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BookwormMama14 (18 KP) rated With You Always (Orphan Train, #1) in Books
Jan 2, 2019
It is a well known fact that Jody writes some of my favorite books of all time. Her ability to express the time and place in a beautifully real way has drawn me into more than one story. And on more than one occasion, my attention would not be relinquished until I turned the last page of the book (or longer).
With You Always is the beginning of a new series and it is full of the same passion and faith that infuses Jody's other books. Elise is an immigrant woman in New York during the mid 1800s. A challenging time for many people, a single woman trying to take care of her siblings had limited options. When heading west to find employment, Elise struggles between doing what is best for her family and not wanting to be separated from them. Will she open her heart to God and allow Him to guide her steps?
With so much uncertainty about his future, Thornton Quincy battles to find his identity. Constantly being compared to his brother, he has never allowed himself to find who he truly is and the kind of man that he wants to be.
The emotions in this story gripped me from the start. So much suffering, so many families torn apart, my heart was (and still is) heavy with the situations that our characters face. However, it was so encouraging to witness God's hand weaving in and out of their lives. Lining up the pieces and placing everything in order. Although, beware the cliff hanger. AH! I am hoping that this story continues if not strictly from Elise's perspective than maybe Marianne's or Sophie's....because I NEED ANSWERS!!! Ok, that is all...Pick up this book, read it, and let me know what you think of it! I think this is a brilliant opening to the series and a unique look into an aspect of history that is so easily overlooked.
I received a complimentary copy of With You Always from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.
With You Always is the beginning of a new series and it is full of the same passion and faith that infuses Jody's other books. Elise is an immigrant woman in New York during the mid 1800s. A challenging time for many people, a single woman trying to take care of her siblings had limited options. When heading west to find employment, Elise struggles between doing what is best for her family and not wanting to be separated from them. Will she open her heart to God and allow Him to guide her steps?
With so much uncertainty about his future, Thornton Quincy battles to find his identity. Constantly being compared to his brother, he has never allowed himself to find who he truly is and the kind of man that he wants to be.
The emotions in this story gripped me from the start. So much suffering, so many families torn apart, my heart was (and still is) heavy with the situations that our characters face. However, it was so encouraging to witness God's hand weaving in and out of their lives. Lining up the pieces and placing everything in order. Although, beware the cliff hanger. AH! I am hoping that this story continues if not strictly from Elise's perspective than maybe Marianne's or Sophie's....because I NEED ANSWERS!!! Ok, that is all...Pick up this book, read it, and let me know what you think of it! I think this is a brilliant opening to the series and a unique look into an aspect of history that is so easily overlooked.
I received a complimentary copy of With You Always from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.
BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
With it being 50 years since the tragic Manson murders in California we have a year of Manson movies. We have the independent film Charlie Says which explores Manson and his cult in sensitive detail before the tragic night. We have Tarantino’s Once Up A Time In Hollywood which has been given the go-ahead from Sharon Tate’s sister to be made. Then we have this. The Haunting of Sharon Tate. An overly exploitative piece that twists truths to create a narrative and completely trashes the legacy of the late actress.
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
Corey Richard Bennett (10 KP) rated The Lost Symbol: (Robert Langdon Book 3) in Books
Jul 19, 2019
Drags on after action ends (1 more)
Unsatisfactory ending
Contains spoilers, click to show
Okay, so the third book in the Robert Langdon takes Robert through Washington D.C. as he tries to save a friend, who has been taken hostage. With help from the hostage's sister, Robert unravels a secret path by the Freemasons. Long story short, Robert saves his friend gets the girl and learns truths of the Freemasons no else has.
So overall the story is typical Dan Brown. Twists and turns at every turn, switching views from each chapter. Robert does Robert stuff with figuring everything out in due time. (By the way, I can't read these without thinking of Tom Hanks being Langdon anymore).
But the one thing I want to focus on is the villain. He is by far the most compelling part of this whole book. Spoiler is he dies about 3/4ths of the book in and once he is gone, that dragging on feeling sets in. There is no trouble, no sense of urgency and the book dies off after that for me. But back to our villain. He is revealed to be Mr. Hostage's son who was once thought dead, but more like transformed into a whole different person. You learn that he came from money, went to prison, is left there by his father, fakes his death, and then tries to steal a family heirloom he feels will help him unlock the secrets of Freemasonry and being the perfect human. My one gripe is Dan Brown pretty much tells you it's not the son, and then says oh yeah it is the son. There's a difference from being sneaky, and just lying to create suspense. Oh well, but before his death, the son is cunning, stealthy, and barbaric (drowning an assistant for a key card). He is a very interesting character and you do miss him once he is killed.
Overall its an okay book, but Inferno or Da Vinci Code were better stories, but if you like U.S. History, it should kill some time for you and keep you enthralled for most the book.
So overall the story is typical Dan Brown. Twists and turns at every turn, switching views from each chapter. Robert does Robert stuff with figuring everything out in due time. (By the way, I can't read these without thinking of Tom Hanks being Langdon anymore).
But the one thing I want to focus on is the villain. He is by far the most compelling part of this whole book. Spoiler is he dies about 3/4ths of the book in and once he is gone, that dragging on feeling sets in. There is no trouble, no sense of urgency and the book dies off after that for me. But back to our villain. He is revealed to be Mr. Hostage's son who was once thought dead, but more like transformed into a whole different person. You learn that he came from money, went to prison, is left there by his father, fakes his death, and then tries to steal a family heirloom he feels will help him unlock the secrets of Freemasonry and being the perfect human. My one gripe is Dan Brown pretty much tells you it's not the son, and then says oh yeah it is the son. There's a difference from being sneaky, and just lying to create suspense. Oh well, but before his death, the son is cunning, stealthy, and barbaric (drowning an assistant for a key card). He is a very interesting character and you do miss him once he is killed.
Overall its an okay book, but Inferno or Da Vinci Code were better stories, but if you like U.S. History, it should kill some time for you and keep you enthralled for most the book.
Eleanor Luhar (47 KP) rated I'll Give You the Sun in Books
Jun 24, 2019
Read the original review: https://bookmarkedreading.wordpress.com/2015/10/08/book-review-ill-give-you-the-sun/
(Self-portrait: Book Remakes Girl)
Oh my Clark Gable. I'll Give You the Sun is simply amazing. It's a piece or artwork in itself, a definite new favourite of mine.
Alternating between twins Noah and Jude, I'll Give You the Sun is two alternating stories that twist together in ways so unexpected and so perfect that you'll undoubtedly want to read to the end without putting the book down. The Invisible Museum of Noah, aged 13 to 14, and The History of Luck, 16-year-old's Jude's story, are amazing on their own, but then they start to fit together so tremendously, and every little thing makes so much sense... I can't describe how amazing I found this book.
Jude and Noah were close; Noah was always painting, inside his head and out, and Jude was out being a badass daredevil, and building her flying women in the sand. But a horrific accident involving their mother sends them both tumbling, and the relationship between them is ruined.
But although all hope seems lost, the now-boycotting Jude finds the answer in such an unexpected way and suddenly everything falls back into place.
And Noah, after having his heart ripped out by his own actions, has to decide between telling the truth about his mother or keeping her secrets hidden beneath lies.
I love the style and layout of this book. The cover alone is wonderful, but the pages themselves are all so unique and interesting, I loved it at soon as I turned to the first page. It's not too busy or intricate, just simple little doodles and such giving each page a bit of character. And every cover I've seen is nice and minimalistic too. (If you want to look the book up and see the over editions and covers you can look at it on Goodreads.)
A story of family struggles, individual troubles, love and heartbreak, I'll Give You the Sun is simply beautiful. I'm dying to read it again, even after finishing it just ten minutes ago! A full 5 stars for this gorgeous book.
(Self-portrait: Book Remakes Girl)
Oh my Clark Gable. I'll Give You the Sun is simply amazing. It's a piece or artwork in itself, a definite new favourite of mine.
Alternating between twins Noah and Jude, I'll Give You the Sun is two alternating stories that twist together in ways so unexpected and so perfect that you'll undoubtedly want to read to the end without putting the book down. The Invisible Museum of Noah, aged 13 to 14, and The History of Luck, 16-year-old's Jude's story, are amazing on their own, but then they start to fit together so tremendously, and every little thing makes so much sense... I can't describe how amazing I found this book.
Jude and Noah were close; Noah was always painting, inside his head and out, and Jude was out being a badass daredevil, and building her flying women in the sand. But a horrific accident involving their mother sends them both tumbling, and the relationship between them is ruined.
But although all hope seems lost, the now-boycotting Jude finds the answer in such an unexpected way and suddenly everything falls back into place.
And Noah, after having his heart ripped out by his own actions, has to decide between telling the truth about his mother or keeping her secrets hidden beneath lies.
I love the style and layout of this book. The cover alone is wonderful, but the pages themselves are all so unique and interesting, I loved it at soon as I turned to the first page. It's not too busy or intricate, just simple little doodles and such giving each page a bit of character. And every cover I've seen is nice and minimalistic too. (If you want to look the book up and see the over editions and covers you can look at it on Goodreads.)
A story of family struggles, individual troubles, love and heartbreak, I'll Give You the Sun is simply beautiful. I'm dying to read it again, even after finishing it just ten minutes ago! A full 5 stars for this gorgeous book.
ClareR (5674 KP) rated The Island of Missing Trees in Books
Sep 28, 2021
How come this is only the first book I’ve read by Elif Shafak?! This is a book full of heart, feeling and imagination - it’s just beautiful. The Island of Missing Trees has taught me far more about what happened in Cyprus and the war/ dispute between Cypriots and the Turkish invasion.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
Daniel Boyd (1066 KP) rated Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols in Music
Nov 2, 2017
The ultimate reset switch on the musical chart machine
This album changed everything and brought rock ‘n roll music back down to ground level where it belongs. It perfectly captured the mindset of a generation and it was the turning point that was so badly needed at that point in musical history. These four lads were saying exactly what they meant and we could hear their pain and frustration through Lydon’s voice as he screamed down the microphone at us. This album is gripping from start to finish and full of strikingly relevant lyrics even today. Without Never Mind The Bollocks, you can forget Oasis or Nirvana or Green Day or any punk band to come after ’77 for that matter. This album had to happen as it totally changed the course of rock ‘n roll history for the better and gave us all what we wanted again. This band is as important to rock ‘n roll music and British culture as the Beatles or the Rolling Stones and they only ever released the one album, that is how important this record is. This album affected the style of an entire generation, it affected the politicians and it gave the how the majority of the country was feeling a united voice. The Tory government and the Royal Family may be scum, but it is hard to argue the fact that they have inspired some of the best music over the last 50 years. This album defines what it means to be young and pissed off and overlooked by the older generations who hold the power. It is an attack launched at anyone who has ever looked down their nose at anyone else. It is the quintessential lesson in how to compose a legendary rock n’ roll album and it reminded the world that you don’t need a bunch of overcomplicated instrumentals or 16 minute long interludes to make a great record, all you need is a few instruments, some raw talent and a determination to tell people how it really is. The Pistols wear their hearts on their sleeve in this record, both through their instruments and their lyrics, there is so much feeling and passion and genuine dissatisfaction on this record, yet it is also so careless and spur of the moment and that combination results in one of the greatest albums of the last half century in my opinion.
If American Idiot is a slap on the wrist of the government and a nudge to change things, Never Mind The Bollocks is the Pistols grabbing the man by the throat and squeezing until he is forced to listen to them. In the years prior to this record coming out, the charts were dominated by songs that were being played on a minimum of 15 different instruments per song. There hadn’t been a record composed solely of a guitar, a drumkit, a bass and a vocal in far too long and The Sex Pistols hit the reset button on rock ‘n roll music going forward. This record had to happen, without it bands like Oasis and Nirvana would never have came to be, or if they did they would sound vastly different to what they do today. This record has an undeniable feeling to it that no other record does, it is fury, frustration, desperation and sadness all at once and for me, there is nothing else in musical history that quite captures that feeling in the same way. This is simply four bored lads with pure raw talent telling us exactly how they feel and making sure not to leave out any of the gory details. Every riff on this album is a violent wake up call, every drum beat feels like a well deserved punch to the face and with Lydon’s voice and lyrics topping it all off, it is a beautifully ugly piece of pop culture that is relevant even today. The Pistols take on everybody in this album, from the Queen, to politics, to record labels and all of it is so well composed and yet so spur of the moment simultaneously. It’s like Lydon is spitting at you but in perfect time and in the most unique way that has ever been put to record. The band had a flair that lit Britain on fire, especially the middle classes, this record got banned out of fear that it would cause the man on the street to rise up and see through the bullshit that politicians and the government try to spin us day in and day out. Every song points out what is wrong with the country and its ethics and policies and it defines the reasons that the public are fed up of it. The whole thing flows so well and even though it takes just under 40 minutes to listen to the entire album from start to finish, it goes by in a flash and leaves such a strong impression that causes you to be left thinking about what you have just heard for hours afterwards. This is a fleeting moment in modern history captured in the most brief, yet poignant way and without it the very culture of Britain would be entirely different. This album is so important, not just for it’s anti establishment themes or its musical reasons, but because it actually altered the course of history beyond just the musical ecosystem. There was never an album before Never The Bollocks that sounded anything like it and there hasn’t been one since and sadly, there probably never will be. The last great rock n’ roll band that the world really took notice of were Oasis and since then there has been nothing significant enough to capture the world’s attention. If you ask me what we need right now is another band like the Sex Pistols to swagger up and take the spotlight away from the dance/pop garbage that is dominating today’s charts. We need a band that can reset the musical machine and show the youth of today that all you need to make it is raw talent, a few instruments and a sprinkle of determination and the world can be yours. I am hopeful it will eventually happen, it has to and in my mind it is inevitable and is more a question of when rather than a question of if. That album is what will resurrect rock n’ roll music and bring it back to the forefront and the group that manages it will be the band that defines their respective generation. Since Oasis split the crown has been up for the taking and all we need is a band with enough balls and talent and who actually have something to say, to reach out and grab it.
If American Idiot is a slap on the wrist of the government and a nudge to change things, Never Mind The Bollocks is the Pistols grabbing the man by the throat and squeezing until he is forced to listen to them. In the years prior to this record coming out, the charts were dominated by songs that were being played on a minimum of 15 different instruments per song. There hadn’t been a record composed solely of a guitar, a drumkit, a bass and a vocal in far too long and The Sex Pistols hit the reset button on rock ‘n roll music going forward. This record had to happen, without it bands like Oasis and Nirvana would never have came to be, or if they did they would sound vastly different to what they do today. This record has an undeniable feeling to it that no other record does, it is fury, frustration, desperation and sadness all at once and for me, there is nothing else in musical history that quite captures that feeling in the same way. This is simply four bored lads with pure raw talent telling us exactly how they feel and making sure not to leave out any of the gory details. Every riff on this album is a violent wake up call, every drum beat feels like a well deserved punch to the face and with Lydon’s voice and lyrics topping it all off, it is a beautifully ugly piece of pop culture that is relevant even today. The Pistols take on everybody in this album, from the Queen, to politics, to record labels and all of it is so well composed and yet so spur of the moment simultaneously. It’s like Lydon is spitting at you but in perfect time and in the most unique way that has ever been put to record. The band had a flair that lit Britain on fire, especially the middle classes, this record got banned out of fear that it would cause the man on the street to rise up and see through the bullshit that politicians and the government try to spin us day in and day out. Every song points out what is wrong with the country and its ethics and policies and it defines the reasons that the public are fed up of it. The whole thing flows so well and even though it takes just under 40 minutes to listen to the entire album from start to finish, it goes by in a flash and leaves such a strong impression that causes you to be left thinking about what you have just heard for hours afterwards. This is a fleeting moment in modern history captured in the most brief, yet poignant way and without it the very culture of Britain would be entirely different. This album is so important, not just for it’s anti establishment themes or its musical reasons, but because it actually altered the course of history beyond just the musical ecosystem. There was never an album before Never The Bollocks that sounded anything like it and there hasn’t been one since and sadly, there probably never will be. The last great rock n’ roll band that the world really took notice of were Oasis and since then there has been nothing significant enough to capture the world’s attention. If you ask me what we need right now is another band like the Sex Pistols to swagger up and take the spotlight away from the dance/pop garbage that is dominating today’s charts. We need a band that can reset the musical machine and show the youth of today that all you need to make it is raw talent, a few instruments and a sprinkle of determination and the world can be yours. I am hopeful it will eventually happen, it has to and in my mind it is inevitable and is more a question of when rather than a question of if. That album is what will resurrect rock n’ roll music and bring it back to the forefront and the group that manages it will be the band that defines their respective generation. Since Oasis split the crown has been up for the taking and all we need is a band with enough balls and talent and who actually have something to say, to reach out and grab it.
Kristy H (1252 KP) rated The Invited in Books
Jun 21, 2019
Helen and Nate have a nice, settled life as teachers at a private school in Connecticut. But they also have aspirations for a simpler life. So using their savings and an inheritance, they buy 40+ acres in the tiny village of Hartsboro, Vermont and decide to build their own dream house themselves. Helen, a history teacher, wants a house and land with history--and she gets her wish when she discovers the story of Hattie Breckenridge, a woman who apparently lived (and died) on their property over a hundred years ago. Marked by the villagers as a witch, Hattie was killed, leaving behind her young daughter, Jane. Helen becomes fascinated with Hattie's past and begins trying to find out what happened to her--and her family members. But a series of more and more weird events start happening once they move in. Is it just the people of Hartsboro, who don't like outsiders? Or is it Hattie? And are Helen and Nate in danger?
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
Gareth von Kallenbach (977 KP) rated Selma (2015) in Movies
Aug 6, 2019
Set in 1965, the film follows the voting rights marches from Selma to Montgomery. During the time Black citizens had the legal right to vote, but there were countless strategies put into place to stop them from actually being able to use those voting rights.
The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.
During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.
The visceral moments of raw emotion and terrible violence will give the audience chills
Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.
An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.
The cast selection is top notch, making the film very realistic.
Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .
However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.
He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.
The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.
No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.
Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.
A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.
All of these questions aside, “Selma” is an amazing and moving piece of work.
A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.
During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.
The visceral moments of raw emotion and terrible violence will give the audience chills
Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.
An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.
The cast selection is top notch, making the film very realistic.
Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .
However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.
He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.
The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.
No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.
Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.
A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.
All of these questions aside, “Selma” is an amazing and moving piece of work.
A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
Gareth von Kallenbach (977 KP) rated Darkest Hour (2017) in Movies
Jul 11, 2019
As the Nazi’s sweep through Europe at the beginning of World War II the British face the difficult issue of replacing their Prime Minister. The people and members of Parliament have become disenchanted with Prime Minister Neville Chamberlain (Ronald Pickup). They feel his lack of action lead to the rise of Hitler and the Nazis. He agrees to step down and has to name a replacement. While he would prefer to have his protégé, Foreign Secretary Viscount Halifax (Stephen Dillane), there is only one member of his party that all of Parliament will accept, Winston Churchill (Gary Oldman). King George VI (Ben Mendelsohn) is also opposed to the brash and opinionated Churchill. Bowing to the will of the opposition Churchill the King agrees to appoint him the next Prime Minister. Although he is thrilled at finally achieving his lifelong dream he has no delusions that he is facing extremely difficult times ahead. The Nazis are tearing through Europe. They have already taken Belgium and Holland they now are invading France. The Nazis have also managed to surround nearly the entire British ground force on the French beaches with no way home. Not only does he have to worry about foreign foes but also his numerous political enemies in his own party. Many oppose his brash and unpredictable nature, while others think of him as heavy drinker that is no more than an exceptional orator with little capacity to make hard decisions. He must overcome all of this to protect the English people and prepare them for the tough days ahead.
Winston Churchill is a very well know historically figure. He was known for his powerful speeches and bigger than life personality. This film takes a look at the early days of him being Prime Minister, during some of the most volatile days in the history of Europe. Not only does the story delve into the politics and struggles of Churchill to put forth his agenda in a hostile climate but also shows him at his most vulnerable. One example is after delivering his first radio address to the nation he walks home alone and to talk with and be reassured by his wife, Clementine Churchill (Kristin Scott Thomas), that his speech was good and people could hear him.
Gary Oldman is spectacular in his role as Chruchill. From the iconic speeches to the light moments with his family and personal secretary, Elizabeth Layton (Lily James), he puts forth a great performance. The supporting cast is great as well, highlighted by Mendelsohn, Scott Thomas and James. The flow of the film really worked, under direction of Joe Wright (Atonement, The Soloist, and Pan). The two hour and five minute run time felt shorter and the movie really moved along. There were some points that they showed some battle scenes, after all it is a World War II era film, which did feel like afterthoughts and didn’t really add anything to the movie. The tension of the moment was well done even without these scenes. Besides those scenes the movie was shot well and added to the overall feel of the movie.
This film will appeal to those who are fans of history, the World War II era specifically, and historical figures. It also is powerful and heartfelt. Really the performances of the cast are what really stuck with me and will be the reason that I watch it again.
Winston Churchill is a very well know historically figure. He was known for his powerful speeches and bigger than life personality. This film takes a look at the early days of him being Prime Minister, during some of the most volatile days in the history of Europe. Not only does the story delve into the politics and struggles of Churchill to put forth his agenda in a hostile climate but also shows him at his most vulnerable. One example is after delivering his first radio address to the nation he walks home alone and to talk with and be reassured by his wife, Clementine Churchill (Kristin Scott Thomas), that his speech was good and people could hear him.
Gary Oldman is spectacular in his role as Chruchill. From the iconic speeches to the light moments with his family and personal secretary, Elizabeth Layton (Lily James), he puts forth a great performance. The supporting cast is great as well, highlighted by Mendelsohn, Scott Thomas and James. The flow of the film really worked, under direction of Joe Wright (Atonement, The Soloist, and Pan). The two hour and five minute run time felt shorter and the movie really moved along. There were some points that they showed some battle scenes, after all it is a World War II era film, which did feel like afterthoughts and didn’t really add anything to the movie. The tension of the moment was well done even without these scenes. Besides those scenes the movie was shot well and added to the overall feel of the movie.
This film will appeal to those who are fans of history, the World War II era specifically, and historical figures. It also is powerful and heartfelt. Really the performances of the cast are what really stuck with me and will be the reason that I watch it again.
KittyMiku (138 KP) rated World, Incorporated in Books
May 23, 2019
World, Incorporated by Tom Gariffo is a sci-fi novel set in the near future where the world is run by businesses instead of government officials like we have today. I found this book to be rough the first half, but entertaining in the second half. I had felt like the story had been lackluster in the beginning but picked up towards the end. Although the ending was fairly decent, I still can’t say that this is an amazing read.
In World, Incorporated the reader is mainly following around Agent Silver, who is just a complete dissident. He ends up acquiring some travel companions who had tried to kill him in one way or another without his boss knowing while his aircraft is keeping information from him. You learn the history of the world through weblogs and news articles that the Agent had acquired in his own personal research. He used them to try to inform one of his companions, Kelly, about the world around her. Kelly lived in the country side where her parents kept her from the new world that existed around her. As you follow the main characters around, you are able to witness battles, suspense and plain human emotion as they grow into better people. Towards the end you find Agent Silver’s real goals and how he changes from the beginning of the novel.
At first, I had found the book boring and hard to stick it out. The articles on the history on how the world had become to be what it was just didn’t hold my interest. I understand their purpose; I just wish Tom Gariffo had chosen another way to convey the information to the reader. Even though that information had help shaped some of the way the reader was able to understand that way the supercorporations had been able to take over the and control areas and such and why it was so, it still left quite a few questions about certain topics revolving around the supercorporations. However, for the few things that had been left without answers at the beginning, I found some answers were revealed in the last chapter of the book.
The last chapter of the book, you got to really see how friendships of all kinds can really help a person grow and change their own ways. Although Agent Silver had been a loner, seeing how his perspective changed over time was a very realistic touch to a character that I personally believed was just a cold killer beginning to grow soft. I found that World, Incorporated was fairly interesting in how the world and how society could change in just a few short decades due to how corporations merge and became bigger and ultimately supercorporations who would end up ruling over areas and zones of the world that they would have agreements with the other supercorporations to have control of. This brought up the idea that money and businesses are what our world is slowing turning towards for power. Though, it is already a topic among some people around us now, to see how that could easily be a reality if we keep up with the way things are going now.
I would rate World, Incorporated 3 stars out of 4 stars. As I had stated earlier, I had some troubles getting through the first half of the novel, but found the second half to hold my interest. Though the novel wasn’t a real page turner in my opinion, I still found the story line very good, if you make it past the history lessons. I would probably recommend this to a few of my friends and family, but only to the ones who I know would stick it out to get to the amazing parts of the story.
Though I don’t believe this is a must read, I found World, Incorporated to be a fairly decent book with a lot of thought on how our world will turn out to be in the fairly near future. Though some of it seems unlikely to ever come to pass, it does cause the reader to think deeply on the said issues and what they would do should something similar come to pass for real. It does follow its sci-fi genre requirements and causes a lot of questioning to happen within the reader’s mind. Once again, I enjoyed most of the book and the thoughts it provoked in me, and I hope that you will as well.
In World, Incorporated the reader is mainly following around Agent Silver, who is just a complete dissident. He ends up acquiring some travel companions who had tried to kill him in one way or another without his boss knowing while his aircraft is keeping information from him. You learn the history of the world through weblogs and news articles that the Agent had acquired in his own personal research. He used them to try to inform one of his companions, Kelly, about the world around her. Kelly lived in the country side where her parents kept her from the new world that existed around her. As you follow the main characters around, you are able to witness battles, suspense and plain human emotion as they grow into better people. Towards the end you find Agent Silver’s real goals and how he changes from the beginning of the novel.
At first, I had found the book boring and hard to stick it out. The articles on the history on how the world had become to be what it was just didn’t hold my interest. I understand their purpose; I just wish Tom Gariffo had chosen another way to convey the information to the reader. Even though that information had help shaped some of the way the reader was able to understand that way the supercorporations had been able to take over the and control areas and such and why it was so, it still left quite a few questions about certain topics revolving around the supercorporations. However, for the few things that had been left without answers at the beginning, I found some answers were revealed in the last chapter of the book.
The last chapter of the book, you got to really see how friendships of all kinds can really help a person grow and change their own ways. Although Agent Silver had been a loner, seeing how his perspective changed over time was a very realistic touch to a character that I personally believed was just a cold killer beginning to grow soft. I found that World, Incorporated was fairly interesting in how the world and how society could change in just a few short decades due to how corporations merge and became bigger and ultimately supercorporations who would end up ruling over areas and zones of the world that they would have agreements with the other supercorporations to have control of. This brought up the idea that money and businesses are what our world is slowing turning towards for power. Though, it is already a topic among some people around us now, to see how that could easily be a reality if we keep up with the way things are going now.
I would rate World, Incorporated 3 stars out of 4 stars. As I had stated earlier, I had some troubles getting through the first half of the novel, but found the second half to hold my interest. Though the novel wasn’t a real page turner in my opinion, I still found the story line very good, if you make it past the history lessons. I would probably recommend this to a few of my friends and family, but only to the ones who I know would stick it out to get to the amazing parts of the story.
Though I don’t believe this is a must read, I found World, Incorporated to be a fairly decent book with a lot of thought on how our world will turn out to be in the fairly near future. Though some of it seems unlikely to ever come to pass, it does cause the reader to think deeply on the said issues and what they would do should something similar come to pass for real. It does follow its sci-fi genre requirements and causes a lot of questioning to happen within the reader’s mind. Once again, I enjoyed most of the book and the thoughts it provoked in me, and I hope that you will as well.