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BookwormMama14 (18 KP) rated London Tides (MacDonald Family Trilogy, #2) in Books
Jan 2, 2019
London Tides by Carla Laureano
Reviewed by Rachel Dixon
Radiant Lit Blog Tours
Genre: Romance
Publisher: David C. Cook
Date Published: June 1, 2015
Grace Brennan has seen the brutality of war first hand. Will she give up her identity in her career to build a new life with the man she loves?
Ian MacDonald has not seen Grace since she left him ten years ago. Grace has suffered very severe trauma with her job as a conflict photojournalist. As she searches for a place to call home, can she lay to rest the ghosts of her past? When their lives are thrown together again, they are different people than they were ten years ago. Will they be able to forge a new life together? Or will the past push them further apart then ever before?
London Tides had me biting my nails till the last page. There are a lot of ups and downs and I had no idea which direction Carla Laureano would take me next. The romance was a little more heated than in the first book, but it was still clean. Although I have never experienced PTSD, there was a side of Grace that I could completely relate to. That is the desire to know that our lives meant something. I think there is a piece inside all of us that wants to know that our lives made a difference in the world. We may not all be able to find a magic cure for a disease or personally finance an endeavor to put shoes on the feet of an entire village. But every life matters and every life makes a difference in the sphere we are placed in. Our friends, our co-workers, our children and our family. I have to believe that I have been called to where I am for a reason. I may never see the results of the impact my life has been, but God sees it. And He knows and cares about whatever challenges we are facing and if we let Him, He will guide and support us through it all. I have been swept away by the MacDonald family and can not wait for the finale Under Scottish Stars releasing Summer 2016.
Carla Laureano is the author of the RITA® award-winning romance Five Days in Skye as well as London Tides and the Celtic fantasy series The Song of Seare (as C. E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.
I received a free copy of London Tides as part of a blog tour with Radiant Lit in exchange for my honest review. Review copy provided by David C Cook.
Reviewed by Rachel Dixon
Radiant Lit Blog Tours
Genre: Romance
Publisher: David C. Cook
Date Published: June 1, 2015
Grace Brennan has seen the brutality of war first hand. Will she give up her identity in her career to build a new life with the man she loves?
Ian MacDonald has not seen Grace since she left him ten years ago. Grace has suffered very severe trauma with her job as a conflict photojournalist. As she searches for a place to call home, can she lay to rest the ghosts of her past? When their lives are thrown together again, they are different people than they were ten years ago. Will they be able to forge a new life together? Or will the past push them further apart then ever before?
London Tides had me biting my nails till the last page. There are a lot of ups and downs and I had no idea which direction Carla Laureano would take me next. The romance was a little more heated than in the first book, but it was still clean. Although I have never experienced PTSD, there was a side of Grace that I could completely relate to. That is the desire to know that our lives meant something. I think there is a piece inside all of us that wants to know that our lives made a difference in the world. We may not all be able to find a magic cure for a disease or personally finance an endeavor to put shoes on the feet of an entire village. But every life matters and every life makes a difference in the sphere we are placed in. Our friends, our co-workers, our children and our family. I have to believe that I have been called to where I am for a reason. I may never see the results of the impact my life has been, but God sees it. And He knows and cares about whatever challenges we are facing and if we let Him, He will guide and support us through it all. I have been swept away by the MacDonald family and can not wait for the finale Under Scottish Stars releasing Summer 2016.
Carla Laureano is the author of the RITA® award-winning romance Five Days in Skye as well as London Tides and the Celtic fantasy series The Song of Seare (as C. E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.
I received a free copy of London Tides as part of a blog tour with Radiant Lit in exchange for my honest review. Review copy provided by David C Cook.
Neon's Nerd Nexus (360 KP) rated Weathering with You (2019) in Movies
Feb 1, 2020 (Updated Feb 1, 2020)
Change The World
Weathering With You is such an original and blissfully delightful tale that it successfully draws you in and immerses you into its breathtakingly realistic world the moment you enter it. I think we can all safely say that when Makoto Shinkai makes a movie he turns heads because he's without a doubt up there with Studio Ghibli in regards to quality, imagination, beauty and magic. Whats great about Weathering with you is just how grounded in reality it is and as we meet our lead character we get to see/feel just how tuff life can be for a young adult trying to live/survive in the world especially with no help, guidence or someone to look up to. This really helps form an instant connection to him as a character and while some of his actions maybe considered bad you sympathies and relate to him on a personal level just the same. As the film plays out a more spiritual/fantasy like plot starts to unfold and at first I did struggle to grasp what the film was actually trying to say over all but this does become clear the further in you get. To me its a story about pressure/burdens we ourselves and the world put on our heads which eventually/inevitably will lead to anxiety, emotions running wild, stress, depression and in some cases giving a person such a warped negative outlook on life that they may be lead to believe that their existence is what is causing the pain and misery of everyone else. Surprisingly climate change is a big theme here too and this has become a huge stress in its self weighing down on not only us but on our characters heads equally. However the film does have a lovely way of looking at this issue towards the end which helps manifest a more positive way of dealing with/coming to terms with this huge problem helping to take some of that pressure off us and giving us peace of mind. As you can imagine all this does get extremely heavy at times but it gives what moments of happiness we get such power and weight that by the time they appear I guarantee you will be struggling to contain your emotions as they try to escape from you. With clear influences from the likes of Spirited Away Weathering with you is animated flawlessly and is so beautiful to watch that it even makes simple actions such as preparing food absolutely captivating. Huge cassical scores gracefully a company the striking visualls too but every so often these pices distort, fracture and skip giving them a more modern/slightly futuristic feel to them which i was really impressed by. Makoto Shinkai has done it again and its nice to see his films are getting the attention they deserve with every seat filled in our showing. Honestly go see this film it really is a perfect example of animation at its absolute finest.
Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies
Feb 22, 2020 (Updated Feb 23, 2020)
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
Natacha (374 KP) rated The Last Smile in Sunder City -(The Fetch Phillips Archives #1) in Books
Feb 18, 2020 (Updated Feb 19, 2020)
More Review Here: https://natachainreviewland.wordpress...
I really, really had a blast reading this story and I flew through it!
Think I liked:
-The Last Smile in Sunder is an urban fantasy with a very noir atmosphere. Luke Arnold writing really immerses you into this world and makes it come to life. As a rule, I don't like lengthy descriptions in my stories, but all descriptions in this book were exactly the right amount and the way they were written grab my interest and didn't let it go.
-I liked the concept of a world where magic disappeared and seeing how that affected all magical beings was something I haven't seen before.
-Fecht personally had some issues but his back story was so interesting. As a was reading about Fetch past I kept thinking that his back story deserved a book on its own. But on the other hand, it was so nicely tied into the main story that by the end I was sold on all those lengthy flashbacks on his past.
-They are so many magical beings, all living in the same world and it was very interesting seeing Arnold's take on them and what back story it gave them.
-Everyone in this story is a grey character. There are not good or bad people/magical beings, it all depends on which version of the story you are listening and we unusually get both sides and I really like that.
-(view spoiler)
Things I didn't like:
-So this one is not something that I didn't like but more like something that some readers might not like. It has some tropes that we've seen a lot. Fecht is your very classic alcoholic and pain killer addict detective that doesn't care about anything and spends his time self pitting because of all the crap he's done in the past and also the love of his life is dead because of him. We've seen that a lot and I can see how other readers might be tired of that trope. Personally, I didn't mind.
-It took me more than 60% to make peace with the fact that the main plot is more like a device for us to get to know the world and Fetch. Yes, everything does come together at the end in a really nice way but at around d 50% of the book I knew almost everything about the world and Fetch's back story but nothing had really happened regarding the investigation. Once I made peace with that fact the slow-moving main stopped bothering me.
-I got an advance copy some maybe it won't be the case with the final version but I wish there was a map to better understand what is going where.
In conclusion, I personally had a really good time reading this story. I will definitely keep an eye on the rest of the series and I've already ordered my physical copy because I need it on my shelf!
I really, really had a blast reading this story and I flew through it!
Think I liked:
-The Last Smile in Sunder is an urban fantasy with a very noir atmosphere. Luke Arnold writing really immerses you into this world and makes it come to life. As a rule, I don't like lengthy descriptions in my stories, but all descriptions in this book were exactly the right amount and the way they were written grab my interest and didn't let it go.
-I liked the concept of a world where magic disappeared and seeing how that affected all magical beings was something I haven't seen before.
-Fecht personally had some issues but his back story was so interesting. As a was reading about Fetch past I kept thinking that his back story deserved a book on its own. But on the other hand, it was so nicely tied into the main story that by the end I was sold on all those lengthy flashbacks on his past.
-They are so many magical beings, all living in the same world and it was very interesting seeing Arnold's take on them and what back story it gave them.
-Everyone in this story is a grey character. There are not good or bad people/magical beings, it all depends on which version of the story you are listening and we unusually get both sides and I really like that.
-(view spoiler)
Things I didn't like:
-So this one is not something that I didn't like but more like something that some readers might not like. It has some tropes that we've seen a lot. Fecht is your very classic alcoholic and pain killer addict detective that doesn't care about anything and spends his time self pitting because of all the crap he's done in the past and also the love of his life is dead because of him. We've seen that a lot and I can see how other readers might be tired of that trope. Personally, I didn't mind.
-It took me more than 60% to make peace with the fact that the main plot is more like a device for us to get to know the world and Fetch. Yes, everything does come together at the end in a really nice way but at around d 50% of the book I knew almost everything about the world and Fetch's back story but nothing had really happened regarding the investigation. Once I made peace with that fact the slow-moving main stopped bothering me.
-I got an advance copy some maybe it won't be the case with the final version but I wish there was a map to better understand what is going where.
In conclusion, I personally had a really good time reading this story. I will definitely keep an eye on the rest of the series and I've already ordered my physical copy because I need it on my shelf!
Bob Mann (459 KP) rated The Father (2020) in Movies
Jun 12, 2021
Dementia twists the strands of Anthony’s personal multiverse
Anthony (Anthony Hopkins) is elderly and living in his flat. His daughter Anne (Olivia Colman) keeps dropping by to check he is OK. But is this right? Strange things keep happening to him, from losing his watch to having strange people turn up at the flat. For Anthony is battling against dementia, and reality and fantasy are not quite as distinct as they once were.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Ivana A. | Diary of Difference (1171 KP) rated The Last Wish in Books
Aug 3, 2020
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#0.5 <a href="https://www.goodreads.com/review/show/3150137897">The Last Wish</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-59.png"/>;
For me, The Last Wish is the perfect introduction to start the Witcher series and meet Geralt of Rivia.
<b>Synopsis</b>
The Last Wish is the prequel to the Witcher series. In this book we are introduced to Geralt of Rivia, a Witcher - a man whose magic powers and strength training made him a brilliant fighter and a merciless assassin.
However, Geralt is not an ordinary killer. He hunts the monsters that bring fear to people and creatures that attack the innocent.
But not everything is as seems, as some monsters are not evil, and not everything fair is good. In every fairy tale, there is a pinch of truth.
<b>My Thoughts:</b>
I loved the introduction of Geralt in this book. I have known Geralt from the video games, and then I watched the TV Show. Usually I am more attracted to the book characters rather than a movies/TV Show character, and this was no different. Even though, I have to admit that the video games and the TV Show are also extraordinary, when it comes to their characters. Geralt in this book is vivid and brave, and I was happy to follow him on the various adventures he went on.
The book is written in multiple chapters, each containing a call for a quest, and the following chapter containing the quest itself. Each quest is a completely different topic, all featuring Geralt, and many side characters joining him as we move along in the story.
Each chapter was magical on its own, and we get to meet various stories. We meet a girl that turned to a striga because of a curse. We encounter a beast hidden in a castle, a story that resembles the Beauty and the Beast. There are also stories that resemble the Snow White and Cinderella, all significantly darker and much more graphic in their retellings. I love how the author took those storylines and managed to create something much more sinister and cruel. Some of the stories also reminded me of the traditional Slavic folk tales, which brought back some nice feelings from my childhood too.
The last few chapters were the ones I enjoyed the most. Especially the moment when we get to meet Yennefer for the very first time. I cannot wait to read more about her in the books.
A truly beautiful and adventurous fantasy novel by Andrzej Sapkowski and published by Gollancz. I definitely recommend The Last Wish.
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#0.5 <a href="https://www.goodreads.com/review/show/3150137897">The Last Wish</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-59.png"/>;
For me, The Last Wish is the perfect introduction to start the Witcher series and meet Geralt of Rivia.
<b>Synopsis</b>
The Last Wish is the prequel to the Witcher series. In this book we are introduced to Geralt of Rivia, a Witcher - a man whose magic powers and strength training made him a brilliant fighter and a merciless assassin.
However, Geralt is not an ordinary killer. He hunts the monsters that bring fear to people and creatures that attack the innocent.
But not everything is as seems, as some monsters are not evil, and not everything fair is good. In every fairy tale, there is a pinch of truth.
<b>My Thoughts:</b>
I loved the introduction of Geralt in this book. I have known Geralt from the video games, and then I watched the TV Show. Usually I am more attracted to the book characters rather than a movies/TV Show character, and this was no different. Even though, I have to admit that the video games and the TV Show are also extraordinary, when it comes to their characters. Geralt in this book is vivid and brave, and I was happy to follow him on the various adventures he went on.
The book is written in multiple chapters, each containing a call for a quest, and the following chapter containing the quest itself. Each quest is a completely different topic, all featuring Geralt, and many side characters joining him as we move along in the story.
Each chapter was magical on its own, and we get to meet various stories. We meet a girl that turned to a striga because of a curse. We encounter a beast hidden in a castle, a story that resembles the Beauty and the Beast. There are also stories that resemble the Snow White and Cinderella, all significantly darker and much more graphic in their retellings. I love how the author took those storylines and managed to create something much more sinister and cruel. Some of the stories also reminded me of the traditional Slavic folk tales, which brought back some nice feelings from my childhood too.
The last few chapters were the ones I enjoyed the most. Especially the moment when we get to meet Yennefer for the very first time. I cannot wait to read more about her in the books.
A truly beautiful and adventurous fantasy novel by Andrzej Sapkowski and published by Gollancz. I definitely recommend The Last Wish.
Night Reader Reviews (683 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Sep 22, 2021
Rough start for a new series but shows promise
A Deadly Education by Naomi Novik was given eighth place in the Goodreads choice awards for fantasy last year and has been nominated again this year. Unfortunately this book will not be receiving my vote although at this time I have not yet decided which book I will be voting for. This is the first book in a new series and I do have high hopes that future editions to the series will be better as it shows a lot of promise.
The basic idea here is that magical children are teleported away to The Scholomace for education and safety from the mals ( evil creatures attracted to the easy target of young magic user) though not all make it into the school. The school itself is dangerous as well yet even with the horde of mals waiting at the graduation gates to feast on everyone trying to leave the school once a year and the few who make it into the rest of the building the survival rate os those inside the school is still better than if they were left in the general magical population.
While completing school work is important it only because the school will attack those who don't complete their work the samation of alliances is almost more important. This is problematic thoug for those who don't come from an enclave and who are not interested n making friends in the first place.
What I liked about this book was that it is relatively unique. The fact that the main character actually goes through a very clear mental and maturity growth is a plus as well. She really improves as she learns about herself and her classmates. Unfortunately that is pretty much everything good I can say about this book. I enjoyed reading the book when I first started it but around halfway through it became clear that a lot of the book is repetitive. The book ended up becoming slow with the group just fighting off mals and not making much progress on the storyline for a while.it actually got to the point that I was about ready to put the book down.it is also rather predictable.
The ideal target audience for this book is teens to some young adults. I believe the book is too much for most readers younger than teens but at the same time it lacks the detail and depth needed to really capture the attention of older readers. I can only rate this book a 2 out of 5 at best with the hope that it is just a slow start to a good series.
For more reviews on popular books and independent authors check out these locations
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To see about having your book reviewed a message on any of the above platforms or email me at bookreviewsatnight@gmail.com
Thank you, Melissa
The basic idea here is that magical children are teleported away to The Scholomace for education and safety from the mals ( evil creatures attracted to the easy target of young magic user) though not all make it into the school. The school itself is dangerous as well yet even with the horde of mals waiting at the graduation gates to feast on everyone trying to leave the school once a year and the few who make it into the rest of the building the survival rate os those inside the school is still better than if they were left in the general magical population.
While completing school work is important it only because the school will attack those who don't complete their work the samation of alliances is almost more important. This is problematic thoug for those who don't come from an enclave and who are not interested n making friends in the first place.
What I liked about this book was that it is relatively unique. The fact that the main character actually goes through a very clear mental and maturity growth is a plus as well. She really improves as she learns about herself and her classmates. Unfortunately that is pretty much everything good I can say about this book. I enjoyed reading the book when I first started it but around halfway through it became clear that a lot of the book is repetitive. The book ended up becoming slow with the group just fighting off mals and not making much progress on the storyline for a while.it actually got to the point that I was about ready to put the book down.it is also rather predictable.
The ideal target audience for this book is teens to some young adults. I believe the book is too much for most readers younger than teens but at the same time it lacks the detail and depth needed to really capture the attention of older readers. I can only rate this book a 2 out of 5 at best with the hope that it is just a slow start to a good series.
For more reviews on popular books and independent authors check out these locations
https://www.facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
https://www.goodreads.com/user/show/40248897-melissa-espenschied
To see about having your book reviewed a message on any of the above platforms or email me at bookreviewsatnight@gmail.com
Thank you, Melissa
A Bibliophagist (113 KP) rated Throne of Glass in Books
Feb 5, 2020 (Updated Feb 5, 2020)
Good start (2 more)
Good finish
Intial character introductions
Formulaic (1 more)
Celeana never does anything she says she can do
Something special ruined by the YA formula
This is another tough one to review, primarily because it started so good for me, then just ended as a whimper.
First of all, this was one of my "force myself out of my norm" picks. I forced myself to pick two popular books, that didn't interest me, and give them a chance. This was the biggest "no interest" pick. The cover alone is just so bad I was embarrassed to be buying it at the bookstore by the art school I work at. What if one of my Illustration students see, will I be deemed unworthy to teach them if I buy a book so ugly and anatomically incorrect? Like seriously, why is her torso so long. Is she just insanely tall? Is she hunched or does she have no neck? It's just... awful.
Also, it's a genre I don't gel well with, fantasy just isn't my jam, I get so mad that SciFi is always lumped in with Fantasy. So, the perfect choice I suppose.
When I first started, I texted my partner and told him "holy crap, I actually am enjoying this". I was shocked, surprised. So far the YA darling of a book wasn't stereotypically YA. The main character was deep and interesting and had a thick backstory. Yea they've already introduced two perfectly perfect love interested for her, but whatever, this is actually interesting.
The book follows the acclaimed assassin, Calaena, young, utterly gorgeous and snarky, deadly. In theory a textbook YA heroine. But she is far from a Mary Sue (in the beginning) her backstory is interesting and rich. She's hardened by a year in prison death labor camp. A camp she is offered freedom from if she accepts the Prince's offer; his father wants a "champion" (aka a dubious person to assassinate and otherwise do his dirty work) and she is the Prince's pick. Should she accept, she'll go against other noble's picks and participate in a competition proving their worth. The winner gets freedom and serves as the champion for X amount of years. Losers go back to whatever prison or hole they crawled out of. So while Celeana doesn't much want to be a lackey to some Princeling or King, she doesn't want to go back to the death labor camp either.
So if you can't tell already, enter love interest #1, the sassy, broody Prince Dorian. Perfect in all ways, except for birthright. Could someone like Celeana ever love him? Dun Dun DUnnnnn. Also enter love interest 2, captain of the guard Chaol, the prince's childhood friend, quiet, introverted, job-focused. Doesn't trust her at all, but could she break him down? What will happen if two best friends fall for the same saucy assassin? DUN DUN DUNNNN
So obviously, she accepts, and is taken to the great glass palace to await the competition, where we have a veritable Beauty and the Beast situation, she's provided lavish accommodation, beautiful dresses, and sadly starts to become a Mary Sue. But not quite yet, first, we get some actually really interesting story, hints at the world we're in, going through a once magical forest, with something in the night leaving flowers at the foot of Celeana's bed, hinting at perhaps her lineage being more magical than we think. We also get introduced to the competition, a lineup of stereotypical gruff dudes, with the bad guy being so obvious he might as well as a spotlight on him (unfortunately this book doesn't really have a twist). Also, enter love interest 3? I utilize the question mark because this one isn't really persued, but feels like it's meant to be something. A handsome, young, way too nice unsavory that she aligns herself with. No one knows who she is, and she goes under a pseudonym while in the palace, hoping to make people underestimate her. The first parts of the competition are interesting, the book is actually conscious of how out of shape she'd be, and takes pains to be detailed (sometimes overly detailed, like the page about her period, I'm in no means ashamed of my period, but the page literally did nothing but further the stereotype that we are completely immobile and need a day off while on it. I wish the author impowered Celeana by having her be in pain, but still be a badass).
As the competition progresses, however, competitors begin dying in gruesome ways, that aren't related to the competition. Concern rises, and whispers of the old magic are everywhere. Celeana now needs to survive this competition, survive whatever is killing her competitors, and solve the mystery happening in the castle. Oh and of course, figure out how to go to that ball and which boy she wants.
Unfortunately, after the first competition-related thing, this book started going downhill for me. Gone was this interest main character, and replaced was a stereotypical Mary Sue that forgets she's an assassin a lot. She rarely does anything Assasin like actually, beyond some internal dialogue in which she thinks about assasin things. It goes from describing the competition to suddenly being like "there were two more trials, Celeana rocked them" skipping ahead a glossing over the competition entirely, choosing instead to focus on the growing tension between her and the two boys, and dangling the very obvious bad guy in front of us as if we're going to be ever so surprised when we find out it's exactly who we thought it was. I want those trials, I want to know what happened and see her thoughts, something to remind me she's an assassin and not a giggling school girl more than ready for court life. Having stereotypical scenes of playing Billiards and Dorian holding her to show her how to do it. Don't even get me started on the Billiards, a fantasy book, using freak in billiards, make up a game for goodness sake, but to utilize a surprisingly modern game in a high fantasy setting made me laugh out loud for the wrong reasons. She gets a puppy, that hates everyone but her, befriends a badass princess (the most interesting thing in this book) and fights off some baddies. Too bad most of the focus was on the rushed, completely chemistry-free relationship between her and Dorian, they see each other like 4 times and are willing to give everything up for each other, it's painful. Honestly, even when I let my mind lapse into YA mode and allow myself to enjoy a fun YA romance, this is not how to do it. Also, Team Chaol all the way.
So the competition takes a considerable step back, and so does my interest. I would argue that the concept in this story is solid and interesting, but executed poorly, which is odd because the beginning proves to be the author can write well, it just feels like she second-guessed herself and decided to stop doing an actually interesting story and instead focus on being stereotypically YA. But there are little gems in here, an interesting world is hinted at, likable and interesting characters are glimpsed in the beginning before she lost interest in developing them. An undercurrent of well thought out mystery and magic. But all of these things took a backseat to fulfil the YA formula instead. I'm going to read the next book just to see if this world becomes more of the focus, but if it doesn't I'll have to stop, this series is just way too long to deal with the same formula over and over.
She almost got me, she was so close, I just wish this book had been consistent and focused on the plot. I wish she had let Celeana be the strong character she implied in the beginning rather than a stereotypical YA girl. I get she was fulfilling the life she never had, but in a situation where she needed to really be HER to get her freedom, it just doesn't feel like the appropriate time for wish fulfillment I wish, if there had to be romance, it had more oomf, made me feel things, made me care. Unfortunately, it didn't have these things, so this book was a bit of a flop for me. So I'm hoping, she'll prove me wrong in the second one, and let the story I see she's made and spent loving time on shine, rather than hide it underneath the guaranteed to sell formula plaguing young adult books.
First of all, this was one of my "force myself out of my norm" picks. I forced myself to pick two popular books, that didn't interest me, and give them a chance. This was the biggest "no interest" pick. The cover alone is just so bad I was embarrassed to be buying it at the bookstore by the art school I work at. What if one of my Illustration students see, will I be deemed unworthy to teach them if I buy a book so ugly and anatomically incorrect? Like seriously, why is her torso so long. Is she just insanely tall? Is she hunched or does she have no neck? It's just... awful.
Also, it's a genre I don't gel well with, fantasy just isn't my jam, I get so mad that SciFi is always lumped in with Fantasy. So, the perfect choice I suppose.
When I first started, I texted my partner and told him "holy crap, I actually am enjoying this". I was shocked, surprised. So far the YA darling of a book wasn't stereotypically YA. The main character was deep and interesting and had a thick backstory. Yea they've already introduced two perfectly perfect love interested for her, but whatever, this is actually interesting.
The book follows the acclaimed assassin, Calaena, young, utterly gorgeous and snarky, deadly. In theory a textbook YA heroine. But she is far from a Mary Sue (in the beginning) her backstory is interesting and rich. She's hardened by a year in prison death labor camp. A camp she is offered freedom from if she accepts the Prince's offer; his father wants a "champion" (aka a dubious person to assassinate and otherwise do his dirty work) and she is the Prince's pick. Should she accept, she'll go against other noble's picks and participate in a competition proving their worth. The winner gets freedom and serves as the champion for X amount of years. Losers go back to whatever prison or hole they crawled out of. So while Celeana doesn't much want to be a lackey to some Princeling or King, she doesn't want to go back to the death labor camp either.
So if you can't tell already, enter love interest #1, the sassy, broody Prince Dorian. Perfect in all ways, except for birthright. Could someone like Celeana ever love him? Dun Dun DUnnnnn. Also enter love interest 2, captain of the guard Chaol, the prince's childhood friend, quiet, introverted, job-focused. Doesn't trust her at all, but could she break him down? What will happen if two best friends fall for the same saucy assassin? DUN DUN DUNNNN
So obviously, she accepts, and is taken to the great glass palace to await the competition, where we have a veritable Beauty and the Beast situation, she's provided lavish accommodation, beautiful dresses, and sadly starts to become a Mary Sue. But not quite yet, first, we get some actually really interesting story, hints at the world we're in, going through a once magical forest, with something in the night leaving flowers at the foot of Celeana's bed, hinting at perhaps her lineage being more magical than we think. We also get introduced to the competition, a lineup of stereotypical gruff dudes, with the bad guy being so obvious he might as well as a spotlight on him (unfortunately this book doesn't really have a twist). Also, enter love interest 3? I utilize the question mark because this one isn't really persued, but feels like it's meant to be something. A handsome, young, way too nice unsavory that she aligns herself with. No one knows who she is, and she goes under a pseudonym while in the palace, hoping to make people underestimate her. The first parts of the competition are interesting, the book is actually conscious of how out of shape she'd be, and takes pains to be detailed (sometimes overly detailed, like the page about her period, I'm in no means ashamed of my period, but the page literally did nothing but further the stereotype that we are completely immobile and need a day off while on it. I wish the author impowered Celeana by having her be in pain, but still be a badass).
As the competition progresses, however, competitors begin dying in gruesome ways, that aren't related to the competition. Concern rises, and whispers of the old magic are everywhere. Celeana now needs to survive this competition, survive whatever is killing her competitors, and solve the mystery happening in the castle. Oh and of course, figure out how to go to that ball and which boy she wants.
Unfortunately, after the first competition-related thing, this book started going downhill for me. Gone was this interest main character, and replaced was a stereotypical Mary Sue that forgets she's an assassin a lot. She rarely does anything Assasin like actually, beyond some internal dialogue in which she thinks about assasin things. It goes from describing the competition to suddenly being like "there were two more trials, Celeana rocked them" skipping ahead a glossing over the competition entirely, choosing instead to focus on the growing tension between her and the two boys, and dangling the very obvious bad guy in front of us as if we're going to be ever so surprised when we find out it's exactly who we thought it was. I want those trials, I want to know what happened and see her thoughts, something to remind me she's an assassin and not a giggling school girl more than ready for court life. Having stereotypical scenes of playing Billiards and Dorian holding her to show her how to do it. Don't even get me started on the Billiards, a fantasy book, using freak in billiards, make up a game for goodness sake, but to utilize a surprisingly modern game in a high fantasy setting made me laugh out loud for the wrong reasons. She gets a puppy, that hates everyone but her, befriends a badass princess (the most interesting thing in this book) and fights off some baddies. Too bad most of the focus was on the rushed, completely chemistry-free relationship between her and Dorian, they see each other like 4 times and are willing to give everything up for each other, it's painful. Honestly, even when I let my mind lapse into YA mode and allow myself to enjoy a fun YA romance, this is not how to do it. Also, Team Chaol all the way.
So the competition takes a considerable step back, and so does my interest. I would argue that the concept in this story is solid and interesting, but executed poorly, which is odd because the beginning proves to be the author can write well, it just feels like she second-guessed herself and decided to stop doing an actually interesting story and instead focus on being stereotypically YA. But there are little gems in here, an interesting world is hinted at, likable and interesting characters are glimpsed in the beginning before she lost interest in developing them. An undercurrent of well thought out mystery and magic. But all of these things took a backseat to fulfil the YA formula instead. I'm going to read the next book just to see if this world becomes more of the focus, but if it doesn't I'll have to stop, this series is just way too long to deal with the same formula over and over.
She almost got me, she was so close, I just wish this book had been consistent and focused on the plot. I wish she had let Celeana be the strong character she implied in the beginning rather than a stereotypical YA girl. I get she was fulfilling the life she never had, but in a situation where she needed to really be HER to get her freedom, it just doesn't feel like the appropriate time for wish fulfillment I wish, if there had to be romance, it had more oomf, made me feel things, made me care. Unfortunately, it didn't have these things, so this book was a bit of a flop for me. So I'm hoping, she'll prove me wrong in the second one, and let the story I see she's made and spent loving time on shine, rather than hide it underneath the guaranteed to sell formula plaguing young adult books.
David McK (3425 KP) rated The Shepherd's Crown in Books
Jan 28, 2019
THE FINAL DISCWORLD BOOK
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Darren (1599 KP) rated Aladdin (1992) in Movies
Jun 20, 2019
Story: Aladdin starts as we see the evil Jafar looking for a lamp but hi plans are put on hold when he needs to find a diamond in the rough. We move onto meet street thieve Aladdin who steals to survive and help others who are less fortunate. We also meet Princess Jasmin who needs to be married off by her Sultan father by her next birthday but wants to fall in love before marrying someone.
After Jasmine runs away she meets Aladdin who gets placed into helping Jafar retrieve the Lamp from the Cave of Wonders. Once Aladdin finds the lamp he awakens the Genie who grants him three wishes that could change his life forever.
Aladdin is one of the most popular Disney movies all time and I can see why. We have the unlikely hero that is good at heart but never given the chance to be the success he could be, we have a strong female lead and a villain tired of being in the shadows wanting power. Mixing all of these together we get a full story that does everything you need in a film taking the Disney Princess idea to a new world. This will always be considered a true classic that will forever be loved.
Character Review
Aladdin: Aladdin is the small town street thieve that does what he needs to, to survive. When he meets Jasmine he instantly falls in love but finds him the target of Jafar to steal a magic lamp. The lamp gives him three wishes that he uses to make himself a Prince to marry Jasmine but it isn’t long before his true self is discovered and he can become a hero by himself. Aladdin is a great character that shows just because he does criminal activities he is doing them for the right reason and is selfless at heart.
Genie: Genie comes from the lamp giving Aladdin three wishes having been trapped for years. He has rules but must grant wishes that don’t break these rules to his master. He loves working for Aladdin but ends up being forced into working for Jafar. Genie is one of Robin William best performance as the pure energy behind this film that you want to see every single scene he is in.
Jasmine: Jasmine is the princess that is being forced into marrying a prince but she keeps rejecting any that come her way. She escapes the kingdom and falls in love with Aladdin who is everything she shouldn’t be marrying. Jasmine is a strong princess which is unlike most of Disney’s for the time she wants love and will make sure she finds it.
Jafar: Jafar is the Sultan’s most trusted advisor but he has plans to become the Sultan himself and will look into to any means to make this happen including finding the lamp to wish for the power. Jafar is one of your typical villains you see in a Disney film that will always be one to hate.
Support Characters: Aladdin has good supporting comedy character that will make you laugh through the film.
Director Review: Ron Clements, John Musker – The pair give us one of the most memorable and stand out Disney films of all time.
Adventure: Aladdin takes us on an adventure as Aladdin goes from street thieve to worthy hand in marriage for Jasmine.
Animation: Aladdin had the brilliant animation you have come to know from Disney.
Comedy: Aladdin has great use of comedy with most coming from Robin Williams.
Family: Aladdin is one the whole family could enjoy with jokes for the whole family to understand.
Fantasy: Aladdin puts us in the middle of a fantasy world that is filled with genies that can grant wishes.
Romance: Aladdin has a romantic story that follows a princess who wants to fall in love rather than be forced into marriage.
Settings: Aladdin puts us into a world that shows the type of world that Aladdin is living in.
Suggestion: Aladdin is one that I think everyone should have watched at least once. (Watch)
Best Part: Whole New World.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: Won 2 Oscars
Budget: $28 Million
Runtime: 1 Hour 30 Minutes
Tagline: A diamond in the rough.
Trivia: This film became the 14th (and the first animated movie) to gross more than $200,000,000.
Overall: One of the BEST Disney films of all time.
https://moviesreview101.com/2016/07/06/aladdin-1992/
After Jasmine runs away she meets Aladdin who gets placed into helping Jafar retrieve the Lamp from the Cave of Wonders. Once Aladdin finds the lamp he awakens the Genie who grants him three wishes that could change his life forever.
Aladdin is one of the most popular Disney movies all time and I can see why. We have the unlikely hero that is good at heart but never given the chance to be the success he could be, we have a strong female lead and a villain tired of being in the shadows wanting power. Mixing all of these together we get a full story that does everything you need in a film taking the Disney Princess idea to a new world. This will always be considered a true classic that will forever be loved.
Character Review
Aladdin: Aladdin is the small town street thieve that does what he needs to, to survive. When he meets Jasmine he instantly falls in love but finds him the target of Jafar to steal a magic lamp. The lamp gives him three wishes that he uses to make himself a Prince to marry Jasmine but it isn’t long before his true self is discovered and he can become a hero by himself. Aladdin is a great character that shows just because he does criminal activities he is doing them for the right reason and is selfless at heart.
Genie: Genie comes from the lamp giving Aladdin three wishes having been trapped for years. He has rules but must grant wishes that don’t break these rules to his master. He loves working for Aladdin but ends up being forced into working for Jafar. Genie is one of Robin William best performance as the pure energy behind this film that you want to see every single scene he is in.
Jasmine: Jasmine is the princess that is being forced into marrying a prince but she keeps rejecting any that come her way. She escapes the kingdom and falls in love with Aladdin who is everything she shouldn’t be marrying. Jasmine is a strong princess which is unlike most of Disney’s for the time she wants love and will make sure she finds it.
Jafar: Jafar is the Sultan’s most trusted advisor but he has plans to become the Sultan himself and will look into to any means to make this happen including finding the lamp to wish for the power. Jafar is one of your typical villains you see in a Disney film that will always be one to hate.
Support Characters: Aladdin has good supporting comedy character that will make you laugh through the film.
Director Review: Ron Clements, John Musker – The pair give us one of the most memorable and stand out Disney films of all time.
Adventure: Aladdin takes us on an adventure as Aladdin goes from street thieve to worthy hand in marriage for Jasmine.
Animation: Aladdin had the brilliant animation you have come to know from Disney.
Comedy: Aladdin has great use of comedy with most coming from Robin Williams.
Family: Aladdin is one the whole family could enjoy with jokes for the whole family to understand.
Fantasy: Aladdin puts us in the middle of a fantasy world that is filled with genies that can grant wishes.
Romance: Aladdin has a romantic story that follows a princess who wants to fall in love rather than be forced into marriage.
Settings: Aladdin puts us into a world that shows the type of world that Aladdin is living in.
Suggestion: Aladdin is one that I think everyone should have watched at least once. (Watch)
Best Part: Whole New World.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: Won 2 Oscars
Budget: $28 Million
Runtime: 1 Hour 30 Minutes
Tagline: A diamond in the rough.
Trivia: This film became the 14th (and the first animated movie) to gross more than $200,000,000.
Overall: One of the BEST Disney films of all time.
https://moviesreview101.com/2016/07/06/aladdin-1992/