"Written by my other favorite Irish writer, this book couldn’t be more different in tone than “The Butcher Boy,” but is no less captivating. In this beautifully mediative tale, Alexander Cleave is a celebrated actor who returns to live in his childhood home. The book seemingly has little or no plot but the sheer towering beauty of its language, atmosphere and insight make it impossible to put down or to forget."

"This movie (like, Badlands a movie that’s not on this particular list) is almost perfect. Not a wasted shot, piece of dialogue, moment, or frame. John Sayles has made some amazing movies but this is my favorite of his. A beautiful, forceful movie that tells a dozen different stories wrapped around one specific, true pivotal moment in American history. And every single actor is perfect and perfectly cast."

"And my all-time favorite number one science fiction movie would be…Starship Troopers! Because I’m vain! And full of myself! No, actually I’m excluding me from this, but I would put that on the list. But I can’t do myself, because it just isn’t right. I would say Aliens. Because, as Jim Cameron himself said, “Why are they making Starship Troopers? I already did!” He was wrong, by the way!"

"I took this title for one of my songs on my third album and dedicated it to my sister; she loves this one too. The last John Cassavetes film . . . I heard he was ill throughout a lot of the making of this and, in the final scene, he waves good-bye. It’s really touching. His real-life wife, Gena Rowlands, is one of my all-time favorite actresses."

"What was the other one I always watch when it’s on? Oh, this is dorky… This says everything about who I am: The Sound of Music. It’s just my favorite movie musical, and, I mean, it’s the reason I wanted to become a singer and an actress, was because of Julie Andrews and the Von Trapps. That kind of pretty much explains who I am, which is one big fat dichotomy."

"I’m cheating again by listing two movies together, but the contrast is too good not to mention. I’m a big admirer of the Powell and Pressburger films, and these two would have to be my favorites. Actually, I’d easily list Black Narcissus as my favorite. But The Red Shoes is so celebrated (by comparison) that I want fans of that film to experience the unique vertigo of Black Narcissus."

"I’m cheating again by listing two movies together, but the contrast is too good not to mention. I’m a big admirer of the Powell and Pressburger films, and these two would have to be my favorites. Actually, I’d easily list Black Narcissus as my favorite. But The Red Shoes is so celebrated (by comparison) that I want fans of that film to experience the unique vertigo of Black Narcissus."

"Though by no means one of my favorite films, this Criterion edition provides a jaw-dropping special feature. I couldn’t believe that I was suddenly in the recording booth where Miles Davis had improvised his phenomenal and groundbreaking score. There was something surreal about suddenly stumbling onto this moment of history by pushing a button on my remote control. Like time traveling to the birth of an artistic revolution."

"It’s a great movie, Italian, post-Second World War. These are all going to be foreign films. Miracle of Milan, I can’t even remember the plot, but when you asked me my favorite films, it just hit me again. It’s a story out of the wreckage of the Second World War, and the people finding a way and a reason to go forward. And that’s why it’s called a miracle"

"“Portrait of a Lady on Fire,” which enveloped me in its soft, magical world of colors where the innocent joy of discovering love is so quietly captivating. I never wanted to end. It also features my favorite shot of the year (which contains a small, handheld mirror, you’ll know it when you see it.) and is, I find, the most beautifully photographed scripted film, only to be matched by…"