"One of those records that caught me at the right minute. As you know, I was a huge fan of Spiders-era Bowie. I was distraught when they split, but I followed Ronson's solo career. He was a little bit more mainstream; these were stunning songs. Very French, somehow - it had that 'I'm wondering around down the docks in Amsterdam' kind of vibe! It also has the second greatest guitar solo of all time on 'Women' and in between you have these fantastic ballads like 'The Empty Bed', a stunning song. His lead playing on that record is just incredible."

"A novel that has as its main character an Old Lady who is liberated from the boredom of her secure life at an eccentric home for elderly ladies when given a hearing trumpet — and whose wish to go to the North pole before she dies comes true in the most unlikely fashion — has to be good. Even though she is better known as one of the best painters of Surrealism Leonora Carrington’s novels and short stories have had a strong influence on feminist and fantastic fiction. Constantly entertaining and unpredictable The Hearing Trumpet is infused with warmth and rebellion in equal measures."

"Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach Land of a Thousand Dances: she’s caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that’s really exciting. She’s not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot."

"Bill Foege is one of my heroes. Among his many accomplishments, he was instrumental in ridding the world of smallpox, which is still the only human disease ever eradicated. This book gives you a great view from the front lines of that battle. Bill was a mentor to Melinda and me in the early days of our philanthropy, and he continues to give us great advice today. I also recommend his deeply moving Gates Notes article about fighting river blindness. It’s a fantastic story that gives you real insight into how he thinks about his work."

"Look at it this way: The Twilight Zone is your memories of growing up, of learning to understand a certain language of cinematic storytelling that embraces fantastic twists of plot and character. Then, when you’re older, and it occurs to you to ask your parents what things were really like back in the day, the answer is Patterns, Requiem for a Heavyweight, and The Comedian, all written by Rod Serling. Of course, there’s more than Serling’s writing to love here: the immediacy of the productions and the adrenaline of the performances make for a perfect record of this incredibly pivotal era of storytelling."

"This film is the most ambitious failure. I love Tati as an actor, and I love the way the scenes are made; they’re so intelligent and funny, and the timing is fantastic in each and every moment. It has a Chaplin-like precision. But it’s also a black hole that sucks energy from the audience. I also really love his short films, like the one where he’s teaching actors how to walk into a wall properly. For me, Tati took acting to a level comparable to sports. His performances are very direct, and you can see his skill as an actor."

"Medium Cool. I’m crazy about that film. To me, there are a lot of great films from that era because I was seeing them in our movie house when I was a kid [Luhrmann’s dad ran a theater for a period], but what I love about Medium Cool is that it preempts the idea of taking a real historical event and weaving a drama around it. So that’s great about it. Robert Forster is great in that picture. Not to mention — and I’ll be a bit flippant here — the clothes are fantastic. It’s just a great pop cultural picture."