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Lee (2222 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 14, 2017
Slightly Disappointed
So, here we are. At last. After a couple of great movies, a really poor third movie and a disastrous reboot/sequel, it was beginning to look as though one of our all time favourite superheroes was never going to get another movie to do him justice. And then, in what was already a hero packed, action roller-coaster of a movie, Spider-Man finally returned home to Marvel in spectacular fashion during Captain America: Civil War. A fantastic portrayal of Peter Parker and an even better Spider-Man, it was enough to leave us wanting more and enough to get us pretty excited when standalone movie Homecoming was announced soon after.
Ok, so I’ve been trying to think about how I feel after watching it, and it’s a tough one. This is a Spider-Man movie by Marvel that feels closer to how a Spider-Man movie should be than any of the previous movies before it. And Tom Holland is just a perfect Peter Parker. But, I kind of felt disappointed by it. It didn’t thrill me as much as other Marvel movies, and certainly not as much as Civil War did. When Spider-Man shows up in Civil War, he’s an enthusiastic teen with a lot to learn, but he still manages to pull off some pretty jaw dropping action. In Homecoming it just feels like the momentum has been lost – too much awkward teen, not enough action hero. The awe and thrill of swooping through the New York skyline that we got in the first Spider-Man movie, there’s nothing like that here. I wonder if, for me anyway, it’s some kind of superhero fatigue. But then I didn’t feel that way about Wonder Woman recently, so I’m just not sure. I just can’t quite put my finger on it. I feel ashamed of myself for not liking it as much as I was expecting!
Most of the big action pieces, such as the Staten Island ferry scene, have already been shown pretty much on their entirety during the trailer. And the climax, involving Spidey and Vulture on a plane, is fairly difficult to follow, as it’s set in the dark with the plane veering out of control. Probably the most impressive sequence is on the Washington monument, a traditional lift-about-to-fall scenario. Spidey is struggling to get used to his upgraded suit, he’s nervous about being so high up (and so are we, this scene is very well done) and he’s unsure of what to do best to save the day. It’s a tense scene, perfectly handled and we really feel for Peter Parker.
There’s plenty of humour and heart throughout and a good supporting cast. Michael Keaton is impressive and suitably menacing as The Vulture and Robert Downey Jr is… well, his usual self. I just hope that as part of the next Avengers movie and beyond, I feel a bit more impressed next time than I did after this.
Ok, so I’ve been trying to think about how I feel after watching it, and it’s a tough one. This is a Spider-Man movie by Marvel that feels closer to how a Spider-Man movie should be than any of the previous movies before it. And Tom Holland is just a perfect Peter Parker. But, I kind of felt disappointed by it. It didn’t thrill me as much as other Marvel movies, and certainly not as much as Civil War did. When Spider-Man shows up in Civil War, he’s an enthusiastic teen with a lot to learn, but he still manages to pull off some pretty jaw dropping action. In Homecoming it just feels like the momentum has been lost – too much awkward teen, not enough action hero. The awe and thrill of swooping through the New York skyline that we got in the first Spider-Man movie, there’s nothing like that here. I wonder if, for me anyway, it’s some kind of superhero fatigue. But then I didn’t feel that way about Wonder Woman recently, so I’m just not sure. I just can’t quite put my finger on it. I feel ashamed of myself for not liking it as much as I was expecting!
Most of the big action pieces, such as the Staten Island ferry scene, have already been shown pretty much on their entirety during the trailer. And the climax, involving Spidey and Vulture on a plane, is fairly difficult to follow, as it’s set in the dark with the plane veering out of control. Probably the most impressive sequence is on the Washington monument, a traditional lift-about-to-fall scenario. Spidey is struggling to get used to his upgraded suit, he’s nervous about being so high up (and so are we, this scene is very well done) and he’s unsure of what to do best to save the day. It’s a tense scene, perfectly handled and we really feel for Peter Parker.
There’s plenty of humour and heart throughout and a good supporting cast. Michael Keaton is impressive and suitably menacing as The Vulture and Robert Downey Jr is… well, his usual self. I just hope that as part of the next Avengers movie and beyond, I feel a bit more impressed next time than I did after this.
Acanthea Grimscythe (300 KP) rated The Wife Between Us in Books
May 16, 2018
The Wife Between Us by Greer Hendricks and Sarah Pekkanen is most assuredly not my cup of tea. I did not enjoy reading it. So then, why the high rating? Why am I about to rave about it? Because this book is important. It delves into a subject far too easily dismissed and too stigmatized to get the attention it deserves. I’ll put it this way: the book’s synopsis is spot on, and I feel this is a must-read for young adults especially.
I don’t wish to reveal spoilers, but at the same time I feel it is my responsibility to alert my readers when there may be content in a book that could potentially trigger them. The Wife Between Us deals with the dynamics of a relationship: the good, the bad, and the ugly. If you’re currently recovering from a less than savory relationship, you may want to hold off on this: if you’re looking for a reminder that you’re not crazy though, it’s perfect. I had to stop reading a time or two for a bit, and I even caught myself crying as I finished the final pages of this book.
Hendricks and Pekkanen’s characters are remarkably average, and I feel that is important to point out. Too many times we get books with unbelievable roles cast and this allows us, as readers, to dissociate from thee story itself. In this case, as far as the women of the book are concerned, it’s quite realistic and believable.
There are moments in The Wife Between Us where I cried out, swearing in surprise. Hendricks and Pekkanen manage to write things without too much foreshadowing; their twists and turns come as a slap to the face. It keeps the reader on edge and keeps the plot from growing dull.
While I may not have found this book to be enjoyable for myself, I do love the talent that both writers clearly have. I was unable to detect the style changes, which also means that they blend in well together. I’d like to thank St. Martin’s Press and NetGalley for the opportunity to review this book, free of charge, for the purpose of an unbiased review.
I don’t wish to reveal spoilers, but at the same time I feel it is my responsibility to alert my readers when there may be content in a book that could potentially trigger them. The Wife Between Us deals with the dynamics of a relationship: the good, the bad, and the ugly. If you’re currently recovering from a less than savory relationship, you may want to hold off on this: if you’re looking for a reminder that you’re not crazy though, it’s perfect. I had to stop reading a time or two for a bit, and I even caught myself crying as I finished the final pages of this book.
Hendricks and Pekkanen’s characters are remarkably average, and I feel that is important to point out. Too many times we get books with unbelievable roles cast and this allows us, as readers, to dissociate from thee story itself. In this case, as far as the women of the book are concerned, it’s quite realistic and believable.
There are moments in The Wife Between Us where I cried out, swearing in surprise. Hendricks and Pekkanen manage to write things without too much foreshadowing; their twists and turns come as a slap to the face. It keeps the reader on edge and keeps the plot from growing dull.
While I may not have found this book to be enjoyable for myself, I do love the talent that both writers clearly have. I was unable to detect the style changes, which also means that they blend in well together. I’d like to thank St. Martin’s Press and NetGalley for the opportunity to review this book, free of charge, for the purpose of an unbiased review.
Molly J (Cover To Cover Cafe) (106 KP) rated The Forgiving Jar in Books
Feb 25, 2019
Many of y'all know me, and know that one of my favorite genres to read is Amish fiction. Among that Amish fiction, there is this really amazingly talented author who never fails to hook me, keep me focused on the story, and make me feel as if I was a character within the pages as I follow the ups, downs, ins and outs of her beloved characters' lives. That author is Wanda Brunstetter. She is phenomenal. So, I looked forward to opening up the next book in her Prayer Jars series. Let me tell you this: She did not disappoint me. In fact, I was blown away with this story.
Ms. Brunstetter has woven a tender story with this book. It's full of secrets and twists, but also full of hope, longing, forgiving and grace. Sara and Brad's characters are tenderly chiseled together to create a few sparks of romance blooming within the book, and Michelle's character.....well, let me say that at first, I wanted to hate her, for assuming a life that wasn't her own. But, through the words of Ms. Brunstetter, through the forgiving grace of God, I was able to see why she did it, and much like the story line suggests, and forgive her for it, the same as if she truly did it to me.
The way Ms. Brunstetter makes me feel at the end of the book, like she wrote solely for me (which, of course, I know she did not but that's how good her writing is!), has once again left me ready for her next book in the series so I can feel this way again. The Forgiving Jar is a tender story, one that makes the reader sit and reflect about forgiving and letting go of the pain and the past, and focus on the here and now. Anything less than a 5 star praise for this book, would not be doing it justice. Well done, Ms. Brunstetter. Well done.
*I received a complimentary copy of this book from Shiloh Run Press and was under no obligation to post a review, positive or negative.*
Ms. Brunstetter has woven a tender story with this book. It's full of secrets and twists, but also full of hope, longing, forgiving and grace. Sara and Brad's characters are tenderly chiseled together to create a few sparks of romance blooming within the book, and Michelle's character.....well, let me say that at first, I wanted to hate her, for assuming a life that wasn't her own. But, through the words of Ms. Brunstetter, through the forgiving grace of God, I was able to see why she did it, and much like the story line suggests, and forgive her for it, the same as if she truly did it to me.
The way Ms. Brunstetter makes me feel at the end of the book, like she wrote solely for me (which, of course, I know she did not but that's how good her writing is!), has once again left me ready for her next book in the series so I can feel this way again. The Forgiving Jar is a tender story, one that makes the reader sit and reflect about forgiving and letting go of the pain and the past, and focus on the here and now. Anything less than a 5 star praise for this book, would not be doing it justice. Well done, Ms. Brunstetter. Well done.
*I received a complimentary copy of this book from Shiloh Run Press and was under no obligation to post a review, positive or negative.*
Sensitivemuse (246 KP) rated Darktown in Books
May 17, 2019
This is such a great powerful read. On one hand you feel like going into the book and start punching every bigot you see since they’re such awful hateful people. Yet on the other hand, you feel for Boggs and Smith. They’re trying so hard to elevate themselves and make everything a better place for the community and pretty much for their race. Yet they’re non stop met with opposition from both sides and it’s disheartening to see yet the most awful thing about all of this is, this all happened in the last century. It’s mind blowing and horrible how humans are but it’s a reality we all must know and be aware of.
The plot itself was very interesting and the pace is steady. There’s plenty of characters to read about and the supporting characters gives the story plenty of substance. The emotions and tensions are dutifully felt in the book and you can only read on with the feeling of hopelessness as Boggs and Smith attempt to try and do their jobs as best as they can but they’re thwarted at every turn. It’s amazing they stick with the job, and admirable because of the amazing amount of strength and grit they display to go through all the obstacles they face while trying to do their investigation.
The plot was also good at showing both sides of the story. Besides Boggs and Smith you also have Rakestraw who seems more moderate thinking than the rest of the characters, his behavior is certainly different and he tries to be understanding - however still maintaining his superiority mentality. It’s a start I suppose to eradicate this kind of behavior in a character but you can’t help but feel frustrated as this type of hatred and belief that is so deeply ingrained in everything; in society, thinking, in life. It’s horrible to see and to think this type of behavior still persists in other forms and methods.
Definitely recommend this read despite the awful things some characters do in the book. It’s eye opening and gripping read. It will elicit powerful emotions but it’s accurate and detailed. No sugar coating here but the truth. Worth the read.
The plot itself was very interesting and the pace is steady. There’s plenty of characters to read about and the supporting characters gives the story plenty of substance. The emotions and tensions are dutifully felt in the book and you can only read on with the feeling of hopelessness as Boggs and Smith attempt to try and do their jobs as best as they can but they’re thwarted at every turn. It’s amazing they stick with the job, and admirable because of the amazing amount of strength and grit they display to go through all the obstacles they face while trying to do their investigation.
The plot was also good at showing both sides of the story. Besides Boggs and Smith you also have Rakestraw who seems more moderate thinking than the rest of the characters, his behavior is certainly different and he tries to be understanding - however still maintaining his superiority mentality. It’s a start I suppose to eradicate this kind of behavior in a character but you can’t help but feel frustrated as this type of hatred and belief that is so deeply ingrained in everything; in society, thinking, in life. It’s horrible to see and to think this type of behavior still persists in other forms and methods.
Definitely recommend this read despite the awful things some characters do in the book. It’s eye opening and gripping read. It will elicit powerful emotions but it’s accurate and detailed. No sugar coating here but the truth. Worth the read.
StorybookConfectionary (1 KP) rated Call Me by Your Name (2017) in Movies
Mar 9, 2018
The pace is supposed to feel languid like the summer vacation they are having. (11 more)
The characters are developed early on, like Oliver's knowledge of etymology that would be a cliché of the "protagonist as genius" had it not been a simply test.
Elio's name comes from 'helios' or sun and fits his personality in the sense that he is generous with his time, brilliant by definition of his current state of youth in mind and body, and he is restless in love.
The peach scene is heartbreaking.
The fireplace is a cinematographic style we don't see a lot as an Ameeican audience, where the camera stays in one place and we look through Elios for a long time. It should feel discomforting.
Elios' girl approaches him first even though she recognizes he used her and even when she said she was most afraid of getting hurt. She tells him she's sorry to see him sad, that she loves him, and then extends her hand for a reconciliation.
Elios takes her hand only when she promises her friendship is forever. So while romance is fleeting and he has the courage to proceed, he cannot give up the commitment of duration as prerequisite in a friendship.
The flies throughout the movie feel natural to the countryside but can also signify the attraction to: the sweetness of fruit, the rotting of fruit, and the indiscriminatory chances that warmth gives to living things.
These flies deserve an additional block for their amount of screentime, a motif of desire that obstructs the viewer's sight and buzzes us into a haze. We are, unbeknownst to ourselves, directed towards empathy for the characters.
Romance should be prolonged. Teased until it hits a climax and cannot be resisted anymore. Elio and everyone else hits a note of ecstasy once Oliver gives into the beauty of a body.
It's amazing how this story is founded on and driven by the conversations between Greek philosophy and Roman conquests. The Greeks thought sculpture could answer their question about knowledge/beauty.
Romance, because it ends, remains so good, nostalgic, and desirable.
Summer love
Zuky the BookBum (15 KP) rated Death in Profile in Books
Mar 15, 2018
(I've changed this down to 3 stars from 4 stars cause think back, it wasn't actually that good, I just think I was really happy to find a Netgalley book that didn't bore me to death)
Firstly I'd like to thank Netgalley and Urbane Publications for giving me the opportunity to read this book.
Death in Profile is an excellent twist on modern crime drama novels. It's refreshing to find all the characters have a clear head with no underlying disturbances like we see with many other detective characters. While the plot for this novel is nothing too bold or different from other books out there, it still manages to feel unique.
I like how Sampson doesn't focus on simply one person throughout the book, but instead lets you in to each persons life in little snippets making you want to keep reading and find out more and more about each person. While Metcalfe and Willis are interesting as separate people I found their relationship juvenile, in all honesty. The way they went about each other was really rather unimaginable.
For me, the characters made this book fun and exciting because I didn't feel the plot was anything too incredibly amazing and I found the 'shock twist' a little... disappointing. I would have preferred the story to continue in the direction it was already heading by that point rather than the real outcome. I also found the last few pages of the book a bit pointless and it confused me slightly as to why it was included, I think it completely took away from the amazement you were supposed to feel about the outcome of the investigation into the serial killings.
Other than that and a few spelling mistakes here and there (which I couldn't keep note of due to there being no page numbers on the kindle), I actually did very much like this book and was reaching for it of a night time as well as during my travelling hours. I would recommend this book to anyone who wants a crime drama without the troubled cop or gritty suspense. Definitely a fun and quick read.
Firstly I'd like to thank Netgalley and Urbane Publications for giving me the opportunity to read this book.
Death in Profile is an excellent twist on modern crime drama novels. It's refreshing to find all the characters have a clear head with no underlying disturbances like we see with many other detective characters. While the plot for this novel is nothing too bold or different from other books out there, it still manages to feel unique.
I like how Sampson doesn't focus on simply one person throughout the book, but instead lets you in to each persons life in little snippets making you want to keep reading and find out more and more about each person. While Metcalfe and Willis are interesting as separate people I found their relationship juvenile, in all honesty. The way they went about each other was really rather unimaginable.
For me, the characters made this book fun and exciting because I didn't feel the plot was anything too incredibly amazing and I found the 'shock twist' a little... disappointing. I would have preferred the story to continue in the direction it was already heading by that point rather than the real outcome. I also found the last few pages of the book a bit pointless and it confused me slightly as to why it was included, I think it completely took away from the amazement you were supposed to feel about the outcome of the investigation into the serial killings.
Other than that and a few spelling mistakes here and there (which I couldn't keep note of due to there being no page numbers on the kindle), I actually did very much like this book and was reaching for it of a night time as well as during my travelling hours. I would recommend this book to anyone who wants a crime drama without the troubled cop or gritty suspense. Definitely a fun and quick read.
Lou Grande (148 KP) rated Hogg in Books
May 28, 2018
Please, please, please proceed with caution
HOGG was written in 1968, a few short months before the Stonewall Riots. Brimming with anger and pent up sexuality, HOGG is (by the author's admission) a pornographic novel for nobody. It's the kind of novel that's hard to describe as "good," even though it's masterfully constructed and hard-hitting. It's also disgusting on a deep, visceral level--multiple levels, actually.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
BookwormMama14 (18 KP) rated Buttermilk Sky in Books
Jan 2, 2019
From the moment I opened the pages of Buttermilk Sky I was transported to 1913, and I didn't want to leave.
We follow the story of Mazy Pelfrey and her journey of discovering not only who she is, but what is truly important in life. Mazy is from a small town in the mountains of Kentucky. We begin the book with her attending secretarial school in Lexington. She is swept off her feet by wealthy Loyal Chambers who expresses interest in her. Chanis Clay is the local sheriff back home in Skip Rock and even though they are not formally engaged, he is preparing a home for Mazy. She is unsure of the direction that she wants her life to lead. Mazy encounters many people. From high strung, snobby Eva who is jealous of Mazy and determined to always have her own way; to Cinnamon Spicer, a girl with next to nothing that works day in and day out to support her father who is ill. The choices Mazy makes will determine the rest of her life. Sometimes our path in life is not always obvious at first. Even through prayer and relying on wisdom from the Lord, there are times that we need to step out in faith even if we can't see where the road leads. Trusting that the Lord will cover and protect us, even if it means having to turn around and start again.
Jan Watson did a fabulous job of making me feel like I was experiencing life in Kentucky in the year 1913. The entire book encompasses the feel and effect of the era. The title is mentioned more than once in the book, and the description was warm and homey feeling to me. Envisioning a "buttermilk sky", breathing the clean mountain air, walking the streets of Lexington, I feel like I was there every step of the way in Mazy's journey. The book has good Biblical principals without being "overly spiritual". I am looking forward to reading more from Jan Watson.
As a part of their Blogger Review program, I received a free copy of Buttermilk Sky by Jan Watson from Tyndale House Publishers. All opinions expressed are mine alone.
We follow the story of Mazy Pelfrey and her journey of discovering not only who she is, but what is truly important in life. Mazy is from a small town in the mountains of Kentucky. We begin the book with her attending secretarial school in Lexington. She is swept off her feet by wealthy Loyal Chambers who expresses interest in her. Chanis Clay is the local sheriff back home in Skip Rock and even though they are not formally engaged, he is preparing a home for Mazy. She is unsure of the direction that she wants her life to lead. Mazy encounters many people. From high strung, snobby Eva who is jealous of Mazy and determined to always have her own way; to Cinnamon Spicer, a girl with next to nothing that works day in and day out to support her father who is ill. The choices Mazy makes will determine the rest of her life. Sometimes our path in life is not always obvious at first. Even through prayer and relying on wisdom from the Lord, there are times that we need to step out in faith even if we can't see where the road leads. Trusting that the Lord will cover and protect us, even if it means having to turn around and start again.
Jan Watson did a fabulous job of making me feel like I was experiencing life in Kentucky in the year 1913. The entire book encompasses the feel and effect of the era. The title is mentioned more than once in the book, and the description was warm and homey feeling to me. Envisioning a "buttermilk sky", breathing the clean mountain air, walking the streets of Lexington, I feel like I was there every step of the way in Mazy's journey. The book has good Biblical principals without being "overly spiritual". I am looking forward to reading more from Jan Watson.
As a part of their Blogger Review program, I received a free copy of Buttermilk Sky by Jan Watson from Tyndale House Publishers. All opinions expressed are mine alone.
Marylegs (44 KP) rated Beautiful Creatures (Caster Chronicles, #1) in Books
Aug 14, 2019
So I felt the story started fairly slowly wasn’t sure what to make of it. I went along with it because it feel like I book/story I should like. And it wasn’t that I disliked it I just, I don’t know, I could commit to it. Additionally I found it quite annoying how often author says “in a town like Gaitlin…” I get it. It’s a small town nothing unusual happens. There must be ways that that meaning could be but across without literally saying it every other paragraph. It was one of those things once I noticed it I couldn’t, not notice it.
I felt the story took a long time to get going, I enjoyed a good portion of the book towards the end, but I just felt like the story could have been ironed out better. I can almost see where it was meant to go and what I was meant to feel about characters but I never whole-heartedly did. There just wasn’t enough ‘real’ conversation between characters and it just felt a bit…. Forced, I can’t really think of a better way of describing it. Sometimes whilst I was reading I was thinking there is no way, in reality you’d be in that situation and react that way. If someone is threatening the person you love, you wouldn’t then wonder off and just carry on with what you were doing like the bady wasn’t even there. Even some of arguments between characters seemed lacking in purpose or just seemed to end. I also thought it just sort of ended, I know it is part of a series but normally I feel like I have to know what happens straightaway. I just didn’t get that with this book.
I will read the next book at some point but I’m not in a rush to get to it, but hopefully the story becomes more ironed out and purposeful as even though I may have seemed negative about the book. I could see where it could go and there were times in the book when I was compelled and fully invested. I guess I shall wait and see.
I felt the story took a long time to get going, I enjoyed a good portion of the book towards the end, but I just felt like the story could have been ironed out better. I can almost see where it was meant to go and what I was meant to feel about characters but I never whole-heartedly did. There just wasn’t enough ‘real’ conversation between characters and it just felt a bit…. Forced, I can’t really think of a better way of describing it. Sometimes whilst I was reading I was thinking there is no way, in reality you’d be in that situation and react that way. If someone is threatening the person you love, you wouldn’t then wonder off and just carry on with what you were doing like the bady wasn’t even there. Even some of arguments between characters seemed lacking in purpose or just seemed to end. I also thought it just sort of ended, I know it is part of a series but normally I feel like I have to know what happens straightaway. I just didn’t get that with this book.
I will read the next book at some point but I’m not in a rush to get to it, but hopefully the story becomes more ironed out and purposeful as even though I may have seemed negative about the book. I could see where it could go and there were times in the book when I was compelled and fully invested. I guess I shall wait and see.