Search
Search results
Kyera (8 KP) rated Of Fire and Stars (Of Fire and Stars #1) in Books
Feb 1, 2018
Of Fire and Stars is a tale of magic, romance, and treachery. The story is told through alternating points of view, Mare is the princess of Mynaria and sister to Thandi the future King while Denna is a princess of Havemont and future wife of Thandi. Although Mare is royalty, she does not enjoy her crown choosing to spend her time in the stables and wishing she could live her own life. Denna has been trained and taught her entire life to be worthy of the arranged marriage that is her future. That is what is expected of her and all she knows.
Forced to adjust to a life at court, Denna finds herself in riding lessons with Mare in preparation for her wedding. Having never ridden a horse before she is concerned but puts her all into learning, which impresses the recalcitrant Mare. Their interactions and friendship grow over the course of the novel in a believable way, from the initial opinions of dislike to a true, bonded friendship. Although Denna is betrothed, her feelings only grow for Mare until her every thought is of the princess rather than the prince. Mare dismays each time she thinks about her brother marrying Denna, as he doesn't realize her best qualities. Each fears that her feelings are not reciprocated and keep everything bottled up. Whether their tale has a happy ending or not, you won't know unless you read the book. I really enjoyed the relationships and interactions in this book, particularly a romance that is more diverse than we normally get to see.
The world-building could have been better in this novel, but it is not non-existent. There are a variety of different lands and people mentioned, unfortunately, we only receive the barest of information. Even though one of our main characters is from another land, we learn about little more than their harsh winters. The magic system and other lands like Zumorda were so fascinating, but not explored. While some of this can be explained by the fact that our characters also seem to be ill-informed about their neighbors, we don't receive much more information about Mynaria and that's where this book takes place.
I found the main characters to be relatable but didn't connect deeply with some of the secondary ones. That was disappointing because it meant when there was an emotional scene or death, as a reader you weren't torn apart by it. To be honest, I didn't have opinions or feelings about it at all and I wish that were not the case. I love when books sweep you up, heart and soul, making you a part of the story and tearing out your emotions with every line.
Magic is feared and punished in Mynaria, so we sadly don't get to experience much of it. When we see experienced practitioners perform, it is fascinating and varied. Someone with an air affinity might be able to create a breeze but they also may be able to transform into a bird. I wish this magic system was more developed and/or explained more because I just want to know more.
Overall, I enjoyed this book and would recommend it to young adult/teen readers who enjoy magic, fantasy, romance, or more diverse books.
Forced to adjust to a life at court, Denna finds herself in riding lessons with Mare in preparation for her wedding. Having never ridden a horse before she is concerned but puts her all into learning, which impresses the recalcitrant Mare. Their interactions and friendship grow over the course of the novel in a believable way, from the initial opinions of dislike to a true, bonded friendship. Although Denna is betrothed, her feelings only grow for Mare until her every thought is of the princess rather than the prince. Mare dismays each time she thinks about her brother marrying Denna, as he doesn't realize her best qualities. Each fears that her feelings are not reciprocated and keep everything bottled up. Whether their tale has a happy ending or not, you won't know unless you read the book. I really enjoyed the relationships and interactions in this book, particularly a romance that is more diverse than we normally get to see.
The world-building could have been better in this novel, but it is not non-existent. There are a variety of different lands and people mentioned, unfortunately, we only receive the barest of information. Even though one of our main characters is from another land, we learn about little more than their harsh winters. The magic system and other lands like Zumorda were so fascinating, but not explored. While some of this can be explained by the fact that our characters also seem to be ill-informed about their neighbors, we don't receive much more information about Mynaria and that's where this book takes place.
I found the main characters to be relatable but didn't connect deeply with some of the secondary ones. That was disappointing because it meant when there was an emotional scene or death, as a reader you weren't torn apart by it. To be honest, I didn't have opinions or feelings about it at all and I wish that were not the case. I love when books sweep you up, heart and soul, making you a part of the story and tearing out your emotions with every line.
Magic is feared and punished in Mynaria, so we sadly don't get to experience much of it. When we see experienced practitioners perform, it is fascinating and varied. Someone with an air affinity might be able to create a breeze but they also may be able to transform into a bird. I wish this magic system was more developed and/or explained more because I just want to know more.
Overall, I enjoyed this book and would recommend it to young adult/teen readers who enjoy magic, fantasy, romance, or more diverse books.
Mike Wilder (20 KP) rated The Thing (2011) in Movies
May 30, 2018
This is a prequel to probably one of the best horror films ever made
Contains spoilers, click to show
This is a prequel to probably one of the best horror films ever made, a true classic and a very good addition to the story. It tells what happened in the events leading up to the original film. The last shot of this film links to the first shot of the original.
At first I was worried about this film for two reasons. First, as the film was set on a Norwegian camp how much reading would I have to do whilst trying to follow the story? Second, the original film is amazing a true classic of the horror genre. Would this film do justice to the story and would the use of modern effects change the feel of the story? My fears were soon put to rest. Fortunately it appears that the universal language for scientists working in the Antarctic is English! There are a few subtitles throughout the film but not that many. Now a big thank you to the producers of this film. It is clear that they are true fans of the original and this is evident in the title. They couldn't come up with a title better than "The Thing". They could have gone with The Thing: Begins but nothing sounded as good. This film was made by fans of the original and they have ensured that it links into every reference made in the original to the Norwegian base, even down to an axe in the wall seen in the first film, showing how it got there in this one. The cast is made up of very good actors, none of them are particularly well known to everyone. I recognised a few faces, but this is good as you have no idea who will survive as there no major stars.
Story wise, if you have seen the original you know what to expect but the film makers know this and throw a few curve-balls in. The famous "blood test" of the original almost happens here but cleverly it gets change for something else also unexpected. The creatures origins are left alone and rightly so as there is no way of knowing them. It is just a creature trying to survive by killing everyone in its way. Do we really need to know more than that? The effects are also very good, but this is what you would expect from modern effects. Where the original films effects were ground breaking, the ones here are what you can see in most Hollywood creature films. The difference here is the attention to making the creature effects look like the original. Again the makers of the film have done a great job in making the two films fit together both story wise and visually. I wish all sequels/prequels would have enough respect for the audience like this one has.
My nemesis(a film critic on UK radio) struck again with this film. They rated this film a "good strong 3 stars" asked why not 4 stars they stated that Happy Feet Two was released at the same time and this was a 4 star film and they enjoyed it more. What???! How can you compare a horror with a cartoon? Shouldn't you rate them as individual films in different genres?
At first I was worried about this film for two reasons. First, as the film was set on a Norwegian camp how much reading would I have to do whilst trying to follow the story? Second, the original film is amazing a true classic of the horror genre. Would this film do justice to the story and would the use of modern effects change the feel of the story? My fears were soon put to rest. Fortunately it appears that the universal language for scientists working in the Antarctic is English! There are a few subtitles throughout the film but not that many. Now a big thank you to the producers of this film. It is clear that they are true fans of the original and this is evident in the title. They couldn't come up with a title better than "The Thing". They could have gone with The Thing: Begins but nothing sounded as good. This film was made by fans of the original and they have ensured that it links into every reference made in the original to the Norwegian base, even down to an axe in the wall seen in the first film, showing how it got there in this one. The cast is made up of very good actors, none of them are particularly well known to everyone. I recognised a few faces, but this is good as you have no idea who will survive as there no major stars.
Story wise, if you have seen the original you know what to expect but the film makers know this and throw a few curve-balls in. The famous "blood test" of the original almost happens here but cleverly it gets change for something else also unexpected. The creatures origins are left alone and rightly so as there is no way of knowing them. It is just a creature trying to survive by killing everyone in its way. Do we really need to know more than that? The effects are also very good, but this is what you would expect from modern effects. Where the original films effects were ground breaking, the ones here are what you can see in most Hollywood creature films. The difference here is the attention to making the creature effects look like the original. Again the makers of the film have done a great job in making the two films fit together both story wise and visually. I wish all sequels/prequels would have enough respect for the audience like this one has.
My nemesis(a film critic on UK radio) struck again with this film. They rated this film a "good strong 3 stars" asked why not 4 stars they stated that Happy Feet Two was released at the same time and this was a 4 star film and they enjoyed it more. What???! How can you compare a horror with a cartoon? Shouldn't you rate them as individual films in different genres?
Kaysee Hood (83 KP) rated The Cruel Prince in Books
Jul 12, 2018
Folklore (2 more)
Character Building/Development
Plot Twist
Fae-ly sure this might end badly
Though Holly Black has written quite a bit this is the first book I've read by her and I was impressed by her style, characters, and story she's come up with. She's blended her own tale with folklore about Faeries where she's able to have a simple yet wonderful atmosphere telling Jude's story.
I'm guilty of reading reviews sometimes before the book so I was worried about the declarations of TCP being similar or a copy of A Court of Thorns and Roses, but after finishing the book myself I can say though I understand where someone may feel this way TCP is more based on folklore than ACOTAR series is. Once I was roughly 100 pages in I was wrapped into the story because it was based more on lore rather than taking pieces from it (not that I do not love ACOTAR, but lore and myths will forever hold a special place in my heart). It felt like it gave Black more to work with because the charms do work, the rules are heavily applied, and Mortals HAVE to be more cautious. It felt Jude had more at risk if she failed for herself because of what she wasn't.
I'm loving how more YA books are making these strong female roles with teenage girls and young women overcoming their own doubts, pushing through their fears to make things happen, and learning to trust themselves more than anyone else. Jude is very much becoming one of these characters throughout TCP and you're able to see the development from the beginning to end, which I suspect will occur more in The Wicked King as she attempts to work out the rest of her plan. Not only is Jude a good role model in this sense, it is also great writing skill to be able to show the progress of a character. Even other characters get a bit of development or at the very least you're able to come to an understanding as to why they are acting as they do rather than questioning it. Everyone who meant something for TCP were fleshed out and helped push the plot along.
Speaking of plot I was amazed by it. Even though I had sort of guessed what would happen and who the key players were in the end I had it a bit wrong, which was okay because I personally love surprises and twists. It was nice for a moment to believe something was happening with what information was given then at the very last second it was altered.
I cannot wait for more from this series. TWK seems too far away even though it's less than six months now. It appears Jude is getting more than what she bit off. I want to find out if she can make these promises, what her plan has cost her, and if she can convince the prince-the king- to do what needs to be done until the final phase can be played out. I want to know more of what happens to her sisters and brother. I want to know if Madoc will be an issue in this. There is a lot I'm wondering really.
I'm guilty of reading reviews sometimes before the book so I was worried about the declarations of TCP being similar or a copy of A Court of Thorns and Roses, but after finishing the book myself I can say though I understand where someone may feel this way TCP is more based on folklore than ACOTAR series is. Once I was roughly 100 pages in I was wrapped into the story because it was based more on lore rather than taking pieces from it (not that I do not love ACOTAR, but lore and myths will forever hold a special place in my heart). It felt like it gave Black more to work with because the charms do work, the rules are heavily applied, and Mortals HAVE to be more cautious. It felt Jude had more at risk if she failed for herself because of what she wasn't.
I'm loving how more YA books are making these strong female roles with teenage girls and young women overcoming their own doubts, pushing through their fears to make things happen, and learning to trust themselves more than anyone else. Jude is very much becoming one of these characters throughout TCP and you're able to see the development from the beginning to end, which I suspect will occur more in The Wicked King as she attempts to work out the rest of her plan. Not only is Jude a good role model in this sense, it is also great writing skill to be able to show the progress of a character. Even other characters get a bit of development or at the very least you're able to come to an understanding as to why they are acting as they do rather than questioning it. Everyone who meant something for TCP were fleshed out and helped push the plot along.
Speaking of plot I was amazed by it. Even though I had sort of guessed what would happen and who the key players were in the end I had it a bit wrong, which was okay because I personally love surprises and twists. It was nice for a moment to believe something was happening with what information was given then at the very last second it was altered.
I cannot wait for more from this series. TWK seems too far away even though it's less than six months now. It appears Jude is getting more than what she bit off. I want to find out if she can make these promises, what her plan has cost her, and if she can convince the prince-the king- to do what needs to be done until the final phase can be played out. I want to know more of what happens to her sisters and brother. I want to know if Madoc will be an issue in this. There is a lot I'm wondering really.
Lee (2222 KP) rated Cloak & Dagger in TV
Aug 10, 2018
While I'm a massive fan of the Marvel Cinematic Universe, I never really seem to get on so well with the Marvel TV shows. I get bored, frustrated or just run out of patience with the TV format, with Luke Cage being my longest run so far at 8 episodes. I decided to give Cloak and Dagger a shot, knowing absolutely nothing about about it, and with low expectations after reading the synopsis. I was pleasantly surprised.
The show begins with two young children, following very different lives. Tandy is returning from a ballet class in the back of her fathers car, Tyrone hanging out with his older brother and a gang of boys looking to steal a car radio. As Tyrone and his brother flee from the cops and Tandy and her father are crossing a bridge, fate leads them down a similar path. A drilling platform off the coast of New Orleans explodes, sending the car crashing into the ocean, and causing one of the cops chasing the boys to panic, shooting Tyrones brother dead while Tyrone escapes into the ocean. Unfortunately, Tandy's father doesn't make it, and both Tandy and Tyrone are suddenly caught in a mysterious wave of energy which ripples out from the collapsing platform.
8 years later and both kids are alive and still leading very different lives. They begin to discover that they have abilities, although it's not clear for much of the season exactly what those abilities are and how well they can be used. Tandy can generate bright white daggers from her hands and Tyrone can teleport randomly. Also, when Tandy touches somebody, she can see their hopes. When Tyrone touches somebody, he can see their fears. It all seems a bit pointless for a while, so luckily for us the rest of the story, along with the supporting cast, is all pretty strong. Tandy is investigating Roxxon, the company responsible for the exploding platform. Her father also worked for Roxxon, who seem determined to tarnish his good name and do anything possible to cover up whatever it is they're up to. Meanwhile Tyrone is out to see the cop who shot his brother, and was never punished for it, finally brought to justice.
Along the way, their paths cross, and it becomes clear that their powers are more effective when they're together. This all comes to a head in episode 7, where they both enter the mind of a man who has been in a comatose state since working on the drilling platform eight years ago. They must repeatedly relive the few minutes before the explosion until they can figure out what happened and how to stop it in order to free the man. It's the kind of plot I absolutely love, and one which gets used a lot in TV shows, most recently in the last season of Star Trek Discovery. I loved it then, and I loved it now.
While the season finale was a bit of a strange mish-mash, it didn't matter for me as I loved the rest of the season so much. A bit of a slow burn at times, but with a good story and characters to keep things moving nicely. Nice to know that season 2 has been given the go ahead too.
The show begins with two young children, following very different lives. Tandy is returning from a ballet class in the back of her fathers car, Tyrone hanging out with his older brother and a gang of boys looking to steal a car radio. As Tyrone and his brother flee from the cops and Tandy and her father are crossing a bridge, fate leads them down a similar path. A drilling platform off the coast of New Orleans explodes, sending the car crashing into the ocean, and causing one of the cops chasing the boys to panic, shooting Tyrones brother dead while Tyrone escapes into the ocean. Unfortunately, Tandy's father doesn't make it, and both Tandy and Tyrone are suddenly caught in a mysterious wave of energy which ripples out from the collapsing platform.
8 years later and both kids are alive and still leading very different lives. They begin to discover that they have abilities, although it's not clear for much of the season exactly what those abilities are and how well they can be used. Tandy can generate bright white daggers from her hands and Tyrone can teleport randomly. Also, when Tandy touches somebody, she can see their hopes. When Tyrone touches somebody, he can see their fears. It all seems a bit pointless for a while, so luckily for us the rest of the story, along with the supporting cast, is all pretty strong. Tandy is investigating Roxxon, the company responsible for the exploding platform. Her father also worked for Roxxon, who seem determined to tarnish his good name and do anything possible to cover up whatever it is they're up to. Meanwhile Tyrone is out to see the cop who shot his brother, and was never punished for it, finally brought to justice.
Along the way, their paths cross, and it becomes clear that their powers are more effective when they're together. This all comes to a head in episode 7, where they both enter the mind of a man who has been in a comatose state since working on the drilling platform eight years ago. They must repeatedly relive the few minutes before the explosion until they can figure out what happened and how to stop it in order to free the man. It's the kind of plot I absolutely love, and one which gets used a lot in TV shows, most recently in the last season of Star Trek Discovery. I loved it then, and I loved it now.
While the season finale was a bit of a strange mish-mash, it didn't matter for me as I loved the rest of the season so much. A bit of a slow burn at times, but with a good story and characters to keep things moving nicely. Nice to know that season 2 has been given the go ahead too.
Gareth von Kallenbach (980 KP) rated Creed II (2018) in Movies
Jun 19, 2019
Since his spectacular fight which ended in a loss at the conclusion of “Creed”, Adonis Johnson Creed (Michael B. Jordan) has won his next six bouts and then pulls off an impressive victory to become the new Heavyweight Champion.
Life is good for the new champion as he believes he has moved out of the shadow of his legendary father and is ready to settle down with Bianca (Tessa Thompson) and move ahead with life.
At the same time, former Russian Champion Ivan Drago (Dolph Lundgren) is training his son Viktor (Florian Munteanu) in Kiev to become and even more devastating boxer than he was. Ivan has suffered much since losing to Rocky in “Rocky IV” as his wife has left him and he has been shunned and cast out of the country which once lauded him as their prize athlete. Losing to Rocky in Moscow in front of numerous dignitaries has ruined him and made his life a shell of what he was leaving him and his son cold, bitter, and driven.
When the opportunity for Viktor and Adonis to box is presented, Rocky (Sylvester Stallone) advises Adonis not to take the match. Rocky recounts that not only did Ivan kill his father in the ring, but in beating him, Rocky suffered injuries which ended his boxing career and have never fully healed.
Despite the warnings, Adonis takes the match and is unprepared for the raw brutality that Viktor presents and sufferers a horrific beating but manages to hold his title due to a technicality.
The film then follows a standard redemption story of Adonis trying to recover, face his fears, train, and find a new level of strength that he has never shown before. The climatic fight is very entertaining and well-staged and had fans at our screening reacting with cheers and dismay as the punches landed.
The film does follow some very familiar territory for the series from the emotional highs and lows of the ring, battling yourself as well as an opponent, the grueling training session, and of course the big match at the end.
Stallone gives another moving and solid performance as the aging Rocky showing that his Academy Award nominated turn in the prior film was not a fluke. What was also impressive was how Dolph Lundgren returned to a role he initially had reservations about doing and gave Drago a sympathetic side even though he is a bad guy in the film. We see a man desperate to recover what he was and who is devastated by what life has dealt him but forces himself to examine the past as he guides his son’s future.
Jordan carries a lot of swagger with his character and while the story attempts to show a softer side of his character; he is not as sympathetic as he was in the past film. I noted that Rocky was much easier to get behind as he was a more sympathetic underdog at times. That is part of what makes the series so interesting in that Rocky is still there as a presence over Adonis to guide and inform him to try to make him a true champion while allowing him to have his own identity and style.
If you are a fan of the series, then you should enjoy this next offering as long as you do not mind the formula for much of the series repeated.
http://sknr.net/2018/11/20/creed-ii/
Life is good for the new champion as he believes he has moved out of the shadow of his legendary father and is ready to settle down with Bianca (Tessa Thompson) and move ahead with life.
At the same time, former Russian Champion Ivan Drago (Dolph Lundgren) is training his son Viktor (Florian Munteanu) in Kiev to become and even more devastating boxer than he was. Ivan has suffered much since losing to Rocky in “Rocky IV” as his wife has left him and he has been shunned and cast out of the country which once lauded him as their prize athlete. Losing to Rocky in Moscow in front of numerous dignitaries has ruined him and made his life a shell of what he was leaving him and his son cold, bitter, and driven.
When the opportunity for Viktor and Adonis to box is presented, Rocky (Sylvester Stallone) advises Adonis not to take the match. Rocky recounts that not only did Ivan kill his father in the ring, but in beating him, Rocky suffered injuries which ended his boxing career and have never fully healed.
Despite the warnings, Adonis takes the match and is unprepared for the raw brutality that Viktor presents and sufferers a horrific beating but manages to hold his title due to a technicality.
The film then follows a standard redemption story of Adonis trying to recover, face his fears, train, and find a new level of strength that he has never shown before. The climatic fight is very entertaining and well-staged and had fans at our screening reacting with cheers and dismay as the punches landed.
The film does follow some very familiar territory for the series from the emotional highs and lows of the ring, battling yourself as well as an opponent, the grueling training session, and of course the big match at the end.
Stallone gives another moving and solid performance as the aging Rocky showing that his Academy Award nominated turn in the prior film was not a fluke. What was also impressive was how Dolph Lundgren returned to a role he initially had reservations about doing and gave Drago a sympathetic side even though he is a bad guy in the film. We see a man desperate to recover what he was and who is devastated by what life has dealt him but forces himself to examine the past as he guides his son’s future.
Jordan carries a lot of swagger with his character and while the story attempts to show a softer side of his character; he is not as sympathetic as he was in the past film. I noted that Rocky was much easier to get behind as he was a more sympathetic underdog at times. That is part of what makes the series so interesting in that Rocky is still there as a presence over Adonis to guide and inform him to try to make him a true champion while allowing him to have his own identity and style.
If you are a fan of the series, then you should enjoy this next offering as long as you do not mind the formula for much of the series repeated.
http://sknr.net/2018/11/20/creed-ii/
Hazel (1853 KP) rated The Chilbury Ladies' Choir in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, <i>The Chilbury Ladies’ Choir</i> explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, <i>The Chilbury Ladies’ Choir</i> reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, <i>The Chilbury Ladies’ Choir</i> is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
<i>The Chilbury Ladies’ Choir</i> is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, <i>The Chilbury Ladies’ Choir</i> is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, <i>The Chilbury Ladies’ Choir</i> explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, <i>The Chilbury Ladies’ Choir</i> reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, <i>The Chilbury Ladies’ Choir</i> is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
<i>The Chilbury Ladies’ Choir</i> is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, <i>The Chilbury Ladies’ Choir</i> is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
Kristy H (1252 KP) rated The Night Before in Books
Jun 21, 2019
Laura Lochner has returned to her hometown, a bit disgraced, after falling in love with the wrong man yet again. This is a pattern with Laura--always seeking the wrong guys. Her last breakup has hit her particularly hard, causing her to leave her job and apartment and return home to live with her sister, Rosie, Rosie's husband, Joe, and their young son, Mason. Rosie has worried about her sister since they were kids. Laura's always been a little angry and damaged. Both Rosie and Joe feel protective of Laura, especially as she leaves to go on a blind date with a man she "met" on a dating website. So when Laura isn't back the next morning and not responding to texts or calls, Rosie jumps to the worst conclusions. Rosie and Joe begin a frantic search to find Laura. Are they too late?
So this wasn't exactly what I was expecting, and I have to admit, it was a slightly strange and weird--almost trippy--read. The book alternates between Laura and Rosie's viewpoints, with Laura's leading up to and covering her blind date, while Rosie's cover the "after" period, when she searches for her sister. No matter what, I will emphasize that the book mainly held my interest, and while I didn't love it as much as many other reviewers, it was an interesting read, for sure. It's different, too, which is always fun and sometimes hard to find when it comes to thrillers. I just wasn't as "wowed" as I'd hoped, based on some of the reviews I'd read.
The premise here is that Laura has a horrible track record with men. And that she has a bit of a history with violence and unpredictability. The first part you will certainly get, as it's hammered over and over. And over. A bit too much for my taste. We get it. She has bad taste in men and makes poor choices. The second part--her unreliability and potential for violence--is a bit more intriguing. Instead of Rosie thinking that something might have happened to Laura, she almost fears Laura might have done something to her date. I liked this premise: it goes back to the fact that the book was different. A lot of this stemmed to Laura's past and a mysterious encounter with an old boyfriend, which was slowly revealed.
"It was in my hand. The weapon that killed him. But that night didn't change me. That night made me see what I've always been."
There are definitely some interesting twists in this one. Some, eh, while others were very unexpected. But, more in the far-fetched unexpected realm, versus whoa!, which led to a little bit of my letdown feeling. I wasn't particularly impressed with the big reveal of whodunnit and had no real attachment to any of the characters, including Laura, which was a bit disappointing.
Still, as I said, this one definitely held my interest, especially in the last 1/2 - 1/3 of the book. It's different and a little weird and dark. Some of the twists didn't really do it for me, but there are a ton of people who really liked this one, so take my review with a grain of salt. I'm still glad I read this book, and I will definitely continue to seek out Wendy Walker's books, as they are always a fun read. 3+ stars.
So this wasn't exactly what I was expecting, and I have to admit, it was a slightly strange and weird--almost trippy--read. The book alternates between Laura and Rosie's viewpoints, with Laura's leading up to and covering her blind date, while Rosie's cover the "after" period, when she searches for her sister. No matter what, I will emphasize that the book mainly held my interest, and while I didn't love it as much as many other reviewers, it was an interesting read, for sure. It's different, too, which is always fun and sometimes hard to find when it comes to thrillers. I just wasn't as "wowed" as I'd hoped, based on some of the reviews I'd read.
The premise here is that Laura has a horrible track record with men. And that she has a bit of a history with violence and unpredictability. The first part you will certainly get, as it's hammered over and over. And over. A bit too much for my taste. We get it. She has bad taste in men and makes poor choices. The second part--her unreliability and potential for violence--is a bit more intriguing. Instead of Rosie thinking that something might have happened to Laura, she almost fears Laura might have done something to her date. I liked this premise: it goes back to the fact that the book was different. A lot of this stemmed to Laura's past and a mysterious encounter with an old boyfriend, which was slowly revealed.
"It was in my hand. The weapon that killed him. But that night didn't change me. That night made me see what I've always been."
There are definitely some interesting twists in this one. Some, eh, while others were very unexpected. But, more in the far-fetched unexpected realm, versus whoa!, which led to a little bit of my letdown feeling. I wasn't particularly impressed with the big reveal of whodunnit and had no real attachment to any of the characters, including Laura, which was a bit disappointing.
Still, as I said, this one definitely held my interest, especially in the last 1/2 - 1/3 of the book. It's different and a little weird and dark. Some of the twists didn't really do it for me, but there are a ton of people who really liked this one, so take my review with a grain of salt. I'm still glad I read this book, and I will definitely continue to seek out Wendy Walker's books, as they are always a fun read. 3+ stars.
Chris Sawin (602 KP) rated S. Darko: A Donnie Darko Tale (2009) in Movies
Jun 22, 2019
Samantha Darko, or Sam as she goes by, just wants to feel like a normal person. Back where she's from, Virginia, she feels like everyone knows everything about her yet that she's invisible at the same time. She'd change places with somebody if she could. Somehow start all over. Nothing has been the same for her since her brother, Donnie, died seven years ago and she is consumed with the same outlandish visions Donnie had. She decides to go on a road trip with her friend, Corey, to California in hopes of working for Corey's dad. Their car breaks down along the way and they wind up in a small town called Conejo Springs. This is where the world will end in four days, seventeen hours, twenty six minutes, and thirty one seconds.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
Gareth von Kallenbach (980 KP) rated Whiteout (2009) in Movies
Aug 9, 2019
For US Marshal Carrie Stetko (Kate Beckinsale), a remote posting in Antarctica was exactly what she needed to regroup after a harrowing assignment took an unexpected and devastating turn.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Unfortunately for Kate, she and the assorted scientists and support personal at the remote research base are about to become pawns in a deadly scenario in the new film “Whiteout”.
In the coldest place on earth, Carrie and many of her fellow expatriates look to evacuate the base for warmer climates before a big winter storm arrives which will signal the start of the severe winter and restrict any travel to and from the base.
Having grown tired of two years of little more than dealing with misdemeanors, Carrie has turned in her resignation and looks forward to what the future holds as does her friend Dr. Fury (Tom Skerritt), who has decided to head back home on the last flight out in 72 hours.
As the camp plans the seasonal evacuation, Carrie is dispatched with Dr. Fury and their pilot Delfy (Columbus Short), to investigate what appears to be a body in the middle of a desolate area. Their fears are soon realized when a badly disfigured body is found which is at first classified as an accident, but to many things about the condition and location of the body do not add up.
Although highly skeptical as there has never been a murder in Antarctica, and knowing the reporting it as such would cancel her trip home so the Feds can do an investigation, Carrie sets out to get to the bottom of the mystery.
As she begins to follow the trail of clues, a mysterious figure kills a suspected witness and makes an attempt on Carrie’s life. The arrival shortly thereafter by an ex military specialist working for the U.N. named Robert Pryce (Gabriel Macht), raises suspicions as he was dispatched very quickly to the locale after the murder was reported and with a severe storm hours away, the arrival of Price is seem as a bad omen.
As the film goes on, Carrie realizes that she has become involved in an old mystery where people are only too willing to commit murder to posses the secrets and that there severe weather coming in is the least dangerous thing in her life.
Not knowing where to turn and who she can trust, Carrie must overcome all manner of challenges to solve the mystery and bring those responsible to justice.
At first the film is rife with potential as the great setting and premise for the film is very interesting. My mind wandered to John Carpenter’s classic version of “The Thing”, which also used the remote locale of Antarctica to set its tale. The unique and deadly beauty of the place undermines the isolation of the characters as they are truly alone with danger amongst them.
Sadly the film has several plot holes and surprisingly lacks any real or sustained tension. There were key sequences in the film which were life and death struggles amongst a ranging storm, yet unfolded in a very ho hum manner.
I learned that the film sat for nearly two years waiting to be released which is never a good sign. That being said, despite the issues, “Whiteout” does have some entertainment value which is in large part thanks to the cast who make the best they can with the material and make the film a watchable if flawed effort.
Gareth von Kallenbach (980 KP) rated Christopher Robin (2018) in Movies
Jul 8, 2019
Winnie the Pooh, the much love bear created by A.A. Milne and E.H. Shepard, has been brought by Disney in enchantingly live action in Christopher Robin. The story begins in the hundred acre woods where little Christopher Robin is spending his last day having a picnic with his dear friends: Eeyore(Brad Garrett), Owl(Toby Jones), Rabbit(Peter Capaldi), Kanga(Sophie Okonedo) and Roo(Sara Sheen), Piglet(Nick Mohammed) Tigger and Pooh(Both beautifully voiced by Jim Cummings). The voice actor cast was rather surprising, but quite spot on for each character. I was absolutely drawn into Christopher Robin’s world.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.