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Returner 77
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Returner 77 is a cinematic sci-fi mystery puzzle game. You are in a giant alien spaceship hovering...
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LeftSideCut (3776 KP) rated Villains (2019) in Movies
Mar 10, 2021
This one struck a chord with me, and hit all the right notes along the way.
Villains is a witty, often funny, often dark thriller, with a sprinkling of horror for good measure. It's beautifully shot from start to finish and has fantastic performances all round from its small cast. Bill Skarsgård and Maika Monroe are extremely likeable "protagonists", as two amateur crooks on the run after robbing a gas station hoping to gather enough cash to start a new life together. The chemistry between the two of them is wonderful. When they run out of fuel during their getaway, they break into a nearby house in an attempt to either siphon some gas, or straight up steal a car but are quickly embroiled in a life or death situation when the homeowners return, two people who aren't quite as they seem. Jeffrey Donovan and Kyra Sedgwick are just as great as the two homeowners, both playing up their parts with villanous glee. Donovan's character may just be one of the most likable "bad guys" in recent history.
What follows is an incredibly entertaining and suspenseful film, with a few shocks and the odd splash of violence. The screenplay is brilliant, the pacing is perfect, and the music score is beautiful.
Underneath all of the craziness though, is a story I found to be incredibly sad. None of these people are perfect, some worse than others, but even the worst of the bunch aren't completely awful. These characters are well fleshed out, and are easy to sympathise with. This ensures some well earned emotional moments that really land and the cast are just fantastic sharing the screen together.
I wasn't quite sure what to expect from Villains but it really got me. I can safely say it's one of my favourites of 2019, which is something considering how many excellent movies there were that year.
Villains is a witty, often funny, often dark thriller, with a sprinkling of horror for good measure. It's beautifully shot from start to finish and has fantastic performances all round from its small cast. Bill Skarsgård and Maika Monroe are extremely likeable "protagonists", as two amateur crooks on the run after robbing a gas station hoping to gather enough cash to start a new life together. The chemistry between the two of them is wonderful. When they run out of fuel during their getaway, they break into a nearby house in an attempt to either siphon some gas, or straight up steal a car but are quickly embroiled in a life or death situation when the homeowners return, two people who aren't quite as they seem. Jeffrey Donovan and Kyra Sedgwick are just as great as the two homeowners, both playing up their parts with villanous glee. Donovan's character may just be one of the most likable "bad guys" in recent history.
What follows is an incredibly entertaining and suspenseful film, with a few shocks and the odd splash of violence. The screenplay is brilliant, the pacing is perfect, and the music score is beautiful.
Underneath all of the craziness though, is a story I found to be incredibly sad. None of these people are perfect, some worse than others, but even the worst of the bunch aren't completely awful. These characters are well fleshed out, and are easy to sympathise with. This ensures some well earned emotional moments that really land and the cast are just fantastic sharing the screen together.
I wasn't quite sure what to expect from Villains but it really got me. I can safely say it's one of my favourites of 2019, which is something considering how many excellent movies there were that year.
LeftSideCut (3776 KP) rated Indiana Jones and the Last Crusade (1989) in Movies
Jan 28, 2021
Returning to a much more balanced tone that the overly "cooky" Temple of Doom, the third Indiana Jones adventure gives Raiders of the Lost Ark some serious competition for best entry in the franchise (Raiders just about beats it for me based on the ratio of melting nazi face content).
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
Eleanor Luhar (47 KP) rated A Voice in the Distance (Flynn Laukonen, #2) in Books
Jun 24, 2019
I read A Note of Madness a little while ago and absolutely loved it. Flynn is a great character, and the story of his struggles with mental health is just fantastic. There can never be too much awareness, especially in boys/men.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
LeftSideCut (3776 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 28, 2019 (Updated Oct 25, 2019)
Another fantastic entry into Tarantino's legacy
If there's one thing that springs to mind after watching Once Upon a Time in Hollywood, is that's it's not particularly user friendly, it's not easily consumed.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
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LeftSideCut (3776 KP) rated Halloween Kills (2021) in Movies
Oct 17, 2021
I can safely say, that I'm not 100% sure whether I liked Halloween Kills or not. There were parts that I genuinely enjoyed, in no small part thanks to Michael Myers. As in Halloween (2018), this Myers is a brutal and unforgiving one. His aesthetic is great and he's intimidating as fuck. This movie pulls no punches in making him out to be a monster, shying further away from the days of rooting for slasher villains. To top it off, Kills easily has some of the best Michael moments in the entire franchise. This is bolstered by some truly fantastic cinematography.
However, the positives are marred quite severely by everything else. The script is hammy as fuck, which is fine, but the tone of the movie is pretty damn serious, and a lot of the screenplay just doesn't land properly. There are endless characters saying something along the lines of "it's my fault, and I'm going to be the one to kill Michael Myers" for no real reason. Additionally, there are a whole bunch of "legacy" characters from the OG Halloween making their return. It's lovely to see the likes of Kyle Richards, Charles Cyphers, and Nancy Stephens back for another round, but they do kind of feel shoehorned in. Tommy Doyle being thrust into the spotlight as a main character is in no means a bad idea, but he's just a bit of a gammon for the entire runtime, and quickly becomes a tiresome protagonist. All of this is exacerbated by pacing that just plummets around the mid point. The whole subplot of a mob chasing down a small bald man who clearly isn't Michael Myers is just ludicrous, and it's goes on FOREVER. All just to throw in a forced "maybe we were the monsters all along" conundrum. It's really dumb.
I didn't hate Halloween Kills by any means, but for me, it was a huge step down from the fantastic 2018 effort. Hopefully, Halloween Ends will bring the quality back up (with more Laurie Strode fingers crossed)
However, the positives are marred quite severely by everything else. The script is hammy as fuck, which is fine, but the tone of the movie is pretty damn serious, and a lot of the screenplay just doesn't land properly. There are endless characters saying something along the lines of "it's my fault, and I'm going to be the one to kill Michael Myers" for no real reason. Additionally, there are a whole bunch of "legacy" characters from the OG Halloween making their return. It's lovely to see the likes of Kyle Richards, Charles Cyphers, and Nancy Stephens back for another round, but they do kind of feel shoehorned in. Tommy Doyle being thrust into the spotlight as a main character is in no means a bad idea, but he's just a bit of a gammon for the entire runtime, and quickly becomes a tiresome protagonist. All of this is exacerbated by pacing that just plummets around the mid point. The whole subplot of a mob chasing down a small bald man who clearly isn't Michael Myers is just ludicrous, and it's goes on FOREVER. All just to throw in a forced "maybe we were the monsters all along" conundrum. It's really dumb.
I didn't hate Halloween Kills by any means, but for me, it was a huge step down from the fantastic 2018 effort. Hopefully, Halloween Ends will bring the quality back up (with more Laurie Strode fingers crossed)
Merissa (13051 KP) rated Resting Witch Face (Journals of Forbidden Witchery #1) in Books
Jun 4, 2021 (Updated Jul 18, 2023)
RESTING WITCH FACE is the first book in the Journals of Forbidden Witchery series and we start a whole new urban fantasy. Hazel is our main character, a witch with no powers, otherwise known as a dud. This doesn't mean she's weak though. She's trained herself, and the enforcers in her coven, and can fight demons without powers. But when her grandmother (who coincidentally runs the coven) starts hiding her from view, Hazel sniffs out a secret. With her best friend Sissily, she needs to figure out what's going on before she is cast out for good.
This was a fantastic start to the series! Hazel is a smart-alec, with a sassy attitude, a short temper, and is fuelled by coffee. There is lots to like about her, especially her grumpiness which hides a lot of things. Sissily is a good friend, who has been there for her throughout but falters a bit at the end. I wasn't too keen on that so I'm hoping she pulls it together. And what would a Maya Daniels book be without a buff hero to fall back on?! River comes with his own secrets and I look forward to learning more about him.
I thought the pacing was perfect in this book. It was fast and full of action but without being frantic. It gave me time to enjoy the story, to immerse myself in it, enjoy Hazel's past, and wonder about her future. Alex and Amber are fantastic supporting characters, and I can't wait to learn more about Shadowborn as I'm sure he's dodgy. No reason, just because! 😉
With secrets aplenty, this is a brilliant start to a series I can't wait to continue. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021
This was a fantastic start to the series! Hazel is a smart-alec, with a sassy attitude, a short temper, and is fuelled by coffee. There is lots to like about her, especially her grumpiness which hides a lot of things. Sissily is a good friend, who has been there for her throughout but falters a bit at the end. I wasn't too keen on that so I'm hoping she pulls it together. And what would a Maya Daniels book be without a buff hero to fall back on?! River comes with his own secrets and I look forward to learning more about him.
I thought the pacing was perfect in this book. It was fast and full of action but without being frantic. It gave me time to enjoy the story, to immerse myself in it, enjoy Hazel's past, and wonder about her future. Alex and Amber are fantastic supporting characters, and I can't wait to learn more about Shadowborn as I'm sure he's dodgy. No reason, just because! 😉
With secrets aplenty, this is a brilliant start to a series I can't wait to continue. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021