"You know, it’s tough to really summate your favorite movies, and it changes so often based on your vibe and things like that. When I w­as thinking about it, I was trying to think of what are the movies that continually show up in the top 10. And I landed on The Bicycle Thief – or Bicycle Thieves; sometimes people say “thief,” sometimes say “thieves.” [Director Vittorio] De Sica’s Bicycle Thief is like a north star project for me. First of all, it’s arguably the greatest film in the father-son series. It’s one of the bits of neo-realist masterpiece. The way that De Sica aligned it with his casting and the themes of his movie is always an inspiration. The fact that he saw Lamberto Maggiorani at the audition, that he showed up with his son – he’s a factory worker who showed up with his son – he immediately said, “Oh, this is the guy who needs to play the character.” And the fact that he cast the kid, Enzo, off of the street while they were filming, who was selling flowers for his father. The fact that De Sica had the vision to try to blur the lines, starting with casting and then, towards the climax of the movie he shot, he modeled his production around the release of a soccer match. So that he knew he was going to have hundreds upon thousands, thousands upon thousands of people leaving the stadium at the same time. And he would shoot around. He’s using reality as the fabric of his fiction film. And that, to me, makes it an ultimate masterpiece of all time."

"Speaking of that, we must go to Blade Runner — true visual genius, and also in a class never matched. I saw it the first show, the first day, with a bunch of my friends. I can remember that because it was at the Cinerama dome in Hollywood, and it was on that huge screen with that incredible sound system. I still remember that great Vangelis music. But that opening — it’s embedded in my mind, that opening, with that scape of the city and its almost Mayan-like temple formation and those fires out of nowhere shooting up. Plus, Sean Young — that interview [with Harrison Ford’s Deckard] is unbelievable. I got a lovely letter from her last year. I worked with her on Cousins. Amazingly, amazingly beautiful. And of course it has the great Harrison Ford, and Edward James Olmos, and we could just go on and on with that movie. Daryl Hannah is great in it. And the doll guy, William Sanderson, who I got to work with on The Client — he played one of Tommy Lee Jones’ posse. One of the great things about my job is that I’ve been able to cast, sometimes, my favorite people."

"You know, I haven’t seen the film in a very long time, but because it was another thing that my sister and I, as kids, would watch — the film Lady Jane, with Helena Bonham Carter. And Helena Bonham Carter was, I think she was like, 17. I feel funny saying that’s one of my favorite films, but it really inspired us, and we’re both actors now, and she is, to us, still amazing. When I watched it, I just remember thinking, “Oh my gosh, that’s my dream,” to play that role. I love her. Lady Jane started my love of period films and the British accent, which I’m obsessed with. I just did my first one. I did a medieval film [Ironclad] that… Do you know Jason Flemyng? He’s one of my really good friends. As soon as I heard Jason Flemyng was doing it and that it was medieval, I was like, I don’t even care what it’s about — I gotta do it just for the fun. I was the only girl on the movie. It was hilarious. And yes, I got to do my British accent."

"My number two movie is Otto Preminger’s Anatomy of Murder starring Jimmy Stewart — one of my favorite James Stewart performances. He’s the country lawyer, so all those folksy tricks that Jimmy Stewart uses just really come into play here– ’cause he’s also so bright, you know? He’s the brilliant, folksy country lawyer. And Lee Remick is in it, in the flower of her youth. Bra-less and in Ray-Bans — you know, who doesn’t want [to see] that? And gosh, Ben Gazzara in a really neurotic, strange performance. I think it’s the screen debut of George C. Scott as the young lawyer from Lansing, MI, who takes on this case; and he’s — it’s just brilliant courtroom stuff. Murray Hamilton — who plays the mayor in Steven Spielberg’s Jaws — he’s the bartender, and he’s wonderful; it’s a great turn. And the music: Duke Ellington and Ella Fitzgerald, so it’s a great jazz score. The Jimmy Stewart character tinkles on the ivories and he plays a little bit of jazz sometimes as a kind of hobby, so that justifies the score. But that’s a great film — black and white, beautifully shot, underrated. Almost a perfect film."