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LeftSideCut (3776 KP) rated Happy Death Day 2U (2019) in Movies
Dec 31, 2020
There is enough increasing absurdity in Happy Death Day 2U to ensure that it's just as fun and entertaining as the first movie. It's sadly less rooted in horror this time around, and instead opts for a sci-fi/comedy approach, with the occasional sprinkle of PG-13 slasher tropes.
Jessica Rothe is honestly, for a second time, fantastic. Neither of these films would work half as well without her. Her character Tree, is hugely likable, and has great chemistry with the other cast members. This goes double for when director Christopher Landon decides to blindside the audience with an emotional beat. There's one scene in particular with Tree and her Mother that has all the potential to be a cheesy mess, but thanks to Rothe and Missy Yager, hits all the right notes. It's all good stuff that is unexpected from what is a standard family friendly Blumhouse flick on the surface.
As mentioned, the plot is so silly, but it's attempts to explain how the events of the first film even happened are admirable, and shakes up the formula enough to ensure it doesn't get boring, even though it has familiar moments. Some of the twists are a little convoluted, and the comedy aspects go a tad overboard sometimes, but overall the dumb narrative works a treat.
Happy Death Day 2U is a great if flawed switch-off popcorn movie, that's frequently funny, and has just enough horror elements to belong in the genre. Worth checking out!
Jessica Rothe is honestly, for a second time, fantastic. Neither of these films would work half as well without her. Her character Tree, is hugely likable, and has great chemistry with the other cast members. This goes double for when director Christopher Landon decides to blindside the audience with an emotional beat. There's one scene in particular with Tree and her Mother that has all the potential to be a cheesy mess, but thanks to Rothe and Missy Yager, hits all the right notes. It's all good stuff that is unexpected from what is a standard family friendly Blumhouse flick on the surface.
As mentioned, the plot is so silly, but it's attempts to explain how the events of the first film even happened are admirable, and shakes up the formula enough to ensure it doesn't get boring, even though it has familiar moments. Some of the twists are a little convoluted, and the comedy aspects go a tad overboard sometimes, but overall the dumb narrative works a treat.
Happy Death Day 2U is a great if flawed switch-off popcorn movie, that's frequently funny, and has just enough horror elements to belong in the genre. Worth checking out!
LeftSideCut (3776 KP) rated The Howling (1981) in Movies
Oct 30, 2020
A fair few werewolf horror movies came out during the 80s, but whilst American Werewolf in London is generally considered to be the best of the bunch, The Howling definitely deserves a look in for that honour.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
LeftSideCut (3776 KP) rated Black Box (2020) in Movies
Nov 23, 2020
I was pleasantly surprised by Black Box, even it does feel overly familiar.
The concept revolves around a man, Nolan, still suffering from amnesia, six months after he was in a car accident that killed his wife, and left him to raise their young daughter on his own. He eventually ends up taking part in an experimental procedure designed to help people like Nolan dive deep into their subconscious to directly confront their memories, and in turn, restore what they have lost.
It's a neat, if very Black Mirror-esque premise, with a hint of discount Get Out hypnosis for good measure.
There are plenty of plot turns scattered throughout, and when the inevitable big twist hits, it's lands an emotional punch. Some people I'm sure will argue that the twist is easy to see early on but it's elevated by some great performances, even if that is the case.
Lead actor Mamoudoe Athie is fantastic throughout, and is supported by decent turns from Phylicia Rashad, Tosin Morohunfola, and Charmaine Bingwa. Amanda Christine, who plays Nolan's daughter is great as well, and the chemistry between her and Athie really adds to the overall film.
Black Box won't set your world on fire, but it's a competent and tight thriller with a few creepy moments sprinkled here and there and It's comfortably the best of the recent Amazon Original-Blumhouse offerings, even if it does borrow liberally from other (and better) movies. It's not for everyone, but worth checking out.
The concept revolves around a man, Nolan, still suffering from amnesia, six months after he was in a car accident that killed his wife, and left him to raise their young daughter on his own. He eventually ends up taking part in an experimental procedure designed to help people like Nolan dive deep into their subconscious to directly confront their memories, and in turn, restore what they have lost.
It's a neat, if very Black Mirror-esque premise, with a hint of discount Get Out hypnosis for good measure.
There are plenty of plot turns scattered throughout, and when the inevitable big twist hits, it's lands an emotional punch. Some people I'm sure will argue that the twist is easy to see early on but it's elevated by some great performances, even if that is the case.
Lead actor Mamoudoe Athie is fantastic throughout, and is supported by decent turns from Phylicia Rashad, Tosin Morohunfola, and Charmaine Bingwa. Amanda Christine, who plays Nolan's daughter is great as well, and the chemistry between her and Athie really adds to the overall film.
Black Box won't set your world on fire, but it's a competent and tight thriller with a few creepy moments sprinkled here and there and It's comfortably the best of the recent Amazon Original-Blumhouse offerings, even if it does borrow liberally from other (and better) movies. It's not for everyone, but worth checking out.
ClareR (5885 KP) rated Mirrorland in Books
Apr 3, 2021
Mirrorland by Carole Johnstone is a fantastic psychological thriller that will have you wondering who is telling the truth, what exactly that truth IS and what on earth could possibly happen next! I loved it.
The narrator is completely unreliable, mainly because she appears to have blocked out a huge part of her life.
Cat returns, reluctantly, to Edinburgh from California, because her sister has gone missing on her sailing boat. Cat seems unsurprised that her sister should have a boat - she and her sister spent hours as children playing in Mirrorland, pretending to be pirates, sailing the Seven Seas. But her disappearance is unexpected.
Has El been murdered? If so, by whom? Who is sending Cat on a treasure hunt and leaving written messages for her? Who is sending emails? Is El’s husband, Ross, implicated in her disappearance? And what DID happen to Cat and El when they were children?
This is such a delicious, rub-your-hands-together-with-evil-glee kind of book.
There are some pretty shocking subjects covered in this novel, so if you don’t like reading about abuse of any kind, this may not be for you. However, I was glued to it. I’m trying to think of some synonyms of ‘loved’ (I realise that i completely overuse this word when I talk about books), so: adored, enjoyed greatly, was besotted with, couldn’t get enough of. Well. You get the gist. It’s just well worth the read!
Many thanks to The Pigeonhole and to Carole Johnstone for joining in with the chat in the margins!
The narrator is completely unreliable, mainly because she appears to have blocked out a huge part of her life.
Cat returns, reluctantly, to Edinburgh from California, because her sister has gone missing on her sailing boat. Cat seems unsurprised that her sister should have a boat - she and her sister spent hours as children playing in Mirrorland, pretending to be pirates, sailing the Seven Seas. But her disappearance is unexpected.
Has El been murdered? If so, by whom? Who is sending Cat on a treasure hunt and leaving written messages for her? Who is sending emails? Is El’s husband, Ross, implicated in her disappearance? And what DID happen to Cat and El when they were children?
This is such a delicious, rub-your-hands-together-with-evil-glee kind of book.
There are some pretty shocking subjects covered in this novel, so if you don’t like reading about abuse of any kind, this may not be for you. However, I was glued to it. I’m trying to think of some synonyms of ‘loved’ (I realise that i completely overuse this word when I talk about books), so: adored, enjoyed greatly, was besotted with, couldn’t get enough of. Well. You get the gist. It’s just well worth the read!
Many thanks to The Pigeonhole and to Carole Johnstone for joining in with the chat in the margins!
ClareR (5885 KP) rated Sistersong in Books
Aug 9, 2021
Sistersong is a stunning story, steeped in the mythology of Ancient Britain. It’s set in Dumnonia (a real place - I googled it. It was in SW England where Cornwall, Devon and some of West Somerset are now), at a time of great change and fear. Christianity is making itself known, and the Saxons are a very real threat. King Cador has lost his magical connection to his Land, due to the threats and sermons of a priest called Gildas. With this loss comes the danger of the Dumnonians being unable to protect themselves effectively, and the land not providing food for them.
Cadors three daughters do still have that magical connection. The story is told from their perspective. The eldest, Riva, has been badly burnt in the past, and whilst she can heal others, she can’t heal herself.
Keyne, although born female, has never felt female and longs to be recognised as a man.
Sinne, the youngest, lives for love and flirtation.
When an emissary from another kingdom arrives, he drives a wedge between Riva and Sinne. They see their chance at escape from the Hold. Whilst this is happening, Keyne trains with Myrdin, in the hope that he’ll be recognised as next in line to the throne.
I loved this book - it has all of my favourite elements in a story: mythology, history, magic, lies, deceit, the love of family and siblings, along with the themes of duty and identity. It really packs a punch. The world building is fantastic, and thoroughly immersive. Highly recommended!
Cadors three daughters do still have that magical connection. The story is told from their perspective. The eldest, Riva, has been badly burnt in the past, and whilst she can heal others, she can’t heal herself.
Keyne, although born female, has never felt female and longs to be recognised as a man.
Sinne, the youngest, lives for love and flirtation.
When an emissary from another kingdom arrives, he drives a wedge between Riva and Sinne. They see their chance at escape from the Hold. Whilst this is happening, Keyne trains with Myrdin, in the hope that he’ll be recognised as next in line to the throne.
I loved this book - it has all of my favourite elements in a story: mythology, history, magic, lies, deceit, the love of family and siblings, along with the themes of duty and identity. It really packs a punch. The world building is fantastic, and thoroughly immersive. Highly recommended!
Fantastic, twisty thriller with a heart
Felix Pink enters a home with one goal: to kindly keep a dying man company. But when he flees fifteen minutes later--more quickly than his seventy-five years usually allow--he's on the run from the police. Because Felix has made a mistake, and now his quiet life will never be the same.
"The [words] he needed finally dropped slowly from his numb lips. 'We killed the wrong man.'"
Oh my gosh, this book was amazing. Absolutely excellent. It has a different premise, keeps you guessing, and the characters are beyond superb. Bauer utterly captures Felix, with whom I fell completely in love. Yes, seventy-five-year-old widowed Felix is my new literary love. She also does an excellent job with Calvin, the young policeman who must investigate Felix Pink. These two men--along with the supporting cast--jump off the pages of this thriller. I was completely enthralled.
Even better, somehow this tale is witty despite it revolving around death. Felix has a superb sense of humor and the entire book is just infused with wit and a feeling of tenderness. It's also incredibly shocking, with a couple of plot twists that made me gasp. It's twisty and a total page turner. Rare do you get a mystery that is sweet yet exciting. But EXIT is just that.
Overall, this book is a total winner. Funny and heartwarming coupled with an excellent, intricate mystery plot that keeps you surprised at each turn. Highly recommend this one! 4.5 stars.
"The [words] he needed finally dropped slowly from his numb lips. 'We killed the wrong man.'"
Oh my gosh, this book was amazing. Absolutely excellent. It has a different premise, keeps you guessing, and the characters are beyond superb. Bauer utterly captures Felix, with whom I fell completely in love. Yes, seventy-five-year-old widowed Felix is my new literary love. She also does an excellent job with Calvin, the young policeman who must investigate Felix Pink. These two men--along with the supporting cast--jump off the pages of this thriller. I was completely enthralled.
Even better, somehow this tale is witty despite it revolving around death. Felix has a superb sense of humor and the entire book is just infused with wit and a feeling of tenderness. It's also incredibly shocking, with a couple of plot twists that made me gasp. It's twisty and a total page turner. Rare do you get a mystery that is sweet yet exciting. But EXIT is just that.
Overall, this book is a total winner. Funny and heartwarming coupled with an excellent, intricate mystery plot that keeps you surprised at each turn. Highly recommend this one! 4.5 stars.
Erika (17789 KP) rated Trese in TV
Jun 22, 2021
Trese is the newest Netflix Original Anime, based upon a Filipino comic by the same name. The show follows Alexandra Trese, who is a paranormal detective, and assists the police with paranormal crimes. The series is set in Manila, and creatures from the lore of the Philippines co-exist alongside the humans. Trese is known as the ‘Lakan’, and her father facilitated an accords agreement with the different groups of creatures to keep the peace.
I haven’t read the source material, so I can’t say how close it was to the original work. I really liked Alexandra as a character, she was interesting, and strong. One of the coolest things, for me, was that she carried a Kris, which is a really cool looking knife. One of my favorite things, that made me laugh the first time, is that there is a Fire god that she calls by hitting a button on a Nokia phone. There were also the twins, or ‘kambal’, Crisipin and Basilio, who provided a little comic relief.
The series is a short watch, six episodes that are around 20 minutes each. Each episode was a self-contained, separate case, then dove into Trese’s background and family. It was definitely for a mature audience, it was bloody and gory, and the animation was fantastic. I completely loved this series, because of the cool blend of mythology with a detective show. I hope that Netflix opts to make a second season, because I want to know how the story continues.
I haven’t read the source material, so I can’t say how close it was to the original work. I really liked Alexandra as a character, she was interesting, and strong. One of the coolest things, for me, was that she carried a Kris, which is a really cool looking knife. One of my favorite things, that made me laugh the first time, is that there is a Fire god that she calls by hitting a button on a Nokia phone. There were also the twins, or ‘kambal’, Crisipin and Basilio, who provided a little comic relief.
The series is a short watch, six episodes that are around 20 minutes each. Each episode was a self-contained, separate case, then dove into Trese’s background and family. It was definitely for a mature audience, it was bloody and gory, and the animation was fantastic. I completely loved this series, because of the cool blend of mythology with a detective show. I hope that Netflix opts to make a second season, because I want to know how the story continues.
Joe Goodhart (27 KP) rated X-23 (2018-) #2 in Books
Nov 30, 2020
Gabby: "Why are you party pooper?"
Laura: "It's arguably in my DNA."
That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.
Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).
As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.
Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
Laura: "It's arguably in my DNA."
That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.
Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).
As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.
Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
LeftSideCut (3776 KP) rated The Mortuary Collection (2019) in Movies
Oct 16, 2020
The Mortuary Collection is the latest in a long line of Creepshow style horror anthology films, a particular sub genre that can be hard to pull off, but director Ryan Spindell rises to the challenge pretty damn well.
The short stories presented here escalate in tone and subject as the film progresses, starting off relatively fun, but getting increasingly darker and in depth. This is something that the characters comment on between the segments, showing a nice sense of self awareness, but not going over the top with it.
Some of the later stories are hard to watch at times, and are quite emotional in places, especially the one that features actress Sarah Hay as a woman in a vegetative state. It's a genuinely sad story, topped off with some fantastic creature design. An interesting mix to say the least.
The stories are all good in their own right, but are tied together with a clever twist and a satisfying conclusion.
The main character is Montgomery Dark played by a brilliant Clancy Brown. He has a proper Phantasm/Tall Man/Angus Scrimm vibe to him (definitely no accident) and is suitably creepy as this movie's story teller.
The film is pretty damn visceral, and employs both practical effects, and decent digital effects to achieve what it does. It's all looks disgustingly awesome. It also has a great music score by Mondo Boys to compliment all the creepiness.
I was pleasantly surprised by The Mortuary Collection. It's a good time, a competent anthology film, and well worth a watch for horror fans.
The short stories presented here escalate in tone and subject as the film progresses, starting off relatively fun, but getting increasingly darker and in depth. This is something that the characters comment on between the segments, showing a nice sense of self awareness, but not going over the top with it.
Some of the later stories are hard to watch at times, and are quite emotional in places, especially the one that features actress Sarah Hay as a woman in a vegetative state. It's a genuinely sad story, topped off with some fantastic creature design. An interesting mix to say the least.
The stories are all good in their own right, but are tied together with a clever twist and a satisfying conclusion.
The main character is Montgomery Dark played by a brilliant Clancy Brown. He has a proper Phantasm/Tall Man/Angus Scrimm vibe to him (definitely no accident) and is suitably creepy as this movie's story teller.
The film is pretty damn visceral, and employs both practical effects, and decent digital effects to achieve what it does. It's all looks disgustingly awesome. It also has a great music score by Mondo Boys to compliment all the creepiness.
I was pleasantly surprised by The Mortuary Collection. It's a good time, a competent anthology film, and well worth a watch for horror fans.