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Natalia (73 KP) rated Simon vs. the Homo Sapiens Agenda in Books
Dec 14, 2018
I have to admit that I will come off a bit biased in my review of this book, since it's one of my genuine favorites. Albertalli seems to just have this way of writing that can keep just about anyone engaged, and this paired up with such a touching, personal, and still-somehow-humorous story works perfectly.
The cast of characters is a realistic one. Simon's struggle to come to terms with being gay and to come out is coming from a place of understanding, and reflects perfectly the emotions most of us have or would feel in his position. Abby and Nick, though not particularly playing a large part in the overall story, act as normal people would in their situation, which is rare enough that I have to applaud it. Finally Leah, the last of the main group of friends, is a character we can probably relate to at least one person in our real life - and she's written perfectly for it, as a character we understand can be frustrating but still a good friend from Simon's perspective.
One of my favorite things about this book, however, would have to be the e-mails between Blue and Simon (or maybe calling him Jacques would be better when I talk about the e-mails?) All of these emails are scattered within the book, and give us an insight into the developing feelings between Simon and Blue such as when Simon (spoiler alert, possibly) finally signs off his e-mail with "love". Its the subtle details in these emails, and then also how their writing transfers to their real dialogue that makes it harder to not appreciate the care that went into this book - especially since its Albertalli's debut!
There's not much else I can really say about Simon without turning this review into a spoiler-filled minefield, but I would 100% recommend this book to anyone. Especially if the subject matter is something you can relate to, and if a romance with an original concept is what you're looking for!
The cast of characters is a realistic one. Simon's struggle to come to terms with being gay and to come out is coming from a place of understanding, and reflects perfectly the emotions most of us have or would feel in his position. Abby and Nick, though not particularly playing a large part in the overall story, act as normal people would in their situation, which is rare enough that I have to applaud it. Finally Leah, the last of the main group of friends, is a character we can probably relate to at least one person in our real life - and she's written perfectly for it, as a character we understand can be frustrating but still a good friend from Simon's perspective.
One of my favorite things about this book, however, would have to be the e-mails between Blue and Simon (or maybe calling him Jacques would be better when I talk about the e-mails?) All of these emails are scattered within the book, and give us an insight into the developing feelings between Simon and Blue such as when Simon (spoiler alert, possibly) finally signs off his e-mail with "love". Its the subtle details in these emails, and then also how their writing transfers to their real dialogue that makes it harder to not appreciate the care that went into this book - especially since its Albertalli's debut!
There's not much else I can really say about Simon without turning this review into a spoiler-filled minefield, but I would 100% recommend this book to anyone. Especially if the subject matter is something you can relate to, and if a romance with an original concept is what you're looking for!
David McK (3496 KP) rated Raising Steam: (Discworld Novel 40) in Books
Jan 28, 2019
The 40th(!) Discworld novel, that probably best fits into the Industrial Revolution sub-series of such novels (i.e. [b:Moving Pictures|34510|Moving Pictures (Discworld, #10)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1320456553s/34510.jpg|1229354], [b:The Truth|51737|The Truth About Forever|Sarah Dessen|https://d202m5krfqbpi5.cloudfront.net/books/1362767907s/51737.jpg|1032900], [b:Monstrous Regiment|34511|Monstrous Regiment The Play|Stephen Briggs|https://d202m5krfqbpi5.cloudfront.net/books/1375908503s/34511.jpg|2073281], [b:Going Postal|64222|Going Postal (Discworld, #33)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388236899s/64222.jpg|1636617] and [b:Making Money|116296|Making Money (Discworld, #36)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1386925136s/116296.jpg|144656] (possibly also including [b:Unseen Academicals|6250169|Unseen Academicals (Discworld, #37)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388348045s/6250169.jpg|6432996] and [b:Snuff|1840511|Snuff|Chuck Palahniuk|https://d202m5krfqbpi5.cloudfront.net/books/1320410088s/1840511.jpg|2034926])), and is also the third book to feature Moist Von Lipwig as the main protaganist (after [b:Going Postal|64222|Going Postal (Discworld, #33)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388236899s/64222.jpg|1636617] and [b:Making Money|116296|Making Money (Discworld, #36)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1386925136s/116296.jpg|144656]).
This one is to do with the introduction of the railway to the Discworld, and also offers many a reference to previous characters and situations in the series as a whole: indeed, at times, it almost feels as if Pratchett is trying to squeeze as many in as possible.
Unfortunately, it's also not his best: I have to admit, in general, I've found most of his Industrial Revolution novels to not be as good as, say, those based around either The City Watch or those based around The Witches. Like the locomotive on which it is based, I found this one to take a fair bit of time to gather steam, and to feel a wee bit ponderous and unwieldy - this, I have to say, is not a novel I would use to introduce somebody new to the delights of the Discworld. :-(
This one is to do with the introduction of the railway to the Discworld, and also offers many a reference to previous characters and situations in the series as a whole: indeed, at times, it almost feels as if Pratchett is trying to squeeze as many in as possible.
Unfortunately, it's also not his best: I have to admit, in general, I've found most of his Industrial Revolution novels to not be as good as, say, those based around either The City Watch or those based around The Witches. Like the locomotive on which it is based, I found this one to take a fair bit of time to gather steam, and to feel a wee bit ponderous and unwieldy - this, I have to say, is not a novel I would use to introduce somebody new to the delights of the Discworld. :-(
ClareR (5784 KP) rated The Battle For England: Women at war in Medieval England (Wars of the Magna Carta #1) in Books
Jan 22, 2019 (Updated Jan 22, 2019)
Women in medieval England
This is a book packed with history, told from the points of view of a priest, a female castellan, a female Keeper of the Kings Forest and a Knight (he gets about a chapter). It must have been very unusual for there to be female Castellans and Keepers of the Forest in a time where a womans primary function was to get married and give birth to sons who could inherit a title. The women in this story seem to have to prove themselves constantly to outsiders - the people who live under their rule don't need to see the proof, they have experience of how good these two women are at their jobs.
The years after the Magna Carta was signed were very unsettled. King John had problems with Phillip of France, losing lands in France and allowing the French in to England to take over castles and land by force. With the death of John, his 9 year old son succeeds him and William Marshall becomes his Regent. I have read other books about William Marshall, and what I read here seemed to be in keeping (most writers seem to be in agreement at the kind of man he must have been).
Nicolaa of Lincoln and Matilda of Laxton were not weak females. I really liked how they were portrayed, and I enjoyed reading the chapters from their points of view as it showed how strong and independent they were. I really liked Father Barnards chapters too. It gave an objective look at how these two women reacted in their situations.
I am a real sucker for historical fiction, and I feel that this was a really well researched novel. There was nothing overly sensationalised, which made it more believable for me. I will probably read the next book in this series. I'm interested to see if there is more from these two impressive women.
Many thanks to Sapere Books for a copy of this book to read and review.
The years after the Magna Carta was signed were very unsettled. King John had problems with Phillip of France, losing lands in France and allowing the French in to England to take over castles and land by force. With the death of John, his 9 year old son succeeds him and William Marshall becomes his Regent. I have read other books about William Marshall, and what I read here seemed to be in keeping (most writers seem to be in agreement at the kind of man he must have been).
Nicolaa of Lincoln and Matilda of Laxton were not weak females. I really liked how they were portrayed, and I enjoyed reading the chapters from their points of view as it showed how strong and independent they were. I really liked Father Barnards chapters too. It gave an objective look at how these two women reacted in their situations.
I am a real sucker for historical fiction, and I feel that this was a really well researched novel. There was nothing overly sensationalised, which made it more believable for me. I will probably read the next book in this series. I'm interested to see if there is more from these two impressive women.
Many thanks to Sapere Books for a copy of this book to read and review.
Sarah (7799 KP) rated Daybreakers (2009) in Movies
Nov 15, 2019
A great take on a vampire film
I can't believe I've never seen this film before. Not only do I love vampire films, I also have a soft spot for Sam Neill and Ethan Hawke, so I should've watched this a long time ago!
This is a very refreshing and original take on a vampire film. It's not an idea I've seen before, and it works really well. The background to the story and vampires is flashed over so quickly during the opening scenes and credits, and at a 1hr40 runtime this film really doesn't mess around. The vampire world looks great and I loved the grayscale and darker camera shots whenever the vampires were on screen, it made a stark contrast to the scenes set in daylight. This is such a different version of vampires to what we're used to and there are parts of this where you almost feel sorry for them.
Ethan Hawke is wonderful as Ed, and Sam Neill is deliciously wicked as he has been in other films, despite the fact I cant stop seeing him as Alan Grant! I think Willem Dafoe was a tad underused thought. The best thing I loved about this film was the gore and physical effects. It's an 18 for a reason and I loved all of the blood and guts. Admittedly some of the gore seemed a little over the top and ridiculous towards the end, but this just made it all the more hilariously enjoyable.
This film isn't perfect. I think some of the CGI is dodgy in parts which is a shame as the rest of the effects are rather good. And the sub plot about Sam Neill's daughter seemed a little flimsy. But aside from this, I think Daybreakers is a great underrated vampire film with a unique story, that seems to have gone without the recognition it deserves.
This is a very refreshing and original take on a vampire film. It's not an idea I've seen before, and it works really well. The background to the story and vampires is flashed over so quickly during the opening scenes and credits, and at a 1hr40 runtime this film really doesn't mess around. The vampire world looks great and I loved the grayscale and darker camera shots whenever the vampires were on screen, it made a stark contrast to the scenes set in daylight. This is such a different version of vampires to what we're used to and there are parts of this where you almost feel sorry for them.
Ethan Hawke is wonderful as Ed, and Sam Neill is deliciously wicked as he has been in other films, despite the fact I cant stop seeing him as Alan Grant! I think Willem Dafoe was a tad underused thought. The best thing I loved about this film was the gore and physical effects. It's an 18 for a reason and I loved all of the blood and guts. Admittedly some of the gore seemed a little over the top and ridiculous towards the end, but this just made it all the more hilariously enjoyable.
This film isn't perfect. I think some of the CGI is dodgy in parts which is a shame as the rest of the effects are rather good. And the sub plot about Sam Neill's daughter seemed a little flimsy. But aside from this, I think Daybreakers is a great underrated vampire film with a unique story, that seems to have gone without the recognition it deserves.
Sarah (7799 KP) rated Eat Pray Love: One Woman's Search for Everything in Books
Nov 18, 2019
Pretentious and selfish
I really wanted to like this book. It sounded like it'd have a lot of motivational thinking and empowerment for single women, but in fact it just turned out terribly pretentious and was basically just one woman's selfish and rather self centred journey.
This book is split into 3 parts: Italy (Eat), India (Pray) and Indonesia (Love). I fairly enjoyed the first part in Italy, as all Liz does is eat the entire time she's there and who doesn't love Italian food? And it also featured a lot of decent and moving thinking and a lot of this related to how I've been feeling over the past year, so I really clicked with this
However it's India and Indonesia that I have major issues with. Firstly I'm not a religious or spiritual person at all, it's just not for me although I have no issues with people that do believe, that's your choice. My problem is that the second and third parts of this book virtually shove religion and spirituality down your throat. And not in a hesitant good way, more in a preaching condescending way that irritates like hell very quickly. I quickly started to skim read these chapters as I couldn't deal with Liz's pretentious ramblings. This entire book is full of her selfish ideas and notions, and at the end I didnt find this in the slightest bit motivational and I didn't feel like Liz learned much either despite her proclamations otherwise. I really didn't find Liz an endearing or lovable person, despite the fact that everyone she encounters in her story appears to (which is debatable).
Maybe I went into this book expecting the wrong things, but aside from the first third and the odd thought or sentence throughout the book that made me think "that's so true!", I really didnt enjoy this at all.
This book is split into 3 parts: Italy (Eat), India (Pray) and Indonesia (Love). I fairly enjoyed the first part in Italy, as all Liz does is eat the entire time she's there and who doesn't love Italian food? And it also featured a lot of decent and moving thinking and a lot of this related to how I've been feeling over the past year, so I really clicked with this
However it's India and Indonesia that I have major issues with. Firstly I'm not a religious or spiritual person at all, it's just not for me although I have no issues with people that do believe, that's your choice. My problem is that the second and third parts of this book virtually shove religion and spirituality down your throat. And not in a hesitant good way, more in a preaching condescending way that irritates like hell very quickly. I quickly started to skim read these chapters as I couldn't deal with Liz's pretentious ramblings. This entire book is full of her selfish ideas and notions, and at the end I didnt find this in the slightest bit motivational and I didn't feel like Liz learned much either despite her proclamations otherwise. I really didn't find Liz an endearing or lovable person, despite the fact that everyone she encounters in her story appears to (which is debatable).
Maybe I went into this book expecting the wrong things, but aside from the first third and the odd thought or sentence throughout the book that made me think "that's so true!", I really didnt enjoy this at all.
Phillip McSween (751 KP) rated Chloe (2010) in Movies
Dec 3, 2019
Decent Beginning Then All Downhill
A woman struggling in her marriage hires a call girl to come on to her husband to see if he will cheat. If Chloe sounds like a recipe for disaster in real life, just wait until I dive into the movie! It’s not a complete failure, but it fails enough for me to highly recommend avoiding it.
Acting: 9
Beginning: 7
All the players are introduced in the first ten minutes doing their respective jobs. You can tell the movie will be shrouded in a bit of mystery. I didn’t hate the way it started, but I was looking for a bit more originality.
Characters: 10
Chloe (Amanda Seyfried) is an intriguing character in and of herself. I was drawn to her and I couldn’t figure out why. Is she crazy? Misunderstood? Is she making everything up? What the hell is with this woman? The other characters are merely a moth to her flame. It’s not to say I didn’t like them, but they would fall flat without Chloe at the helm.
Cinematography/Visuals: 9
As you’re watching this movie, you definitely get the erotic thriller feel which I think is exactly what director Atom Egoyan is going for. There are certain scenes that seem to jump off the screen with sensuality and intrigue. It keeps your eyes rooted to the screen while little details are shot to keep you guessing.
Conflict: 7
Entertainment Value: 7
Memorability: 6
Pace: 6
Plot: 3
Remember my description in the opening paragraph? Yeah, it somehow manages to get even dumber than that. It’s a shame because I think the movie definitely could have been redeemed with a slightly better storyline.
Resolution: 5
Overall: 69
Going back over my notes for Chloe, I notice I have a lot of whats, whys, and hows. That’s usually not a good sign. Few loops were closed here which is a burden for a viewer already sitting through a wandering story. Close, but no cigar.
Acting: 9
Beginning: 7
All the players are introduced in the first ten minutes doing their respective jobs. You can tell the movie will be shrouded in a bit of mystery. I didn’t hate the way it started, but I was looking for a bit more originality.
Characters: 10
Chloe (Amanda Seyfried) is an intriguing character in and of herself. I was drawn to her and I couldn’t figure out why. Is she crazy? Misunderstood? Is she making everything up? What the hell is with this woman? The other characters are merely a moth to her flame. It’s not to say I didn’t like them, but they would fall flat without Chloe at the helm.
Cinematography/Visuals: 9
As you’re watching this movie, you definitely get the erotic thriller feel which I think is exactly what director Atom Egoyan is going for. There are certain scenes that seem to jump off the screen with sensuality and intrigue. It keeps your eyes rooted to the screen while little details are shot to keep you guessing.
Conflict: 7
Entertainment Value: 7
Memorability: 6
Pace: 6
Plot: 3
Remember my description in the opening paragraph? Yeah, it somehow manages to get even dumber than that. It’s a shame because I think the movie definitely could have been redeemed with a slightly better storyline.
Resolution: 5
Overall: 69
Going back over my notes for Chloe, I notice I have a lot of whats, whys, and hows. That’s usually not a good sign. Few loops were closed here which is a burden for a viewer already sitting through a wandering story. Close, but no cigar.
Matthew Krueger (10051 KP) rated Us (2019) in Movies
Feb 3, 2020 (Updated Feb 3, 2020)
The Upside Down
Us- is Jordan Peele's second film as a director. This film like Get Out, is excellent, phenomenal, horrorfying, suspenseful, terrorfying and overall great.
The Plot: Accompanied by her husband, son and daughter, Adelaide Wilson returns to the beachfront home where she grew up as a child. Haunted by a traumatic experience from the past, Adelaide grows increasingly concerned that something bad is going to happen. Her worst fears soon become a reality when four masked strangers descend upon the house, forcing the Wilsons into a fight for survival. When the masks come off, the family is horrified to learn that each attacker takes the appearance of one of them.
So like Get Out, this movie does have a theme. Lets talk about it...
"One of the central themes in Us is that we can do a good job collectively of ignoring the ramifications of privilege. I think it's the idea that what we feel like we deserve comes, you know, at the expense of someone else's freedom or joy. You know, the biggest disservice we can do as a faction with a collective privilege like the United States is to presume that we deserve it, and that it isn't luck that has us born where we're born. For us to have our privilege, someone suffers. That's where the Tethered connection, I think, resonates the most, is that those who suffer and those who prosper are two sides of the same coin. You can never forget that. We need to fight for the less fortunate." Jordan Peele.
So Once Jordan Peele does a excellent job on his theme. Like Get Out, Jordan Peele does a excellent of this theme, of the world that we live in today and his views on it.
Like Get Out, Us is a must watch film, and if you havent seen it, than you must. Its psychological twisted, horrorfying, twisted, suspenseful, great, phenomenal and excellent until the very end.
The Plot: Accompanied by her husband, son and daughter, Adelaide Wilson returns to the beachfront home where she grew up as a child. Haunted by a traumatic experience from the past, Adelaide grows increasingly concerned that something bad is going to happen. Her worst fears soon become a reality when four masked strangers descend upon the house, forcing the Wilsons into a fight for survival. When the masks come off, the family is horrified to learn that each attacker takes the appearance of one of them.
So like Get Out, this movie does have a theme. Lets talk about it...
"One of the central themes in Us is that we can do a good job collectively of ignoring the ramifications of privilege. I think it's the idea that what we feel like we deserve comes, you know, at the expense of someone else's freedom or joy. You know, the biggest disservice we can do as a faction with a collective privilege like the United States is to presume that we deserve it, and that it isn't luck that has us born where we're born. For us to have our privilege, someone suffers. That's where the Tethered connection, I think, resonates the most, is that those who suffer and those who prosper are two sides of the same coin. You can never forget that. We need to fight for the less fortunate." Jordan Peele.
So Once Jordan Peele does a excellent job on his theme. Like Get Out, Jordan Peele does a excellent of this theme, of the world that we live in today and his views on it.
Like Get Out, Us is a must watch film, and if you havent seen it, than you must. Its psychological twisted, horrorfying, twisted, suspenseful, great, phenomenal and excellent until the very end.
JT (287 KP) rated The Peanut Butter Falcon (2019) in Movies
Mar 10, 2020
The Peanut Butter Falcon is a heartwarming tale of a boy called Zak (Zack Gottsagen) who escapes his care home with the dream of becoming a wrestler. Along the way, he meets and forms an unlikely friendship with Tyler (Shia LaBeouf) who joins him on his journey.
Zak has no idea how to get to where he’s going but is encouraged to escape by his roommate Carl (Bruce Dern). So in just his underpants he slips through the bars of his window and escapes.
Meanwhile, Tyler is running from a troubled and emotional past of his own. Flashbacks show him laughing and joking with his brother Mark played by Jon Bernthal, who as it turns out is killed in a car accident with Tyler asleep at the wheel.
But this film isn’t about Tyler, it’s about Zak and getting the chance to meet his wrestling hero, the Salt Water Redneck (Thomas Haden Church) who he’s seen countless times on TV and is desperate to meet.
It’s the kind of film that you know will only have a happy ending as each discovers new things about themselves – they bring the best out in each other.
LaBeouf gives an excellent performance and the story has a Mark Twain feel about it. Walking barefoot, swimming and floating down the river on a hand made raft, free from a society that holds them back. Zack Gottsagen is equally good and provides some funny and dramatic moments that will tug at the heartstrings.
They are followed closely on their adventure by Eleanor (Dakota Johnson) Zak’s caregiver who has foiled his previous escape attempts on more than one occasion. When she finally catches up with them she too discovers a few home truths.
The Peanut Butter Falcon oozes charm and is helped by two brilliant central performances. If you’ve not seen it already then I urge you to make time for it.
Zak has no idea how to get to where he’s going but is encouraged to escape by his roommate Carl (Bruce Dern). So in just his underpants he slips through the bars of his window and escapes.
Meanwhile, Tyler is running from a troubled and emotional past of his own. Flashbacks show him laughing and joking with his brother Mark played by Jon Bernthal, who as it turns out is killed in a car accident with Tyler asleep at the wheel.
But this film isn’t about Tyler, it’s about Zak and getting the chance to meet his wrestling hero, the Salt Water Redneck (Thomas Haden Church) who he’s seen countless times on TV and is desperate to meet.
It’s the kind of film that you know will only have a happy ending as each discovers new things about themselves – they bring the best out in each other.
LaBeouf gives an excellent performance and the story has a Mark Twain feel about it. Walking barefoot, swimming and floating down the river on a hand made raft, free from a society that holds them back. Zack Gottsagen is equally good and provides some funny and dramatic moments that will tug at the heartstrings.
They are followed closely on their adventure by Eleanor (Dakota Johnson) Zak’s caregiver who has foiled his previous escape attempts on more than one occasion. When she finally catches up with them she too discovers a few home truths.
The Peanut Butter Falcon oozes charm and is helped by two brilliant central performances. If you’ve not seen it already then I urge you to make time for it.
JT (287 KP) rated The Way Back (2020) in Movies
Mar 25, 2020
A film about more than basketball
Everyone loves an underdog story especially when it has a sporting theme – but this underdog story is a little different.
Ben Affleck plays Jack Cunningham a former high school basketball star who is battling alcoholism. In his younger days, he had the chance to go to the big time but instead turned his back on a promising career. He is still lauded in the town and is given the chance to coach at his alma mater by Father Devine (John Aylward), who runs the Catholic high school where Jack played.
He initially shows no interest but reluctantly accepts the position to coach a struggling team who haven’t been to the playoffs since he was at school. The team is not devoid of talent but lack discipline and team dynamics something which Jack can help them with.
There is more to Jack’s story and slowly we discover the reasons for his dependence on alcohol. He has separated from his wife and he opens up about the reason why he turned his back on the game. But there is another heartbreaking twist in the tale as to why Jack is bottling up his emotions and prone to bursts of anger, the majority of which spill over onto the basketball court.
Sporting films follow a tight blueprint which involves someone coming back from the brink to triumph. It’s the feel-good moment that makes us want to punch the air. But while there are a few inspirational sequences on the court I didn’t want to punch the air, not least when Affleck is on screen – I just felt sad.
His performance is brilliant as it is emotional and it might be one of his best yet. But the more we connect with Jack the less it becomes about winning basketball games and more about his road to recovery.
Ben Affleck plays Jack Cunningham a former high school basketball star who is battling alcoholism. In his younger days, he had the chance to go to the big time but instead turned his back on a promising career. He is still lauded in the town and is given the chance to coach at his alma mater by Father Devine (John Aylward), who runs the Catholic high school where Jack played.
He initially shows no interest but reluctantly accepts the position to coach a struggling team who haven’t been to the playoffs since he was at school. The team is not devoid of talent but lack discipline and team dynamics something which Jack can help them with.
There is more to Jack’s story and slowly we discover the reasons for his dependence on alcohol. He has separated from his wife and he opens up about the reason why he turned his back on the game. But there is another heartbreaking twist in the tale as to why Jack is bottling up his emotions and prone to bursts of anger, the majority of which spill over onto the basketball court.
Sporting films follow a tight blueprint which involves someone coming back from the brink to triumph. It’s the feel-good moment that makes us want to punch the air. But while there are a few inspirational sequences on the court I didn’t want to punch the air, not least when Affleck is on screen – I just felt sad.
His performance is brilliant as it is emotional and it might be one of his best yet. But the more we connect with Jack the less it becomes about winning basketball games and more about his road to recovery.
ClareR (5784 KP) rated One Year of Ugly in Books
Apr 3, 2020
A different look at refugees.
I didn’t expect to like this book as much as I did, and I really didn’t expect to laugh as much. It’s not a particularly funny subject, when you consider that it’s about Venezuelan refugees in Trinidad. Honestly, I didn’t know that there WERE Venezuelan refugees in Trinidad. The whole Palacio family have fled Venezuela and it’s corrupt regime, and have started a new life in Trinidad as refugees. The work they do is under the radar of the authorities. When their matriarch, Aunt Celia, suddenly dies, a rather flamboyant character, Ugly, turns up and demands his money. This is the point where they find out that they’re actually illegal refugees, and that Aunt Celia hadn’t actually secured them any legitimate, legal rights to be there. So they’re now at the mercy of Ugly. He demands that they work off the debts that Celia incurred, by taking in fellow refugees as they pass through to nw lives in Trinidad. He leaves them under no misapprehension that if they don’t comply to his wishes, violence will follow.
There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.
I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.
There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.
I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.