"I don’t know many people who have seen this movie, but it’s great. Are you a dog person or a cat person? Forget Cat People with Nastassja Kinski and Malcolm McDowell—not that the two animalistic movies have much in common other than dangerous, large-fanged creatures and a bit of 1980s spandex. Who knows what possessed Samuel Fuller to cast that straight-shooting seventies TV star Kristy McNichol as the lead? But no arguments here! White Dog is suspenseful, poignant, and entertaining, plus it features some of your favorite Roger Corman all-stars!"

"I would say it’s one of my all-time favorite movies. There were times in my life when I had to watch Sans Soleil once a year, and I could because there was a cinema in Vienna that used to show it every summer. On one hand, it’s a perfect and artistic movie, but on the other, it’s like the basis of moviemaking. It’s an essay film dealing with documentary material, and it transforms it into a poetic idea of the world. For me, it’s the highlight of documentary filmmaking."

"My parents got divorced when I was about eight, and after that I moved with my mother from St. Louis to Boston. I became her movie pal, and she would take me to some very inappropriate movies! This was one of them. The Graduate has one of my favorite montages ever—that one where Dustin Hoffman jumps off a diving board and lands on Anne Bancroft’s chest! It’s sexy and beautiful, but it also captures how this young man spirals into a state of jadedness over the course of a summer."

"I gotta throw a musical in there, and I’d go with The Band Wagon. Singin’ in the Rain is more exuberant, but [Vincent] Minnelli is one of my favorite stylists in cinema. You know, I love {Fred] Astaire, and I’m crazy about that film. I’ve loved it since I was in high school. Often, these favorites come and go, and they change position on your list, and you make room for other things that maybe you didn’t appreciate as strongly when you were younger, but I’ve always been crazy about that movie."

"High and Low is my personal favorite Kurosawa movie. I love everything about it: the chamber piece of the first half, the sprawling police hunt that follows, the fact that Toshiro Mifune’s character is so committed to making high-quality women’s shoes. And there are so many great moments throughout: the pink smoke, the train sequence, the amazing ending scene. I find it so stunning and effective, and I love the way the film gets at themes of class and social inequality in the form of such an exciting procedural crime thriller."

"I’m cheating again, because this isn’t a movie at all. It’s an episode of an Adult Swim show, and I’ve watched it more than anything else this year. It’s only ten or twelve minutes and it leaves me feeling like I’m a better person. It is warm and cozy and fills me with compassion and hope for humanity. It is also a celebration of my favorite meal. I look forward to many more viewings in the year to come, whenever I need a pick-me-up, large or small."

"If you’re forced to pick a sixties Godard, you do it without worry and with as much Godardian esprit, whimsy, impulse, and movie love as you can, and no one’s choice can be better or worse than anyone else’s. I can’t say exactly why this one is my favorite—it’s a vacation travelogue amid genial diatribes and ironic pastiches, four-dimensional masterpieces all—but I can say that when I interviewed Anna Karina (who is very tall, by the way), she guessed that it was, and she also kissed me."

"I like The King of Comedy by Scorsese. I like that one. It makes me laugh a lot. I think it’s very funny. I mean, I like the combination, the trio of Robert De Niro, Jerry Lewis and Sandra Bernhard; that’s just one of my favorite trios in a movie. The three of them had a pretty amazing chemistry, I thought. I’ve heard that Scorsese was reluctant to make it, that it was on the shelf for a while; I guess that makes me appreciate it even more."