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5 Minute Movie Guy (379 KP) rated The Fault In Our Stars (2014) in Movies
Jun 26, 2019 (Updated Jun 26, 2019)
Undoubtedly one of the great love stories of our time. (3 more)
Shailene Woodley and Ansel Elgort are a perfect match.
John Green's novel is brilliantly adapted to the silver screen.
This is a movie that will stay with you long after it's over.
On the surface, it's easy to dismiss The Fault in Our Stars as being a sappy teenage love affair, but I can fortunately say that this is one of the great love stories of our time.
Based on John Green’s popular young adult novel, The Fault in Our Stars is a film that is profoundly beautiful, eloquent and heartfelt. It tells of an extraordinary love between two unforgettable characters who are brought together by similarly ill-fated circumstances. Hazel Grace Lancaster and Augustus Waters are both victims of cancer. Although they do their best to hide it, these two young adults are each afraid of their ominous and unstable futures. They’re just trying to live purposeful lives and experience life like normal teenagers, but the looming threat of an untimely death impedes that desire. However, for a film filled with so much uncertainty, I can fortunately say that there is little doubt that The Fault in Our Stars is one of the great love stories of our time.
On the surface, it’s easy to dismiss The Fault in Our Stars as being a sappy teenage love affair. I’ll confess that I went into the theater expecting to be fully surrounded by crying teenage girls, while I would be quietly laughing to myself at their heartache. What I surely didn’t anticipate, however, was to be so deeply drawn into the film. Even more surprising is the fact that The Fault in Our Stars has actually turned out to be my favorite movie of the year so far. This is a film that is sincerely heartfelt and unflinchingly genuine. It brings truth to the romantic fantasies we have, and teaches us that we can’t let the fear of possible heartache hold us back from the endless potential of love.
Make no mistake about it, The Fault in Our Stars is a tear-jerker. It’s difficult to watch these lovable characters endure such unjustifiable hardship. Hazel and Augustus are each forced to face a formidable fate that they shouldn’t have to. I really felt a strong attachment to both of them, and found them to be remarkably identifiable. This connection makes it all the more unsettling when their situations turn dire. The reason that The Fault in Our Stars manages to be so effective is because of its authenticity and accessibility. The characters are not only admirable, but relatable. They’re not simply reduced to being unfortunate young cancer patients that we’re meant to feel sorry for. While of course we can sympathize with their condition, it is their compassion and the content of their characters that make them so compelling.
While the film features its fair share of tragedy, I should make it clear that it’s not heart-wrenchingly malicious in the way it deals with its ensuing sadness. This is not a film that is deliberately trying to make anyone feel bad. It is merely being honest in its depiction of the unfairness that often exists in life. While you very well might cry when watching the film, it’s not entirely depressing and hopeless. In fact, I would argue that The Fault in Our Stars is more pleasant than painful. The sadness it makes you feel ends up all being worthwhile because of the joyous, unforgettable memories the movie creates along the way. This is a film that will stay with you long after seeing it. To answer the question you’re all wondering: no, the movie didn’t make me cry. Though my lack of tears is not a particularly good indicator of the emotional quality of the film. I don’t really allow myself to cry during movies, but I certainly came close, and it undeniably left me deeply touched and forever grateful that I watched it.
Being that this is a romance, I must warn you that this isn’t a movie for everyone. Truth be told, I’m a sucker for a good romance, but I’m aware not everyone has the patience for these kind of movies. The Fault in Our Stars is a slow-burning journey that takes its time to relish in the moments. It does this skillfully, maintaining a steady, balanced pace while building up to a powerful climax. Some may find the film to be a little too cutesy, but I think anyone who approaches it with an open-mind will find that it’s legitimately a really great film. My only real criticism of the movie involves the awkward return of a particular character towards the end of the movie. It makes for a rather unwelcome and perplexing intrusion, although it does at least help to set up the film’s wonderful ending.
John Green’s story is refreshing, witty, and modern. It is not only insightful in its depiction of love and life, but also offers an amazing attention to detail. It nails the feelings of love, and perfectly captures the life of being a teenager. The characters created by Green truly come to life in this film. Divergent star Shailene Woodley shines as Hazel, a young woman suffering from terminal thyroid cancer. Additionally, Ansel Elgort is incredibly charming as Augustus, a high school basketball star whose career ended short when cancer turned him into an amputee. The two of them are a perfect complementary match. Laura Dern also puts in a commendable performance as Hazel’s mom, a selfless, loving parent and companion. The film’s soundtrack is sensational. It’s appropriately fitting and delightful, featuring great work by artists such as Ed Sheeran, Birdy, and Ray LaMontagne. Every aspect of the movie comes together to produce a thoroughly poignant and relevant package.
The Fault in Our Stars is a film that speaks to our generation. It stares boldly into our fears of the eminent death that haunts us all, and makes no attempt to glamorize it. Even though it’s about a pair of teenagers, it’s not afraid to deal with mature content. It’s actually all the more engrossing and troubling because these two characters are young. They’re already facing a pivotal time in their lives and are learning to experience the world on their own accord, and yet their journeys are plagued by the callous complications of cancer. Their age gives the film a stronger emotional impact, emphasizing the preciousness of life and the importance of living it to the fullest. The Fault in Our Stars is a smart and stimulating movie, and just like its star characters, it is wholly worthy of remembrance.
(This review was originally posted at 5mmg.com on 7.12.14.)
On the surface, it’s easy to dismiss The Fault in Our Stars as being a sappy teenage love affair. I’ll confess that I went into the theater expecting to be fully surrounded by crying teenage girls, while I would be quietly laughing to myself at their heartache. What I surely didn’t anticipate, however, was to be so deeply drawn into the film. Even more surprising is the fact that The Fault in Our Stars has actually turned out to be my favorite movie of the year so far. This is a film that is sincerely heartfelt and unflinchingly genuine. It brings truth to the romantic fantasies we have, and teaches us that we can’t let the fear of possible heartache hold us back from the endless potential of love.
Make no mistake about it, The Fault in Our Stars is a tear-jerker. It’s difficult to watch these lovable characters endure such unjustifiable hardship. Hazel and Augustus are each forced to face a formidable fate that they shouldn’t have to. I really felt a strong attachment to both of them, and found them to be remarkably identifiable. This connection makes it all the more unsettling when their situations turn dire. The reason that The Fault in Our Stars manages to be so effective is because of its authenticity and accessibility. The characters are not only admirable, but relatable. They’re not simply reduced to being unfortunate young cancer patients that we’re meant to feel sorry for. While of course we can sympathize with their condition, it is their compassion and the content of their characters that make them so compelling.
While the film features its fair share of tragedy, I should make it clear that it’s not heart-wrenchingly malicious in the way it deals with its ensuing sadness. This is not a film that is deliberately trying to make anyone feel bad. It is merely being honest in its depiction of the unfairness that often exists in life. While you very well might cry when watching the film, it’s not entirely depressing and hopeless. In fact, I would argue that The Fault in Our Stars is more pleasant than painful. The sadness it makes you feel ends up all being worthwhile because of the joyous, unforgettable memories the movie creates along the way. This is a film that will stay with you long after seeing it. To answer the question you’re all wondering: no, the movie didn’t make me cry. Though my lack of tears is not a particularly good indicator of the emotional quality of the film. I don’t really allow myself to cry during movies, but I certainly came close, and it undeniably left me deeply touched and forever grateful that I watched it.
Being that this is a romance, I must warn you that this isn’t a movie for everyone. Truth be told, I’m a sucker for a good romance, but I’m aware not everyone has the patience for these kind of movies. The Fault in Our Stars is a slow-burning journey that takes its time to relish in the moments. It does this skillfully, maintaining a steady, balanced pace while building up to a powerful climax. Some may find the film to be a little too cutesy, but I think anyone who approaches it with an open-mind will find that it’s legitimately a really great film. My only real criticism of the movie involves the awkward return of a particular character towards the end of the movie. It makes for a rather unwelcome and perplexing intrusion, although it does at least help to set up the film’s wonderful ending.
John Green’s story is refreshing, witty, and modern. It is not only insightful in its depiction of love and life, but also offers an amazing attention to detail. It nails the feelings of love, and perfectly captures the life of being a teenager. The characters created by Green truly come to life in this film. Divergent star Shailene Woodley shines as Hazel, a young woman suffering from terminal thyroid cancer. Additionally, Ansel Elgort is incredibly charming as Augustus, a high school basketball star whose career ended short when cancer turned him into an amputee. The two of them are a perfect complementary match. Laura Dern also puts in a commendable performance as Hazel’s mom, a selfless, loving parent and companion. The film’s soundtrack is sensational. It’s appropriately fitting and delightful, featuring great work by artists such as Ed Sheeran, Birdy, and Ray LaMontagne. Every aspect of the movie comes together to produce a thoroughly poignant and relevant package.
The Fault in Our Stars is a film that speaks to our generation. It stares boldly into our fears of the eminent death that haunts us all, and makes no attempt to glamorize it. Even though it’s about a pair of teenagers, it’s not afraid to deal with mature content. It’s actually all the more engrossing and troubling because these two characters are young. They’re already facing a pivotal time in their lives and are learning to experience the world on their own accord, and yet their journeys are plagued by the callous complications of cancer. Their age gives the film a stronger emotional impact, emphasizing the preciousness of life and the importance of living it to the fullest. The Fault in Our Stars is a smart and stimulating movie, and just like its star characters, it is wholly worthy of remembrance.
(This review was originally posted at 5mmg.com on 7.12.14.)
Phillip McSween (751 KP) rated Bad Times at the El Royale (2018) in Movies
Feb 13, 2019
Great Mystery
A strange mystery unfolds at a seedy motel that resides on the border of California and Nevada.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The cinematics of Bad Times At the El Royale are both vibrant and dark at the same time. The El Royale hotel itself is captured in a nostalgic sense where you get the feel that it’s full of history and not all good history either. There is a seedy undertone that’s unshakeable throughout. I love how director Drew Goddard plays with different elements like rain and close spaces. The two-way mirror scenes definitely increase the intensity of the film. There is so much to appreciate here, I will probably have to watch this again to get the full grasp.
Conflict: 7
While the film definitely could have used more action, the scenes that do exist are pretty solid. It leaves you guessing as you have no idea how things are going to play out. Who will die next? Will this person find what they’re looking for? The conflict is not always driven through direct action, but tension as well. There is one scene in particular involving Jeff Bridges, Cynthia Erivo, and Dakota Johnson that is easily my favorite in the entire movie.
Genre: 9
The characters really contribute in making this a strong mystery. Most times, it’s hard to tell up from down and you get just a little bit closer as you learn the backstory of each of the motel residents. From beginning to end, you wonder how things will ultimately play out amongst the group. Clever twists and turns along the way help to give the film life.
Memorability: 8
Never quite seen anything like it which makes Bad Times memorable in and of itself. It all goes back to the one scene I mentioned above, a scene that paralyzed me and had me on the edge of my seat. It was masterfully crafted and I can think of about three other scenes (at least) that come almost as close. Much discussion was had on the drive home.
Pace: 7
Although the twists keep things interesting the movie does get slow in some spots. It’s almost like it’s lulling you to sleep before picking up the pace yet again, like a car shifting gears. Some may have balked at the singing interludes, but I welcomed them. Erivo’s voice is captivating and heartwarming.
Plot: 10
Great storytelling here filled with intrigue and misdirection. From beginning to end, I felt pretty entertained for the most part. Watching everything unfold and all the stories collide was a definite treat.
Resolution: 10
Overall: 91
Great beginning that hooks you immediately. A shady cast of characters. Solid performances from the likes of Bridges and Chris Hemsworth. Solid ending. Bad Times At the El Royale is an awesome movie that is well worth your time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The cinematics of Bad Times At the El Royale are both vibrant and dark at the same time. The El Royale hotel itself is captured in a nostalgic sense where you get the feel that it’s full of history and not all good history either. There is a seedy undertone that’s unshakeable throughout. I love how director Drew Goddard plays with different elements like rain and close spaces. The two-way mirror scenes definitely increase the intensity of the film. There is so much to appreciate here, I will probably have to watch this again to get the full grasp.
Conflict: 7
While the film definitely could have used more action, the scenes that do exist are pretty solid. It leaves you guessing as you have no idea how things are going to play out. Who will die next? Will this person find what they’re looking for? The conflict is not always driven through direct action, but tension as well. There is one scene in particular involving Jeff Bridges, Cynthia Erivo, and Dakota Johnson that is easily my favorite in the entire movie.
Genre: 9
The characters really contribute in making this a strong mystery. Most times, it’s hard to tell up from down and you get just a little bit closer as you learn the backstory of each of the motel residents. From beginning to end, you wonder how things will ultimately play out amongst the group. Clever twists and turns along the way help to give the film life.
Memorability: 8
Never quite seen anything like it which makes Bad Times memorable in and of itself. It all goes back to the one scene I mentioned above, a scene that paralyzed me and had me on the edge of my seat. It was masterfully crafted and I can think of about three other scenes (at least) that come almost as close. Much discussion was had on the drive home.
Pace: 7
Although the twists keep things interesting the movie does get slow in some spots. It’s almost like it’s lulling you to sleep before picking up the pace yet again, like a car shifting gears. Some may have balked at the singing interludes, but I welcomed them. Erivo’s voice is captivating and heartwarming.
Plot: 10
Great storytelling here filled with intrigue and misdirection. From beginning to end, I felt pretty entertained for the most part. Watching everything unfold and all the stories collide was a definite treat.
Resolution: 10
Overall: 91
Great beginning that hooks you immediately. A shady cast of characters. Solid performances from the likes of Bridges and Chris Hemsworth. Solid ending. Bad Times At the El Royale is an awesome movie that is well worth your time.
Gareth von Kallenbach (980 KP) rated Dracula Untold (2014) in Movies
Aug 6, 2019
The latest Dracula movie attempts to honor an ancient story while adding some new spice and bringing the usual graphics flair we’ve come to expect from Hollywood, but falls short.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Phillip McSween (751 KP) rated Spider-Man: Homecoming (2017) in Movies
Jan 25, 2021
New Vibes, New Dopeness
When I first saw that Sony was playing nice with Disney/Marvel, I almost lost it when I saw that Spider-Man would make an appearance in Captain America: Civil War. Nerd Moment: I’ve always thought that all of the Marvel properties belonged together and this was a step in the right direction. It’s been amazing what’s happened since. In this third reboot since the new century, Spider-Man: Homecoming is the story of a young Peter Parker handling his role as a teenager and a webslinging superhero.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
HerCrazyReviews (247 KP) rated Aladdin (2019) in Movies
Aug 27, 2019
Not As Bad As People Say
Going into this film I didn’t have high expectations. I had read some quick reviews and after watching the trailer when it was released it seemed to me like this film was not going to do well. However, it managed to surprise me. I will admit the first half of the film while being okay didn’t have my constant attention or enthusiasm. This changed when “Prince Ali” entered Agrabah and was introduced to Princess Jasmine. I loved how awkward Aladdin was and I could not stop laughing. From there on the movie just seemed to get better and better. (Maybe because the action/plot was picking up?)
One of the things I enjoyed the most was the fact that we get to see a lot more bonding happening between Jasmine and Aladdin. In the original film we get to see them connect mostly through the ‘Whole New World’ scene. What I thoroughly enjoyed about this film is that we get to see them courting and interacting more. “Prince Ali” is trying to make up for his failure of a first impression and is trying to open himself up to Jasmine. I loved that they decided it was important to include extra scenes like this because they do fall fast for one another and this makes their love seem all the more realistic.
Regarding the cast, when I first heard that Will Smith would be playing Genie I wasn’t a huge fan. When I first saw him in the trailer my initial impression was not a good one and while it took a little getting use too I now think he plays a wonderful Genie. While Robin Williams will always be my number one when it comes to Genie he (for obvious reasons) was not available for this remake and Will Smith did a wonderful job following in his footsteps. I feel like the main criticism this movie is receiving is the way Will Smith acts as the Genie and I will admit it isn’t the same but they are two different people with different directors. Of course they are going to act differently!
While it may not be one of my favorite movies I do not necessarily think it is as bad as most people are making it out to be. I do think it could have been better as the green screen in some parts wasn’t great. I feel like they definitely could have done better here but maybe the budget was limited? For the most part I felt like the CGI was standard but not standout in any way. I know some people are upset about changes made but while Disney was remaking their own movie it is good to change up some things as what is the point in watching if it is the exact same script? Overall, it was okay. Simply that. Nothing more or less.
One of the things I enjoyed the most was the fact that we get to see a lot more bonding happening between Jasmine and Aladdin. In the original film we get to see them connect mostly through the ‘Whole New World’ scene. What I thoroughly enjoyed about this film is that we get to see them courting and interacting more. “Prince Ali” is trying to make up for his failure of a first impression and is trying to open himself up to Jasmine. I loved that they decided it was important to include extra scenes like this because they do fall fast for one another and this makes their love seem all the more realistic.
Regarding the cast, when I first heard that Will Smith would be playing Genie I wasn’t a huge fan. When I first saw him in the trailer my initial impression was not a good one and while it took a little getting use too I now think he plays a wonderful Genie. While Robin Williams will always be my number one when it comes to Genie he (for obvious reasons) was not available for this remake and Will Smith did a wonderful job following in his footsteps. I feel like the main criticism this movie is receiving is the way Will Smith acts as the Genie and I will admit it isn’t the same but they are two different people with different directors. Of course they are going to act differently!
While it may not be one of my favorite movies I do not necessarily think it is as bad as most people are making it out to be. I do think it could have been better as the green screen in some parts wasn’t great. I feel like they definitely could have done better here but maybe the budget was limited? For the most part I felt like the CGI was standard but not standout in any way. I know some people are upset about changes made but while Disney was remaking their own movie it is good to change up some things as what is the point in watching if it is the exact same script? Overall, it was okay. Simply that. Nothing more or less.
Phillip McSween (751 KP) rated Coco (2017) in Movies
Dec 11, 2017
Amazing
The Book of Life was one of my favorite films of 2014. When I first saw the trailer for Coco, it was hard not for me to draw comparisons. A celebration of the Day of the Dead. Mariachi. Centered around music. Coco brings its own flavor, however, a unique experience all its own. In fact, if it weren't for the god-awful twenty-five-minute Frozen short right before (since removed due to numerous complaints), this would have been close to a perfect moviegoing experience.
Little Miguel loves music. He has to sneak away to watch old recordings of his favorite musician Ernesto de la Cruz because the rest of his family thinks music is a curse. Following a mysterious chain of events (don't want to ruin it for you), Miguel finds himself in the Land of the Dead and must somehow find a way to get home before its too late.
The colors. Oh man, the colors. Vibrant, popping off the screen. It screams life even during the scenes in the Land of the Dead. This is one film I wish I would have seen in IMAX. The colors add an amazing pop, from the spirit animals to the city landscapes at night, making this one of the most beautiful animated films I have seen.
The colors alone are just a small touch to the overall creativity and originality behind Coco. The Land of the Dead is loaded with sights to behold, some you might miss if you blink. The attention to detail is spectacular from the cool bridge that guides the dead to the Land of the Living to the colorful spirit animals. I've seen a lot of movies and I haven't seen anything like this.
Not only are the visuals amazing, but the music holds its own as well, driving the entire story in an entertaining and powerful way. There are a lot of touching moments that revolve around the soundtrack. There will be musical numbers that make you laugh while others leave you with more of a somber feel. Maybe I cried a little. Maybe I didn't. You'll never know for sure. One thing I can say is this movie was about as touching as any I have seen this year.
Disney/Pixar is known for leaving you with a great message and Coco is no exception. Miguel was willing to follow his dreams at all costs, even if it cost him his life. How many of us can say the same? Another phenomenal job by Pixar. I give the film a 96.
Little Miguel loves music. He has to sneak away to watch old recordings of his favorite musician Ernesto de la Cruz because the rest of his family thinks music is a curse. Following a mysterious chain of events (don't want to ruin it for you), Miguel finds himself in the Land of the Dead and must somehow find a way to get home before its too late.
The colors. Oh man, the colors. Vibrant, popping off the screen. It screams life even during the scenes in the Land of the Dead. This is one film I wish I would have seen in IMAX. The colors add an amazing pop, from the spirit animals to the city landscapes at night, making this one of the most beautiful animated films I have seen.
The colors alone are just a small touch to the overall creativity and originality behind Coco. The Land of the Dead is loaded with sights to behold, some you might miss if you blink. The attention to detail is spectacular from the cool bridge that guides the dead to the Land of the Living to the colorful spirit animals. I've seen a lot of movies and I haven't seen anything like this.
Not only are the visuals amazing, but the music holds its own as well, driving the entire story in an entertaining and powerful way. There are a lot of touching moments that revolve around the soundtrack. There will be musical numbers that make you laugh while others leave you with more of a somber feel. Maybe I cried a little. Maybe I didn't. You'll never know for sure. One thing I can say is this movie was about as touching as any I have seen this year.
Disney/Pixar is known for leaving you with a great message and Coco is no exception. Miguel was willing to follow his dreams at all costs, even if it cost him his life. How many of us can say the same? Another phenomenal job by Pixar. I give the film a 96.
BankofMarquis (1832 KP) rated Young Frankenstein (1974) in Movies
Apr 20, 2020
My All Time Favorite Comedy
There are certain films that I can revisit time and time again and the effects of the film do not diminish for me and I would argue that they get better with age...and with repeated viewings.
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Teenage Mutant Ninja Turtles (2014) in Movies
Aug 6, 2019
I’m kind of like everyone else out there. I grew up with the Ninja Turtles. I loved the cartoons, the comics and most of all the toys. I remember the pizza shooter. Boy, did I get into some trouble with that. When the movie came out in 1990, I begged and begged by father to take me to it until he finally did. I loved that movie! And while it may not for most, it still hold up for me today.
I wish that I could speak with as much enthusiasm about 2014’s Teenage Mutant Ninja Turtles. The truth is, as I sat there and watched I found myself shaking my head “no” more often than not over the course of the hour and a half. My worst fears for the movie came true, and I am ashamed of what this may do to the franchise. And be warned, there are most definitely spoilers ahead.
TMNT is about a “gang” called the Foot Clan, who are robbing chemical shipments, banks and all sorts of places in New York City. April O’Neil, a local news reporter, is looking to make a big break and thinks she may have found it as she happens upon a robbery in progress by the Foot Clan. But before she could any good pictures or footage, mysterious vigilantes show up and save the day. This leads her to investigate and find out that none other than our favorite heroes in the half shell are said vigilantes. We find out that the partner of Shredder, the head of the Foot Clan, was running experiments using a chemical compound not of this world. They were injecting, you guessed it, four turtles and a rat. Now the turtles must stop the Foot Clan from carrying out there ultimate plan, which leads us to a final showdown between our heroes and Shredder.
First off, bad move changing the origin story like that. A mutagen made from an alien compound? It totally lacks credibility especially as it is only slight referenced in one scene, and then never spoken of again. Plus, losing “the ooze” origin totally closes doors (though maybe not all the way) on other characters in the TMNT universe (i.e. BeBop and Rocksteady). It’s just really lame to see them veer away from what was tried and true.
The turtles themselves, their new look actually grew on me. I think that some of the accessories may have been a little overboard, but the basics were there. I especially liked that the bandanas weren’t identical. However, the look is where it ended for me. I do not think that they cast the voices right. It just didn’t sound like they are supposed to sound. We’ve had the iconic voices from animated series to the old series of movies that just stand out. I didn’t get that here.
Also, I just don’t get the deal with Megan Fox. I get that some guys find her attractive, but that doesn’t mean she can act. She was the absolute worst choice for April O’Neil. She just didn’t look the part. Maybe Michael Bay was trying to prove a point about the rumors going around for why she wasn’t in Transformers 3. Will Arnett, however, did an excellent job as Vern Fenwick, O’Neil’s camera man. He had some great comedic timing and relief from the action sequences.
If you ask me, they showed Shredder’s face way too early in the movie. And then they way overdid him, right off the get go. Shredder was a formidable foe because of his cunningness and martial arts expertise. But ladies and gentleman, they introduce Super Shredder almost immediately off the bat. Or, as I like to call him in this film, Swiss Army Shredder. He looked like a freaking Transformer, in the worst way. I swear I even heard the Transformer sound when he jumped and landed one time. They way, way over did it. I know, I’ve already said this. But it seems to be a theme of the night.
I walked out of the film wishing I had never agreed to do this. Unfortunately, though, someone’s got to take one for the team. And if it means that I can warn others, than I am glad to have done it. The movie was entirely bad; there were a couple of funny moments. It just saddens me to think that this will be some people’s first exposure to what was always such an awesome universe. I will most definitely not be picking this up on Blu-ray. I will, however, be watching 1990’ Teenage Mutant Ninja Turtles.
Now, I understand that some of you may see me as being a fan boy obsessing over nostalgia. But if you have read any of my reviews, you know that I always am kinder and look for the entertainment value of movies. This movie just made me sad. But if you don’t believe me, or doubt my opinion… go check it out. You’ll wish you hadn’t.
I wish that I could speak with as much enthusiasm about 2014’s Teenage Mutant Ninja Turtles. The truth is, as I sat there and watched I found myself shaking my head “no” more often than not over the course of the hour and a half. My worst fears for the movie came true, and I am ashamed of what this may do to the franchise. And be warned, there are most definitely spoilers ahead.
TMNT is about a “gang” called the Foot Clan, who are robbing chemical shipments, banks and all sorts of places in New York City. April O’Neil, a local news reporter, is looking to make a big break and thinks she may have found it as she happens upon a robbery in progress by the Foot Clan. But before she could any good pictures or footage, mysterious vigilantes show up and save the day. This leads her to investigate and find out that none other than our favorite heroes in the half shell are said vigilantes. We find out that the partner of Shredder, the head of the Foot Clan, was running experiments using a chemical compound not of this world. They were injecting, you guessed it, four turtles and a rat. Now the turtles must stop the Foot Clan from carrying out there ultimate plan, which leads us to a final showdown between our heroes and Shredder.
First off, bad move changing the origin story like that. A mutagen made from an alien compound? It totally lacks credibility especially as it is only slight referenced in one scene, and then never spoken of again. Plus, losing “the ooze” origin totally closes doors (though maybe not all the way) on other characters in the TMNT universe (i.e. BeBop and Rocksteady). It’s just really lame to see them veer away from what was tried and true.
The turtles themselves, their new look actually grew on me. I think that some of the accessories may have been a little overboard, but the basics were there. I especially liked that the bandanas weren’t identical. However, the look is where it ended for me. I do not think that they cast the voices right. It just didn’t sound like they are supposed to sound. We’ve had the iconic voices from animated series to the old series of movies that just stand out. I didn’t get that here.
Also, I just don’t get the deal with Megan Fox. I get that some guys find her attractive, but that doesn’t mean she can act. She was the absolute worst choice for April O’Neil. She just didn’t look the part. Maybe Michael Bay was trying to prove a point about the rumors going around for why she wasn’t in Transformers 3. Will Arnett, however, did an excellent job as Vern Fenwick, O’Neil’s camera man. He had some great comedic timing and relief from the action sequences.
If you ask me, they showed Shredder’s face way too early in the movie. And then they way overdid him, right off the get go. Shredder was a formidable foe because of his cunningness and martial arts expertise. But ladies and gentleman, they introduce Super Shredder almost immediately off the bat. Or, as I like to call him in this film, Swiss Army Shredder. He looked like a freaking Transformer, in the worst way. I swear I even heard the Transformer sound when he jumped and landed one time. They way, way over did it. I know, I’ve already said this. But it seems to be a theme of the night.
I walked out of the film wishing I had never agreed to do this. Unfortunately, though, someone’s got to take one for the team. And if it means that I can warn others, than I am glad to have done it. The movie was entirely bad; there were a couple of funny moments. It just saddens me to think that this will be some people’s first exposure to what was always such an awesome universe. I will most definitely not be picking this up on Blu-ray. I will, however, be watching 1990’ Teenage Mutant Ninja Turtles.
Now, I understand that some of you may see me as being a fan boy obsessing over nostalgia. But if you have read any of my reviews, you know that I always am kinder and look for the entertainment value of movies. This movie just made me sad. But if you don’t believe me, or doubt my opinion… go check it out. You’ll wish you hadn’t.
Leighann Twist (26 KP) rated Pet Sematary (2019) in Movies
May 15, 2019
Meh....
Contains spoilers, click to show
I am so on the fence about this film. I liked some of the changes they made to this film. The kids in the masks made me uneasy which I like in a horror film but I feel like they could have done more with the orgin of the masks but other than the kids wearing the masks in the beginning of the film, the only other time you see them is when Ellie starts her killing spree. So the scene at her birthday party....I find it ridiculous that there were all those adults there and while Louis is blindfolded no one is watching the kids to make sure they dont run out into the street. Now one could argue who was watching Guage when he dies in the original but there are A LOT more parents around in this one. And who plays hide and seek in the front yard of a house on a busy highway anyway? Dont they have a backyard too? But despite all that I really enjoyed the scene leading up to Ellies death. They did a good job with Louis going after Guage and then Ellie getting hit instead. It was intense and sucked me right in. Let's talk Zelda for a second. Quite possibly the best and most terrifying part of the movie. Wasnt sure how Zelda could be anymore creepy than she was in the original but OMG they so nailed it. My favorite parts of this remake were the Rachel and Zelda storyline and it had me on the edge of my seat for sure. The ending however lost it for me and left me so angry that I paid to see this movie in the theater. The ending is where everything fell apart for me. It seemed very rushed and sloppily done. Such cheese. Realistically would everyone turn 3 seconds after they were buried? Do zombies have superhuman strength? Cuz Ellie taking her dad to the burial ground and making it over that hill with the weight of his body seemed so cheesy. Then the father killing the mother and them going to get Guage
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
Ice Age: Arctic Blast
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Set off on an ICE AGE match-3 puzzle adventure with Sid, Manny, Diego and Scrat in addition to a...