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LeftSideCut (3776 KP) rated Cloverfield (2008) in Movies
Aug 13, 2019 (Updated Aug 19, 2019)
Cloverfield is a rare beast - it's a genuinely quality movie experience, but another aspect that truly sets it apart is it's infamous marketing, which I'll talk about first.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
Goddess in the Stacks (553 KP) rated Superman: Dawnbreaker (DC Icons #4) in Books
Jul 23, 2019
This is the fourth in the DC Icons series, all of which I have now reviewed. It started with Wonder Woman, then moved through Batman and Catwoman before culminating in Superman. All four books have been written by popular young adult authors, from Leigh Bardugo to Marie Lu to Sarah J. Maas. Superman went to Matt De La Peña, who I had not actually heard of before. He apparently wrote a book called Ball Don't Lie that was made into a movie in 2011, and another book titled Mexican Whiteboy. What I'm trying to say is that De La Peña's Hispanic background makes him a perfect choice for this book. Because whatever else can be said about Superman, his is the ultimate immigrant story.
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Get Him to the Greek (2010) in Movies
Aug 8, 2019
Russell Brand created one of the more memorable characters of 2008 in Forgetting Sarah Marshall with his role as Aldous Snow. Get Him to the Greek is by and large an extension of his role in that movie, but ramped up in the “crazy rock star” department. Jonah Hill, playing the ambitious record company intern Aaron Green tries to bring Aldous Snow from London to Los Angeles to play a show at the Greek Theater. The problem with this simplistic plot is that it doesn’t lead to any character development, and only leads to more jokes. While surprisingly funny in some parts, the characters don’t really make a splash unless they’re doing something ridiculous, which happens quite often.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
Gareth von Kallenbach (980 KP) rated Valentine's Day (2010) in Movies
Aug 8, 2019
Ashton Kutcher has put down his pranks and camera to return to the big screen leading in this star packed Los Angeles romantic comedy. This feature ties together stories of love, truth, and romance, all taking place within the span of a single Valentine’s Day. The film considers relationships from multiple angles and does a fantastic job intertwining individual stories into a single plotline. Yet before preparing for another “Love Actually” let it be know that the tone of “Valentine’s Day” is entirely its own.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
Ross (3284 KP) rated Awaken Online: Precipice in Books
Jan 14, 2019
Fantastic follow-up LitRPG
Jason continues his playing of Awaken Online, the massive multiplayer online RPG. Now the ruler of a city of zombies, he has more concerns than simply levelling up his skills and getting new loot.
I was worried this change in fortunes might lead to a more boring, admin-focused book (much like what happened with Phil Tucker's Euphoria Online). Thankfully this is not the case, as Jason hits on a way to keep his undead population count up, but also have some fun, by venturing into some unexplored dungeons.
He does this with his real-world friends Frank and Riley, which adds a different element to the action, as he can use and rely on other people and their skills added into the mix make for a much more interesting sequence of conflicts.
We are treated to a number of large-scale battles on the way to the dungeon, and within it. The way Jason's strategy is worked out and implemented make it a truly immersive, thrilling read.
As with the first book, the start of each chapter contains an excerpt of someone else's view, either the game developers, or other players. This adds context to Jason's story and allows you to see consequences and foresee some issues.
As well as this, we see Jason in the real world, though less than in the first book. There are moments where decisions made in-game have real world consequences, either impacting friendships or leading to nastiness and bullying.
The fact that Jason decides to become "the villain" is a little hard to take, as apart from the very early stages, all of his decisions have been made out of him trying to do the right thing for himself/others and this is even more the case in this book.
Aside from a few grammer crimes, continuity errors and head-scratching game mechanics, this was a very enjoyable exciting read.
I was worried this change in fortunes might lead to a more boring, admin-focused book (much like what happened with Phil Tucker's Euphoria Online). Thankfully this is not the case, as Jason hits on a way to keep his undead population count up, but also have some fun, by venturing into some unexplored dungeons.
He does this with his real-world friends Frank and Riley, which adds a different element to the action, as he can use and rely on other people and their skills added into the mix make for a much more interesting sequence of conflicts.
We are treated to a number of large-scale battles on the way to the dungeon, and within it. The way Jason's strategy is worked out and implemented make it a truly immersive, thrilling read.
As with the first book, the start of each chapter contains an excerpt of someone else's view, either the game developers, or other players. This adds context to Jason's story and allows you to see consequences and foresee some issues.
As well as this, we see Jason in the real world, though less than in the first book. There are moments where decisions made in-game have real world consequences, either impacting friendships or leading to nastiness and bullying.
The fact that Jason decides to become "the villain" is a little hard to take, as apart from the very early stages, all of his decisions have been made out of him trying to do the right thing for himself/others and this is even more the case in this book.
Aside from a few grammer crimes, continuity errors and head-scratching game mechanics, this was a very enjoyable exciting read.
Nicely written (2 more)
Adorable lead character
Lots of wit and humour
A Delight To Read!
Wow, what a fantastic beginning to a new series! I thoroughly enjoyed reading this book from the very first page.
Shattered is the first novel of the "Drew Patrick Private Investigator" series, with PI Drew Patrick as the lead character.
Shattered begins with Cynthia and Jeffrey Holland, who are concerned for their daughter, Ashley, who is missing. Ashley, although prone to jetting off for long weekends and extended shopping trips, is very much a free spirit and has never been incommunicado for more than four days. When Ashley and another young woman, Hannah Parks, are found murdered, Drew realises he is facing two murder investigations. He is now on the trail of a contract killer and looking for the person who hired the assassin to carry out the murders.
When a third woman, Victoria Clark, vanishes from a luxury yacht and her body is washed up on shore, Drew needs to look deeper into the links between the victims. However, he finds himself in deep water with a renowned Boston crime boss.
I loved the portrayal of the relationship between Drew and his significant other, girlfriend Jessica Casey. They are "romantically involved" and have a relaxed, easy-going attitude towards one another. Drew is very thoughtful and caring of all of the important things and people in his life. He also has a good rapport with his working acquaintances. Jessica has beauty and brains, works for a Detective Agency and is very helpful to Drew as a PI.
Drew has some hilarious moments that make him adorable. I thought Shattered, though short, was very nicely written and I found it a delight to read. Though the ending was not a surprise, I loved the way the book was concluded.
Reading Shattered has inspired me to read other books by Jason Richards and I can't wait for the next one in this series!
Thank you to LibraryThing and the author for an ARC of this book.
Shattered is the first novel of the "Drew Patrick Private Investigator" series, with PI Drew Patrick as the lead character.
Shattered begins with Cynthia and Jeffrey Holland, who are concerned for their daughter, Ashley, who is missing. Ashley, although prone to jetting off for long weekends and extended shopping trips, is very much a free spirit and has never been incommunicado for more than four days. When Ashley and another young woman, Hannah Parks, are found murdered, Drew realises he is facing two murder investigations. He is now on the trail of a contract killer and looking for the person who hired the assassin to carry out the murders.
When a third woman, Victoria Clark, vanishes from a luxury yacht and her body is washed up on shore, Drew needs to look deeper into the links between the victims. However, he finds himself in deep water with a renowned Boston crime boss.
I loved the portrayal of the relationship between Drew and his significant other, girlfriend Jessica Casey. They are "romantically involved" and have a relaxed, easy-going attitude towards one another. Drew is very thoughtful and caring of all of the important things and people in his life. He also has a good rapport with his working acquaintances. Jessica has beauty and brains, works for a Detective Agency and is very helpful to Drew as a PI.
Drew has some hilarious moments that make him adorable. I thought Shattered, though short, was very nicely written and I found it a delight to read. Though the ending was not a surprise, I loved the way the book was concluded.
Reading Shattered has inspired me to read other books by Jason Richards and I can't wait for the next one in this series!
Thank you to LibraryThing and the author for an ARC of this book.
Micky Barnard (542 KP) rated The Giver of Stars in Books
Nov 3, 2019
A quietly emotional story
I should know…know that when I read a Jojo Moyes book that it’s going to pack an emotional punch but with this blurb, I just didn’t see it coming. THE GIVER OF STARS had me invested quickly and feeling like a family member to the librarian sisterhood, so that when things happened, I felt devastated and scared to read on. The themes of misogyny, racism and feminism made this both emotional and empowering.
The context of reading, teaching poor and downtrodden women, children and men to read through the distrubution of books was in the background but it also powerful to observe. These women on their riding rounds also comforted the sick, grieving and took on the role of friends, confidantes and substitute mother figures.
I didn’t expect this book to be unputdownable, but it was as Moyes made the mundane work of Alice, Margery, Izzy and Beth’s lives totally readable and absorbing. Alice was the main protagonist, an English newly-wed, a little prissy but a genuinely sweet woman. The life she found in Kentucky was not at all what she expected and I tore my hair out over her and Bennett’s relationship. There were some revolting men in this book but then there were also some fantastic characters in Fred and Sven, they were the light in my reading and this book.
There was a second supporting protagonist in Margery and she really captured my heart. I loved her rebelliousness, her unconventional ways and willingness to be different. Her later storyline had me distraught, sad and prone to weeping. I just did not know where this book was going to end, there were so many possibilities.
I have come away from this read inspired. Jojo Moyes took me on a journey with this story and I am all the richer for it. This is historical women’s fiction at it’s best and I will remember this book for years, I am sure.
The context of reading, teaching poor and downtrodden women, children and men to read through the distrubution of books was in the background but it also powerful to observe. These women on their riding rounds also comforted the sick, grieving and took on the role of friends, confidantes and substitute mother figures.
I didn’t expect this book to be unputdownable, but it was as Moyes made the mundane work of Alice, Margery, Izzy and Beth’s lives totally readable and absorbing. Alice was the main protagonist, an English newly-wed, a little prissy but a genuinely sweet woman. The life she found in Kentucky was not at all what she expected and I tore my hair out over her and Bennett’s relationship. There were some revolting men in this book but then there were also some fantastic characters in Fred and Sven, they were the light in my reading and this book.
There was a second supporting protagonist in Margery and she really captured my heart. I loved her rebelliousness, her unconventional ways and willingness to be different. Her later storyline had me distraught, sad and prone to weeping. I just did not know where this book was going to end, there were so many possibilities.
I have come away from this read inspired. Jojo Moyes took me on a journey with this story and I am all the richer for it. This is historical women’s fiction at it’s best and I will remember this book for years, I am sure.
Elli H Burton (1288 KP) rated Trading Places (1983) in Movies
Nov 4, 2019
The casting was done perfectly. (2 more)
The story follows the struggles that were present in the 1980s.
It's so funny, got a bit of classic humour and dark humour that fit in nicely.
Absolute classic
This definitely shows the classic struggle of different races and classes in america in the 1980s. It shows it in such a way that it's almost humourous that it was ACTUALLY like that back then. Eddy Murphy plays Valentine excellently, you really see the deep upset of the racist and prejudices he has always suffered but yet on the outside Valentine takes it in his stride. Winthorpe played by the legendary Dan Aykroyd has the same depths. Deep down you can see he is so intelligent and hard working but on the outside he's so spoilt and feels so entitled. Jamie Lee Curtis another fantastic actress plays Ophelia in such layers, a more complex clever fierce but vulnerable woman inside that you see glimpses of but outside she is rock hard and nothing touches her.
The writing is so well done it flows naturally, it doesn't feel forced at any point. The onscreen chemistry is on point, I feel the relationships between the cast mirrored the characters relationships. Apparently the cast weren't familiar with each others work so the relationships are built both on and off screen successfully.
The shots of the cities they are in were a wonderful way to transition from scene to scene giving the audience glimpses into the world they are about to dive into.
The story stands out to me, theres no way I could confuse this movie with anything else which is what I like to see in every movie I see.
Thoroughly recommend everyone have a watch of this, Eddy Murphy, Dan Aykroyd and Jamie Lee Curtis were completely unknown to me when I first saw it and I have grown to love pretty much everything they are in.
The writing is so well done it flows naturally, it doesn't feel forced at any point. The onscreen chemistry is on point, I feel the relationships between the cast mirrored the characters relationships. Apparently the cast weren't familiar with each others work so the relationships are built both on and off screen successfully.
The shots of the cities they are in were a wonderful way to transition from scene to scene giving the audience glimpses into the world they are about to dive into.
The story stands out to me, theres no way I could confuse this movie with anything else which is what I like to see in every movie I see.
Thoroughly recommend everyone have a watch of this, Eddy Murphy, Dan Aykroyd and Jamie Lee Curtis were completely unknown to me when I first saw it and I have grown to love pretty much everything they are in.
Phil Leader (619 KP) rated Adrianna's Surge in Books
Nov 8, 2019
Starting out as the story of Jayden, rescued from a life on the streets by a mysterious benefactor and enrolled into an advanced (and secretive) school, the Sanctum series has gone from strength to strength, and the fifth installment is no exception.
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
Leigh J (71 KP) rated Salò, or the 120 Days of Sodom (1975) in Movies
Nov 10, 2019 (Updated Nov 10, 2019)
Does Salo stand for Boring?!
Contains spoilers, click to show
Salo, based on the book called "100 Days of Sodom" by Marquis de Sade, is about 4 men in positions of power (The Duke, The Bishop, The Masgistrate and The President) who kidnap a large group of girls and boys and subject them to severe abuse, torture and even murder; just to, well, get their deviant rocks off basically. The cruel and sadistic abuse soon builds to a cresendo of sickening torture and murder.
I went into Salo VERY nervous; I'd read the Book so had a good idea of what was coming, and especially so as this Movie is always on those "sickest Movies ever" lists, and is almost always very near the #1 spot. Rarely does it ever take the crown though, and after seeing Salo, I understand why. It's so boring!! It's very diagloue heavy, which if done right makes a Movie engaging and compelling. If done wrong, as is the case with Salo, it becomes a tedious chore. Unfortunately for Salo, I was so bored with the pointless drivel that when it eventually did get to the shocking parts, I was over it and not as shocked as I really should have been. I mean, it was bad (two words: poop banquet) but I was left thinking "all that hype and waffle... for this?!" Definitely overrated. The small saving grace of this Movie was a bunch of Prostitutes, ironically. They were telling stories of their own deviancies; I found their stories shocking and they made me sit up and pay attention, some stories being more shocking than what we were seeing. I found those Women disgustingly wonderful and able to actually make something out of the literal crap-show that was Salo. I would only recommend Salo to the die hard "Sick Movie" fans (and that's for the sole purpose of ticking it off your list) and Cinema buffs because the Cinematography is quite nice. Other than that, it would make a fantastic sleep aid!
I went into Salo VERY nervous; I'd read the Book so had a good idea of what was coming, and especially so as this Movie is always on those "sickest Movies ever" lists, and is almost always very near the #1 spot. Rarely does it ever take the crown though, and after seeing Salo, I understand why. It's so boring!! It's very diagloue heavy, which if done right makes a Movie engaging and compelling. If done wrong, as is the case with Salo, it becomes a tedious chore. Unfortunately for Salo, I was so bored with the pointless drivel that when it eventually did get to the shocking parts, I was over it and not as shocked as I really should have been. I mean, it was bad (two words: poop banquet) but I was left thinking "all that hype and waffle... for this?!" Definitely overrated. The small saving grace of this Movie was a bunch of Prostitutes, ironically. They were telling stories of their own deviancies; I found their stories shocking and they made me sit up and pay attention, some stories being more shocking than what we were seeing. I found those Women disgustingly wonderful and able to actually make something out of the literal crap-show that was Salo. I would only recommend Salo to the die hard "Sick Movie" fans (and that's for the sole purpose of ticking it off your list) and Cinema buffs because the Cinematography is quite nice. Other than that, it would make a fantastic sleep aid!