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The Bandersnatch (199 KP) rated The High Lord (Black Magician Trilogy, #3) in Books
Nov 7, 2019
Contains spoilers, click to show
Released in 2003 The High Lord is the penultimate ending to Sonea's story......starting a year after beating a bully in a fight. Sonea has received the respect she deserves but still faces the challenge of her guardian and the High Lord of the guild Akkarin. After being Surprised by Akkarin with a book on Black Magic Sonea is pulled into learning black magic and attempting to protect the city and the country from a group known as the Icani. After going through hell and being thrown out of the guild and being exiled the pair return and aid their fellow magicians in the attack......resulting in may magicians dead including Akkarin and Sonea pregnant with his child.
My opinion of this book was that of a decent conclusion to a good storyline. I do think however that the love storyline between Sonea and Akkarin is a little cliché. Otherwise It was a decent book. I have to admit the fighting between magicians would make a decent movie montage.
Born in Kew, Melbourne Australia on October 23rd 1969 Trudi Canavan spent her formative years being extremely creative in the suburb of Ferntree Gully. Canavan decided to become a professional artist and went to the Melbourne college of Decoration achieving an advanced certificate in promotional display as well as an award for the highest aggregate mark in art subjects in 1988.
During the early 1990's Canavan worked for the Australian magazine Aurealis (a magazine for Australian science-fiction and fantasy work) as well as starting her own business The Telltale art which specialised in graphical design services. By working for Aurealis Canavan was able to write in her spare time.
In 1999 Canavan managed to win the Aurealis award for best fantasy short story with whispers of the mist children and cementing her work further with the release of the Magicians Guild in 2001 (book one of The Black Magician trilogy) the successive books The Novice (2002) and The Black Magician (2003) brought Canavan both widespread acclaim and nominations for both the Aurealis best Fantasy novel and Best Novel Ditmar Category. All three books ended up in the top ten Science Fiction books for Australia.
Canavan's second Trilogy Age of Five was also well received with the first book reaching No3 in the Sunday Times hardback fiction best sellers list and staying in the top ten for six weeks. Canavan went on to write a prequel/sequel to the black magician trilogy known as the magicians apprentice in 2009 this was followed by the traitor spy trilogy which was released between 2010 and 2012. Trudi Canavan now holds a vast array of written works under her belt which can be split into three book series and a group of short stories.
My opinion of Trudi Canavan is that she is a very dedicated writer. Excellent with detail and writing a strong character and story. I definitely respect her work ethic since she is both a writer and a graphic designer. I definitely would love to talk with her and have a discussion about books and writing in general. She is up there with Prof J. R. R. Tolkien, George R. R. Martin and Lewis Carroll in my books.
And there you have it a book for all the ages, definitely under the banner of Quality reading, I am positive this trilogy could end up being the NEXT it thing if they were ever made into a Movie Trilogy.
My opinion of this book was that of a decent conclusion to a good storyline. I do think however that the love storyline between Sonea and Akkarin is a little cliché. Otherwise It was a decent book. I have to admit the fighting between magicians would make a decent movie montage.
Born in Kew, Melbourne Australia on October 23rd 1969 Trudi Canavan spent her formative years being extremely creative in the suburb of Ferntree Gully. Canavan decided to become a professional artist and went to the Melbourne college of Decoration achieving an advanced certificate in promotional display as well as an award for the highest aggregate mark in art subjects in 1988.
During the early 1990's Canavan worked for the Australian magazine Aurealis (a magazine for Australian science-fiction and fantasy work) as well as starting her own business The Telltale art which specialised in graphical design services. By working for Aurealis Canavan was able to write in her spare time.
In 1999 Canavan managed to win the Aurealis award for best fantasy short story with whispers of the mist children and cementing her work further with the release of the Magicians Guild in 2001 (book one of The Black Magician trilogy) the successive books The Novice (2002) and The Black Magician (2003) brought Canavan both widespread acclaim and nominations for both the Aurealis best Fantasy novel and Best Novel Ditmar Category. All three books ended up in the top ten Science Fiction books for Australia.
Canavan's second Trilogy Age of Five was also well received with the first book reaching No3 in the Sunday Times hardback fiction best sellers list and staying in the top ten for six weeks. Canavan went on to write a prequel/sequel to the black magician trilogy known as the magicians apprentice in 2009 this was followed by the traitor spy trilogy which was released between 2010 and 2012. Trudi Canavan now holds a vast array of written works under her belt which can be split into three book series and a group of short stories.
My opinion of Trudi Canavan is that she is a very dedicated writer. Excellent with detail and writing a strong character and story. I definitely respect her work ethic since she is both a writer and a graphic designer. I definitely would love to talk with her and have a discussion about books and writing in general. She is up there with Prof J. R. R. Tolkien, George R. R. Martin and Lewis Carroll in my books.
And there you have it a book for all the ages, definitely under the banner of Quality reading, I am positive this trilogy could end up being the NEXT it thing if they were ever made into a Movie Trilogy.
Darren (1599 KP) rated Pan (2015) in Movies
Oct 14, 2019
Characters – Peter is an orphan during World War II, stuck in a boys home, he believes something is happening and wants to be reunited with his mother, taken to Neverland, he learns that he has an ability unlike anyone else, he just needs to learn to believe in himself. Blackbeard has been taking orphans to help him mine for fairy dust in Neverland, he runs a strict ship which Peter upsets, however this will put Blackbeard closer than ever to getting what he wants. Hook is one of the miners that helps Peter escape, he wants to be free with his own tragic backstory. Tiger Lily has been leading the war against Blackbeard for years now, she knows the secrets to the fairies and now must protect them at all costs.
Performances – Levi Miller as the young Peter is good because he shows us the innocence needed for this film while dealing with the emotional impact his life is having. Hugh Jackman does seem to be having a lot of fun in this role even if he is overacting at times. Garrett Hedlund just can’t catch a break, his performance is solid enough, though it does feel like he just wanted to be the next Han Solo. Rooney Mara again is solid, it looks like a role which meant something to her and will help her take on the bigger roles.
Story – The story is an origin story for Peter Pan and Hook, well it seems to be, Peter is in the human world where he is an orphan taken to Neverland to help fight in a war between the two sides who want control of the fairy dust, he works with Hook which is strange because he is a good guy. The film shows us why Peter never wanted to leave Neverland and just what is meant to him once he learns about his parent’s identity. When we look deeper at the story it does feel like a pretty safe story and by having Peter needing to learn his own identity before going on to be the character we know now. The problem comes from any moment of peril he is in or Hook we know they will make it out of there because we know their story is only just beginning. The additional problem comes from just how Hook is a good guy and doesn’t get given any moments to tease his villainous ways.
Adventure/Fantasy – The adventure side of the film is good because it shows a new life Peter could have away from the war his own reality is involved in, this does take us to the fantasy world of Neverland which only seems to have one unique animal in, but it has magic.
Settings – The film uses the colour tones well, we see the darkness which shows us how bleak Peter’s real-life is, while giving us the bright open world of Neverland to show the hope of a future.
Special Effects – The effects in the film are solid enough without looking as flawless as they should, though the overly ambitious nature to it all doesn’t help.
Scene of the Movie – Hook’s escape plan.
That Moment That Annoyed Me – Not filling enough of the blanks between the time period.
Final Thoughts – This is another cash-in on a franchise which feels overly done, it doesn’t capture the rue magic and only ends up confusing the time between the movies.
Overall: Magicless fantasy film.
Performances – Levi Miller as the young Peter is good because he shows us the innocence needed for this film while dealing with the emotional impact his life is having. Hugh Jackman does seem to be having a lot of fun in this role even if he is overacting at times. Garrett Hedlund just can’t catch a break, his performance is solid enough, though it does feel like he just wanted to be the next Han Solo. Rooney Mara again is solid, it looks like a role which meant something to her and will help her take on the bigger roles.
Story – The story is an origin story for Peter Pan and Hook, well it seems to be, Peter is in the human world where he is an orphan taken to Neverland to help fight in a war between the two sides who want control of the fairy dust, he works with Hook which is strange because he is a good guy. The film shows us why Peter never wanted to leave Neverland and just what is meant to him once he learns about his parent’s identity. When we look deeper at the story it does feel like a pretty safe story and by having Peter needing to learn his own identity before going on to be the character we know now. The problem comes from any moment of peril he is in or Hook we know they will make it out of there because we know their story is only just beginning. The additional problem comes from just how Hook is a good guy and doesn’t get given any moments to tease his villainous ways.
Adventure/Fantasy – The adventure side of the film is good because it shows a new life Peter could have away from the war his own reality is involved in, this does take us to the fantasy world of Neverland which only seems to have one unique animal in, but it has magic.
Settings – The film uses the colour tones well, we see the darkness which shows us how bleak Peter’s real-life is, while giving us the bright open world of Neverland to show the hope of a future.
Special Effects – The effects in the film are solid enough without looking as flawless as they should, though the overly ambitious nature to it all doesn’t help.
Scene of the Movie – Hook’s escape plan.
That Moment That Annoyed Me – Not filling enough of the blanks between the time period.
Final Thoughts – This is another cash-in on a franchise which feels overly done, it doesn’t capture the rue magic and only ends up confusing the time between the movies.
Overall: Magicless fantasy film.
Phil Leader (619 KP) rated Truth Teller (The Truth Teller Series #1) in Books
Nov 27, 2019
Remember when you were 6 or 7 and first read The Lion The Witch And The Wardrobe? Well I do and the whole 'you could go to another realm and be special' thing was such a key to drawing me into fantasy. And at that age the whole talking animals thing was entirely in keeping with my imagination.
But if you are a little older, nicely into double figures of age. Although the escape to another realm is still a terrific idea, the talking animals are just not going to fit anymore. What you need is a bit of action and likeable characters who are realistic while still being elves and dwarves. But if Narnia is no longer a viable destination at that age, where is?
Truth Teller fits the bill perfectly. Charlotte is a normal ten year old girl on holiday with her family. While wandering around the shops of the local town she finds a strange curio shop. She finds one of the objects in the shop interesting - a sort of snow globe without any snow. The odd little man who runs the shop gives it to her for free, but warns her that the price she pays might not be of the monetary kind.
That night while studying the globe she feels if she is falling into it and finds herself in a cold woodland, where she meets Elder. Very soon it is apparent to her that she is not anywhere near where she should be, if she is even on Earth at all anymore. Elder is an elf and he and his family try to help Charlotte find her way back home. Meanwhile dark forces are stirring and rumours of invasion are spreading.
Chambers has set out to provide an entry point into fantasy for younger (female) readers and has done a sterling job. My immediate reaction to this book was that it is flawless, in idea and execution. Although perhaps a little cliched for grizzle fantasy readers like myself it contains just enough strange creatures - elves, dwarves, giant wolves and druids - and a sprinkling of magic here and there to whisk the plot along. And it is whisked at some pace too, the narrative fluid and always in motion towards the books conclusion without much of a pause for breath.
Charlotte as the main character is well written and prone to modern turns of phrase that baffle her elven friends. Elder the elf boy she meets is charming and friendly even though he is as confused by Charlotte's plight as she is. The other characters are also very well drawn.
The story entwines the various threads into a whole that is easy to read and hard to forget. Reaching the last page was something I dreaded but like a lot of things the end of this book is just the start of the story of the Truth Teller.
If anyone is looking for a first book in fantasy, without the talking animals, this book fits the bill perfectly. Narnia for the iPhone generation? It's pretty close to that.
But if you are a little older, nicely into double figures of age. Although the escape to another realm is still a terrific idea, the talking animals are just not going to fit anymore. What you need is a bit of action and likeable characters who are realistic while still being elves and dwarves. But if Narnia is no longer a viable destination at that age, where is?
Truth Teller fits the bill perfectly. Charlotte is a normal ten year old girl on holiday with her family. While wandering around the shops of the local town she finds a strange curio shop. She finds one of the objects in the shop interesting - a sort of snow globe without any snow. The odd little man who runs the shop gives it to her for free, but warns her that the price she pays might not be of the monetary kind.
That night while studying the globe she feels if she is falling into it and finds herself in a cold woodland, where she meets Elder. Very soon it is apparent to her that she is not anywhere near where she should be, if she is even on Earth at all anymore. Elder is an elf and he and his family try to help Charlotte find her way back home. Meanwhile dark forces are stirring and rumours of invasion are spreading.
Chambers has set out to provide an entry point into fantasy for younger (female) readers and has done a sterling job. My immediate reaction to this book was that it is flawless, in idea and execution. Although perhaps a little cliched for grizzle fantasy readers like myself it contains just enough strange creatures - elves, dwarves, giant wolves and druids - and a sprinkling of magic here and there to whisk the plot along. And it is whisked at some pace too, the narrative fluid and always in motion towards the books conclusion without much of a pause for breath.
Charlotte as the main character is well written and prone to modern turns of phrase that baffle her elven friends. Elder the elf boy she meets is charming and friendly even though he is as confused by Charlotte's plight as she is. The other characters are also very well drawn.
The story entwines the various threads into a whole that is easy to read and hard to forget. Reaching the last page was something I dreaded but like a lot of things the end of this book is just the start of the story of the Truth Teller.
If anyone is looking for a first book in fantasy, without the talking animals, this book fits the bill perfectly. Narnia for the iPhone generation? It's pretty close to that.
Joelene Marie (28 KP) rated The Fifth Doll in Books
Oct 1, 2018
*3.5 stars, rounded up to 4*
I originally requested this after coming across it on Netgalley during a random browse thru the sci-fi/fantasy category. The description sounded interesting so I thought I'd give it a shot. It sat on my Kindle carousel for a good while (so many books, so little time…) so it was a few days after it was released before I actually got around to starting it. I had seen The Fifth Doll mentioned in several posts and compared to Naomi Novik's Uprooted and Catherynne Valente's Deathless, two books that I love dearly. I decided to go back and check the Goodreads reviews to get an idea of the accuracy of that comparison and from there decided to read the first chapter or two to see if it hooked me like those two had. I was about 40% thru before I realized that it absolutely did have that “unputdownable” quality like the others and had to force myself to put it down and go to bed lol. After finishing it, I can say with certainty that the comparisons do indeed fit.
I have a weak spot for anything 'fairytale-esque’ and this definitely falls into that category, as it is a retelling of the origin of Russian matryoshka dolls. The mc’s name, Matrona, is a nod to this as well. This story is very well written and so imaginative. It definitely kept me guessing until close to the end when the truth about Slava, the creator of the dolls, is revealed. I liked that the Japanese nesting doll is where Slava found the inspiration to create his dolls, it's a small detail but one that ties this retelling to the real history of the matryoshka dolls.
I thought Matrona was developed pretty well but others, especially Slava, could have used a little more fleshing out. I would have also liked a little more backstory on Pavel and Oleg and the symbolism of the white horse. The writing style was solid and the pacing was just right in my opinion. The romance was subtle and didn't overshadow the main plot, which was nice for a change. The main thing I wasn't really happy with was the magic system. There's very little explanation of any of it or how it really works, only that it does. As a fan of fantasy and fairytales, I appreciate a well developed magic system as part of solid world building and that was sorely lacking here for me. Overall, it was an enjoyable read but I feel there was potential for it to be more.
**Thanks to Netgalley and the publisher for the ARC! All opinions are my own.**
I originally requested this after coming across it on Netgalley during a random browse thru the sci-fi/fantasy category. The description sounded interesting so I thought I'd give it a shot. It sat on my Kindle carousel for a good while (so many books, so little time…) so it was a few days after it was released before I actually got around to starting it. I had seen The Fifth Doll mentioned in several posts and compared to Naomi Novik's Uprooted and Catherynne Valente's Deathless, two books that I love dearly. I decided to go back and check the Goodreads reviews to get an idea of the accuracy of that comparison and from there decided to read the first chapter or two to see if it hooked me like those two had. I was about 40% thru before I realized that it absolutely did have that “unputdownable” quality like the others and had to force myself to put it down and go to bed lol. After finishing it, I can say with certainty that the comparisons do indeed fit.
I have a weak spot for anything 'fairytale-esque’ and this definitely falls into that category, as it is a retelling of the origin of Russian matryoshka dolls. The mc’s name, Matrona, is a nod to this as well. This story is very well written and so imaginative. It definitely kept me guessing until close to the end when the truth about Slava, the creator of the dolls, is revealed. I liked that the Japanese nesting doll is where Slava found the inspiration to create his dolls, it's a small detail but one that ties this retelling to the real history of the matryoshka dolls.
I thought Matrona was developed pretty well but others, especially Slava, could have used a little more fleshing out. I would have also liked a little more backstory on Pavel and Oleg and the symbolism of the white horse. The writing style was solid and the pacing was just right in my opinion. The romance was subtle and didn't overshadow the main plot, which was nice for a change. The main thing I wasn't really happy with was the magic system. There's very little explanation of any of it or how it really works, only that it does. As a fan of fantasy and fairytales, I appreciate a well developed magic system as part of solid world building and that was sorely lacking here for me. Overall, it was an enjoyable read but I feel there was potential for it to be more.
**Thanks to Netgalley and the publisher for the ARC! All opinions are my own.**
Ivana A. | Diary of Difference (1171 KP) rated Her Crown of Fire (Molten Crown, #1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2946164637">Her Crown of Fire</a> - ★★★★
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/12/Book-Review-Banner-12.png?resize=768%2C432&ssl=1"/>;
<b><i>Her Crown of Fire is the first book of the Molten Crown series.</i></b>
Rose Evermore is a girl trying to survive high-school. But she suddenly has dreams that can predict the future and she seems to be able to control fire.
Curious about the power she possesses, she finds herself in the fantasy realm of Lotheria with her best friend Tyson. When she arrives, she is welcomed as a fire mage at the academy, while Tyson is forced to hide in order to survive.
With a lot of plot twists and new power discoveries, Rose and Tyson are in trouble and have to find a way back home.
<b><i>I enjoyed this book, and I loved the characters.</i></b>
It is quite difficult for me to find characters I actually feel for in young adult fantasies, but I loved Rose and Tyson. Both characters were full of energy and wisdom. I especially loved the way Tyson developed into a man during his time in Lotheria.
Aside from Rose and Tyson, we also met many side characters which were instantly lovable, such as Laela, Orin and Amisha. They all had something about them that made them special, and I loved every scene that they were in.
I wish that the academy had a more welcoming feeling about it. But given the circumstances, I also loved the mystery and danger that is surrounding it. I loved the the scenes when they talk about their classes and magic, and I loved the runes class. It gave me a Hogwarts vibe.
I enjoyed reading this book, and I cannot wait to read the next book of this series. If you love young adult fantasy, magic, danger and adventure, followed by incredible friendships, you will absolutely love Her Crown of Fire!
<b><i>Thank you to the team at White Plan Publishing, for sending me an ARC paperback copy, in exchange for my honest review.</i></b>
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#1 <a href="https://www.goodreads.com/review/show/2946164637">Her Crown of Fire</a> - ★★★★
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/12/Book-Review-Banner-12.png?resize=768%2C432&ssl=1"/>;
<b><i>Her Crown of Fire is the first book of the Molten Crown series.</i></b>
Rose Evermore is a girl trying to survive high-school. But she suddenly has dreams that can predict the future and she seems to be able to control fire.
Curious about the power she possesses, she finds herself in the fantasy realm of Lotheria with her best friend Tyson. When she arrives, she is welcomed as a fire mage at the academy, while Tyson is forced to hide in order to survive.
With a lot of plot twists and new power discoveries, Rose and Tyson are in trouble and have to find a way back home.
<b><i>I enjoyed this book, and I loved the characters.</i></b>
It is quite difficult for me to find characters I actually feel for in young adult fantasies, but I loved Rose and Tyson. Both characters were full of energy and wisdom. I especially loved the way Tyson developed into a man during his time in Lotheria.
Aside from Rose and Tyson, we also met many side characters which were instantly lovable, such as Laela, Orin and Amisha. They all had something about them that made them special, and I loved every scene that they were in.
I wish that the academy had a more welcoming feeling about it. But given the circumstances, I also loved the mystery and danger that is surrounding it. I loved the the scenes when they talk about their classes and magic, and I loved the runes class. It gave me a Hogwarts vibe.
I enjoyed reading this book, and I cannot wait to read the next book of this series. If you love young adult fantasy, magic, danger and adventure, followed by incredible friendships, you will absolutely love Her Crown of Fire!
<b><i>Thank you to the team at White Plan Publishing, for sending me an ARC paperback copy, in exchange for my honest review.</i></b>
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<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
James Koppert (2698 KP) rated Thorn in Books
Mar 29, 2020
A Phenomenon
There are some young adults books, Harry Potter, Letter for the King, His Dark Materials that can be translated through the languages of the world and for decades or more, be held up as classics of young literature, deserved to be read and bring joy for all ages. Thorn deserves to be held up in equal company as these. I won't beat about the bush, this is an exceptional, beautiful entertaining tale deserving to be a global best-seller for many many years. If you read my reviews I don't thrust such extreme praise on everything I read, but Thorn is the type of book you end up taking a days holiday off work just to carry on engaging with this wonderful story.
Intisar Khanani is a very special writer, like Neil Gaiman, she takes the world and weaves an understated thread of magic and fantasy into the story that provides an undercurrent which bubbles to the surface. The fact it is understated brings you a acceptance without question of the world you are reading, so magic spells and talking horses are as accepted as characters eating a meal. Intisar Khanani's writing flows effortlessly. When you are reading a true master of the art, they write in a way where you forget you are reading at all and are simply viewing a world from the pages. This is such a book.
Thorn contains very human characters who you will feel a deep tenderness for. It contains morality and dilemma asking you to question whether you put your happiness first or the duty of bettering the world? What is justice and rule? Do you seek justice through revenge or lessons as just a few. Yet these moralities are not there to beat you round the head, they are part of the grain of the story where you raise the questions alongside that of the adorable lead character whose gentle female strength is ferocious, again in a beautifully subtle way.
I don't want to give away any of the plot, I want you t pick up the book and let it unravel before your eyes like I did. Be wicked away into a rich multicultural world full of what i hope are many stories yet to be told.
Thorn may not just be the best young adult book of the decade, it could well be one of the best fantasy novels as well, that will be read and then re-read for the next few decades and beyond. Intisar Khanani is about to be a global superstar and deserves every particle of light the spotlight is made up of shining on her.
Intisar Khanani is a very special writer, like Neil Gaiman, she takes the world and weaves an understated thread of magic and fantasy into the story that provides an undercurrent which bubbles to the surface. The fact it is understated brings you a acceptance without question of the world you are reading, so magic spells and talking horses are as accepted as characters eating a meal. Intisar Khanani's writing flows effortlessly. When you are reading a true master of the art, they write in a way where you forget you are reading at all and are simply viewing a world from the pages. This is such a book.
Thorn contains very human characters who you will feel a deep tenderness for. It contains morality and dilemma asking you to question whether you put your happiness first or the duty of bettering the world? What is justice and rule? Do you seek justice through revenge or lessons as just a few. Yet these moralities are not there to beat you round the head, they are part of the grain of the story where you raise the questions alongside that of the adorable lead character whose gentle female strength is ferocious, again in a beautifully subtle way.
I don't want to give away any of the plot, I want you t pick up the book and let it unravel before your eyes like I did. Be wicked away into a rich multicultural world full of what i hope are many stories yet to be told.
Thorn may not just be the best young adult book of the decade, it could well be one of the best fantasy novels as well, that will be read and then re-read for the next few decades and beyond. Intisar Khanani is about to be a global superstar and deserves every particle of light the spotlight is made up of shining on her.
Emma @ The Movies (1786 KP) rated Onward (2020) in Movies
Mar 15, 2020
I had very mixed feelings about Onward after seeing the trailer, it didn't feel like Pixar and if you'd shown it to me out of context I'd never have guessed it was them.
It's Ian's 16th birthday and things aren't exactly going to plan. To cheer him up his mum gives him and his brother a present left for them by their late father. In a world that has forgotten magic, their father had still believed, and he's leaving them a way that will allow them to see him again. When the only way to complete the spell means finding something long forgotten the brothers must embark on a quest, one that older brother Barley has been preparing for his whole life.
Onward starts with a great potted history of magic in their world and how it's been replaced by modern amenities. It feels like they made a very quick change but I liked it over the sped-up timeline over many years, it actually summed up a more modern way of abandoning things that aren't convenient. It also allows you to have fun little moments of thinking about how things changed when you see flashes of their past during the film.
With Pixar you know that you're going to get that sentiment and deeper meaning that induces bucketloads of tears and in Onward it's a strong message about family and how the past weighs down on what's actually happening in the present. None of that meaning really feels like it's there until very late in the film though, the beginning is more like some generic off-brand fantasy adventure, and though the two ends fit together they don't seem like they belong together.
The mix of characters is fun but we don't get a proper introduction to who, or what, many of them are. It's a shame that with such a varied selection of creatures that most are just relegated to being quirky looking with no real function. There were at least things to appreciate from some of them, Colt counting I thought was a fun touch, and I loved Corey the Manticore, her whole transition through the film was funny and very entertaining.
Chris Pratt as Barley was the only spot on bit of casting for me, his happy-go-lucky demeanour fits the character and we're treated to some of that Starlord adventure. (My favourite Barley scene was definitely the bridge). Everyone else kind of felt a little... meh? I wasn't wowed, I wasn't hooked in trying to work out who the voices were, it all felt a little bland. Partly I think that's because I never felt like I learned anything about them. Sure, some bits were fun, but through most of the film I wasn't really bothered what happened to any of them.
The journey that brothers Ian and Barley go on is full of twists and turns, they're amusing but nothing we haven't really seen before. As I mentioned, the emotional payoff doesn't appear until very late, and it did reduce me to tears, but it could have been so much more. The build-up to it had no real substance, especially when you consider how meaningful it's conclusion is.
In fact, the build-up could have offered up so many different things. For a fantasy story with magic and mythical creatures it holds little to no magical feeling. There's no real spectacle or pizzazz to anything. When I think of magic in other films I get wonder and joy, but in Onward it's done more for jokes. Even at the climax of the film it takes on so much humour that it detracts from the emotions.
Dan Scalon's story is partly based on his own experiences (I'm assuming with less mythical creature though)... and that story is peak Pixar... but the world created around it isn't strong enough for the sentiment it portrays. Taking such a powerful message about family and bundling it up in something that doesn't have the usual Pixar strength and heart feels like a travesty to me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/onward-movie-review.html
It's Ian's 16th birthday and things aren't exactly going to plan. To cheer him up his mum gives him and his brother a present left for them by their late father. In a world that has forgotten magic, their father had still believed, and he's leaving them a way that will allow them to see him again. When the only way to complete the spell means finding something long forgotten the brothers must embark on a quest, one that older brother Barley has been preparing for his whole life.
Onward starts with a great potted history of magic in their world and how it's been replaced by modern amenities. It feels like they made a very quick change but I liked it over the sped-up timeline over many years, it actually summed up a more modern way of abandoning things that aren't convenient. It also allows you to have fun little moments of thinking about how things changed when you see flashes of their past during the film.
With Pixar you know that you're going to get that sentiment and deeper meaning that induces bucketloads of tears and in Onward it's a strong message about family and how the past weighs down on what's actually happening in the present. None of that meaning really feels like it's there until very late in the film though, the beginning is more like some generic off-brand fantasy adventure, and though the two ends fit together they don't seem like they belong together.
The mix of characters is fun but we don't get a proper introduction to who, or what, many of them are. It's a shame that with such a varied selection of creatures that most are just relegated to being quirky looking with no real function. There were at least things to appreciate from some of them, Colt counting I thought was a fun touch, and I loved Corey the Manticore, her whole transition through the film was funny and very entertaining.
Chris Pratt as Barley was the only spot on bit of casting for me, his happy-go-lucky demeanour fits the character and we're treated to some of that Starlord adventure. (My favourite Barley scene was definitely the bridge). Everyone else kind of felt a little... meh? I wasn't wowed, I wasn't hooked in trying to work out who the voices were, it all felt a little bland. Partly I think that's because I never felt like I learned anything about them. Sure, some bits were fun, but through most of the film I wasn't really bothered what happened to any of them.
The journey that brothers Ian and Barley go on is full of twists and turns, they're amusing but nothing we haven't really seen before. As I mentioned, the emotional payoff doesn't appear until very late, and it did reduce me to tears, but it could have been so much more. The build-up to it had no real substance, especially when you consider how meaningful it's conclusion is.
In fact, the build-up could have offered up so many different things. For a fantasy story with magic and mythical creatures it holds little to no magical feeling. There's no real spectacle or pizzazz to anything. When I think of magic in other films I get wonder and joy, but in Onward it's done more for jokes. Even at the climax of the film it takes on so much humour that it detracts from the emotions.
Dan Scalon's story is partly based on his own experiences (I'm assuming with less mythical creature though)... and that story is peak Pixar... but the world created around it isn't strong enough for the sentiment it portrays. Taking such a powerful message about family and bundling it up in something that doesn't have the usual Pixar strength and heart feels like a travesty to me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/onward-movie-review.html
graveyardgremlin (7194 KP) rated Disappearing Nightly (Esther Diamond, #1) in Books
Feb 15, 2019
First off, while this could technically be called an urban fantasy, it doesn't really have the atmosphere of one and I'd be more likely to call it a magical mystery. <u>Disappearing Nightly</u> is a charming, wonderfully intriguing tale featuring the logical off-Broadway actress Esther Diamond, who through no fault of her own stumbles into the world of magic, and the path of Dr. Maximillian Zadok.
The author crafted a well-done, swiftly plotted yarn that left me pleased as punch. The characters went beyond caricatures, which could have so easily happened with the amount of personalities featured, and each of their respective professions, in the more colorful world of NYC. Through a comedy of errors, rapid fire dialogue, which the author has a gift for, and hilarious interactions, this motley crew of an investigative team gets to the bottom of the mysterious disappearances that are happening in the community. I had no trouble visualizing events as they unfolded, with amusing results, and could easily see this as a television series. The romance was nicely weaved into the story without becoming overpowering, and surprise of all surprises, there was no bed-hopping! What a nice change of pace. Altogether, this was fine little read that I flew right through and am glad I have the sequel handy! So far, this just may be my favorite read of the year.
The author crafted a well-done, swiftly plotted yarn that left me pleased as punch. The characters went beyond caricatures, which could have so easily happened with the amount of personalities featured, and each of their respective professions, in the more colorful world of NYC. Through a comedy of errors, rapid fire dialogue, which the author has a gift for, and hilarious interactions, this motley crew of an investigative team gets to the bottom of the mysterious disappearances that are happening in the community. I had no trouble visualizing events as they unfolded, with amusing results, and could easily see this as a television series. The romance was nicely weaved into the story without becoming overpowering, and surprise of all surprises, there was no bed-hopping! What a nice change of pace. Altogether, this was fine little read that I flew right through and am glad I have the sequel handy! So far, this just may be my favorite read of the year.
Goddess in the Stacks (553 KP) rated The Bird King in Books
May 22, 2019
I have not yet read G. Willow Wilson's first novel, Alif the Unseen, but I really want to now, because this one was beautiful. I really enjoyed this story, watching Fatima mature through her travels and change from the sheltered Sultan's concubine/possession to become - well - what she becomes.
The Bird King is the story of Fatima, concubine, and Hassan, mapmaker, on the run from the Inquisition. They were both members of the house of the last Sultan in Iberia. When the Spanish (and the Inquisition) came to negotiate his surrender, one of their conditions was they wanted Hassan, because of the magic he used in his maps. Hassan has been Fatima's only real friend; he's the only man that wanted nothing from her, because he's gay and unmoved by her beauty. His sexuality has been largely ignored by the court; his maps were too important to the war effort, so it was tolerated and just not spoken of. When Fatima discovers the Sultan intends to turn Hassan over, she runs away with him. She has some unexpected help in her journey, which, along with Hassan's mapmaking, makes this a kind of magical realist historical fantasy novel. It's not really alternate history, because nobody's actions change how history plays out on a large scale.You can find all my reviews at http://goddessinthestacks.com
The Bird King is the story of Fatima, concubine, and Hassan, mapmaker, on the run from the Inquisition. They were both members of the house of the last Sultan in Iberia. When the Spanish (and the Inquisition) came to negotiate his surrender, one of their conditions was they wanted Hassan, because of the magic he used in his maps. Hassan has been Fatima's only real friend; he's the only man that wanted nothing from her, because he's gay and unmoved by her beauty. His sexuality has been largely ignored by the court; his maps were too important to the war effort, so it was tolerated and just not spoken of. When Fatima discovers the Sultan intends to turn Hassan over, she runs away with him. She has some unexpected help in her journey, which, along with Hassan's mapmaking, makes this a kind of magical realist historical fantasy novel. It's not really alternate history, because nobody's actions change how history plays out on a large scale.You can find all my reviews at http://goddessinthestacks.com