"As a moviegoer, one of my favorite things is encountering a vision that you don’t understand. I love the scenario of this man having visions he has to keep secret from his wife, who’s been seeking out psychics to help access their dead child. That image of the funeral boat going down the canal haunts me. It’s spooky and gorgeous at the same time. I’m drawn to horror movies that treat the genre in an unusual way. And of course, this movie has one of the greatest love scenes of all time—it’s incredible to see that level of intimacy on the screen."

"The other Louis Malle I chose, my favorite of his and the first one I saw. I was lucky enough to take a class on Malle in university, and so I was exposed to this great filmmaker at a young age. This is by far the best coming-of-age story I have ever seen. The incestuous mother/son relationship is surprisingly underplayed and comical. In a scenario that would otherwise be shocking, Malle doesn’t judge his characters, he just tells their story. Also notable is the beautiful Dizzy Gillespie and Charlie Parker soundtrack. A wonderful, rare movie."

"It would probably be a Woody Allen movie, and I don’t know whether it would be Manhattan, or Annie Hall, or Broadway Danny Rose. Those are my three favorites, but it’s kind of hard to pick a favorite among those. I don’t know. It’s hard. I mean, they’re all three so good. I don’t know. Maybe Annie Hall is my favorite. It’s one of the most lauded certainly. But then you’ve got Manhattan, and the romance of New York City, and you have that obviously in Annie Hall, to a certain extent. Broadway Danny Rose is less often mentioned, I find, but still really amazing with him (Allen) and Mia Farrow. He’s such a character, and Broadway Danny Rose represents all these, you know, sort of loser acts in a way. But it’s such a sweetness to it that I love, and it’s just like all of his – I like all of those movies certainly. So well shot, in beautiful black and white. "