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Kristy H (1252 KP) rated The Clairvoyants in Books
Feb 13, 2018
Martha has had an interesting childhood and upbringing. As a young girl, she saw the ghost of her aunt, a nun, in her grandfather's barn. As a teen, the dead frequently appeared to Martha, though she rarely knew what to do with these apparitions. Also in her teen years, Martha's younger sister, Del, wound up sent to an institution. Incredibly close as children, Del's slow decent into some sort of madness also haunted Martha. So she decides to depart her family's farm and move inland to college. Once in Ithaca, Martha falls in love, is reunited with Del, and frequently sees the ghost of Mary Rae, a missing woman from a neighboring town, who stands beneath Martha's window for hours, wearing her coat and with her hair covered in ice. Martha had hoped to escape the dead in Ithaca, but it seems like somehow everything is going to converge on her nonetheless.
This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.
The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.
This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.
The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.
Nicole Hadley (380 KP) rated Wildflower Harvest: Also Includes Bonus Story of Desert Rose in Books
Jun 18, 2018
Wildflower Harvest by Colleen L. Reece is a Christian novel set in the 1800’s. Thomas and Sadie Brown’s farm, Red Cedars, is nestled in the Allegheny Mountain’s in what has become West Virginia. It escaped detection by both Yankee and Rebel troops during the Civil War. Their twin daughters, Mountain Laurel and Ivy Ann, are very different from each other. Laurel is very quiet and reserved while Ivy is outgoing and flirty. They have recently turned twenty. A week later they are blessed to have the new doctor, Adam Birchfield, arrive.
The story is about two twin sisters Laurel and Ivy Ann who lives with their parents in West Virginian. They meet a handsome doctor, Adam Birchfield who seems to like both of the sisters. There is a rift between the sisters which makes one choose to do something unexpected. Adam leaves West Virginian to joins his older brother Nat in Wyoming who is a preacher. Laurel decides leave and go to Wyoming too.
The Birchfield’s have always made their home in Massachusetts until oldest son, Nathaniel, refuses to fight in the war he doesn’t believe in and leaves home. When he finishes school, Adam also leaves his family home in order to practice medicine where he is desperately needed and to try to find his brother.
The lives of these two families become entwined in some very unexpected ways over the years. I really enjoyed this book and the characters though at times I wanted to yell at them when they made silly decisions. There is always some competition going on between Laurel and Ivy, some expected and some seem silly for adult women. The girls are both strong and adventurous when need be. When their lives take unexpected turns they focus on prayer to see them through. Adam finds Nathaniel is now a preacher in the vast Wyoming where the need for a doctor is great. Adam prayerfully considers whether God is calling him to join his brother.
There are many unexpected turns which kept me very engaged and reading to learn what would happen next. The main characters are all Christians but only share their faith through actions. I recommend this book to all who enjoy a good, Christian based romance novel with some mysteries included.
I received an advance copy of this book from Barbour Publishing, through Netgalley, in exchange for my honest review.
The story is about two twin sisters Laurel and Ivy Ann who lives with their parents in West Virginian. They meet a handsome doctor, Adam Birchfield who seems to like both of the sisters. There is a rift between the sisters which makes one choose to do something unexpected. Adam leaves West Virginian to joins his older brother Nat in Wyoming who is a preacher. Laurel decides leave and go to Wyoming too.
The Birchfield’s have always made their home in Massachusetts until oldest son, Nathaniel, refuses to fight in the war he doesn’t believe in and leaves home. When he finishes school, Adam also leaves his family home in order to practice medicine where he is desperately needed and to try to find his brother.
The lives of these two families become entwined in some very unexpected ways over the years. I really enjoyed this book and the characters though at times I wanted to yell at them when they made silly decisions. There is always some competition going on between Laurel and Ivy, some expected and some seem silly for adult women. The girls are both strong and adventurous when need be. When their lives take unexpected turns they focus on prayer to see them through. Adam finds Nathaniel is now a preacher in the vast Wyoming where the need for a doctor is great. Adam prayerfully considers whether God is calling him to join his brother.
There are many unexpected turns which kept me very engaged and reading to learn what would happen next. The main characters are all Christians but only share their faith through actions. I recommend this book to all who enjoy a good, Christian based romance novel with some mysteries included.
I received an advance copy of this book from Barbour Publishing, through Netgalley, in exchange for my honest review.
MaryAnn (14 KP) rated No Ocean Too Wide (McAlister Family #1) in Books
Nov 4, 2019
Between the years of 1869 to 1939 more than 100,000 poor British children were sent across the ocean to Canada with the promise of a better life. Those who took them in to work as farm laborers or household servants were told they were orphansbut was that the truth?
After the tragic loss of their father, the McAlister family is living at the edge of the poorhouse in London in 1908, leaving their mother to scrape by for her three younger children, while oldest daughter, Laura, works on a large estate more than an hour away. When Edna McAlister falls gravely ill and is hospitalized, twins Katie and Garth and eight-year-old Grace are forced into an orphans home before Laura is notified about her familys unfortunate turn of events in London. With hundreds of British children sent on ships to Canada, whether truly orphans or not, Laura knows she must act quickly. But finding her siblings and taking care of her family may cost her everything.
Andrew Fraser, a wealthy young British lawyer and heir to the estate where Laura is in service, discovers that this common practice of finding new homes for penniless children might not be all that it seems. Together Laura and Andrew form an unlikely partnership. Will they arrive in time? Will their friendship blossom into something more?
Inspired by true events, this moving novel follows Laura as she seeks to reunite her family and her siblings who, in their darkest hours, must cling to the words from Isaiah: Fear thou not; for I am with thee: be not dismayed; for I am thy God
My Thoughts: This was an interesting compelling book to read. It is honestly hard to read about children being taken away from their families by those who feel they are making the children's lives better when in fact the children are treated like slaves. This is the hard part of the book to read, but the fact is, is that this was actually happening during this time period. The author has done a tremendous job of bringing the truth out in this novel. Like every story that has hardship in it, this one does have a little hope. I certainly look forward to reading the second book in this series.
After the tragic loss of their father, the McAlister family is living at the edge of the poorhouse in London in 1908, leaving their mother to scrape by for her three younger children, while oldest daughter, Laura, works on a large estate more than an hour away. When Edna McAlister falls gravely ill and is hospitalized, twins Katie and Garth and eight-year-old Grace are forced into an orphans home before Laura is notified about her familys unfortunate turn of events in London. With hundreds of British children sent on ships to Canada, whether truly orphans or not, Laura knows she must act quickly. But finding her siblings and taking care of her family may cost her everything.
Andrew Fraser, a wealthy young British lawyer and heir to the estate where Laura is in service, discovers that this common practice of finding new homes for penniless children might not be all that it seems. Together Laura and Andrew form an unlikely partnership. Will they arrive in time? Will their friendship blossom into something more?
Inspired by true events, this moving novel follows Laura as she seeks to reunite her family and her siblings who, in their darkest hours, must cling to the words from Isaiah: Fear thou not; for I am with thee: be not dismayed; for I am thy God
My Thoughts: This was an interesting compelling book to read. It is honestly hard to read about children being taken away from their families by those who feel they are making the children's lives better when in fact the children are treated like slaves. This is the hard part of the book to read, but the fact is, is that this was actually happening during this time period. The author has done a tremendous job of bringing the truth out in this novel. Like every story that has hardship in it, this one does have a little hope. I certainly look forward to reading the second book in this series.
Andy K (10823 KP) rated Okja (2017) in Movies
Nov 17, 2019
1st half vs. 2nd half
Director Bong Joon Ho has a phenomenal track record of producing engaging, interesting, rich, vibrant and complex stories. From Snowpiercer to The Host to current critic favorite, Parasite his unique storytelling has proven he can be imaginative and still bring an audience through an entertaining, creative story. This time, as others have said in their reviews, it seems like a tale of two halves remarkably different in tone, scale and narrative.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
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