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Sarah (7798 KP) rated Enola Holmes (2020) in Movies
Sep 28, 2020
Not very mysterious
It could arguably be said that we don't need yet another incarnation of Sherlock Holmes and his family. And in the case of Enola Holmes, I'd have to agree.
Millie Bobby Brown is wonderfully endearing and enigmatic as Enola, and even Henry Cavill as Sherlock wasn't half bad (I actually wish there could have been more of him in this). The problem is the story and whole premise of this film. It's trying to say something about female empowerment but then contradicts itself constantly by Enola spending her entire time trying to outwit her brother and chasing around after a boy. It's also a little lacking in actually mystery - the story it puts forwards is rather dull and not particularly mysterious. This film seems to be aimed at a younger audience, and for adults is just an average kids film. Indeed this is probably a film best suited for young/teenage girls and not one I'd recommend if you're not a teenager!
Millie Bobby Brown is wonderfully endearing and enigmatic as Enola, and even Henry Cavill as Sherlock wasn't half bad (I actually wish there could have been more of him in this). The problem is the story and whole premise of this film. It's trying to say something about female empowerment but then contradicts itself constantly by Enola spending her entire time trying to outwit her brother and chasing around after a boy. It's also a little lacking in actually mystery - the story it puts forwards is rather dull and not particularly mysterious. This film seems to be aimed at a younger audience, and for adults is just an average kids film. Indeed this is probably a film best suited for young/teenage girls and not one I'd recommend if you're not a teenager!
A Quiet Kind of Thunder
8.0
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Steffi doesn't talk. Rhys can't hear. They understand each other perfectly. Love isn't always a...
Andrea D (21 KP) rated Sawkill Girls in Books
Jan 10, 2019
Female empowerment (1 more)
LGBTQA representation
Beautifully written and full of girl power.
You are mighty. You are one, and one, and one.
You are fragile. You can move mountains.
You are breakable. You will never break.
This power is mine. And now it is yours, too.
I love a good feminist fantasy novel.
This did not disappoint.
The horror aspect is there but it feels like a background to the character development of the 3 main female characters.
There's Zoey who is angry and it's good that she's angry, we'll celebrate her anger and fume along with her.
There's Val who is a victim of a controlling abusive force (or two) and always has been and we will grow and rebel and learn to love with her.
Then there's Marion who's always been the carer always carrying over peoples troubles on her shoulders, always the one to fix things and we will learn to let go with her, learn to be selfish if just for a few quiet moments in a stable with horses and a girl who needs to be loved.
The Asexual rep is excellent, the story is brilliant but it's secondary to these girls who through each chapter we fall a bit deeper in love with even when we think they're unforgivable Claire Legrand shows us how not everything is black and white.
Expect the tears to flow in those last few pages and your heart to leap with joy but always remember beware of the woods and the dark, dank deep.
You are fragile. You can move mountains.
You are breakable. You will never break.
This power is mine. And now it is yours, too.
I love a good feminist fantasy novel.
This did not disappoint.
The horror aspect is there but it feels like a background to the character development of the 3 main female characters.
There's Zoey who is angry and it's good that she's angry, we'll celebrate her anger and fume along with her.
There's Val who is a victim of a controlling abusive force (or two) and always has been and we will grow and rebel and learn to love with her.
Then there's Marion who's always been the carer always carrying over peoples troubles on her shoulders, always the one to fix things and we will learn to let go with her, learn to be selfish if just for a few quiet moments in a stable with horses and a girl who needs to be loved.
The Asexual rep is excellent, the story is brilliant but it's secondary to these girls who through each chapter we fall a bit deeper in love with even when we think they're unforgivable Claire Legrand shows us how not everything is black and white.
Expect the tears to flow in those last few pages and your heart to leap with joy but always remember beware of the woods and the dark, dank deep.
Andy K (10821 KP) rated A Vigilante (2018) in Movies
Aug 11, 2019
and the trucks won't stop coming...
Olivia Wilde is the main reason to watch this female empowerment/revenge film as her performance is visceral, raw, emotional and intense for sure.
Sadie is a young woman tormented by her family's history. She tried to cope with her uncontrollable emotions by attending a support group and by studying self defense. She has decided her course in life has become to defend the innocent women and children of domestic violence by being an Equalizer?Death Wish type "vigilante" on the batterers.
When her own past comes back to haunt her, she has to use all her newly acquired skills to escape and possible prevail.
While I don't obviously condone taking the law into your own hands, the audience is definitely with her as she exacts her raw justice on the domestic assailants.
I was disappointed in the 2nd half of the film which falls into a formula eroding the interesting character study which had been developing up to that point. Once the 3rd acts starts, it turns into a different film. I wish it would've stayed the plot line which showed her tortured soul more and showed her as the flawed heroine she is.
Sadie is a young woman tormented by her family's history. She tried to cope with her uncontrollable emotions by attending a support group and by studying self defense. She has decided her course in life has become to defend the innocent women and children of domestic violence by being an Equalizer?Death Wish type "vigilante" on the batterers.
When her own past comes back to haunt her, she has to use all her newly acquired skills to escape and possible prevail.
While I don't obviously condone taking the law into your own hands, the audience is definitely with her as she exacts her raw justice on the domestic assailants.
I was disappointed in the 2nd half of the film which falls into a formula eroding the interesting character study which had been developing up to that point. Once the 3rd acts starts, it turns into a different film. I wish it would've stayed the plot line which showed her tortured soul more and showed her as the flawed heroine she is.
The Woman with Wings
4.0
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In this heart-warming tale of female empowerment, a young woman comes to terms with the revelation...
Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa by Various Artists
1.0
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Album Watch
In 1988, on the eve of a two decade civil war, Somalia's authoritarian ruler Siad Barre launched...
world pop compilation
Tess of the Road
7.0
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Meet Tess, a brave new heroine from beloved epic fantasy author Rachel Hartman. "Surprising,...
fantasy young adult
Stand Up & Sock it to Them Sister: Funny, Feisty Females
Book
"Funny is Funny" Joan Rivers But how do you make it in the world of comedy if you are a woman? With...
Bong Mines Entertainment (15 KP) rated No Expectations - Single by Jillian Steele in Music
Jun 26, 2019
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
Amy (7 KP) rated Goddess of Troy in Books
Jan 17, 2018 (Updated Jan 17, 2018)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.