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Debbiereadsbook (1487 KP) rated King's Obsession (Obsessions #5) in Books
May 6, 2025
There have been subtle and some not so (think more, sledgehammer upside the head!) hints to the story of these two!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book in the Obsessions series, and while I'm sad, I do think this might just have been the best one! You absolutely SHOULD read the other four books before this one. Cos I said so, right!?!?!?
Asmodeus is king of the demons by default, his father died. Meeting Dougal, a troll in the human realm, becomes his one place to be himself. But Dougal has awoken feelings in him, and he needs answers as to what that means. Dougal didn't think it would take this long, this many lifetimes, for Asmodeus to get the answers he needs, and he's done waiting. Asmodeus has a choice, but which one will he make?
What I loved most about this, well the two things I loved most about this, were the following.
We have been kept waiting for Asmodeus and Dougal's story. There have been subtle and some not so (think more, sledgehammer upside the head!) hints to the story of these two. You know it's going on, but Lord if you can't figure them out, especially after the others find their Blissful Ones.
And because these two have been going at each other, quite literally, forever, I found there wasn't that intense rush of mated smex, you know? The sort that comes with fated mates meeting and falling into each other. This was more a gentle build up to the main event, ESPECIALLY after Dougal puts his foot down. It takes TIME and I loved that Asmodeus steps up, and steps up so beautifully! There's steam and passion, but the level of smexiness is, I thought anyway, on the low side.
I loved the interactions between the whole group: Dakata and Silas; Peni and Meriham; Christa and Wanda and Scott and George. More so once Asmodeus steps up. And then, when in the demon realm, how Dougal takes charge. That made me laugh!
Oh and BABIES!!! And that's all I'm saying on that :-)
So, yeah, I'm sad. Ending any series I've been with since the beginning is hard, but I've especially enjoyed this series, which sees Sayle step out of her comfort zone in book 3!
What's next for this pair?? Dunno but sign me up!
5 full and shiny stars
*same worded review will appear elsewhere
This is the final book in the Obsessions series, and while I'm sad, I do think this might just have been the best one! You absolutely SHOULD read the other four books before this one. Cos I said so, right!?!?!?
Asmodeus is king of the demons by default, his father died. Meeting Dougal, a troll in the human realm, becomes his one place to be himself. But Dougal has awoken feelings in him, and he needs answers as to what that means. Dougal didn't think it would take this long, this many lifetimes, for Asmodeus to get the answers he needs, and he's done waiting. Asmodeus has a choice, but which one will he make?
What I loved most about this, well the two things I loved most about this, were the following.
We have been kept waiting for Asmodeus and Dougal's story. There have been subtle and some not so (think more, sledgehammer upside the head!) hints to the story of these two. You know it's going on, but Lord if you can't figure them out, especially after the others find their Blissful Ones.
And because these two have been going at each other, quite literally, forever, I found there wasn't that intense rush of mated smex, you know? The sort that comes with fated mates meeting and falling into each other. This was more a gentle build up to the main event, ESPECIALLY after Dougal puts his foot down. It takes TIME and I loved that Asmodeus steps up, and steps up so beautifully! There's steam and passion, but the level of smexiness is, I thought anyway, on the low side.
I loved the interactions between the whole group: Dakata and Silas; Peni and Meriham; Christa and Wanda and Scott and George. More so once Asmodeus steps up. And then, when in the demon realm, how Dougal takes charge. That made me laugh!
Oh and BABIES!!! And that's all I'm saying on that :-)
So, yeah, I'm sad. Ending any series I've been with since the beginning is hard, but I've especially enjoyed this series, which sees Sayle step out of her comfort zone in book 3!
What's next for this pair?? Dunno but sign me up!
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1487 KP) rated Unhinged in Books
Jul 12, 2025
Dark and deadly but oh so good!
Independent reviewer for BookSirens, I was gifted my copy of this book.
What this is is, right, is a masterclass at making someone NOT see. I did NOT see that this was first person, present tense AND MULTI POV! Not until I was filing it on the shelves, and I had to go back to check. And that, my dear peeps, is what I mean. I did not SEE, as I was reading, the tense it was written in, because I was grabbed, right from the prologue, and I was not let go til the very end.
This book is dark. There are triggers and I suggest you heed them. They did not . . . not bother, cos some parts did bother me . . .more they did not trigger me, but I feel that some things might trigger others.
I loved that EVERYONE gets a say, Gidge, Gears, Acid and Arrow all get a fairly equal say. I loved that Gidge was not gonna let the guys in easily. She had suffered, and she was fighting as best she could to make things right for omegas in this world. She is, afterall, The Alpha Slayer.
Now, what I loved most about the guys was this: They wanted Gidge, full stop. As a woman, as an omega but mostly because she was The Slayer. The level of violence in this book in high and graphic but I really feel that it was needed to get many MANY points across. I loved that the guys all knew she wa theirs, and if they wanted her in any way, they were going to have to share.
Arrow was the sweetest of the three an he fell first. I loved that Gidge made Gear pay for what he did to her in the beginning by making him wait: for any sort of feelings and for the full mating. he knew he had wringed her and he took it on the chin. He didn't like it, but he knew he had to show Gidge that he really was sorry.
Loved how the guys all took to Judge and quickly declared him their son and that Judge felt right at home with the guys.
LOVED the twist with Marcus! Did not see that coming!
I've read one other book by Ms Lein and I gave that 4 stars, mostly because it was the second in a series and it was also written first person/resent tense but this one??
It can ONLY get 5 full and shiny stars, especially after that epilogue!!
*same worded review will appear elsewhere
What this is is, right, is a masterclass at making someone NOT see. I did NOT see that this was first person, present tense AND MULTI POV! Not until I was filing it on the shelves, and I had to go back to check. And that, my dear peeps, is what I mean. I did not SEE, as I was reading, the tense it was written in, because I was grabbed, right from the prologue, and I was not let go til the very end.
This book is dark. There are triggers and I suggest you heed them. They did not . . . not bother, cos some parts did bother me . . .more they did not trigger me, but I feel that some things might trigger others.
I loved that EVERYONE gets a say, Gidge, Gears, Acid and Arrow all get a fairly equal say. I loved that Gidge was not gonna let the guys in easily. She had suffered, and she was fighting as best she could to make things right for omegas in this world. She is, afterall, The Alpha Slayer.
Now, what I loved most about the guys was this: They wanted Gidge, full stop. As a woman, as an omega but mostly because she was The Slayer. The level of violence in this book in high and graphic but I really feel that it was needed to get many MANY points across. I loved that the guys all knew she wa theirs, and if they wanted her in any way, they were going to have to share.
Arrow was the sweetest of the three an he fell first. I loved that Gidge made Gear pay for what he did to her in the beginning by making him wait: for any sort of feelings and for the full mating. he knew he had wringed her and he took it on the chin. He didn't like it, but he knew he had to show Gidge that he really was sorry.
Loved how the guys all took to Judge and quickly declared him their son and that Judge felt right at home with the guys.
LOVED the twist with Marcus! Did not see that coming!
I've read one other book by Ms Lein and I gave that 4 stars, mostly because it was the second in a series and it was also written first person/resent tense but this one??
It can ONLY get 5 full and shiny stars, especially after that epilogue!!
*same worded review will appear elsewhere
Purple Phoenix Games (2266 KP) rated Ticket to Ride in Tabletop Games
Jan 9, 2020
I am one of the remaining few who reviewers who haven’t put in their two cents on Ticket to Ride. Why? Is it bad? No. Am I lazy? No. It’s really because I don’t think I have anything new to say about it that hasn’t already been said a hundred times. So this review on this game will be a little different from me. Instead of going over the rules and such (however truncated they typically are from me) I will question how well this game has aged for me.
Ticket to Ride is one of those games that has really hit it big in the mass market. You can find it all over in big box stores, in FLGS, online, secondary market, just everywhere. But why? And for this long? Ticket to Ride (TTR) came out in 2004. A mere 15 years ago. While that doesn’t really sound like a long time, in contrast to today’s game industry it is an eternity. With thousands upon thousands of games being released into the market through direct publish, Kickstarter/crowd funding, and big releases at conventions it’s hard to believe that you can still find this hanging with the exciting, fresh new games.
What I truly believe is magical about this game is its simplicity. “You have two main options: take some cards or play some cards.” When you can start a teach of a game by saying that, your players are invested right away because they know you aren’t going to bog them down with rules upon rules. “If you decide to take cards you can take these colored train cards or you can take new route ticket cards.” So now players have two choices from gaining cards. “If you decide to play cards you need to play cards of a color and number matching whichever route between two connecting cities on the map you like.” Done. The game is explained. Yeah, you can fight me about the endgame scoring stuff like longest route and whatnot, but for new gamers, you have explained this classic in three sentences. It’s so beautiful when a game allows you to teach it so quickly.
But that surely means that this is an easy game, right? With so few rules and such. Well, no. It’s not really “easy” at all. While your main rules are light, the strategy and tactics during play can cause feelings of joy and delight as well as frustration and concern as you see someone claim the route you need to connect to two cities on the map. Of course, you can’t explain that to your new players right away. You want them to experience these feelings organically and fully. It’s what makes TTR a really great game: having your well-laid plans just shot to smithereens by the guy who can’t tell the difference between the white train cars and the wild rainbow train cars.
DISCLAIMER: I play with the 1910 expansion, which is a MUST. The larger cards are way easier to play with. See photo below with comparisons from base game on bottom with the larger 1910 cards above. YMMV, but I will always play using this expansion. -T
Components. Let’s compare components to some current or newer games. The game board is laid out really well, and the artwork is sparse and not over-busy on the board. This is a HUGE plus for me. I like nothing more than for the board to offer thematic elements and feeling without pelting my eyes with too much distraction. The cards were a bad choice. Not because the art or the quality on them is bad – because that’s not what I am saying. The size of the cards was a poor choice. I did purchase the 1910 expansion and simply will not play my copy without it. I recently played TTR for GenCan’t 2019 at my FLGS with OG base cards and found myself dreaming of the 1910 cards. The score tracker discs are of industry-standard quality for scoring discs. The plastic train car pieces are still just as wonderful to handle and play with as are many other more modern components. Seriously just as good. TTR components (and really, most of the time Days of Wonder components in general) are really great.
So do I still enjoy playing it? You betcha, don’tcha know. I still love seeing the board in front of me, agonizing over the route tickets I am dealt, and trying to decide if I should go for the New York to Los Angeles, or keep it simple with multiple routes along the Mississippi River. I still love the panic that ensues when I see people hoarding train cards, just knowing that they will soon be on the attack and their train car collection will dwindle to almost endgame levels in too few rounds for me to complete my masterpiece. I guess I still really love it.
Is Ticket to Ride my favorite game? No. But I’ll tell you what. I hadn’t played it in a couple years, and after this weekend’s play, it has moved up on my list by several spaces. It still holds a special place in my heart, and also the hearts of my team. That’s why Purple Phoenix Games gives Ticket to Ride a retrospective 20 / 24. It’s still great!
Ticket to Ride is one of those games that has really hit it big in the mass market. You can find it all over in big box stores, in FLGS, online, secondary market, just everywhere. But why? And for this long? Ticket to Ride (TTR) came out in 2004. A mere 15 years ago. While that doesn’t really sound like a long time, in contrast to today’s game industry it is an eternity. With thousands upon thousands of games being released into the market through direct publish, Kickstarter/crowd funding, and big releases at conventions it’s hard to believe that you can still find this hanging with the exciting, fresh new games.
What I truly believe is magical about this game is its simplicity. “You have two main options: take some cards or play some cards.” When you can start a teach of a game by saying that, your players are invested right away because they know you aren’t going to bog them down with rules upon rules. “If you decide to take cards you can take these colored train cards or you can take new route ticket cards.” So now players have two choices from gaining cards. “If you decide to play cards you need to play cards of a color and number matching whichever route between two connecting cities on the map you like.” Done. The game is explained. Yeah, you can fight me about the endgame scoring stuff like longest route and whatnot, but for new gamers, you have explained this classic in three sentences. It’s so beautiful when a game allows you to teach it so quickly.
But that surely means that this is an easy game, right? With so few rules and such. Well, no. It’s not really “easy” at all. While your main rules are light, the strategy and tactics during play can cause feelings of joy and delight as well as frustration and concern as you see someone claim the route you need to connect to two cities on the map. Of course, you can’t explain that to your new players right away. You want them to experience these feelings organically and fully. It’s what makes TTR a really great game: having your well-laid plans just shot to smithereens by the guy who can’t tell the difference between the white train cars and the wild rainbow train cars.
DISCLAIMER: I play with the 1910 expansion, which is a MUST. The larger cards are way easier to play with. See photo below with comparisons from base game on bottom with the larger 1910 cards above. YMMV, but I will always play using this expansion. -T
Components. Let’s compare components to some current or newer games. The game board is laid out really well, and the artwork is sparse and not over-busy on the board. This is a HUGE plus for me. I like nothing more than for the board to offer thematic elements and feeling without pelting my eyes with too much distraction. The cards were a bad choice. Not because the art or the quality on them is bad – because that’s not what I am saying. The size of the cards was a poor choice. I did purchase the 1910 expansion and simply will not play my copy without it. I recently played TTR for GenCan’t 2019 at my FLGS with OG base cards and found myself dreaming of the 1910 cards. The score tracker discs are of industry-standard quality for scoring discs. The plastic train car pieces are still just as wonderful to handle and play with as are many other more modern components. Seriously just as good. TTR components (and really, most of the time Days of Wonder components in general) are really great.
So do I still enjoy playing it? You betcha, don’tcha know. I still love seeing the board in front of me, agonizing over the route tickets I am dealt, and trying to decide if I should go for the New York to Los Angeles, or keep it simple with multiple routes along the Mississippi River. I still love the panic that ensues when I see people hoarding train cards, just knowing that they will soon be on the attack and their train car collection will dwindle to almost endgame levels in too few rounds for me to complete my masterpiece. I guess I still really love it.
Is Ticket to Ride my favorite game? No. But I’ll tell you what. I hadn’t played it in a couple years, and after this weekend’s play, it has moved up on my list by several spaces. It still holds a special place in my heart, and also the hearts of my team. That’s why Purple Phoenix Games gives Ticket to Ride a retrospective 20 / 24. It’s still great!
An Amish Christmas Bakery (4 Stories)
Beth Wiseman, Amy Clipston, Kelly Irvin and Kathleen Fuller
8.7
Rate It
Book
Cookies and Cheer by Amy Clipston: Alyssa Byler dreaming of the next holiday window display for...
Amish Romance Amish Fiction
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Haley Mathiot (9 KP) rated Birthmarked (Birthmarked, #1) in Books
Apr 27, 2018
Gaia is a midwife, apprentice to her mother. But her job is not just to deliver the babies: it’s to take the first three of the month to the city within the wall away from their families, to “Advance” them and let them join the government there. Gaia has never questioned the government—until she has to advance a baby herself, until her innocent parents are taken away, until she sees the injustice that happens behind the wall… Gaia’s only wish is to get her parents back, safely outside the wall, and then flee to the Dead Forest—which may or may not exist—but when she finally gets in, a series of events makes her question what is really right, who she loves, and what she lives for.
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
*＊✿❀ Maki ❀✿＊* (7 KP) rated Crown of Midnight in Books
May 3, 2018
Crown of Midnight was a wonderful sequel - it improved on pretty much everything from the first book.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Rachel King (13 KP) rated Finding the Light of Jesus in Books
Feb 11, 2019
When I first started to read this book, I realized very quickly how simply written this book is. The first ten chapters read as if I were sitting in a therapy session with the author and she were talking to me. They are written without much emphasis on detail, and seemed to focus largely on how a person feels in regards to stress and depression. Though the author writes extensively on the light of Jesus, she does not quote a single Bible verse, though she attempts to paraphrase a few - without citations. The beginning and end of each of these ten chapters also contain a poem she wrote and calls prayers, though the poetry is badly written and has little resemblance to an actual prayer, in my opinion. Also scattered through the chapters are activities that the author recommends for the reader, such as journaling and answering questions.
The final chapter is actually a collection of prayers and reflections that the reader is supposed to follow over the course of seven days. This is followed by a section of "Conversations With Jesus" that focus on different topics such as anger, jealousy, being overwhelmed, and fear. This is followed by five pages in which she quotes a scripture from the New American Bible, and leaves a blank space for the reader to journal the answers to her questions about the scripture verse. This is followed by more of her prayers and a further 30 days of prayer and reflection.
Overall, the author presents a Jesus that is only concerned about a person's feelings, whom the author seems to believe that everyone has inside of him or her from birth. She further indicates that everyone goes to heaven, and Jesus' strongest quality is being a "light." No mention is made of the basic precepts of Bible-based Christianity, such as sin, salvation, and the resurrection of Jesus Christ. Instead she writes things that seem to contradict parts of scripture, such as stating that Jesus does not judge us and that we are the "light," as well as what I previously mentioned about everyone going to heaven. In the context of that paragraph, I almost expected the author to write that we are all Jesus. I also noticed while reading that nowhere does she ever refer to Him as Jesus Christ either. The entire book has a vague New Age feel, as many of the things Tuttle writes mimic the doctrine of a New Age Jesus.
The author, Cindy Tuttle, has a background of working in the mental health industry for more than twenty-five years. Based on what I have read in this book, I have no doubt that she is good at her job and finds great success with her patients, but I do not find this book of the same calibur.
The final chapter is actually a collection of prayers and reflections that the reader is supposed to follow over the course of seven days. This is followed by a section of "Conversations With Jesus" that focus on different topics such as anger, jealousy, being overwhelmed, and fear. This is followed by five pages in which she quotes a scripture from the New American Bible, and leaves a blank space for the reader to journal the answers to her questions about the scripture verse. This is followed by more of her prayers and a further 30 days of prayer and reflection.
Overall, the author presents a Jesus that is only concerned about a person's feelings, whom the author seems to believe that everyone has inside of him or her from birth. She further indicates that everyone goes to heaven, and Jesus' strongest quality is being a "light." No mention is made of the basic precepts of Bible-based Christianity, such as sin, salvation, and the resurrection of Jesus Christ. Instead she writes things that seem to contradict parts of scripture, such as stating that Jesus does not judge us and that we are the "light," as well as what I previously mentioned about everyone going to heaven. In the context of that paragraph, I almost expected the author to write that we are all Jesus. I also noticed while reading that nowhere does she ever refer to Him as Jesus Christ either. The entire book has a vague New Age feel, as many of the things Tuttle writes mimic the doctrine of a New Age Jesus.
The author, Cindy Tuttle, has a background of working in the mental health industry for more than twenty-five years. Based on what I have read in this book, I have no doubt that she is good at her job and finds great success with her patients, but I do not find this book of the same calibur.
Midge (525 KP) rated Schoolgirl Missing in Books
Feb 23, 2019
Having read some of Sue Fortin’s books before, I was very keen to get my hands on a copy of SCHOOLGIRL MISSING as it was a must-read for me. I liked this book very much, The level of suspense she manages to create in her writing is awesome and she is one of my favourite authors in this genre.
SCHOOLGIRL MISSING is an engrossing, psychological thriller set in Ambleton, a lovely quiet village with a river running through it.
What’s really likeable about it straight-away are the opening chapters that draw you into the main characters, Neve and Kit Masters and their daughter, Poppy. Neve is impulsive and unreliable. She was someone who I could empathise with, but she also had me losing patience with her. Kit had a deep-rooted fear of loss as a result of previous life experiences which I could fully understand.
Because Poppy is Kit's daughter and not Neve's, she cannot hide her all-consuming need to have a child of her own. Kit, however, doesn't share her desires which have put a strain on their relationship, and when Poppy vanishes, the cracks begin to deepen. Would either Neve or Kit harm Poppy to achieve their own aims? Are those around them completely as they seem?
One of the highlights of the book was following the many twists and turns of the plot and I absolutely loved the way in which this story developed. Both the plot and character development are excellent, and the story is captivating and engaging. I found that I was regularly pondering where the story was going to next.
This was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones- a handsome suitor, a supportive best friend, an unpleasant ex-husband, and a dodgy past acquaintance, to name but a few. I thought that all of the characters were very cleverly written - resulting in my constant changes of opinion about whether or not I trusted them.
I loved Sue Fortin’s writing style which I found to be so vivid and very easy to read. She portrayed the characters’ feelings incredibly well as the story unfolded and Neve's past was particularly well told.
SCHOOLGIRL MISSING is a story full of secrets, suspicion and lies that held my interest from start to finish and the way in which Sue Fortin brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author.
{Thank you to NetGalley, HarperCollins and Sue Fortin for a free ARC of this book in exchange for a voluntary, honest review.}
SCHOOLGIRL MISSING is an engrossing, psychological thriller set in Ambleton, a lovely quiet village with a river running through it.
What’s really likeable about it straight-away are the opening chapters that draw you into the main characters, Neve and Kit Masters and their daughter, Poppy. Neve is impulsive and unreliable. She was someone who I could empathise with, but she also had me losing patience with her. Kit had a deep-rooted fear of loss as a result of previous life experiences which I could fully understand.
Because Poppy is Kit's daughter and not Neve's, she cannot hide her all-consuming need to have a child of her own. Kit, however, doesn't share her desires which have put a strain on their relationship, and when Poppy vanishes, the cracks begin to deepen. Would either Neve or Kit harm Poppy to achieve their own aims? Are those around them completely as they seem?
One of the highlights of the book was following the many twists and turns of the plot and I absolutely loved the way in which this story developed. Both the plot and character development are excellent, and the story is captivating and engaging. I found that I was regularly pondering where the story was going to next.
This was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones- a handsome suitor, a supportive best friend, an unpleasant ex-husband, and a dodgy past acquaintance, to name but a few. I thought that all of the characters were very cleverly written - resulting in my constant changes of opinion about whether or not I trusted them.
I loved Sue Fortin’s writing style which I found to be so vivid and very easy to read. She portrayed the characters’ feelings incredibly well as the story unfolded and Neve's past was particularly well told.
SCHOOLGIRL MISSING is a story full of secrets, suspicion and lies that held my interest from start to finish and the way in which Sue Fortin brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author.
{Thank you to NetGalley, HarperCollins and Sue Fortin for a free ARC of this book in exchange for a voluntary, honest review.}
Debbiereadsbook (1487 KP) rated Lost in Indigo (Colors of Love #1) in Books
Mar 7, 2019
loved this!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Faced with the end of his hockey career, Mathieu goes home to heal. His long time friend brings his 20 year old son to help Matt around. But Matt is not prepared fro how he feels about Indigo, especially as he has managed to keep his sexuality a secret. But Indigo is a unique young man, genderflux, out and proud. Can Matt recover enough to play again, can he and Indigo be happy in secret?
Ordinarily, I would say here that I wanted to hear from both main characters. Indigo does not have a voice here, and ORDINARILY that would be a major gripe of mine.
BUT!!
I actually rather enjoyed this, with only Matt having a say! I made a new shelf for it and everything!
Matt is deep in the closet, he knows it, and up to now, has just made do. Breaking his leg, and going back to Canada and meeting the now grown up Indigo again makes Matt question a lot of things. And as time goes on, he realises that maybe being in the closet is not a good thing, especially when he wants Indigo in his life, and Indigo wants to be in that life, but Indigo will NOT be a dirty secret.
I loved that Matt has a dawning revelation about Indigo. His feelings grow, over time, but Indigo was all in, right from the start! Loved that his NEIGHBOUR, of all people, had Matt sussed, right from way back when they first met, but his AGENT, who knew him so much longer, had not a clue! I loved that Indigo's dad, Matt long time friend, was, while not totally against Matt and Indigo being together, he was "don't hurt my boy, or I'll break the other leg" on Matt. Papa Bear at his very best!
I loved that, when called on it, Indigo gives Matt a deadline, and Matt delivers! Loved the way he does that!
I read another series by this author, The Point Shot trilogy, and I said in that review, that I loved it because it was single person point of view, so Ms Vocey has a way of negating my dislike of single person points of view, with strong minded, loud voiced characters! I need MORE of this author, I really do!
There are a few pages of hockey commentary, I skipped those, I'm not any kinds of sports fan, at all, but I didn't feel I missed anything by doing so. Just don't hate me!
5 full and shiny stars
**same worded review will appear elsewhere**
Faced with the end of his hockey career, Mathieu goes home to heal. His long time friend brings his 20 year old son to help Matt around. But Matt is not prepared fro how he feels about Indigo, especially as he has managed to keep his sexuality a secret. But Indigo is a unique young man, genderflux, out and proud. Can Matt recover enough to play again, can he and Indigo be happy in secret?
Ordinarily, I would say here that I wanted to hear from both main characters. Indigo does not have a voice here, and ORDINARILY that would be a major gripe of mine.
BUT!!
I actually rather enjoyed this, with only Matt having a say! I made a new shelf for it and everything!
Matt is deep in the closet, he knows it, and up to now, has just made do. Breaking his leg, and going back to Canada and meeting the now grown up Indigo again makes Matt question a lot of things. And as time goes on, he realises that maybe being in the closet is not a good thing, especially when he wants Indigo in his life, and Indigo wants to be in that life, but Indigo will NOT be a dirty secret.
I loved that Matt has a dawning revelation about Indigo. His feelings grow, over time, but Indigo was all in, right from the start! Loved that his NEIGHBOUR, of all people, had Matt sussed, right from way back when they first met, but his AGENT, who knew him so much longer, had not a clue! I loved that Indigo's dad, Matt long time friend, was, while not totally against Matt and Indigo being together, he was "don't hurt my boy, or I'll break the other leg" on Matt. Papa Bear at his very best!
I loved that, when called on it, Indigo gives Matt a deadline, and Matt delivers! Loved the way he does that!
I read another series by this author, The Point Shot trilogy, and I said in that review, that I loved it because it was single person point of view, so Ms Vocey has a way of negating my dislike of single person points of view, with strong minded, loud voiced characters! I need MORE of this author, I really do!
There are a few pages of hockey commentary, I skipped those, I'm not any kinds of sports fan, at all, but I didn't feel I missed anything by doing so. Just don't hate me!
5 full and shiny stars
**same worded review will appear elsewhere**