"Sometimes my biggest reasons for connecting to a film are simple, primitive, just about a feeling. Videodrome and Repo Man are two that fit into that category. In addition to the fact that it costars Debbie Harry in my favorite roll of hers, I love Videodrome for its particular use of my hometown, Toronto. Sure, Toronto is used in films all the time, but usually disguised as New York, or Chicago or Detroit. No filmmaker has used Toronto better and more consistently over the years than our hometown hero Cronenberg, though, and Videodrome he shot and set in the downtown Toronto of my childhood, complete with a central part of the story revolving around our local cable station CityTV (as “Civic TV,” the station James Woods’s character, Max Renn, works for), which really did play soft-core porn if you stayed up late enough. To this day, my dad lives on the street Max Renn lives on, and Barry Convex’s Spectacular Optical is a bakery on the same street as the Electric Youth studio downtown, just a minute away, making the connection both past and present. Repo Man has my favorite Criterion release cover art; it’s amazing and designed by movie poster artist Jay Shaw, who also designed the artwork for singles from our album Innerworld. With Repo Man you get Harry Dean Stanton in his first big-screen lead role, Emilio Estevez as his partner, and the streets of Reagan-era Los Angeles set to a classic punk soundtrack. What more would I need to love this film? Nothing. But like with all great Criterion selections, there’s always something new to take from it with every watch."

"Sometimes my biggest reasons for connecting to a film are simple, primitive, just about a feeling. Videodrome and Repo Man are two that fit into that category. In addition to the fact that it costars Debbie Harry in my favorite roll of hers, I love Videodrome for its particular use of my hometown, Toronto. Sure, Toronto is used in films all the time, but usually disguised as New York, or Chicago or Detroit. No filmmaker has used Toronto better and more consistently over the years than our hometown hero Cronenberg, though, and Videodrome he shot and set in the downtown Toronto of my childhood, complete with a central part of the story revolving around our local cable station CityTV (as “Civic TV,” the station James Woods’s character, Max Renn, works for), which really did play soft-core porn if you stayed up late enough. To this day, my dad lives on the street Max Renn lives on, and Barry Convex’s Spectacular Optical is a bakery on the same street as the Electric Youth studio downtown, just a minute away, making the connection both past and present. Repo Man has my favorite Criterion release cover art; it’s amazing and designed by movie poster artist Jay Shaw, who also designed the artwork for singles from our album Innerworld. With Repo Man you get Harry Dean Stanton in his first big-screen lead role, Emilio Estevez as his partner, and the streets of Reagan-era Los Angeles set to a classic punk soundtrack. What more would I need to love this film? Nothing. But like with all great Criterion selections, there’s always something new to take from it with every watch."

"Okay, so I knew Lauren Oliver was a good writer, but damn! They weren't kidding when they compared this book to "The Tale of Desperaux" (which I also loved!) or "The Graveyard Book" (which I didn't finish, but found a scene very similar to the opening - it involved Bod Fading/Vanishing). Oliver's just a great storyteller, I had just gotten the book early morning at BEA and found that while waiting on line, I kept searching through my multiple tote bags to find this one so I can take advantage of the reading time instead of mingling with other fans on line. This hadn't happened to me for the two days I was there. My favorite characters were easily Liesl, Po, BUNDLE! and Will - who are the four obvious go-to-characters to have as your favorites, but their narratives were great. Different to Oliver's other novels, she wrote in third person and covered other characters beside her main, going so far to write about a guard named Mo (short for Molasses since he's so slow) and Mrs. Snout, owner of Snout's Inn and Restaurant. I'm excited to put this in the hands of my middle-grade peeps come this October, but any other lover of Lauren Oliver or YA will appreciate this story just as much. It has heart, deals with grief, and delivers questions about the Other Side as Oliver freshly explores it. "On the third night after the day her father died, Liesl saw the ghost." You'll ineffably thank me for recommending this. It's hands-down one of my favorite middle-grade stories and I'm already desperately eager to reread it."