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Laura Doe (1350 KP) rated The Seven Sisters (The Seven Sisters, #1) in Books
Jul 1, 2021
The idea of the book is fantastic, six sisters named after a constellation all adopted. None of them know where they came from, and when their father dies he gives each of them a clue - the coordinates of somewhere from their past and a quote written in Greek that should mean something to each of them.
This book follows the eldest sister Maia and her journey to find out who she is and where she came from. Her journey takes her to Brazil where she finds out who her real family are. A lot of the book focuses on her maternal great grandmother, her marriage and Christ the Redeemer being constructed. I found it quite disappointing that most of the book seemed to focus on her story and not Maia’s story, and that the part about Maia’s birth mother was quite rushed. The story about her great grandmother, Izabela, was interesting but could have been condensed quite a lot and didn’t need to be as long as it was.
I also found the writing quite clunky and it didn’t flow correctly in some parts, a bit like it had been translated from a different language and incorrectly.
It was fascinating learning about the construction of Christ the Redeemer and about Rio as it has always been on my bucket list of places to travel, but I felt that the book didn’t need to be quite as long as it was.
I am torn about whether I want to read on the rest of the books in the series, as I want to know what happens to the sisters and there are still some unanswered questions, but I don’t know if I could continue if the writing style doesn’t flow correctly still.
This book follows the eldest sister Maia and her journey to find out who she is and where she came from. Her journey takes her to Brazil where she finds out who her real family are. A lot of the book focuses on her maternal great grandmother, her marriage and Christ the Redeemer being constructed. I found it quite disappointing that most of the book seemed to focus on her story and not Maia’s story, and that the part about Maia’s birth mother was quite rushed. The story about her great grandmother, Izabela, was interesting but could have been condensed quite a lot and didn’t need to be as long as it was.
I also found the writing quite clunky and it didn’t flow correctly in some parts, a bit like it had been translated from a different language and incorrectly.
It was fascinating learning about the construction of Christ the Redeemer and about Rio as it has always been on my bucket list of places to travel, but I felt that the book didn’t need to be quite as long as it was.
I am torn about whether I want to read on the rest of the books in the series, as I want to know what happens to the sisters and there are still some unanswered questions, but I don’t know if I could continue if the writing style doesn’t flow correctly still.
LeftSideCut (3776 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 4, 2021
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
Merissa (13782 KP) rated Val (The Hawks #2) in Books
Jul 9, 2021
VAL is the second book in The Hawks series, and to get the most out of this story, I would recommend you read Tristan first. We start where Tristan finished - Val has been rescued but Alanna is still in the castle.
Val is... I would say disheartened but it's so much more than that. He's broken. He believes his brothers left him when he needed them the most. It didn't help when they started to believe the hype and lies told about Alanna, when he alone knew the truth. Of course, he could have opened his mouth, but then he wouldn't be the tortured hero.
Alanna is stronger than she realises. When you find out her back story and just what she went through? Horrible! I was really rooting for Alanna and Val to get together, but Ballanor is on their tail all the way. Val and Lanni have a slow-burn romance, which drove me insane, as I really wanted them to do the do, but it was all for a very good reason which I only figured out at the same time as the other characters! Loved that.
There are new characters introduced in this book, and Ramiel and Haniel are my favourites (so far!) I can't wait to see them in future books.
The pacing is smooth and the story is well maintained, both with Val and Lanni's individual story plus the overall arc. Oh, and if you thought Ballanor was bad, brace yourself. There's someone far worse!
A fantastic addition to the series and highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Val is... I would say disheartened but it's so much more than that. He's broken. He believes his brothers left him when he needed them the most. It didn't help when they started to believe the hype and lies told about Alanna, when he alone knew the truth. Of course, he could have opened his mouth, but then he wouldn't be the tortured hero.
Alanna is stronger than she realises. When you find out her back story and just what she went through? Horrible! I was really rooting for Alanna and Val to get together, but Ballanor is on their tail all the way. Val and Lanni have a slow-burn romance, which drove me insane, as I really wanted them to do the do, but it was all for a very good reason which I only figured out at the same time as the other characters! Loved that.
There are new characters introduced in this book, and Ramiel and Haniel are my favourites (so far!) I can't wait to see them in future books.
The pacing is smooth and the story is well maintained, both with Val and Lanni's individual story plus the overall arc. Oh, and if you thought Ballanor was bad, brace yourself. There's someone far worse!
A fantastic addition to the series and highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ed O'Brien recommended Led Zeppelin IV by Led Zeppelin in Music (curated)
ClareR (6079 KP) rated False Witness in Books
Jul 27, 2021
False Witness is a standalone thriller by Karin Slaughter, and what a fantastic read it is!
It’s set during the Covid-19 pandemic, and we can see the drastic effect it’s had on people’s everyday lives, as well as the working life of a Leigh, a lawyer.
When Leigh walks in to a meeting with a new client - a man accused of violently raping a woman - she doesn’t expect to see someone from her past. It’s a past that she doesn’t talk about, and has told no-one about in its entirety. Even her husband.
Trevor Tennant is the boy that Leigh and her sister, Callie, used to babysit, and now it seems that he has picked up some of the bad habits that his father had: violence against women for one thing. Except Buddy Waleski, Trevors father, also liked very young girls.
Somehow, Trevor has found out what happened between his father and the sisters on the night Buddy disappeared, and blackmails Leigh in order to get him off all charges. He sees the acts of his paedophile father as acceptable, that Callie enjoyed the abuse - in fact he doesn’t believe it was abuse at all. The entitlement is strong in this story - as well as a twisted view of life in general!
Callie is such a vulnerable character. As strong as her sister is, Callie hides behind heroin. It’s a life of existing and getting to the next fix. She’s a really caring person though: she loves animals and she repeatedly puts others before herself.
This is a really dark, high paced, intelligent novel, and it kept me riveted to the screen as I read it in instalments on The Pigeonhole. It was torture waiting for the next instalment, and I’d definitely recommend it!
It’s set during the Covid-19 pandemic, and we can see the drastic effect it’s had on people’s everyday lives, as well as the working life of a Leigh, a lawyer.
When Leigh walks in to a meeting with a new client - a man accused of violently raping a woman - she doesn’t expect to see someone from her past. It’s a past that she doesn’t talk about, and has told no-one about in its entirety. Even her husband.
Trevor Tennant is the boy that Leigh and her sister, Callie, used to babysit, and now it seems that he has picked up some of the bad habits that his father had: violence against women for one thing. Except Buddy Waleski, Trevors father, also liked very young girls.
Somehow, Trevor has found out what happened between his father and the sisters on the night Buddy disappeared, and blackmails Leigh in order to get him off all charges. He sees the acts of his paedophile father as acceptable, that Callie enjoyed the abuse - in fact he doesn’t believe it was abuse at all. The entitlement is strong in this story - as well as a twisted view of life in general!
Callie is such a vulnerable character. As strong as her sister is, Callie hides behind heroin. It’s a life of existing and getting to the next fix. She’s a really caring person though: she loves animals and she repeatedly puts others before herself.
This is a really dark, high paced, intelligent novel, and it kept me riveted to the screen as I read it in instalments on The Pigeonhole. It was torture waiting for the next instalment, and I’d definitely recommend it!
LeftSideCut (3776 KP) rated Underwater (2020) in Movies
Sep 11, 2020
Fair play, Underwater doesn't fuck around - 2 minutes in and all hell starts breaking loose and shit hits the fan pretty relentlessly until the credits roll. It's clear that director William Eubank wants your attention from the beginning - unfortunately it doesn't quite stay like this throughout...
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
LeftSideCut (3776 KP) rated The Avengers (2012) in Movies
Sep 17, 2020
The first Avengers movie is a real treat - it was at the time of the release and it is now. In 2012, the culmination of the first handful of MCU movies was just glorious, seeing all these heroes together for the first time. Now in 2020, we've become accustomed to that, spoilt by the more recent Infinity War and Endgame, it's easy to forget just how special Avengers is in it's comparative humbleness, especially for people who grew up reading these stories in comic books.
The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.
The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.
I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.
The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.
I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
LeftSideCut (3776 KP) rated The Mist (2007) in Movies
Nov 30, 2020
"It appears we may have a problem of some magnitude."
The Mist is flat out fantastic for a handful of reasons.
Firstly, it has a ridiculously good cast - Thomas Jane, Marcia Gay Harden, Andre Braugher, Tony Jones, Laurie Holden, Jeffrey DeMunn, William Sadler, Alexa Davalos, Sam Witwer...there isn't a weak link at all, and it's a damn good job - The Mist isn't a straight forward creature feature. Although it's does have it's fair share of monster moments, it's main focus is on the dangers of fanatacism, and the delusions of human beings, as a lot of regular Joes who are just scared of the events unfolding, start to blindly follow the words of Mrs. Carmody, someone who is truly unhinged, and truly believes what she preaches - it's a concept all too familiar in today's real world, and Marcia Gay Harden puts in a show stopping performance, and is one the easiest-to-hate horror antagonists ever put to screen.
The titular Mist is realised superbly, and also does a good job at hiding the CGI monsters effectively. What we do get shown is just enough for a decent payoff, and there are some breathtaking shots during the films climax. For the most part though, it's a masterclass in stimulating the audiences imagination, and is scary in what you don't actually see.
And the of course there is THAT ending. If you somehow haven't seen The Mist yet, then go in with as little knowledge as possible, and let that ending just destroy your very soul. Its propels what is a good horror, into an all timer, even if it is a straight up depression simulator.
Really worth a look for any fans of horror, sci-fi, monsters, or Stephen King, and seek out the black and white version for extra satisfaction!
The Mist is flat out fantastic for a handful of reasons.
Firstly, it has a ridiculously good cast - Thomas Jane, Marcia Gay Harden, Andre Braugher, Tony Jones, Laurie Holden, Jeffrey DeMunn, William Sadler, Alexa Davalos, Sam Witwer...there isn't a weak link at all, and it's a damn good job - The Mist isn't a straight forward creature feature. Although it's does have it's fair share of monster moments, it's main focus is on the dangers of fanatacism, and the delusions of human beings, as a lot of regular Joes who are just scared of the events unfolding, start to blindly follow the words of Mrs. Carmody, someone who is truly unhinged, and truly believes what she preaches - it's a concept all too familiar in today's real world, and Marcia Gay Harden puts in a show stopping performance, and is one the easiest-to-hate horror antagonists ever put to screen.
The titular Mist is realised superbly, and also does a good job at hiding the CGI monsters effectively. What we do get shown is just enough for a decent payoff, and there are some breathtaking shots during the films climax. For the most part though, it's a masterclass in stimulating the audiences imagination, and is scary in what you don't actually see.
And the of course there is THAT ending. If you somehow haven't seen The Mist yet, then go in with as little knowledge as possible, and let that ending just destroy your very soul. Its propels what is a good horror, into an all timer, even if it is a straight up depression simulator.
Really worth a look for any fans of horror, sci-fi, monsters, or Stephen King, and seek out the black and white version for extra satisfaction!
LeftSideCut (3776 KP) rated Bride of Re-Animator (1990) in Movies
Oct 3, 2020
The first Re-Animator definitely ranks in my personal top horrors of all time, and it's sequel isn't that far behind in quality.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
LeftSideCut (3776 KP) rated Lifeforce (1985) in Movies
Oct 22, 2020
Fun fact - this is the second film I've seen where a female character uses Patrick Stewart's body to communicate with someone. Maybe this is some kind of niche sub-genre I'm just discovering...
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.