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Lyndsey Gollogly (2893 KP) rated Dissent ( Rise of the Iliri 7) in Books
May 28, 2024
106 of 220
Kindle
Dissent ( Rise of the Iliri 7)
By Auryn Hadley
⭐️⭐️⭐️⭐️⭐️
Even before Sal joined the Black Blades, they were the best of her country’s elite forces, bred to be ferocious predators and trained to be deadly soldiers. They think as one, feel as one, yet possess their own special abilities--and Sal is their center. Their deepest secret, that the Black Blades are all crossbred iliri, is now out in the open. With the addition of Sal, a purebred iliri, they have become the most deadly creatures on the continent. Now the country that disbanded them needs them to defeat the invading Terrans. Sal desperately wants to defeat the Terrans and their leader, who will stop at nothing to wipe out the iliri. Ironically, saving the country that enslaved her people is the only way to save them.
As the strain begins to show, Sal is trying to let herself lean on the Blades, a band of brothers, some of whom share her bed – and it’s getting really crowded in the bedroom! The more of them there are, the more adorable these guys get, like puppies piled up around a warm fire. Although some of the human males in Sal’s world aren’t quite used to the reverse harem model of family life the iliri favor, the smoking (but tasteful) sex scenes are guaranteed to please readers.
Have you ever read a series that hooks you in from the first word to the last? Where all the books are consistently brilliant? This is mine!! Iwill forever rave about this series. It was never going to be easy going back home especially when she was about to turn it upside down. Sal is an amazing character the love these people have for her is just a joy to read. The world building is brilliant, the characters are so well thought out. I will recommend this series to every fantasy reader it’s just so good.
Kindle
Dissent ( Rise of the Iliri 7)
By Auryn Hadley
⭐️⭐️⭐️⭐️⭐️
Even before Sal joined the Black Blades, they were the best of her country’s elite forces, bred to be ferocious predators and trained to be deadly soldiers. They think as one, feel as one, yet possess their own special abilities--and Sal is their center. Their deepest secret, that the Black Blades are all crossbred iliri, is now out in the open. With the addition of Sal, a purebred iliri, they have become the most deadly creatures on the continent. Now the country that disbanded them needs them to defeat the invading Terrans. Sal desperately wants to defeat the Terrans and their leader, who will stop at nothing to wipe out the iliri. Ironically, saving the country that enslaved her people is the only way to save them.
As the strain begins to show, Sal is trying to let herself lean on the Blades, a band of brothers, some of whom share her bed – and it’s getting really crowded in the bedroom! The more of them there are, the more adorable these guys get, like puppies piled up around a warm fire. Although some of the human males in Sal’s world aren’t quite used to the reverse harem model of family life the iliri favor, the smoking (but tasteful) sex scenes are guaranteed to please readers.
Have you ever read a series that hooks you in from the first word to the last? Where all the books are consistently brilliant? This is mine!! Iwill forever rave about this series. It was never going to be easy going back home especially when she was about to turn it upside down. Sal is an amazing character the love these people have for her is just a joy to read. The world building is brilliant, the characters are so well thought out. I will recommend this series to every fantasy reader it’s just so good.
DaveySmithy (107 KP) rated Wicked (2024) in Movies
Dec 3, 2024
A Magical, If Slightly Uneven Journey
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
Merissa (13353 KP) rated One Step Sideways (Enhanced World Security #1) in Books
Mar 18, 2025
ONE STEP SIDEWAYS is the first book in the Enhanced World Security series, which itself is a spinoff of the Enhanced World H.E.R.O. series. I haven't read any of those, but I now want to! I don't feel as though my enjoyment was negatively impacted by not having read them, as enough details were given here that I understood what was going on.
Kane has had a terrible life. No two ways about it. My heart broke for him on so many occasions and when he first met Danny, I went full-on Mama Bear. Danny was a soldier who also had something terrible happen to him and his friends, which has left him with severe PTSD. He has a gorgeous service dog but immediately thought the worst of Kane in every possible situation when he thought Kane had hurt a dog in his past. He really was a judgemental pr!ck.
But then the story picked up, I became invested, and Danny and Kane worked things out and became the most important thing to each other, and I was okay with that.
This does have an overreaching arc so don't expect everything to be tied up in this edition, but it made for a fantastic read. Well-paced, with plenty of action, twists and turns, plus hooks dangling which left me wanting the next book immediately, it was already a 5-star read for me. But then Danny went above and beyond and had my eyes leaking for the last part of the book. That 5-star was never in doubt!!! An amazing story and HIGHLY RECOMMENDED by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 18, 2025
Kane has had a terrible life. No two ways about it. My heart broke for him on so many occasions and when he first met Danny, I went full-on Mama Bear. Danny was a soldier who also had something terrible happen to him and his friends, which has left him with severe PTSD. He has a gorgeous service dog but immediately thought the worst of Kane in every possible situation when he thought Kane had hurt a dog in his past. He really was a judgemental pr!ck.
But then the story picked up, I became invested, and Danny and Kane worked things out and became the most important thing to each other, and I was okay with that.
This does have an overreaching arc so don't expect everything to be tied up in this edition, but it made for a fantastic read. Well-paced, with plenty of action, twists and turns, plus hooks dangling which left me wanting the next book immediately, it was already a 5-star read for me. But then Danny went above and beyond and had my eyes leaking for the last part of the book. That 5-star was never in doubt!!! An amazing story and HIGHLY RECOMMENDED by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 18, 2025
Connor Sheffield (293 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Apr 18, 2017
The Good, The Bad and The Editing
So...here's a movie that split so many fans and has caused COUNTLESS arguments online. My review may also cause arguments, but I'm willing to risk that as I have a fair bit to say about this movie, most importantly and foremost;
I enjoyed the movie!
The Good:
Let me start with what's good because I feel there's never enough positivity around this movie so here goes.
Ben Affleck and Gal Gadot were the two focuses of this movie because they had a lot of pressure on them to bring Batman and Wonder Woman to life and do the characters justice (terrible I know but I couldn't resist). All over the internet I saw hate for Ben Affleck and people saying Gal Gadot was too skinny. At first, I'll be honest, I did think Gal Gadot was really skinny and couldn't imagine her as Wonder Woman, BUT, unlike most people, I knew that before they would film her scenes, she would be 'buffing up' because I have faith in Zack Snyder because he is a fan and has made brilliant films. Man Of Steel made me like Superman, because of the way he was written as conflicted and the whole film made him more human and I loved it.
Here's where some people will disagree highly with me....I am not a big fan of the Nolan trilogy Batman. Now, before you throw a fit and verbally kick my ass, let me try and tell you why. The Voice! (it's not the only reason, but this is the reason I'm trying to make a point of) Batman a.k.a Bruce Wayne is a BILLIONAIRE, so who thought that the best way for him to disguise his voice would be to make him sound like he's fucked up his throat somehow? A billionaire with all those gadgets would surely think that what he needs is a voice modulator. Snyder brought in the voice modulator and I fell in love in that first trailer from hearing Batman talk through a voice modulator because I was sat there like "Hallelujah they finally worked out what a billionaire vigilante would do!" and I think it could be just me, but I honestly would prefer to think of Batman using one of those rather than grumbling his voice, because it just makes more sense.
So...Batfleck was incredible. My favourite portrayal so far and here's why:
- Arkham game fighting style
- Aged personality that says it all about why he's that violent
- He's definitely a great portrayal of the Dark Knight Returns version of Batman
- Ben Affleck is a great actor (in my opinion)
People's biggest complaint was 'Batman Kills' and I've had this discussion with my friends many times. Yes people died, IT'S HAPPENED BEFORE! It's rare but it's happened. You like the realism of Nolan's trilogy but there's a realism to Batfleck that you might not be seeing. He's been through all the same shit year in, year out for decades. Villains cause chaos, Batman fights villain, lets them live, puts them away, they break out, rinse repeat. Doing that for decades, losing people you love because of your choice not to kill, would surely cause a spark in your mind and Bruce Wayne says this in the movie through less words. "How many good guys are left? How many stay that way?"
If you think about it, he's essentially saying "I was a good guy but even I have had my boundaries pushed to the line and over". He's finally at the age where he has a state of mind that from his perspective...bad guys don't deserve to be shown mercy, but at the same time, he doesn't necessarily kill the bad guys directly.
Think of the warehouse scene. Bad Guy throws grenade, Batman kicks it back at him. Grenade goes BOOM. Bad guys die. BUT! If the guy hadn't have tried to throw the grenade, Batman wouldn't have kicked it back, and it wouldn't have ended in their death. Simple as that.
Let's move on though.
Superman is conflicted and the movie gets very political with a message of "Here's a God-Like figure. Should he be allowed to do what he wants or should we take away Choice by having under the Governments thumb?" and Superman personally is having internal issues of "I want this to be my home because it's the only home I've known, but these people don't want me and this stress is affecting both Clark Kent and Superman". He should have been able to see or hear the bomb in the wheelchair, but his mind was preoccupied with "Why does this government and these people hate me when I saved not only my city but the whole world?". Think about your stress with work, with college, school etc. and how it really does effect everything else around you. You might not want to go out with friends because you feel drained from the stress, now try to imagine that on the level of Superman! The poor guy just wanted to help.
My biggest enjoyment from this film was ALL OF THE DC REFERENCES! There were so many cool easter eggs, references etc. that I adored from Riddler Question Marks, to seeing Superman in a skeletal form after the Nuke explosion and then regaining his life force from the flowers through their Photosynthesis just like in the graphic novel! It was an incredible experience and I loved the film mainly for that.
The Bad:
Doomsday....I want to hope it's not the actual Doomsday and maybe just a failed experiment that Lex tried out but at the same time I know it probably is meant to be THE Doomsday.
The Editing:
The editing was jumpy and some cuts didn't make sense UNTIL the Ultimate Cut. The Ultimate Cut gives us some scenes with Clark Kent in Gotham BEFORE the big introduction to Batman in person, and hearing stories and investigating why people fear him, but also respect him. This would have worked so much better in the Theatrical Cut but sadly studios like to cut the film and people blame the Director for it which annoys me slightly.
Guaranteed this post might not change your mind, but I must say that you should try watching the film again if you've avoided it, watch the Ultimate Cut and really pay attention to how its being shown to the audience. Overall this is one of my favourite superhero movies and I will always stand up for it, BUT I'm not blind to it's faults.
I enjoyed the movie!
The Good:
Let me start with what's good because I feel there's never enough positivity around this movie so here goes.
Ben Affleck and Gal Gadot were the two focuses of this movie because they had a lot of pressure on them to bring Batman and Wonder Woman to life and do the characters justice (terrible I know but I couldn't resist). All over the internet I saw hate for Ben Affleck and people saying Gal Gadot was too skinny. At first, I'll be honest, I did think Gal Gadot was really skinny and couldn't imagine her as Wonder Woman, BUT, unlike most people, I knew that before they would film her scenes, she would be 'buffing up' because I have faith in Zack Snyder because he is a fan and has made brilliant films. Man Of Steel made me like Superman, because of the way he was written as conflicted and the whole film made him more human and I loved it.
Here's where some people will disagree highly with me....I am not a big fan of the Nolan trilogy Batman. Now, before you throw a fit and verbally kick my ass, let me try and tell you why. The Voice! (it's not the only reason, but this is the reason I'm trying to make a point of) Batman a.k.a Bruce Wayne is a BILLIONAIRE, so who thought that the best way for him to disguise his voice would be to make him sound like he's fucked up his throat somehow? A billionaire with all those gadgets would surely think that what he needs is a voice modulator. Snyder brought in the voice modulator and I fell in love in that first trailer from hearing Batman talk through a voice modulator because I was sat there like "Hallelujah they finally worked out what a billionaire vigilante would do!" and I think it could be just me, but I honestly would prefer to think of Batman using one of those rather than grumbling his voice, because it just makes more sense.
So...Batfleck was incredible. My favourite portrayal so far and here's why:
- Arkham game fighting style
- Aged personality that says it all about why he's that violent
- He's definitely a great portrayal of the Dark Knight Returns version of Batman
- Ben Affleck is a great actor (in my opinion)
People's biggest complaint was 'Batman Kills' and I've had this discussion with my friends many times. Yes people died, IT'S HAPPENED BEFORE! It's rare but it's happened. You like the realism of Nolan's trilogy but there's a realism to Batfleck that you might not be seeing. He's been through all the same shit year in, year out for decades. Villains cause chaos, Batman fights villain, lets them live, puts them away, they break out, rinse repeat. Doing that for decades, losing people you love because of your choice not to kill, would surely cause a spark in your mind and Bruce Wayne says this in the movie through less words. "How many good guys are left? How many stay that way?"
If you think about it, he's essentially saying "I was a good guy but even I have had my boundaries pushed to the line and over". He's finally at the age where he has a state of mind that from his perspective...bad guys don't deserve to be shown mercy, but at the same time, he doesn't necessarily kill the bad guys directly.
Think of the warehouse scene. Bad Guy throws grenade, Batman kicks it back at him. Grenade goes BOOM. Bad guys die. BUT! If the guy hadn't have tried to throw the grenade, Batman wouldn't have kicked it back, and it wouldn't have ended in their death. Simple as that.
Let's move on though.
Superman is conflicted and the movie gets very political with a message of "Here's a God-Like figure. Should he be allowed to do what he wants or should we take away Choice by having under the Governments thumb?" and Superman personally is having internal issues of "I want this to be my home because it's the only home I've known, but these people don't want me and this stress is affecting both Clark Kent and Superman". He should have been able to see or hear the bomb in the wheelchair, but his mind was preoccupied with "Why does this government and these people hate me when I saved not only my city but the whole world?". Think about your stress with work, with college, school etc. and how it really does effect everything else around you. You might not want to go out with friends because you feel drained from the stress, now try to imagine that on the level of Superman! The poor guy just wanted to help.
My biggest enjoyment from this film was ALL OF THE DC REFERENCES! There were so many cool easter eggs, references etc. that I adored from Riddler Question Marks, to seeing Superman in a skeletal form after the Nuke explosion and then regaining his life force from the flowers through their Photosynthesis just like in the graphic novel! It was an incredible experience and I loved the film mainly for that.
The Bad:
Doomsday....I want to hope it's not the actual Doomsday and maybe just a failed experiment that Lex tried out but at the same time I know it probably is meant to be THE Doomsday.
The Editing:
The editing was jumpy and some cuts didn't make sense UNTIL the Ultimate Cut. The Ultimate Cut gives us some scenes with Clark Kent in Gotham BEFORE the big introduction to Batman in person, and hearing stories and investigating why people fear him, but also respect him. This would have worked so much better in the Theatrical Cut but sadly studios like to cut the film and people blame the Director for it which annoys me slightly.
Guaranteed this post might not change your mind, but I must say that you should try watching the film again if you've avoided it, watch the Ultimate Cut and really pay attention to how its being shown to the audience. Overall this is one of my favourite superhero movies and I will always stand up for it, BUT I'm not blind to it's faults.
Chris Sawin (602 KP) rated The Dark Knight (2008) in Movies
Jun 19, 2019
The Dark Knight picks up not too long after Batman Begins left off. The way the citizens of Gotham look at Batman is still pretty divided. Some see him as a vigilante in a mask who takes the law into his own hands and others see him as a caped crusader who helps keep scum off the streets. A hero to some and a villain to others. Harvey Dent, the man running for DA, enters the picture and could be the face Gotham is looking for to be its new hero. A man who's not only capable of getting rid of the filth on the streets of Gotham in a more efficient manner, but could be the reason Batman hangs up his cape for good. It seems as though Gotham has found itself with a new criminal psychopath though that's keeping Batman, Harvey Dent, and the Gotham PD busy these days. The Joker is, without a doubt, Batman's most dangerous adversary. A madman whose only desire is to give Gotham a better class of criminal. Bruce Wayne goes beyond his limits as Batman to try and take him down and all The Joker wants is for Gotham to be filled with pure chaos. Can Batman bring The Joker to justice? Will Harvey Dent become Gotham's new white knight? How does Rachel Dawes fit into the picture?
I had been looking forward to this movie for what seemed like an eternity and to make it worse is that I had to sit in the theater for an hour since I got there early. All I could think about was that I was finally seeing this movie that I was so excited about. I have never anticipated a film to this capacity. Ever. I was thinking that there was no way a movie could live up to being that good. So the real question is, "Did the film live up to my expectations?" The answer is no. It didn't. It surpassed my expectations in every way possible. The two hours and thirty two minutes running time went by in a blur as there was little to no down time and my eyes were drawn to the screen the entire time. This movie was epic. I don't toss that word around too often, but there's no way else to describe it. It was epic in every sense of the word. I've never seen a film that had this much of a crowd response to not only the film, its actors, its twists and turns, but the trailers beforehand as well. I lost count how many times I had goosebumps throughout the film because what I was witnessing was exactly what I wanted to see and then some. It is truly an extraordinary experience.
The cast was brilliant. The returning cast from the last film continued to be impressive. Michael Caine always manages to be charming and steal a few laughs as Alfred and the film wouldn't be the same without Morgan Freeman as Lucius Fox. Christian Bale is still the best Batman to ever put on the cape, in my opinion. It was nice seeing more Batman this time around than Bruce Wayne. The way he struggles with if continuing to be Batman is the right thing for Gotham still plagues him and is still equally as amazing. Maggie Gyllenhaal has, as I'm sure you've heard by now, replaced Katie Holmes as Rachel Dawes and actually brings a spark to the role. She brought the charisma and overall talent to The Dark Knight that Katie Holmes should have had in Batman Begins. Gary Oldman is an actor who I still think doesn't deserve the credit he deserves and what he brings to the role of Jim Gordon, especially this time around in The Dark Knight, should hopefully get people talking. Which brings me to Aaron Eckhart. By the time the credits start rolling, I can guarantee you'll be praising his work in this film. I can't really imagine anyone else in the role of Harvey Dent now and what he winds up going through and how he portrays it is just incredible. The intensity he put into the role really caused him to steal quite a few scenes.
Hm. That's the whole cast isn't it? I'm not leaving anyone out, right? Oh, of course. Heath Ledger as The Joker. Did it live up to the hype and was it worth all the fuss? It does, my friends. It's actually better than the hype. Ledger steals every scene he's in. Period. Whatever he tapped into and whatever kind of preparation he went through for this role is truly phenomenal. He WAS The Joker in this film. He was somehow able to embody The Joker in a way that is frightening, maniacal, and even hysterical all at the same time. You will wind up holding your breath and trying not to make a sound every time he comes on screen because you don't want to miss a second of this mesmerizing performance. I was reading that he locked himself up in an empty apartment for a month to prepare for the role to get a true feel for the character; his body language, quirks, his voice, etc. He had The Killing Joke, The Man Who Laughed, and a few of the first issues of Batman that had appearances from the Joker as references. I can tell you this...it truly shows, if that's the case. The way he submerged himself in this character is almost beyond words. He deserves every ounce of praise that he gets.
It is ridiculous how much praise The Dark Knight truly deserves. Even the most elaborate descriptions feel like they're still not doing the movie justice. The film is for Batman fans, for Nolan fans, for fans of good storytelling, for fans of good writing, for fans of amazing cinematography, for fans of some of the strongest acting performances ever to be filmed, for fans of action/crime/dramas...long story short, the film can and probably will be enjoyed by anyone. It is the only film to come out in recent years that not only lived up to the hype, but leaped over it and actually deserved every bit of it. By the time you get to the end credits, you'll immediately want to see it again and you'll be just as excited the second time(and possibly third time) through. It's that good.
I had been looking forward to this movie for what seemed like an eternity and to make it worse is that I had to sit in the theater for an hour since I got there early. All I could think about was that I was finally seeing this movie that I was so excited about. I have never anticipated a film to this capacity. Ever. I was thinking that there was no way a movie could live up to being that good. So the real question is, "Did the film live up to my expectations?" The answer is no. It didn't. It surpassed my expectations in every way possible. The two hours and thirty two minutes running time went by in a blur as there was little to no down time and my eyes were drawn to the screen the entire time. This movie was epic. I don't toss that word around too often, but there's no way else to describe it. It was epic in every sense of the word. I've never seen a film that had this much of a crowd response to not only the film, its actors, its twists and turns, but the trailers beforehand as well. I lost count how many times I had goosebumps throughout the film because what I was witnessing was exactly what I wanted to see and then some. It is truly an extraordinary experience.
The cast was brilliant. The returning cast from the last film continued to be impressive. Michael Caine always manages to be charming and steal a few laughs as Alfred and the film wouldn't be the same without Morgan Freeman as Lucius Fox. Christian Bale is still the best Batman to ever put on the cape, in my opinion. It was nice seeing more Batman this time around than Bruce Wayne. The way he struggles with if continuing to be Batman is the right thing for Gotham still plagues him and is still equally as amazing. Maggie Gyllenhaal has, as I'm sure you've heard by now, replaced Katie Holmes as Rachel Dawes and actually brings a spark to the role. She brought the charisma and overall talent to The Dark Knight that Katie Holmes should have had in Batman Begins. Gary Oldman is an actor who I still think doesn't deserve the credit he deserves and what he brings to the role of Jim Gordon, especially this time around in The Dark Knight, should hopefully get people talking. Which brings me to Aaron Eckhart. By the time the credits start rolling, I can guarantee you'll be praising his work in this film. I can't really imagine anyone else in the role of Harvey Dent now and what he winds up going through and how he portrays it is just incredible. The intensity he put into the role really caused him to steal quite a few scenes.
Hm. That's the whole cast isn't it? I'm not leaving anyone out, right? Oh, of course. Heath Ledger as The Joker. Did it live up to the hype and was it worth all the fuss? It does, my friends. It's actually better than the hype. Ledger steals every scene he's in. Period. Whatever he tapped into and whatever kind of preparation he went through for this role is truly phenomenal. He WAS The Joker in this film. He was somehow able to embody The Joker in a way that is frightening, maniacal, and even hysterical all at the same time. You will wind up holding your breath and trying not to make a sound every time he comes on screen because you don't want to miss a second of this mesmerizing performance. I was reading that he locked himself up in an empty apartment for a month to prepare for the role to get a true feel for the character; his body language, quirks, his voice, etc. He had The Killing Joke, The Man Who Laughed, and a few of the first issues of Batman that had appearances from the Joker as references. I can tell you this...it truly shows, if that's the case. The way he submerged himself in this character is almost beyond words. He deserves every ounce of praise that he gets.
It is ridiculous how much praise The Dark Knight truly deserves. Even the most elaborate descriptions feel like they're still not doing the movie justice. The film is for Batman fans, for Nolan fans, for fans of good storytelling, for fans of good writing, for fans of amazing cinematography, for fans of some of the strongest acting performances ever to be filmed, for fans of action/crime/dramas...long story short, the film can and probably will be enjoyed by anyone. It is the only film to come out in recent years that not only lived up to the hype, but leaped over it and actually deserved every bit of it. By the time you get to the end credits, you'll immediately want to see it again and you'll be just as excited the second time(and possibly third time) through. It's that good.
Purple Phoenix Games (2266 KP) rated Sheriff of Nottingham in Tabletop Games
Nov 16, 2021
One neat thing about the board gaming hobby is how many new games are designed/created daily. So much innovation, creativity, and hype surrounds new releases and helps keep us gamers hooked! That being said, what happens to older games as time goes on? Can they still hold their own over the years? Do they still feel new and novel to first-time players who are getting to them late? The latter describes me with Sheriff of Nottingham. I only received it for Christmas two years ago, and it has sadly been sitting on my Shelf of Shame until recently. So now that I’ve finally gotten it to the table, how does it hold up? Keep reading to find out!
Disclaimer: I have the first edition of this game, so the pictures below do not reflect the art/component changes brought in the recently released second edition. -L
Sheriff of Nottingham is a party game of bluffing, negotiation, and set collection in which players are trying to earn the most money by bringing their goods (Legal or Contraband!) to market. However, before those goods can get to your merchant stand, they must be cleared to pass by the Sheriff of Nottingham. Are you honest in your declarations, or are you trying to sneak something past the town authority? Bluff, bribe, or negotiate your way to victory and collect the most gold!
To setup for a game of Sheriff of Nottingham, each player receives a merchant stand board and bag in their chosen color, 20 starting gold, and 6 Goods cards. The remaining Goods cards are placed in a draw pile, with 2 adjacent discard piles. Turn over 5 cards to each discard pile, select a starting Sheriff, and the game is ready to begin! Sheriff of Nottingham is played over a series of rounds, and each round is broken down into 5 phases: Market, Load Merchant Bag, Declaration, Inspection, and End of Round. Important note – the player acting as Sheriff for the round will only act in the Inspection phase of a round. During the Market phase, players have the opportunity to discard unwanted Goods from their hand in order to draw cards from the draw pile or either discard pile. New cards are drawn one at a time, and you will draw as many cards as you have chosen to discard. The cards you discard will be placed in either discard pile, in whatever order you choose.
The next phase, Load Merchant Bag, is pretty self-explanatory. All merchant players will select up to 5 cards from their hand to place in their merchant bag. Snap it closed, and place it in front of you for the next phase, Declaration. In this phase, players will take turns declaring what good they are bringing to market. You must say exactly how many cards you are bringing, and you may only declare 1 type of Legal good! Even if your bag has multiple types of goods, you must declare only 1 type. Here is where your bluffing skills come into play! Once all players have made their declarations, the game moves to the Inspection phase, and it is now time for the Sheriff to act! In this phase, the Sheriff will get to decide if they wish to inspect any of the merchant bags, and merchants will have the opportunity to negotiate or bribe the Sheriff to not inspect their bag, or to inspect an opponent’s bag instead. If you make a deal with the Sheriff, you must hold up your end of the agreement!
Once the Sheriff has made their decision, they will either inspect bags or allow them to pass. If you are allowed to pass, you will take back your bag, open it, and add all goods to your merchant stand in their corresponding locations. Legal goods are known to all players, but Contraband goods are kept face-down. If the Sheriff chose to inspect your bag, they will open it and reveal the cards inside. If you were in fact telling the truth, and the cards inside are exactly what you declared, you add them to your merchant stand and the Sheriff will pay you a penalty for each Good card in your bag. If you were lying, a few things happen. First, any goods that were truthfully declared will go to your merchant stand as normal. Any goods that you lied about are confiscated by the Sheriff, and placed onto either discard pile. You then will pay the Sheriff a penalty fee for each confiscated good! The final phase, End of Round, has all players draw back up to 6 cards in hand, and the Sheriff title passes to the next player. The game continues in this fashion until all players have been the Sheriff twice (or three times in a 3-player game). Points are counted up – from your goods in your merchant stand, any gold coins you possess, and any bonus points for majority of Legal goods compared to opponents. Once all points have been tallied, the player with the highest score wins!
I know that I have said before that I generally don’t like bluffing games, but I think that Sheriff of Nottingham might be an exception. Yes, in some cases you will have to bluff about the contents of your merchant bag, but the ability to bribe/negotiate with the Sheriff takes some focus off the actual bluffing part. Can you convince the Sheriff to inspect another player’s bag just because you are trying to hinder that player? Or do you try to get the Sheriff to inspect your own bag, because then they will have to pay you a penalty fee for your honesty (this round, at least). It feels like there is more strategic gameplay here than simple bluffing, and I like the opportunity to strategize instead of relying solely on my (admittedly horrendous) poker-face.
Another thing that I really like about Sheriff of Nottingham is that it can technically be categorized as a party game, but it doesn’t feel like a typical party game to me. It takes strategy to play, and doesn’t just rely on crude/adult humor for laughs. This game really engages all players at all times, as you’re constantly watching your opponents, keeping track of what goods they seem to be collecting, and trying to catch them in a lie. The gameplay itself is pretty streamlined and straightforward, and that just helps to make it flow naturally and logically. The playing time is listed as 60 minutes, but it doesn’t feel like a long game to me at all. It’s just a light, fun, and entertaining game for really any type of game night.
Let’s talk components for a minute. Again, I have the first edition of the game, so I cannot speak as to any component changes in the second edition. But overall, the quality of the first edition is pretty nice! The merchant stand boards are nice, thick cardboard, and are colorful and clear. Perhaps my favorite part of the boards is they each have a turn order reference on them. Not that the gameplay is that complicated, but it’s nice to just have that quick guide. The Goods cards are good quality and feel nice in hand. The artwork is mostly pretty simple, but I like that, since the crux of the gameplay is in the player interactions. The cardboard coins are chunky, and the insert doubles as a draw/discard pile organizer – which to me is a lifesaver! Nothing bothers me more than unruly stacks of cards. The merchant bags are nice and mostly functional. My biggest issue with them is that sometimes the snaps are a little hard to open, and it feels like you might tear the bag if you pull on them too hard. To alleviate that, I just don’t have players actually close the snap, instead just folding over the flap, and that works just as well! Great production quality in my opinion.
So if I seem to like this game, why did I only give it a 4 out of 6? The simple answer to that is that I do like the game, but I don’t love it. It’s fun and serves its purpose well, but it’s not a game that I am dying to pull out every game night. It’s one that will stay in my collection for sure, because there are some occasions that are just perfect for it. But it’s not one that will ever make its way to my Top 10. All in all, it holds up well for being an ‘older’ game, but it doesn’t exactly have me jumping up and down to play. That’s why Purple Phoenix Games gives this one an 11 / 18.
Disclaimer: I have the first edition of this game, so the pictures below do not reflect the art/component changes brought in the recently released second edition. -L
Sheriff of Nottingham is a party game of bluffing, negotiation, and set collection in which players are trying to earn the most money by bringing their goods (Legal or Contraband!) to market. However, before those goods can get to your merchant stand, they must be cleared to pass by the Sheriff of Nottingham. Are you honest in your declarations, or are you trying to sneak something past the town authority? Bluff, bribe, or negotiate your way to victory and collect the most gold!
To setup for a game of Sheriff of Nottingham, each player receives a merchant stand board and bag in their chosen color, 20 starting gold, and 6 Goods cards. The remaining Goods cards are placed in a draw pile, with 2 adjacent discard piles. Turn over 5 cards to each discard pile, select a starting Sheriff, and the game is ready to begin! Sheriff of Nottingham is played over a series of rounds, and each round is broken down into 5 phases: Market, Load Merchant Bag, Declaration, Inspection, and End of Round. Important note – the player acting as Sheriff for the round will only act in the Inspection phase of a round. During the Market phase, players have the opportunity to discard unwanted Goods from their hand in order to draw cards from the draw pile or either discard pile. New cards are drawn one at a time, and you will draw as many cards as you have chosen to discard. The cards you discard will be placed in either discard pile, in whatever order you choose.
The next phase, Load Merchant Bag, is pretty self-explanatory. All merchant players will select up to 5 cards from their hand to place in their merchant bag. Snap it closed, and place it in front of you for the next phase, Declaration. In this phase, players will take turns declaring what good they are bringing to market. You must say exactly how many cards you are bringing, and you may only declare 1 type of Legal good! Even if your bag has multiple types of goods, you must declare only 1 type. Here is where your bluffing skills come into play! Once all players have made their declarations, the game moves to the Inspection phase, and it is now time for the Sheriff to act! In this phase, the Sheriff will get to decide if they wish to inspect any of the merchant bags, and merchants will have the opportunity to negotiate or bribe the Sheriff to not inspect their bag, or to inspect an opponent’s bag instead. If you make a deal with the Sheriff, you must hold up your end of the agreement!
Once the Sheriff has made their decision, they will either inspect bags or allow them to pass. If you are allowed to pass, you will take back your bag, open it, and add all goods to your merchant stand in their corresponding locations. Legal goods are known to all players, but Contraband goods are kept face-down. If the Sheriff chose to inspect your bag, they will open it and reveal the cards inside. If you were in fact telling the truth, and the cards inside are exactly what you declared, you add them to your merchant stand and the Sheriff will pay you a penalty for each Good card in your bag. If you were lying, a few things happen. First, any goods that were truthfully declared will go to your merchant stand as normal. Any goods that you lied about are confiscated by the Sheriff, and placed onto either discard pile. You then will pay the Sheriff a penalty fee for each confiscated good! The final phase, End of Round, has all players draw back up to 6 cards in hand, and the Sheriff title passes to the next player. The game continues in this fashion until all players have been the Sheriff twice (or three times in a 3-player game). Points are counted up – from your goods in your merchant stand, any gold coins you possess, and any bonus points for majority of Legal goods compared to opponents. Once all points have been tallied, the player with the highest score wins!
I know that I have said before that I generally don’t like bluffing games, but I think that Sheriff of Nottingham might be an exception. Yes, in some cases you will have to bluff about the contents of your merchant bag, but the ability to bribe/negotiate with the Sheriff takes some focus off the actual bluffing part. Can you convince the Sheriff to inspect another player’s bag just because you are trying to hinder that player? Or do you try to get the Sheriff to inspect your own bag, because then they will have to pay you a penalty fee for your honesty (this round, at least). It feels like there is more strategic gameplay here than simple bluffing, and I like the opportunity to strategize instead of relying solely on my (admittedly horrendous) poker-face.
Another thing that I really like about Sheriff of Nottingham is that it can technically be categorized as a party game, but it doesn’t feel like a typical party game to me. It takes strategy to play, and doesn’t just rely on crude/adult humor for laughs. This game really engages all players at all times, as you’re constantly watching your opponents, keeping track of what goods they seem to be collecting, and trying to catch them in a lie. The gameplay itself is pretty streamlined and straightforward, and that just helps to make it flow naturally and logically. The playing time is listed as 60 minutes, but it doesn’t feel like a long game to me at all. It’s just a light, fun, and entertaining game for really any type of game night.
Let’s talk components for a minute. Again, I have the first edition of the game, so I cannot speak as to any component changes in the second edition. But overall, the quality of the first edition is pretty nice! The merchant stand boards are nice, thick cardboard, and are colorful and clear. Perhaps my favorite part of the boards is they each have a turn order reference on them. Not that the gameplay is that complicated, but it’s nice to just have that quick guide. The Goods cards are good quality and feel nice in hand. The artwork is mostly pretty simple, but I like that, since the crux of the gameplay is in the player interactions. The cardboard coins are chunky, and the insert doubles as a draw/discard pile organizer – which to me is a lifesaver! Nothing bothers me more than unruly stacks of cards. The merchant bags are nice and mostly functional. My biggest issue with them is that sometimes the snaps are a little hard to open, and it feels like you might tear the bag if you pull on them too hard. To alleviate that, I just don’t have players actually close the snap, instead just folding over the flap, and that works just as well! Great production quality in my opinion.
So if I seem to like this game, why did I only give it a 4 out of 6? The simple answer to that is that I do like the game, but I don’t love it. It’s fun and serves its purpose well, but it’s not a game that I am dying to pull out every game night. It’s one that will stay in my collection for sure, because there are some occasions that are just perfect for it. But it’s not one that will ever make its way to my Top 10. All in all, it holds up well for being an ‘older’ game, but it doesn’t exactly have me jumping up and down to play. That’s why Purple Phoenix Games gives this one an 11 / 18.
Lorey L. (3 KP) rated The Hazel Wood in Books
Mar 7, 2018
Loved! Would recommend for fans of chilling fairytales.
Immediately after finishing Albert's dark tale, I took to Goodread's knowing other's had been left with the same tingly sensation of bloody good wrongness. Unfortunately, I found for many this was not the case. The story was dark, creepy and had all the good bad things that make you listen too closely at bumps and stare too intensely at shadows.
First, the writing is completely breathtaking. The imagery in Albert's style is superb. It made me want to wrap up in a blanket with a hot cup of tea and a roaring fire and wish for her words to never end.
With that being said, I did find that at times it could get a little thick and hard to sludge through, but for me, that was infrequent enough to not give me too much of a bother. I felt there was a lot of backstory that could have been told in a more fluid manner, but nevertheless, it was (mostly) needed backstory.
The world Albert created in Hinterland... I need more. If more/most of the story had taken place in the Hinterland, I feel it would have been closer to 5 stars. But, being mostly set in New York it did still leave the storyline curious and mysterious enough to lure you in if given half a chance.
Secondly, the characters are... horrible and good and missing things. Personally, once I figured out who Alice was, I understood why she was written the way she was (more on that in a bit). Unfortunately, I felt most characters, outside of Alice, were mostly one-dimensional. More fully fleshed out and I may have found myself falling a little in love Finch, desperately wanting to know Ella, or even more curious about the mysterious Althea. They just needed a little... more.
Thirdly, the artwork. Oh good Lord in Heaven, I am in love with the cover art of this book. Dark and shiny and filled with images that beg to be understood. Jim Tierney should be praised almost as much as the author for lending the right mindset for this dark story.
Further, my favorite parts of this book were by far the snippets of Althea's Hinterland Stories. Even if you don't like the book- you will LOVE these stories. They are the perfect amounts of creepy, mysterious, weird, and wonderful.
Finally, a more in-depth look. I'd like to begin with Alice. I feel it's not that her character is "misunderstood" but that she is almost too understood. Mean, angry, violent. With little too no explanation for her outbursts... Except for the simple fact that many readers seem not to care about (and understandably, to a degree. She's not the most likable person). She was spun that way. With an icy core she is unable to control, a darkness she fears.
**"I'd let myself drift too close to the dark continent at the core of me, a lawless place I tried never to visit."**
*SPOILER* Alice Three Times is basically the villain of a dark fairytale. She is made up of rage and ice and blackness. The fact Ella helps her control it even a little is amazing. Understanding this allowed me to view Alice in a different way than I had other heroines. She was, in the end, simply trying to become an ex-Story. To try and be the normal girl she never had the chance of being. *END SPOILER* This made her annoying, unexplained, angry outbursts easier to understand and accept,
for me.
Finch, the only character we know to be a person of color (note: many characters within the book, as previously mentioned, are far from being fully-fleshed out. For most, ethnicity isn't even mentioned), is nerdy and verging-on-fierce, but kind-of, off-putting in some instances. For example, because he is such a "fan" there are several times he ignores the fact that he is making Alice uncomfortable, and especially *SPOILER* when he basically sells her to the Hinterland Stories for entry to their land*END SPOILER*
*SPOILER*I also wanted to quickly talk about the confrontation with the police that leads Finch to try and explain why he's mad, which in turn leads to Alice acting very Story-ish. I felt for Finch in a big way here. I was angry with her stupid, selfish reaction as well. I applauded him for standing up for her and got annoyed that she acted so irrationally and privileged. But, I realized after reading the section through again, Alice is not a person. She is a Story. And although she was raised a human, her "ice core" sometimes ruled her actions more than her mind- which seemed to agree with Finch, even though her actions, words, and anger said otherwise:
**"...You think rich matters in this situation? You think a cop looks at me and sees <i>rich?</i> You're pretending you don't get it, but you do."
<b>I did get it, I did. And the shame of it boiled into something darker.</b> Before my brain could catch up, I jerked the wheel and turned the car off the road, sending us rattling toward the trees."** *END SPOILER*
This isn't a book for everyone. I enjoy reading both the positive and negative reviews, as they shed new light on different aspects of the story! I loved it and I can't wait for Melissa Albert's book of Hinterland Stories- and maybe even a second Hazel Wood! If you do choose to give this book a try, go in with an open mind... and maybe a light on.
First, the writing is completely breathtaking. The imagery in Albert's style is superb. It made me want to wrap up in a blanket with a hot cup of tea and a roaring fire and wish for her words to never end.
With that being said, I did find that at times it could get a little thick and hard to sludge through, but for me, that was infrequent enough to not give me too much of a bother. I felt there was a lot of backstory that could have been told in a more fluid manner, but nevertheless, it was (mostly) needed backstory.
The world Albert created in Hinterland... I need more. If more/most of the story had taken place in the Hinterland, I feel it would have been closer to 5 stars. But, being mostly set in New York it did still leave the storyline curious and mysterious enough to lure you in if given half a chance.
Secondly, the characters are... horrible and good and missing things. Personally, once I figured out who Alice was, I understood why she was written the way she was (more on that in a bit). Unfortunately, I felt most characters, outside of Alice, were mostly one-dimensional. More fully fleshed out and I may have found myself falling a little in love Finch, desperately wanting to know Ella, or even more curious about the mysterious Althea. They just needed a little... more.
Thirdly, the artwork. Oh good Lord in Heaven, I am in love with the cover art of this book. Dark and shiny and filled with images that beg to be understood. Jim Tierney should be praised almost as much as the author for lending the right mindset for this dark story.
Further, my favorite parts of this book were by far the snippets of Althea's Hinterland Stories. Even if you don't like the book- you will LOVE these stories. They are the perfect amounts of creepy, mysterious, weird, and wonderful.
Finally, a more in-depth look. I'd like to begin with Alice. I feel it's not that her character is "misunderstood" but that she is almost too understood. Mean, angry, violent. With little too no explanation for her outbursts... Except for the simple fact that many readers seem not to care about (and understandably, to a degree. She's not the most likable person). She was spun that way. With an icy core she is unable to control, a darkness she fears.
**"I'd let myself drift too close to the dark continent at the core of me, a lawless place I tried never to visit."**
*SPOILER* Alice Three Times is basically the villain of a dark fairytale. She is made up of rage and ice and blackness. The fact Ella helps her control it even a little is amazing. Understanding this allowed me to view Alice in a different way than I had other heroines. She was, in the end, simply trying to become an ex-Story. To try and be the normal girl she never had the chance of being. *END SPOILER* This made her annoying, unexplained, angry outbursts easier to understand and accept,
for me.
Finch, the only character we know to be a person of color (note: many characters within the book, as previously mentioned, are far from being fully-fleshed out. For most, ethnicity isn't even mentioned), is nerdy and verging-on-fierce, but kind-of, off-putting in some instances. For example, because he is such a "fan" there are several times he ignores the fact that he is making Alice uncomfortable, and especially *SPOILER* when he basically sells her to the Hinterland Stories for entry to their land*END SPOILER*
*SPOILER*I also wanted to quickly talk about the confrontation with the police that leads Finch to try and explain why he's mad, which in turn leads to Alice acting very Story-ish. I felt for Finch in a big way here. I was angry with her stupid, selfish reaction as well. I applauded him for standing up for her and got annoyed that she acted so irrationally and privileged. But, I realized after reading the section through again, Alice is not a person. She is a Story. And although she was raised a human, her "ice core" sometimes ruled her actions more than her mind- which seemed to agree with Finch, even though her actions, words, and anger said otherwise:
**"...You think rich matters in this situation? You think a cop looks at me and sees <i>rich?</i> You're pretending you don't get it, but you do."
<b>I did get it, I did. And the shame of it boiled into something darker.</b> Before my brain could catch up, I jerked the wheel and turned the car off the road, sending us rattling toward the trees."** *END SPOILER*
This isn't a book for everyone. I enjoy reading both the positive and negative reviews, as they shed new light on different aspects of the story! I loved it and I can't wait for Melissa Albert's book of Hinterland Stories- and maybe even a second Hazel Wood! If you do choose to give this book a try, go in with an open mind... and maybe a light on.
LilyLovesIndie (123 KP) rated The Return of the King (The Lord of the Rings, #3) in Books
Nov 5, 2018
See the latest and more detailed review over on Ramble Media here http://www.ramblemedia.com/?p=20020
The final instalment of TolkienÕs thrilling epic doesnÕt disappoint. In a gripping, at times, but IÕll get to that later, ending with twists and turns, drama and intrigue, and simply a fitting conclusion to a well written tale. Again, as always, I will intend to keep this short, and IÕll start with the bad and end with the good, because overall, this book is very good!
So for the bad, I have to admit, I find Frodo and Sam utterly boring. I appreciate that they have the most important task of the Company, and they need to be alone whist they are completing it, but they need something to complete their part of the story. Now I can understand others may have differing views, and I can appreciate this, but I find them such a tiresome partnership. Sam redeemed himself greatly in his persistence and growth of ÔspiritÕ as he continued with his task, but thatÕs the final word IÕll say on it as, it is a very good book for the most part.
And onto the good! I read a lot of books with battles in them, and rarely have I ever experienced the emotion, fear, sadness and excitement that a battle brings in such balance and proportion. The first book of this book, and apologies if that sounds a bit Irish as my mum would say, is totally enthralling and, to coin a common phrase, unputdownable. It is almost as though you can actually feel the charisma of Aragorn and the other captains pouring through the pages and giving you as the reader the desire to continue reading through what you know is going to be some pretty difficult parts emotionally.
Another positive of this is that the camaraderie seen at the end of the battles is truly heart-warming to see. It is sad that more is not seen of Gimli and Legolas, however I can understand that the emphasis needed to be on the captains and those of higher rank. This was especially true as the slow unveiling of Aragorn progressed, and the ceremony was extremely well written and really did help the reader to see what it would have been like to have been amongst the people welcoming their long lost King to their city of stone.
I have to admit my brain was rather slow on the uptake of where this story was going, but I couldn't have imagined half of the goings on that did occur. These were however, intricately weaved into each other and give the book a sense of completeness as you discover the ending for all the characters, not just the odd one or two. Usually, as a fanfiction writer, I like the reader to leave me thinking at the end so I can fill some gaps myself, but on this occasion, having journeyed so far and put so much into the effort of reading the book, I have to say I enjoyed having the majority of things being tidied up for me. Tolkien really did tidy stuff up, the Hobbits, the Elves, the Men, and this gave a strange sense of fulfilment which I rarely get when I finish a book, and that was lovely to experience. Anyway, IÕm waffling, but you get the gist as I canÕt, for a change, express myself in words.
Another fact I loved about this book was the sudden twist in the fate of the Shire. This hit me like a bolt of the blue and really opened my eyes to situations such as this which had been a part of Ômodern day lifeÕ. I never thought the Shire could ever be taken by evil, despite all the warnings of Gandalf and the Rangers, I was still, hobbitlike I suppose, in my defiance that it could happen. Well, blow me over with a feather! When I read their homecoming I was crushed, truly crushed. This affected me more than any other part of the story, however the sadness was short lived as I had never expected the journey to change the little hobbits so much! Merry and Pippin really did live up to the new livery of their respective Lords, and showed a new side to the wonderful tenacity and resourcefulness of the hobbits.
The addition of the appendices is a wonderful touch, as I feel as fully versed in the lore of this world as my own. It is clear from this alone that to Tolkien, this was not just a story, it was a living world just out of our reach and he created a doorway to it, letting us experience their trials and tribulations, joys and victories and many other occurrences alongside our own. I find myself looking for evidence of this world now when I travel and it has truly grasped my imagination in a way few books ever do. The impact of this will be lasting, and I know I will always be looking for an ideal hobbit hole in the Shire to retire to!
In conclusion, I adored parts of this book, abhorred others, but the contrast makes me love it all the more as it is so relatable to modern events, despite being written many years ago before such events could ever have been contrived in the minds of men. It is a truly fitting conclusion to the build up in the other books, and provides thought, excitement, happiness, sadness and many other emotions to help bring the reader home to the Shire along a twisting road. Fantastically written, an excellent testament to the greatness of Tolkien and a book I would not only highly recommend, but nag people until they had at least given it a try. A truly wonderful and epic tale that will be read again and again.
The final instalment of TolkienÕs thrilling epic doesnÕt disappoint. In a gripping, at times, but IÕll get to that later, ending with twists and turns, drama and intrigue, and simply a fitting conclusion to a well written tale. Again, as always, I will intend to keep this short, and IÕll start with the bad and end with the good, because overall, this book is very good!
So for the bad, I have to admit, I find Frodo and Sam utterly boring. I appreciate that they have the most important task of the Company, and they need to be alone whist they are completing it, but they need something to complete their part of the story. Now I can understand others may have differing views, and I can appreciate this, but I find them such a tiresome partnership. Sam redeemed himself greatly in his persistence and growth of ÔspiritÕ as he continued with his task, but thatÕs the final word IÕll say on it as, it is a very good book for the most part.
And onto the good! I read a lot of books with battles in them, and rarely have I ever experienced the emotion, fear, sadness and excitement that a battle brings in such balance and proportion. The first book of this book, and apologies if that sounds a bit Irish as my mum would say, is totally enthralling and, to coin a common phrase, unputdownable. It is almost as though you can actually feel the charisma of Aragorn and the other captains pouring through the pages and giving you as the reader the desire to continue reading through what you know is going to be some pretty difficult parts emotionally.
Another positive of this is that the camaraderie seen at the end of the battles is truly heart-warming to see. It is sad that more is not seen of Gimli and Legolas, however I can understand that the emphasis needed to be on the captains and those of higher rank. This was especially true as the slow unveiling of Aragorn progressed, and the ceremony was extremely well written and really did help the reader to see what it would have been like to have been amongst the people welcoming their long lost King to their city of stone.
I have to admit my brain was rather slow on the uptake of where this story was going, but I couldn't have imagined half of the goings on that did occur. These were however, intricately weaved into each other and give the book a sense of completeness as you discover the ending for all the characters, not just the odd one or two. Usually, as a fanfiction writer, I like the reader to leave me thinking at the end so I can fill some gaps myself, but on this occasion, having journeyed so far and put so much into the effort of reading the book, I have to say I enjoyed having the majority of things being tidied up for me. Tolkien really did tidy stuff up, the Hobbits, the Elves, the Men, and this gave a strange sense of fulfilment which I rarely get when I finish a book, and that was lovely to experience. Anyway, IÕm waffling, but you get the gist as I canÕt, for a change, express myself in words.
Another fact I loved about this book was the sudden twist in the fate of the Shire. This hit me like a bolt of the blue and really opened my eyes to situations such as this which had been a part of Ômodern day lifeÕ. I never thought the Shire could ever be taken by evil, despite all the warnings of Gandalf and the Rangers, I was still, hobbitlike I suppose, in my defiance that it could happen. Well, blow me over with a feather! When I read their homecoming I was crushed, truly crushed. This affected me more than any other part of the story, however the sadness was short lived as I had never expected the journey to change the little hobbits so much! Merry and Pippin really did live up to the new livery of their respective Lords, and showed a new side to the wonderful tenacity and resourcefulness of the hobbits.
The addition of the appendices is a wonderful touch, as I feel as fully versed in the lore of this world as my own. It is clear from this alone that to Tolkien, this was not just a story, it was a living world just out of our reach and he created a doorway to it, letting us experience their trials and tribulations, joys and victories and many other occurrences alongside our own. I find myself looking for evidence of this world now when I travel and it has truly grasped my imagination in a way few books ever do. The impact of this will be lasting, and I know I will always be looking for an ideal hobbit hole in the Shire to retire to!
In conclusion, I adored parts of this book, abhorred others, but the contrast makes me love it all the more as it is so relatable to modern events, despite being written many years ago before such events could ever have been contrived in the minds of men. It is a truly fitting conclusion to the build up in the other books, and provides thought, excitement, happiness, sadness and many other emotions to help bring the reader home to the Shire along a twisting road. Fantastically written, an excellent testament to the greatness of Tolkien and a book I would not only highly recommend, but nag people until they had at least given it a try. A truly wonderful and epic tale that will be read again and again.
Cassie Osbourne (6 KP) rated The Toymaker in Books
Nov 9, 2018
As a kid who was into books with a dark, almost gothic feel to them when I picked this up at the age of thirteen I really loved it. What wasn't to like? Very creepy cover, exciting concepts, dark scenes and mortal peril - it had all of those boxes ticked. Yes, I can safely say that teenage me thought this book was excellent. So when I found this book under my bed a few weeks ago, I decided to give the book another read to see if it was as good as I remembered.
Sadly it wasn't. Don't get me wrong, this is still a good book (although three stars it is the higher end) but reading it eight years on there are particular aspects of this book that my adult brain has picked out more than my teen one.
The characters are alright; I suppose, but they are incredibly simplistic with very little character development. Katta (a joint protagonist with Mathias) is the only character who feels like she could be more interesting and have a little more about her than the rest, but I was still very unsure about whether I liked her or not (and the way she speaks really annoyed me). I would also have liked to see some more complex relationships - especially between Koenig and Stefan and Katta and Stefan (whose relationship was a very simplistic 'I hate you because of X' but nothing beyond that so got quite boring after a while). However, this is a kid's/young teen's book and didn't bother me too much when I first read it so I guess I can cut it a little slack.
The atmosphere was the thing that I most remembered this book for (there still being a couple of chapters fixed in my mind for how creepy they were), and I'm glad to say that this really held up. The book is dark most of the way through, and the sections/chapters where de Quidt really sees how dark he can be are the best and most memorable parts of the book. Any chapter with Marguerite is brilliant and I absolutely loved the carnival sections. Any bit where it's just Katta on her own away from the rest of the group is really dark (a little seedy perhaps) and just great. The one thing that is perhaps a little too far for me personally is the very vivid and graphic descriptions of the injuries/wounds (and there are a lot) and how they feel which, for someone like me who is a bit squeamish, can be a bit much. It was really nice that the thing that I most remembered the book for is still as great as when I first read it.
For the most part, the writing style is good. There are, however, occasional moments when the wording/phrasing and punctuation are a bit off or clunky. This makes it quite confusing at times and is a little distracting but I think this might be a translation (maybe) so I'll give it the benefit of the doubt. This is the only thing that I can really remember bugging me when I was thirteen.
The plot is pretty good for what it is (four people solving a mystery about a blank piece of paper while villains follow and try to stop them) but I felt like this was more a sort of vehicle for creating a creepy atmosphere, which is no bad thing really. I have to say that when I found the book after so many years, I honestly couldn't remember the plot and I daresay I'll have forgotten it again in a few months time.
The intrigue with which this book grips the reader is, in no small part, down to the atmosphere that is created. I am someone who gets distracted very quickly, especially when reading, but when I picked this book up, I would find myself not able to put it down unless I was called away from it or found that it was 1 am and I should probably get some sleep. This is an excellent sign in any book but especially one aimed at teenagers.
The logic in 'The Toymaker' is hit and miss at best. The characters are wounded for what seems like forever but they don't really succumb to them apart from getting a little paler and being in pain most of the time. There are also lots of things that are not explained or just flat out make no sense. Yes, there is a bit of magic in the story but there still has to be some kind of logic or explanation for it rather than it being used as a kind of jarring deus ex machina to quickly (and a bit clumsily and lazily) move the story along. I can't really say whether or not this bothered me when I read it eight years ago because it's all tied up with the plot and, like I said earlier, I didn't really remember much of it.
Overall, I did enjoy this book. I enjoyed delving back into Jeremy de Quidt's dark and creepy world and it was great revisiting, what I call, a nostalgia read but I think that now it is time to give my copy to a charity shop so another younger teenager can find and enjoy it while it's space on my bookshelf can be given to a book that I will enjoy as an adult.
Characters: 5.5/10
Atmosphere: 9/10
Writing Style: 7/10
Plot: 6/10
Intrigue: 8/10
Logic: 4.5/10
Enjoyment: 7/10
Sadly it wasn't. Don't get me wrong, this is still a good book (although three stars it is the higher end) but reading it eight years on there are particular aspects of this book that my adult brain has picked out more than my teen one.
The characters are alright; I suppose, but they are incredibly simplistic with very little character development. Katta (a joint protagonist with Mathias) is the only character who feels like she could be more interesting and have a little more about her than the rest, but I was still very unsure about whether I liked her or not (and the way she speaks really annoyed me). I would also have liked to see some more complex relationships - especially between Koenig and Stefan and Katta and Stefan (whose relationship was a very simplistic 'I hate you because of X' but nothing beyond that so got quite boring after a while). However, this is a kid's/young teen's book and didn't bother me too much when I first read it so I guess I can cut it a little slack.
The atmosphere was the thing that I most remembered this book for (there still being a couple of chapters fixed in my mind for how creepy they were), and I'm glad to say that this really held up. The book is dark most of the way through, and the sections/chapters where de Quidt really sees how dark he can be are the best and most memorable parts of the book. Any chapter with Marguerite is brilliant and I absolutely loved the carnival sections. Any bit where it's just Katta on her own away from the rest of the group is really dark (a little seedy perhaps) and just great. The one thing that is perhaps a little too far for me personally is the very vivid and graphic descriptions of the injuries/wounds (and there are a lot) and how they feel which, for someone like me who is a bit squeamish, can be a bit much. It was really nice that the thing that I most remembered the book for is still as great as when I first read it.
For the most part, the writing style is good. There are, however, occasional moments when the wording/phrasing and punctuation are a bit off or clunky. This makes it quite confusing at times and is a little distracting but I think this might be a translation (maybe) so I'll give it the benefit of the doubt. This is the only thing that I can really remember bugging me when I was thirteen.
The plot is pretty good for what it is (four people solving a mystery about a blank piece of paper while villains follow and try to stop them) but I felt like this was more a sort of vehicle for creating a creepy atmosphere, which is no bad thing really. I have to say that when I found the book after so many years, I honestly couldn't remember the plot and I daresay I'll have forgotten it again in a few months time.
The intrigue with which this book grips the reader is, in no small part, down to the atmosphere that is created. I am someone who gets distracted very quickly, especially when reading, but when I picked this book up, I would find myself not able to put it down unless I was called away from it or found that it was 1 am and I should probably get some sleep. This is an excellent sign in any book but especially one aimed at teenagers.
The logic in 'The Toymaker' is hit and miss at best. The characters are wounded for what seems like forever but they don't really succumb to them apart from getting a little paler and being in pain most of the time. There are also lots of things that are not explained or just flat out make no sense. Yes, there is a bit of magic in the story but there still has to be some kind of logic or explanation for it rather than it being used as a kind of jarring deus ex machina to quickly (and a bit clumsily and lazily) move the story along. I can't really say whether or not this bothered me when I read it eight years ago because it's all tied up with the plot and, like I said earlier, I didn't really remember much of it.
Overall, I did enjoy this book. I enjoyed delving back into Jeremy de Quidt's dark and creepy world and it was great revisiting, what I call, a nostalgia read but I think that now it is time to give my copy to a charity shop so another younger teenager can find and enjoy it while it's space on my bookshelf can be given to a book that I will enjoy as an adult.
Characters: 5.5/10
Atmosphere: 9/10
Writing Style: 7/10
Plot: 6/10
Intrigue: 8/10
Logic: 4.5/10
Enjoyment: 7/10
Acanthea Grimscythe (300 KP) rated Strange Weather in Books
May 16, 2018
Strange Weather is the first bit of fiction I’ve managed to snare by Joe Hill. I heard some pretty great things about his work, but it’s possible I took those praises a little too much to heart. Rating this book doesn’t come easily. To quote what I told a friend on Twitter, reading Strange Weather felt like an attempt at chewing the gristle on steak. That is, wrong and uncomfortable, but not in a good way. I’ve decided to divvy my review up based on each storry.
SNAPSHOT
“Snapshot,” though a bit lacking in style, is one of two stories in this small collection that I found myself capable of tolerating. I figure it’s because this short tale embodies a sort of Twilight Zone and Night Gallery feel. It read the quickest out of the four stories and I found myself nearly in tears at its conclusion, so the best I can say about it is that I either felt something, or my emotions went bonkers again.
LOADED
The second shorty story in Hill’s collection, “Loaded,” is a bunch of driveling bullshit, for lack of a better word. I’m all about our Second Amendment Rights; I even have a cup that says “Don’t ban guns, ban idiots,” but this story encompasses the stereotypical idea that every gun owner or enthusiast is a batshit crazy blowhard that’s just looking for a reason to go off. I have friends and family that appreciate this machinery, that agree people should under go background and mental wellness checks prior to purchase of a fire arm, but this? This story just adds fuel to a fire that seeks kindling via blame on inanimate objects, rather than the person behind them. The main guy of “Loaded” shows us exactly how restricting gun ownership will fail so hey, better hurry and make it entirely illegal right? Oh, and let’s not get started with the over-saturation of Social Justice Warriorness in this piece. I’m all for equality, but this? This just reeks of extremism in a way that I almost abandoned the book as a whole.
ALOFT
“Aloft” is by far the best in this collection of short stories. An embodiment of the collections title, the main character encounters something unusual while fulfilling a dead friend’s promise and from there, things really take a turn for the bizarre. While I feel Hill gives us a bit too much exposition in this tale, there are many things about it that I feel should be appreciated. For instance, the next time anyone asks me what it’s like to have ulcerative colitis, I’ll probably ask them if they’ve read “Aloft”‘ by Joe Hill, because let’s face it: the torment Aubrey goes through gastrically (is that even a word?) in this story is a pretty damned accurate depiction of the suffering people with Crohn’s and Colitis endure.
RAIN
The final story in Hill’s collection seemed like it could have had a loft of potential. “Rain” further supports the title of the collection when a torrent of crystal nails fall from the sky to impale poor, unexpecting citizens. So what’s the problem then? “Rain” is so fundamentally flawed that it’s just… no. First, Hill is more obsessed with making fun of Trump in this story than the events that occur. This isn’t a bad thing – I absolutely loathe Trump, especially considering his policies may very well shorten my lifespan significantly. “Rain” is more a mockery than the story it could be. At least the twist at the end was fairly amusing, but by that point all I could do is roll my eyes in frustration.
CONCLUSION
Joe Hill’s Strange Weather is probably a poor choice for first time introduction to his work. In fact, it’s almost a deterrent considering it’s the first book by him that I read and I was ecstatic about receiving a review copy. It is with a bit of a heavy heart for the sake of disappointment that I am forced to conclude my review with a largely poor rating. Part of my compliance with FTC guidelines as a reviewer requires that I disclose when I read a free book in exchange for an honest, unbiased review. In this case, I’d like to thank Edelweiss and HarperCollins/William Morrow for this opportunity.
SNAPSHOT
“Snapshot,” though a bit lacking in style, is one of two stories in this small collection that I found myself capable of tolerating. I figure it’s because this short tale embodies a sort of Twilight Zone and Night Gallery feel. It read the quickest out of the four stories and I found myself nearly in tears at its conclusion, so the best I can say about it is that I either felt something, or my emotions went bonkers again.
LOADED
The second shorty story in Hill’s collection, “Loaded,” is a bunch of driveling bullshit, for lack of a better word. I’m all about our Second Amendment Rights; I even have a cup that says “Don’t ban guns, ban idiots,” but this story encompasses the stereotypical idea that every gun owner or enthusiast is a batshit crazy blowhard that’s just looking for a reason to go off. I have friends and family that appreciate this machinery, that agree people should under go background and mental wellness checks prior to purchase of a fire arm, but this? This story just adds fuel to a fire that seeks kindling via blame on inanimate objects, rather than the person behind them. The main guy of “Loaded” shows us exactly how restricting gun ownership will fail so hey, better hurry and make it entirely illegal right? Oh, and let’s not get started with the over-saturation of Social Justice Warriorness in this piece. I’m all for equality, but this? This just reeks of extremism in a way that I almost abandoned the book as a whole.
ALOFT
“Aloft” is by far the best in this collection of short stories. An embodiment of the collections title, the main character encounters something unusual while fulfilling a dead friend’s promise and from there, things really take a turn for the bizarre. While I feel Hill gives us a bit too much exposition in this tale, there are many things about it that I feel should be appreciated. For instance, the next time anyone asks me what it’s like to have ulcerative colitis, I’ll probably ask them if they’ve read “Aloft”‘ by Joe Hill, because let’s face it: the torment Aubrey goes through gastrically (is that even a word?) in this story is a pretty damned accurate depiction of the suffering people with Crohn’s and Colitis endure.
RAIN
The final story in Hill’s collection seemed like it could have had a loft of potential. “Rain” further supports the title of the collection when a torrent of crystal nails fall from the sky to impale poor, unexpecting citizens. So what’s the problem then? “Rain” is so fundamentally flawed that it’s just… no. First, Hill is more obsessed with making fun of Trump in this story than the events that occur. This isn’t a bad thing – I absolutely loathe Trump, especially considering his policies may very well shorten my lifespan significantly. “Rain” is more a mockery than the story it could be. At least the twist at the end was fairly amusing, but by that point all I could do is roll my eyes in frustration.
CONCLUSION
Joe Hill’s Strange Weather is probably a poor choice for first time introduction to his work. In fact, it’s almost a deterrent considering it’s the first book by him that I read and I was ecstatic about receiving a review copy. It is with a bit of a heavy heart for the sake of disappointment that I am forced to conclude my review with a largely poor rating. Part of my compliance with FTC guidelines as a reviewer requires that I disclose when I read a free book in exchange for an honest, unbiased review. In this case, I’d like to thank Edelweiss and HarperCollins/William Morrow for this opportunity.