"One of my favorite films is Avatar. I love the connection to the land; it’s like Aboriginal culture. I love the idea that everything is connected, and if you cut down a tree in one area, it’s actually going to have a flow-on effect to other beings, and I love there was this one significant tree in the whole movie that was the key in connection to a group of people culturally. It protected them, it gave them shelter, it gave them protection from within. So that’s what I love about Avatar. I also love that they won; they fought off the human race, which was coming for greed purposes."

"Mother and Child by Rodrigo García, because he’s really incredible about dealing with human relationships and he’s not afraid to go as dark as you need. He’s one of my favorite directors of all time, and I think he can write for a woman almost better than he can for a man. (laughs) And he’s a straight man. His father is actually Gabriel Garcia Marquez. He’s got just a nice touch with women and the performances are outstanding. Annette Bening and Naomi Watts and Britt [Brittany] Robertson, just f***ing everybody in that movie is… oh, it’s just f***ing one of the most beautiful, flawless films I’ve ever seen."

"The first one is Annie Hall. All of these movies are movies that… I mean, I feel that most people’s favorite movies are movies that you can see over and over again. That’s just a movie that, you know, I don’t know how many times I’ve seen it and it doesn’t even matter anymore. It’s one of those movies that, every time it comes on TV, I have to sit down and watch it even if I’ve seen it before. To talk about why I love it, I mean, what do I even say? “Because I’m not a moron [laughing]? That’s why I love it?"

"Yes, I admired Marlon Brando and I know that he influenced James Dean and he really kind of changed the world of film acting with his naturalistic style, but it was because of Vivien Leigh’s performance as Blanche DuBois that I would put that as one of my favorite movies; because of her dialog, the Tennessee Williams dialog, the music, Kazan’s direction, and Vivien Leigh’s delivery of lines like — I’m paraphrasing — but when she says, “the human heart, how can that be straight?”, you know. It was such a powerfully vulnerable, tragic performance that I have to put that on the top five, because that movie held that performance."