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Kyera (8 KP) rated The Night Circus in Books

Jan 31, 2018  
The Night Circus
The Night Circus
Erin Morgenstern | 2015 | Fiction & Poetry
8
8.1 (106 Ratings)
Book Rating
The Night Circus is set in the 19th Century although the Circus itself travels the globe. We don't see much of the world, rather the story is built and developed around this mysterious venture that only opens at night. Before we even get to know our two main characters they are placed in a competition that they know next to nothing about. As readers, we are not privy to much information that Celia or Marco do not know.

Both main characters are likable although we don't get to experience much of their personalities outside the use of their magic and the way they are shaped by the game. Celia is outspoken and witty when she chooses to be, unlike typical victorian heroines and it is wonderful. I wish we got to experience more of the interactions between Celia and Marco during the book but overall their time together is limited.

At times, we learn more about the Circus through the eyes and stories of its fans - the reveurs or as Bailey who dreamt of the circus since he was a little boy. As a reader, you are drawn to the magic and mystery of the Circus. Dreams of attending fill your mind and you become a reveur yourself. The story of the Night Circus fills you with its majesty and doesn't let go.

It's difficult to explain just what is so appealing about this book, but I fell in love with it almost immediately. The black and white striped tents, impossibly intricate clock, mouth-watering scents and tastes all come together in this enchanting novel - sure to spellbind teens and adults, whether fans of magic, fantasy, realistic or historical novels.
  
Snow like Ashes
Snow like Ashes
Sara Raasch | 2014 | Romance, Science Fiction/Fantasy, Young Adult (YA)
7
8.4 (14 Ratings)
Book Rating
The world-building in this book is fascinating. At first, it seems like yet another YA novel about displaced royals trying to win back their kingdom, but this royal is in much more dire straits than most. Meira is a refugee living on the run with seven others, one of them her rightful King. All the rest of their people have been enslaved by the conquering country, and their kingdom's link to the magic inherent in the land has been broken.

A little backdrop is needed. In Meira's land, there are eight countries. The Rhythm countries, where seasons proceed as normal, and the Seasons - 4 countries locked in one season each. The rulers of each country have a magic conduit that lets them feed magic to their people - but the conduits are gender-locked. In four of the countries, only women can use the conduit; in the other four, only men. Meira and her little band are all that's left of the free people of Winter. Spring invaded sixteen years ago, killed Winter's queen, broke the locket that was their magic conduit (each ruler has one) and enslaved their people. Because the queen only had a son, he can't wield Winter's magic anyway. They're still trying to find the two pieces of the locket so when he has a daughter, she can wield it. You'd think at this point, since he's of age, he should be trying to get as many women pregnant as possible to up the odds of getting a royal heir who can wield the magic, but that...doesn't come up.

The book does delve into the country's people being oppressed, used as slaves, and being incredibly abused by the conquering country, and this is where I ran into a quandary. The Season's people reflect their countries: Autumn's people have copper skin, Spring's citizens are blond-haired and green-eyed - and Winter's people are white. Pale skin, snow-white hair, blue eyes. Writing white people as the oppressed people just rubs me the wrong way. (In that false "help I'm being oppressed because other people want equal rights!" kind of way.) Yes, this is fantasy, yes, it has nothing to do with our world's politics - but it bothers me. It's at least not white-savioring, as Meira's trying to save her own people, but I don't know. Is it better or worse to write white people as the oppressed protagonists?

That question aside, this was a well-written novel of fighting against an oppressor. There is definitely still work to be done at the end of the book, and there are two more books, as well as two short stories. While I am a little curious what ultimately happens, I don't know if the series has earned more time on my reading list.

You can find all my reviews at http://goddessinthestacks.com
  
Cursed (Beholder, #1)
Cursed (Beholder, #1)
Christina Bauer | 2016 | Romance, Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (2 Ratings)
Book Rating
I received a complimentary copy in exchange for an honest review.

This is not my normal read as lately I have been hitting the erotica/contemporary romance hard. However, it had to do with necromancy and that is something I simply cannot pass up. Necromancy is something I am highly interested not only because it is rarely written about (compared to vampires, shifters, etc.), but also because rarely is the hero/heroine ever the necromancer. Usually the necromancer is the villain/antagonist.

This story was refreshing, like a breath of fresh air from what I have been reading. Elea is such a powerful character, both in magic and personality. I could definitely get behind her and her ideals. The author’s created world was also fascinating. I felt she not only created a marvelous world but also did a good job at explaining it. Sometimes in fantasy novels, I get lost concerning the author’s created mythology, but I wasn’t with this novel.

It definitely has a young adult feel to it though. Regardless, I loved it and can’t wait to read more. If you are a fan of strong heroines with interesting magic, and a fascinating world beyond imagination, then you may enjoy this novel. Not to mention the young love that spurs main characters. I am all for young, dewy eyed love…
  
The City of Brass: Daevabad Trilogy
The City of Brass: Daevabad Trilogy
S.A. Chakraborty | 2017 | Science Fiction/Fantasy
8
8.6 (7 Ratings)
Book Rating
Interesting start to the series
This was a really colourful and deep entrance to a new fantasy series by a debut author. I read this in a combination of paperback and audio, both were enjoyable. The cast of characters are many with three main contenders that each had me completely interested.

This is a fairly long and complex tale, with the occasional confusing moment that had me switching off audio to refer to the book and names of characters/magic/tribes. The index of these definitions of words was hugely helpful.

The story is full of intrigue, battles, magic, faiths, warring factions, desire and family. Nahri, a lowly girl with special abilities finds herself transported to a city of six dijinn tribes by a very powerful dijinn. Friendships, allegiances and wariness are formed as Nahri finds herself to be special and revered if she can only prove herself. The friendships are strong and central, whilst the budding romances on multiple fronts are subtle. So much happens and life is totally turned upside down by the end. The story is told from multiple POV.

I will definitely by reading the rest of the series, but I suspect the complexity will mean a re-read so that I can pick up book two. I highly recommend the audio, with superb narration.
  
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Awix (3310 KP) rated The Golem (Der Golem) (1920) in Movies

Nov 4, 2019 (Updated Nov 4, 2019)  
The Golem (Der Golem) (1920)
The Golem (Der Golem) (1920)
1920 | Fantasy, Horror
Usual disclaimers apply when discussing a movie this old (the pace, production values and performance style should not be judged by modern standards), but this is another one of those films proving that things have, perhaps, not changed as much as we think. This is technically Golem 3, a prequel to the first two showing the creation of the titular monster during the middle ages. The structure of the story is very familiar - it seems like a good idea to create an immensely powerful servant from clay using dark magic, to begin with anyway, but he proves an unruly worker in the end, to say the least.

Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
  
The Queens of Innis Lear
The Queens of Innis Lear
Tessa Gratton | 2021 | Fiction & Poetry, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
The Queens of Innis Lear is a retelling of Shakespeare’s King Lear, which I haven’t read, so I can’t even begin to compare this frankly wonderful book to the original.

I’m not even going to write a synopsis, however short, because this is a 500+ page book, and it would be impossible. What I WILL say, is that this book really did deliver on the strong female character front. That alone would make this a book I’d want to read. The descriptions of the anthropomorphised island (that’s my big word for the day), the magic, the trees, was entrancing. Where is this place? I need to go there! It’s OK, I know it’s fictitious, but, y’know…

There are so many twists and turns, double crosses, misunderstandings - there’s never a dull moment on this island. Handsome men and Kings who are passed over because the women, the potential Queens, know that to have their own autonomy they must remain single.

Ok, this book could have been shorter, but I really believe that this would have affected the world building - and what a world Innis Lear and the countries near and far from it’s borders are!

If you like fantasy with Kings, Queens, magic and strife, then this may well be the book for you. I adored it.