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Veronica Pena (690 KP) rated As Good as It Gets (1997) in Movies
Apr 20, 2020
I have no idea what I just watched. Seriously, I feel like I wasted 2 hours of my life on a run around film that made literally no sense. Not only was Melvin just a horrible person, but he was also racist, and homophobic, and sexist, and THAT'S the ending they went with? I'm so confused.
You ever just watch those films and you get an eerie feeling because you know it didn't age well? This is one of those. I can't imagine it did that good when it came out, but now? Now it's just painful and bad. I'm so confused as to how this film has an 8. Someone, please explain where they saw an 8 in this movie. Did we watch the same one? God help me.
Also, Jack Nicholson looks like he could be Helen Hunt's dad. I have some questions for the casting director, the writers, the director, honestly the whole staff. Did they think this film was going to be good when they made it? The dog was the best part of the film. I feel like that's saying something.
You ever just watch those films and you get an eerie feeling because you know it didn't age well? This is one of those. I can't imagine it did that good when it came out, but now? Now it's just painful and bad. I'm so confused as to how this film has an 8. Someone, please explain where they saw an 8 in this movie. Did we watch the same one? God help me.
Also, Jack Nicholson looks like he could be Helen Hunt's dad. I have some questions for the casting director, the writers, the director, honestly the whole staff. Did they think this film was going to be good when they made it? The dog was the best part of the film. I feel like that's saying something.
How to Get Back Your Mojo: By Understanding Your Inner Gremlin
Book
MoJo is a quality that attracts people to you, making you feel successful and full of energy.It's a...
LoganCrews (2861 KP) rated You Will Meet a Tall Dark Stranger (2010) in Movies
Sep 20, 2020
Yet another Woody Allen group of unhappy, neurotic, misanthropic unlikeables who cheat on each other, bluntly recite surface-level themes, and belittle the dead while he glosses over most of the consequential parts of the story only leaving behind the scraps of tawdry, tedious conversations that hardly ever feel genuine and who fucking gives a fuck? Not nearly as cynical nor unpleasant as 𝘔𝘢𝘨𝘪𝘤 𝘪𝘯 𝘵𝘩𝘦 𝘔𝘰𝘰𝘯𝘭𝘪𝘨𝘩𝘵 (not that it isn't also either of those things... because it is) but about one hundred thousand times less meaty compared to a film that really wasn't all that meaty to begin with. This doesn't even have a premise, a bunch of assholes just sit around and scold each other about being assholes - oh and also life is meaningless, again. K man. I'm all for some good feel-bad cinema but this shit just tries my patience. The literal only thing of note is how magnificent Gemma Jones is, otherwise this barely even qualifies as distracting. Never before has the usual Allen autopilot been *this* indifferent - the same movie he's made like ten+ times over the last two decades. And what a waste of a good Banderas...
Hazel (2934 KP) rated You Can stay in Books
Sep 11, 2022
This is one of those books that you will either enjoy or not ... I thought it was quite good, not fantastic but not bad either.
There is a nod to Stephen King's Misery to this story, which is acknowledged by the author, as it's got some similar themes and has that creepy and growing sense of tension feel to it.
I didn't find any of the characters particularly likeable but they are well developed and although I don't think it mattered too much whether Eilidh was 'nice' or not, I did feel it was important for Connor to have some redeemable qualities alas I didn't think he did and therefore wasn't bothered what befell him which resulted in me not investing as much into the story as I could have.
The pace started off a little slow but grew as things moved on; the ending was quite satisfying if a little quick and although you have to suspend belief as to how Connor came to be in his position in the first place, it's a pretty good read.
Many thanks to Headline, Wildfire and NetGalley for enabling me to read and share my thoughts of You Can Stay.
There is a nod to Stephen King's Misery to this story, which is acknowledged by the author, as it's got some similar themes and has that creepy and growing sense of tension feel to it.
I didn't find any of the characters particularly likeable but they are well developed and although I don't think it mattered too much whether Eilidh was 'nice' or not, I did feel it was important for Connor to have some redeemable qualities alas I didn't think he did and therefore wasn't bothered what befell him which resulted in me not investing as much into the story as I could have.
The pace started off a little slow but grew as things moved on; the ending was quite satisfying if a little quick and although you have to suspend belief as to how Connor came to be in his position in the first place, it's a pretty good read.
Many thanks to Headline, Wildfire and NetGalley for enabling me to read and share my thoughts of You Can Stay.
Awix (3310 KP) rated Thor: The Dark World (2013) in Movies
Jun 9, 2018 (Updated Jun 9, 2018)
Marvel's second Thor movie is a not especially well-judged mixture of somewhat leaden epic fantasy and cutesy, kooky rom-com. Looks spiffy throughout, but it doesn't half drag in places: you can see why they decided to shake things up so thoroughly in the third one.
The thing about the Marvel Studios films is that they are routinely so good that when one is merely a fairly competent blockbuster, as is the case here, it does feel unreasonably disappointing. Apart from the sluggish pace and mishandled humour, the main problem here is that the script doesn't feel particularly well-focused or engaging, with the new villains eclipsed by Tom Hiddleston as Loki, and a reliance on lavish spectacle over characters you actually care about. Still not much worse than many a successful blockbuster, but one of the more dispensable Marvel movies nevertheless.
The thing about the Marvel Studios films is that they are routinely so good that when one is merely a fairly competent blockbuster, as is the case here, it does feel unreasonably disappointing. Apart from the sluggish pace and mishandled humour, the main problem here is that the script doesn't feel particularly well-focused or engaging, with the new villains eclipsed by Tom Hiddleston as Loki, and a reliance on lavish spectacle over characters you actually care about. Still not much worse than many a successful blockbuster, but one of the more dispensable Marvel movies nevertheless.
May I Have Your Attention Please?
8.0
Rate It
Book
So...the story of my life. I've often thought about this moment, about what it would be like to...
Kevin Morby recommended track Ene Alantchi Alnorem (I Can't Live Without You) by Mulatu Astatke in New York–Addis–London: The Story of Ethio Jazz 1965–1975 by Mulatu Astatke in Music (curated)
Blake Jenner recommended Ferris Bueller's Day Off (1986) in Movies (curated)
Awix (3310 KP) rated Dark Lord: The Rise of Darth Vader in Books
Oct 10, 2019
Fair to middling Star Wars tie-in novel, dealing with the aftermath of Episode III. For a novel named after Vader with his mush all over the cover, much of the novel deals with Palpatine (which was fine by me) and much with a band of rather bland fugitive Jedi (which unfortunately wasn't). Vader himself doesn't turn up until well into the book, giving it a slightly lopsided feel; the new characters aren't as interesting as the ones from the movies.
Luceno writes quite capably and the book does have a certain Star Warsy feel to it; some of the cameos from well-known characters do feel a bit laboriously contrived, though, and it almost feels as though it's pandering to that desire to have every last detail of the galaxy far, far away's history explained in detail. More seriously, it never feels like it gets a grip on Anakin/Vader as a character in the middle of a psychological transformation - at least not to the point that you really care about it. Easy to read, some good bits, but nowhere near the standard of (say) Matthew Stover's Episode III novelisation.
Luceno writes quite capably and the book does have a certain Star Warsy feel to it; some of the cameos from well-known characters do feel a bit laboriously contrived, though, and it almost feels as though it's pandering to that desire to have every last detail of the galaxy far, far away's history explained in detail. More seriously, it never feels like it gets a grip on Anakin/Vader as a character in the middle of a psychological transformation - at least not to the point that you really care about it. Easy to read, some good bits, but nowhere near the standard of (say) Matthew Stover's Episode III novelisation.
