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StorybookConfectionary (1 KP) rated Call Me by Your Name (2017) in Movies
Mar 9, 2018
The pace is supposed to feel languid like the summer vacation they are having. (11 more)
The characters are developed early on, like Oliver's knowledge of etymology that would be a cliché of the "protagonist as genius" had it not been a simply test.
Elio's name comes from 'helios' or sun and fits his personality in the sense that he is generous with his time, brilliant by definition of his current state of youth in mind and body, and he is restless in love.
The peach scene is heartbreaking.
The fireplace is a cinematographic style we don't see a lot as an Ameeican audience, where the camera stays in one place and we look through Elios for a long time. It should feel discomforting.
Elios' girl approaches him first even though she recognizes he used her and even when she said she was most afraid of getting hurt. She tells him she's sorry to see him sad, that she loves him, and then extends her hand for a reconciliation.
Elios takes her hand only when she promises her friendship is forever. So while romance is fleeting and he has the courage to proceed, he cannot give up the commitment of duration as prerequisite in a friendship.
The flies throughout the movie feel natural to the countryside but can also signify the attraction to: the sweetness of fruit, the rotting of fruit, and the indiscriminatory chances that warmth gives to living things.
These flies deserve an additional block for their amount of screentime, a motif of desire that obstructs the viewer's sight and buzzes us into a haze. We are, unbeknownst to ourselves, directed towards empathy for the characters.
Romance should be prolonged. Teased until it hits a climax and cannot be resisted anymore. Elio and everyone else hits a note of ecstasy once Oliver gives into the beauty of a body.
It's amazing how this story is founded on and driven by the conversations between Greek philosophy and Roman conquests. The Greeks thought sculpture could answer their question about knowledge/beauty.
Romance, because it ends, remains so good, nostalgic, and desirable.
Summer love
Zuky the BookBum (15 KP) rated Death in Profile in Books
Mar 15, 2018
(I've changed this down to 3 stars from 4 stars cause think back, it wasn't actually that good, I just think I was really happy to find a Netgalley book that didn't bore me to death)
Firstly I'd like to thank Netgalley and Urbane Publications for giving me the opportunity to read this book.
Death in Profile is an excellent twist on modern crime drama novels. It's refreshing to find all the characters have a clear head with no underlying disturbances like we see with many other detective characters. While the plot for this novel is nothing too bold or different from other books out there, it still manages to feel unique.
I like how Sampson doesn't focus on simply one person throughout the book, but instead lets you in to each persons life in little snippets making you want to keep reading and find out more and more about each person. While Metcalfe and Willis are interesting as separate people I found their relationship juvenile, in all honesty. The way they went about each other was really rather unimaginable.
For me, the characters made this book fun and exciting because I didn't feel the plot was anything too incredibly amazing and I found the 'shock twist' a little... disappointing. I would have preferred the story to continue in the direction it was already heading by that point rather than the real outcome. I also found the last few pages of the book a bit pointless and it confused me slightly as to why it was included, I think it completely took away from the amazement you were supposed to feel about the outcome of the investigation into the serial killings.
Other than that and a few spelling mistakes here and there (which I couldn't keep note of due to there being no page numbers on the kindle), I actually did very much like this book and was reaching for it of a night time as well as during my travelling hours. I would recommend this book to anyone who wants a crime drama without the troubled cop or gritty suspense. Definitely a fun and quick read.
Firstly I'd like to thank Netgalley and Urbane Publications for giving me the opportunity to read this book.
Death in Profile is an excellent twist on modern crime drama novels. It's refreshing to find all the characters have a clear head with no underlying disturbances like we see with many other detective characters. While the plot for this novel is nothing too bold or different from other books out there, it still manages to feel unique.
I like how Sampson doesn't focus on simply one person throughout the book, but instead lets you in to each persons life in little snippets making you want to keep reading and find out more and more about each person. While Metcalfe and Willis are interesting as separate people I found their relationship juvenile, in all honesty. The way they went about each other was really rather unimaginable.
For me, the characters made this book fun and exciting because I didn't feel the plot was anything too incredibly amazing and I found the 'shock twist' a little... disappointing. I would have preferred the story to continue in the direction it was already heading by that point rather than the real outcome. I also found the last few pages of the book a bit pointless and it confused me slightly as to why it was included, I think it completely took away from the amazement you were supposed to feel about the outcome of the investigation into the serial killings.
Other than that and a few spelling mistakes here and there (which I couldn't keep note of due to there being no page numbers on the kindle), I actually did very much like this book and was reaching for it of a night time as well as during my travelling hours. I would recommend this book to anyone who wants a crime drama without the troubled cop or gritty suspense. Definitely a fun and quick read.
Lou Grande (148 KP) rated Hogg in Books
May 28, 2018
Please, please, please proceed with caution
HOGG was written in 1968, a few short months before the Stonewall Riots. Brimming with anger and pent up sexuality, HOGG is (by the author's admission) a pornographic novel for nobody. It's the kind of novel that's hard to describe as "good," even though it's masterfully constructed and hard-hitting. It's also disgusting on a deep, visceral level--multiple levels, actually.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
BookwormMama14 (18 KP) rated Buttermilk Sky in Books
Jan 2, 2019
From the moment I opened the pages of Buttermilk Sky I was transported to 1913, and I didn't want to leave.
We follow the story of Mazy Pelfrey and her journey of discovering not only who she is, but what is truly important in life. Mazy is from a small town in the mountains of Kentucky. We begin the book with her attending secretarial school in Lexington. She is swept off her feet by wealthy Loyal Chambers who expresses interest in her. Chanis Clay is the local sheriff back home in Skip Rock and even though they are not formally engaged, he is preparing a home for Mazy. She is unsure of the direction that she wants her life to lead. Mazy encounters many people. From high strung, snobby Eva who is jealous of Mazy and determined to always have her own way; to Cinnamon Spicer, a girl with next to nothing that works day in and day out to support her father who is ill. The choices Mazy makes will determine the rest of her life. Sometimes our path in life is not always obvious at first. Even through prayer and relying on wisdom from the Lord, there are times that we need to step out in faith even if we can't see where the road leads. Trusting that the Lord will cover and protect us, even if it means having to turn around and start again.
Jan Watson did a fabulous job of making me feel like I was experiencing life in Kentucky in the year 1913. The entire book encompasses the feel and effect of the era. The title is mentioned more than once in the book, and the description was warm and homey feeling to me. Envisioning a "buttermilk sky", breathing the clean mountain air, walking the streets of Lexington, I feel like I was there every step of the way in Mazy's journey. The book has good Biblical principals without being "overly spiritual". I am looking forward to reading more from Jan Watson.
As a part of their Blogger Review program, I received a free copy of Buttermilk Sky by Jan Watson from Tyndale House Publishers. All opinions expressed are mine alone.
We follow the story of Mazy Pelfrey and her journey of discovering not only who she is, but what is truly important in life. Mazy is from a small town in the mountains of Kentucky. We begin the book with her attending secretarial school in Lexington. She is swept off her feet by wealthy Loyal Chambers who expresses interest in her. Chanis Clay is the local sheriff back home in Skip Rock and even though they are not formally engaged, he is preparing a home for Mazy. She is unsure of the direction that she wants her life to lead. Mazy encounters many people. From high strung, snobby Eva who is jealous of Mazy and determined to always have her own way; to Cinnamon Spicer, a girl with next to nothing that works day in and day out to support her father who is ill. The choices Mazy makes will determine the rest of her life. Sometimes our path in life is not always obvious at first. Even through prayer and relying on wisdom from the Lord, there are times that we need to step out in faith even if we can't see where the road leads. Trusting that the Lord will cover and protect us, even if it means having to turn around and start again.
Jan Watson did a fabulous job of making me feel like I was experiencing life in Kentucky in the year 1913. The entire book encompasses the feel and effect of the era. The title is mentioned more than once in the book, and the description was warm and homey feeling to me. Envisioning a "buttermilk sky", breathing the clean mountain air, walking the streets of Lexington, I feel like I was there every step of the way in Mazy's journey. The book has good Biblical principals without being "overly spiritual". I am looking forward to reading more from Jan Watson.
As a part of their Blogger Review program, I received a free copy of Buttermilk Sky by Jan Watson from Tyndale House Publishers. All opinions expressed are mine alone.
Marylegs (44 KP) rated Beautiful Creatures (Caster Chronicles, #1) in Books
Aug 14, 2019
So I felt the story started fairly slowly wasn’t sure what to make of it. I went along with it because it feel like I book/story I should like. And it wasn’t that I disliked it I just, I don’t know, I could commit to it. Additionally I found it quite annoying how often author says “in a town like Gaitlin…” I get it. It’s a small town nothing unusual happens. There must be ways that that meaning could be but across without literally saying it every other paragraph. It was one of those things once I noticed it I couldn’t, not notice it.
I felt the story took a long time to get going, I enjoyed a good portion of the book towards the end, but I just felt like the story could have been ironed out better. I can almost see where it was meant to go and what I was meant to feel about characters but I never whole-heartedly did. There just wasn’t enough ‘real’ conversation between characters and it just felt a bit…. Forced, I can’t really think of a better way of describing it. Sometimes whilst I was reading I was thinking there is no way, in reality you’d be in that situation and react that way. If someone is threatening the person you love, you wouldn’t then wonder off and just carry on with what you were doing like the bady wasn’t even there. Even some of arguments between characters seemed lacking in purpose or just seemed to end. I also thought it just sort of ended, I know it is part of a series but normally I feel like I have to know what happens straightaway. I just didn’t get that with this book.
I will read the next book at some point but I’m not in a rush to get to it, but hopefully the story becomes more ironed out and purposeful as even though I may have seemed negative about the book. I could see where it could go and there were times in the book when I was compelled and fully invested. I guess I shall wait and see.
I felt the story took a long time to get going, I enjoyed a good portion of the book towards the end, but I just felt like the story could have been ironed out better. I can almost see where it was meant to go and what I was meant to feel about characters but I never whole-heartedly did. There just wasn’t enough ‘real’ conversation between characters and it just felt a bit…. Forced, I can’t really think of a better way of describing it. Sometimes whilst I was reading I was thinking there is no way, in reality you’d be in that situation and react that way. If someone is threatening the person you love, you wouldn’t then wonder off and just carry on with what you were doing like the bady wasn’t even there. Even some of arguments between characters seemed lacking in purpose or just seemed to end. I also thought it just sort of ended, I know it is part of a series but normally I feel like I have to know what happens straightaway. I just didn’t get that with this book.
I will read the next book at some point but I’m not in a rush to get to it, but hopefully the story becomes more ironed out and purposeful as even though I may have seemed negative about the book. I could see where it could go and there were times in the book when I was compelled and fully invested. I guess I shall wait and see.
Hazel (2934 KP) rated Out For Blood (DI Eve Hunter #2) in Books
Dec 13, 2020
After reading and enjoying the first in this series, Hold Your Tongue, I was looking forward to getting my teeth into this one and I wasn't disappointed. I will say that although you don't necessarily have to have read the first, I do think you will enjoy this second one more if you do.
This is a gritty police procedural set in Aberdeen, Scotland which delves into the seedy and repulsive world of human trafficking but what does the death of a privileged young man and the apparent suicide of a young woman have in common? On first impressions, absolutely nothing however, DI Hunter and her team set about investigating and what they find is worse than they expected.
Mainly written from Eve's perspective interspersed with other characters and those of an unknown young woman, this gave insight from all the important protagonists in this book and provided a well-rounded view of the situation from all angles. The characters are well developed and believable with the relationships between Eve and her wider team excellently portrayed.
The story is a difficult one to read in parts but, I felt, was dealt with respectfully but with no holds-barred which made it feel authentic making me feel both sad and angry in equal measure that these things are likely to be happening to someone right now! The pace is good, it does start off a little slow but increases as the story develops and this follows the pace of the investigation, again making it feel believable and, once again, the author manages to keep the identity of the killer well hidden which kept me guessing and second guessing throughout.
Overall, I have no hesitation in recommending this to others who enjoy a cleverly written and gripping police procedural and I look forward to reading the next instalment in what is a great series with DI Hunter fast becoming a favourite character of mine.
I was fortunate enough to have been invited to read an advance copy by Transworld Publishers, part of Penguin Random House UK, via NetGalley in return for an unbiased and unedited review and for which, I am thankful.
This is a gritty police procedural set in Aberdeen, Scotland which delves into the seedy and repulsive world of human trafficking but what does the death of a privileged young man and the apparent suicide of a young woman have in common? On first impressions, absolutely nothing however, DI Hunter and her team set about investigating and what they find is worse than they expected.
Mainly written from Eve's perspective interspersed with other characters and those of an unknown young woman, this gave insight from all the important protagonists in this book and provided a well-rounded view of the situation from all angles. The characters are well developed and believable with the relationships between Eve and her wider team excellently portrayed.
The story is a difficult one to read in parts but, I felt, was dealt with respectfully but with no holds-barred which made it feel authentic making me feel both sad and angry in equal measure that these things are likely to be happening to someone right now! The pace is good, it does start off a little slow but increases as the story develops and this follows the pace of the investigation, again making it feel believable and, once again, the author manages to keep the identity of the killer well hidden which kept me guessing and second guessing throughout.
Overall, I have no hesitation in recommending this to others who enjoy a cleverly written and gripping police procedural and I look forward to reading the next instalment in what is a great series with DI Hunter fast becoming a favourite character of mine.
I was fortunate enough to have been invited to read an advance copy by Transworld Publishers, part of Penguin Random House UK, via NetGalley in return for an unbiased and unedited review and for which, I am thankful.
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Haley Mathiot (9 KP) rated Conspiracy of Ravens (The Shadow, #2) in Books
Apr 27, 2018
This whole series has me feeling all mixed up.
On one hand, the plot and story has a lot of potential, the writing is pretty good and keeps me reading, and the characters are well developed and complex.
But on the other hand, there's a lot that I don't like. Most prominent, the main character in this story is a young girl abused to the point of a sexual identity crisis. (S)he has no identity, is very confused, and has very little guidance on the matter.
The plot also seemed to drag a little in this one near the end. The beginning and middle was fairly well paced, but it wasn't nearly as well thought out and complex as Wake of Vultures. And it didn't really end the way I wanted it to.
This series is not one I'm going to continue. Part of it is because of the slowness and disappointingness of the plot in this novel, but the other part is the subject of Nettie/Rhett's identity crisis.
I feel like because she was abused by a man she hated, and neglected by a woman who was supposed to keep her safe, she lost all respect for women. She didn't want to be a part of that "woman" stuff. So instead she decided to become what she had respect for: the men in the horse training camp.
But rather than become a strong heroine, she became a broken confused scared young girl who tries to change who and what she is because of past experiences.
And I know the author was trying to make a statement about something, but I feel like it's done more hurt than it's helped. I wish Nettie/Rhett would learn that she is indeed perfect just as she is, she wasn't born in the wrong body, and that being a man or a woman has nothing to do with who you are or how you act.
Somehow I doubt that'll happen. So I'm retiring this series and moving on to greener pastures.
Good luck, Nettie Lonesome.
On one hand, the plot and story has a lot of potential, the writing is pretty good and keeps me reading, and the characters are well developed and complex.
But on the other hand, there's a lot that I don't like. Most prominent, the main character in this story is a young girl abused to the point of a sexual identity crisis. (S)he has no identity, is very confused, and has very little guidance on the matter.
The plot also seemed to drag a little in this one near the end. The beginning and middle was fairly well paced, but it wasn't nearly as well thought out and complex as Wake of Vultures. And it didn't really end the way I wanted it to.
This series is not one I'm going to continue. Part of it is because of the slowness and disappointingness of the plot in this novel, but the other part is the subject of Nettie/Rhett's identity crisis.
I feel like because she was abused by a man she hated, and neglected by a woman who was supposed to keep her safe, she lost all respect for women. She didn't want to be a part of that "woman" stuff. So instead she decided to become what she had respect for: the men in the horse training camp.
But rather than become a strong heroine, she became a broken confused scared young girl who tries to change who and what she is because of past experiences.
And I know the author was trying to make a statement about something, but I feel like it's done more hurt than it's helped. I wish Nettie/Rhett would learn that she is indeed perfect just as she is, she wasn't born in the wrong body, and that being a man or a woman has nothing to do with who you are or how you act.
Somehow I doubt that'll happen. So I'm retiring this series and moving on to greener pastures.
Good luck, Nettie Lonesome.
Goddess in the Stacks (553 KP) rated Queens of Geek in Books
May 1, 2018
THIS BOOK WAS GREAT. It was a fun, quick read, but it involved three BFFs, one of which is autistic with social anxiety, and her friends know this and are incredibly supportive. The second girl is openly bisexual. The third friend, the boy, is Hispanic. The three of them take an epic trip to a big Comicon in LA; the bisexual girl (Charlie) co-starred in a zombie movie, and is a popular Youtuber, so when she's invited to the Con she drags her two BFFs with her. Once there, she meets an idol of hers, another Youtuber, and discovers that her idol has a crush on her! So while dealing with her douchebag ex (her co-star from the movie), the other Youtuber asks Charlie out, and the two girls start a romance.
Meanwhile, the autistic girl (Taylor) and the Hispanic boy (Jamie) have loved each other for ages but been too afraid to admit how they feel. Largely left on their own, because Charlie's manager couldn't get them VIP passes, they explore the Con, geeking out over things and meeting another autistic woman, a comic book artist who gives Taylor some amazing advice about being afraid but doing things anyway.
I really really loved this book. I loved seeing autistic characters treated by their peers as just regular people with quirks, like everyone has. Taylor's friends support her when her brain freaks out, and make allowances for her needs, but don't treat her like she's disabled or fragile. I loved seeing how tight the bonds of friendship were between the three teens, and how excited for each other they were, even when good things happening meant less time to spend with each other.
This was just a really lovely, feel-good book with lots of minority representation, by an autistic author who knows what she's talking about. This is one more book off my Autism Reading List, and my pick for a book about friendship from the Litsy Booked 2018 Challenge.
You can find all my reviews, and the full Autism Reading List, at http://goddessinthestacks.wordpress.com
Meanwhile, the autistic girl (Taylor) and the Hispanic boy (Jamie) have loved each other for ages but been too afraid to admit how they feel. Largely left on their own, because Charlie's manager couldn't get them VIP passes, they explore the Con, geeking out over things and meeting another autistic woman, a comic book artist who gives Taylor some amazing advice about being afraid but doing things anyway.
I really really loved this book. I loved seeing autistic characters treated by their peers as just regular people with quirks, like everyone has. Taylor's friends support her when her brain freaks out, and make allowances for her needs, but don't treat her like she's disabled or fragile. I loved seeing how tight the bonds of friendship were between the three teens, and how excited for each other they were, even when good things happening meant less time to spend with each other.
This was just a really lovely, feel-good book with lots of minority representation, by an autistic author who knows what she's talking about. This is one more book off my Autism Reading List, and my pick for a book about friendship from the Litsy Booked 2018 Challenge.
You can find all my reviews, and the full Autism Reading List, at http://goddessinthestacks.wordpress.com
Neon's Nerd Nexus (360 KP) rated Hellboy (2019) in Movies
May 13, 2019
More like Hellno
#hellboy is an #abomination, a brain dead overlong shit show of bad decisions & sheer laziness. I can honestly say i was so pumped for this film but it was such a monstrosoty that i considered walking out after just 30mins. Lets kick this off so i can at least pretend i havent wasted my night with this dross. To sum the film up its a cross between #eastenders & #kingsman (no not the good kingsman either that dire sequel #kingsmanthegoldencircle) & as you can imagine it doesnt work at all. Its not gritty, its not #funny, its not #stylish & its not well made, in fact its also not even half as good as it seems to think it is either coming across so #happy & smug with itself its practically flipping you the middle finger the entire run time. Tacky is a great word i would use to describe this movie, tacky & childish with #humour that wouldn't go a miss in a kids tv program (eg burp jokes, dribble jokes & #jokes about kissing old ladies). Acting is poor everyone just looks & talks half arsed like they can't be bothered, delivering emotionless lines without conviction making dialog a bland back & forth chore. I hope you like bickering too because theres a #hell of alot of pointless bickering scenes that just feel unnecessary. Not one character is developed or likeable not even hellboy himself with the #villain #millajovovich feeling like a bad guy in a stage play just minus the hissing. Cgi is so woefully bad is downright embarrassing sticking out like a saw thumb ruining the forgettable action scenes. Camera work is choppy & the film is badly edited with disorienting quick cuts. Sets & #creatures are bland/unimaginative & prosthetics feel cheaply made (even hellboys face feels off round the eyes). Plot was so paint by numbers i lost interest midway & put my head in my hands when the terrible climax hit (Talk about build up with no pay off). Hellboy ultimatly prooves filling a film with #violence, swearing, popular #music & #popculture references doesnt make your film cool if everything else around it lacks. Lazy forgettable boring poorly made shite. Avoid. #odeon #odeonlimitless #superhero #ronperlman #strangerthings #dc #guillermodeltoro #demons #horror #gore #comic