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Valerio (15 KP) rated Aladdin (2019) in Movies
Jun 8, 2019
Music are awesome (3 more)
Will Smith did a great job
Childhood feels
Photography and direction
Childhood feels
Disney started to make live action movie of their classics quite long time ago. Aladdin was my favourite (along side with the Lion King) and I was a bit worried about this live action. I went to the cinema and Disney did it again. I was a child again for all the movie, laughing and enjoying every single scene. Was a really nice surprise. The songs were brilliant, the cast amazing, Will Smith exceptional. The only thing I didn't like it was Jafar. He didn't really convinced me.
Rickstrong23 (216 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Mar 1, 2018
This was a verry good movie special effects wise .i liked the movie but seemed like the script and the actors wernt on the same page.this movie feels like it was thrown together after they figured out the special effects.over all i did like it.but the actors all seem like there was no actual feelings allowed .this movie lacked the sadness and drama it should have had .even the bad guy didnt protray much feeling .thats where this went wrong except for rhiannas charcter there was little to no feelings at all.verry dead pan .maybe im wrong but somethings off on the conection.
Bob Mann (459 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Sep 8, 2019
The look and style is exquisite. (1 more)
DiCaprio and Pitt together on the screen, oozing style and confidence.
Glorious to look at, Tarantino’s love letter to 60’s Hollywood.
Saggy and overlong in places, this feels like Tarantino needed reining in at times. As such this feels like a slightly flawed masterpiece.... Tarantino’s Mona Lisa with a few accidental smudges. But its a movie that oozes style in recreating Hollywood in the late 60's.
Read my full review at One Mann's Movies here - https://bob-the-movie-man.com/2019/08/21/one-manns-movies-film-review-once-upon-a-time-in-hollywood-2019/
Read my full review at One Mann's Movies here - https://bob-the-movie-man.com/2019/08/21/one-manns-movies-film-review-once-upon-a-time-in-hollywood-2019/
Zoosk (5 KP) rated Stone Roses by The Stone Roses in Music
Dec 5, 2024
A Timeless Masterpiece
Every so often, an album comes along that feels like it was born out of pure magic, and The Stone Roses is one of those rare gems. From the opening notes of “I Wanna Be Adored” to the euphoric closer “I Am the Resurrection,” this debut album is a flawless journey through shimmering guitars, hypnotic rhythms, and an aura of defiance and mysticism.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
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