invaders.
Instead, we get a sequence of helicopters firing, and a line of soldiers firing, but they never show us what they are shooting at, nor do we see the alien retaliation behind a bright explosion and a few vehicles emerging on fire. This is particularly frustrating when you consider that the 1954 version at least showed a few tanks being blasted outright.
Another issue I had with the film was the painfully obvious superimposed backdrops as during the films limited action scenes; the background was clearly inserted into the shot as it was so fuzzy that it did not fit in with the events in the foreground.
While I am willing to dismiss this as stylistic nitpicking what cannot be ignored is that for most of the films running length, the cast does little more than stand around waiting for something to happen.
There are no great segments of character development, no insight into why the aliens waited all this time to attack when they could have done so centuries earlier, why they want the planet, and numerous other plot holes, some of which are so glaring. One of my favorites was the guy who was able to use a video camera to record the opening attacks when it was clearly shown that all electronic devices were rendered useless.
Much has been made of Cruise’s recent off screen actions and I must say that those have been far more interesting and engaging than his performance here. Cruise spends the majority of the film in a wide-eyed gaze or frantically moving and yelling. His character like his annoyingly bratty daughter are so unsympathetic, I found myself hoping that the aliens would take them out and end our suffering.
I hate stated prior that I thought this film may have problems as in light of films such as “ID4”, the story would seem bland to modern audiences unless the action was increased and there was a dynamic story with interesting characters. Sadly all of those are missing from a film that also has one of the worst endings in recent history.
There is no build up, no final confrontation, no moment of high tension to get to the payoff; it just ends with a whimper. One would think that a grand battle or an effects royale is in store instead, it plays out in a very matter of fact fashion with shockingly little action or suspense.
I could go on and on, but suffice it to say that between the weak acting, tired, thin plot, and infrequent and underwhelming action and effects, this is a film that exists only due to the talents of Cruise and Spielberg., That being said, I have to wonder how and why they could not have picked a better product than this stale offering.