"Again, I love absolute everything that Ronnie did, from Elf to Sabbath, but it's his voice that drew me to this record because it's so magical and so unique. He was a very accomplished all-round musician though. When you look at his body of work it's just tremendous, but this is certainly one of his best. I love singers that mean what they're singing and have power behind them, and Ronnie meant it. This album is proof that you don't always need to just scream your tits off to make a point. The title track is the standout song on this album for me. If you look at any artist who has had the grace and fortune to be successful for a long period of time there are certain songs that stand out even on greatest hits compilations, but I own a Dio compilation and every song on it is as good as the last. I was involved in a tribute record after Ronnie's death to raise money for his charity. It was a great thing to do, and there were so many talented people involved in it. It just proved that everybody loved Ronnie. Not only did he create some amazing music, but he was a fantastic human being. People were lining up to do that record and by the time I agreed there weren't that many songs left to choose from."

"I can't pronounce it either! It's a fantastic record. It's got such a gorgeous mellow vibe to it. It's kind of accessible to people who aren't familiar with jazz, but it also has kind of this free, loose thing. It's not free jazz, it's definitely modal. It's got Pharoah Sanders on it. It's lush and gorgeous and kind of takes you to a different place. Sometimes Alice Coltrane plays the harp, which sounds dreamy. It's one of my go-to's in the morning at work (in Sub Pop) I just kind of put it on to get me going. I probably drive some of my co-workers crazy playing it. You know, there's not a really obvious influence in our music that comes from jazz. I know I'm influenced by it, but I'm not sure how. I don't like all jazz, but certain things I love to death. That's the problem with this list: I can't stick Charles Mingus on it, or Andrew Hill, or Ornette Coleman, or Albert Ayler. One of the things I feel lucky about, my high school friends and I who formed Mr. Epp, we would go to our little record store in our suburban town and the guys there turned us onto The New York Dolls and Ornette Coleman and Ayler and The Velvet Underground, Brian Eno. I feel really lucky to have stumbled into that, at that time."