"This collection of devotional songs (or poems) is a very moving and insightful read. Tagore makes you feel his own sense of wonder at the ways in which he feels connected to God and also his distance from him in very personal and original ways. Will Oldham and Mick Turner set some of these to music and I have been very inspired by their readings. Going back to the original works again and again over the years is very rewarding."

"Love Annie Hall. Everything is so random in his films but it’s also so grounded, and it’s so nice to watch. I like when you watch a film and you feel like you’re a part of somebody’s life for an hour and a half. It feels all improvisational, but it’s interesting, it moves along and it has a good story. And it’s just nice to see those people, because there are, you know, mistakes, which becomes the magic of the film."

"For me, this was the peak. I love Dangerous as well, but Bad feels more like a coherent body of work. You can feel the superstardom of the guy; he's at the top of the game. But still there is some weirdness: a song like "Speed Demon" is really weird. It came along with a whole film, Moonwalker. You get that the guy is now trying to recreate everything—defying gravity with "Smooth Criminal," and inventing shapeshifting ways of existing with the movie."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."

"Satyajit Ray was an important discovery for me when I was growing up. This is such a fascinating trilogy about a boy who has cursed his family and brings death and destruction to everybody he loves—or at least it feels that way. Of course it’s about a million other things, and in the end it’s about everything. I love The Music Room and so many of Ray’s other films, but there is no overstating how wonderful these three are."