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LeftSideCut (3778 KP) rated Captain Marvel (2019) in Movies
May 14, 2019 (Updated Jun 22, 2020)
Captain Marvel delivers a solid and safe chapter into the MCU
Contains spoilers, click to show
After 10 years of connected movies, Marvel are finally introducing one of their most powerful characters into their cinematic universe, and there's plenty to be excited about.
It's Marvel's first truly female led movie for a start, and the decision to forgo the original Mar-vell from the comics, and dive straight into the story of Carol Danvers is a wise move.
This decision routes the film in a 90s setting, with plenty of nostalgic call backs (Blockbuster anyone?), and a solid grunge filled soundtrack, that compliments a world that is yet to see The Avengers.
It's fun to see a non jaded Nick Fury, blissfully unaware of the extent of the cosmic universe, and a pleasure to see Clark Gregg return to the MCU as Coulson (a short but sweet roll). Side roles for Anette Benning and Lashana Lynch are nicely fleshed as well.
At this point, I'm still not 100% sold on Brie Larson, but she carries the film well enough for it to be an above average origin story, but honestly, the supporting cast outshines her at times (even Goose the cat threatens to steal the show at times).
As for the villains, well, the trailers painted the long anticipated Skrulls as the main threat, but the movie pulls a right turn midway through, and reveals that Talos and his Skrull followers are actually refugees, trying to escape the clutches of Jude Law and his murderous Kree death squad.
The Skrulls are a welcome edition to the MCU, and sets up a possible Secret Invasion storyline in the future, however, the direction of the story and the script pummels Jude Law into one the most underwhelming MCU villains we've had so far.
By the same merit, this film is all about it's titular character, and I would imagine the writers never wanted that focus to stray - Carol Danvers is here to stay after all.
Captain Marvel is a low stakes, colourful comic book adventure that nicely and safely fills a gap in the MCU, and sets us you nicely for post Endgame stories.
It's Marvel's first truly female led movie for a start, and the decision to forgo the original Mar-vell from the comics, and dive straight into the story of Carol Danvers is a wise move.
This decision routes the film in a 90s setting, with plenty of nostalgic call backs (Blockbuster anyone?), and a solid grunge filled soundtrack, that compliments a world that is yet to see The Avengers.
It's fun to see a non jaded Nick Fury, blissfully unaware of the extent of the cosmic universe, and a pleasure to see Clark Gregg return to the MCU as Coulson (a short but sweet roll). Side roles for Anette Benning and Lashana Lynch are nicely fleshed as well.
At this point, I'm still not 100% sold on Brie Larson, but she carries the film well enough for it to be an above average origin story, but honestly, the supporting cast outshines her at times (even Goose the cat threatens to steal the show at times).
As for the villains, well, the trailers painted the long anticipated Skrulls as the main threat, but the movie pulls a right turn midway through, and reveals that Talos and his Skrull followers are actually refugees, trying to escape the clutches of Jude Law and his murderous Kree death squad.
The Skrulls are a welcome edition to the MCU, and sets up a possible Secret Invasion storyline in the future, however, the direction of the story and the script pummels Jude Law into one the most underwhelming MCU villains we've had so far.
By the same merit, this film is all about it's titular character, and I would imagine the writers never wanted that focus to stray - Carol Danvers is here to stay after all.
Captain Marvel is a low stakes, colourful comic book adventure that nicely and safely fills a gap in the MCU, and sets us you nicely for post Endgame stories.
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Acanthea Grimscythe (300 KP) rated Something's Alive on the Titanic in Books
May 16, 2018
Something's Alive on the Titanic has a bit of a split story line, with one part of the book taking place in 1975, and the other part taking place in 1995. Written by the late Robert Serling, who is, in fact, Rod Serling's older brother, Something's Alive on the Titanic plays off of the idea that Dr. Robert Ballard was not the first one to discover the final resting place of the Titanic. Instead, a team led by John Hawke, at the behest of code-breaker Derek Montague, departs on an expedition to retrieve treasure from the Titanic's watery grave after Montague discovers that a shipment from a smuggling ring under the guise of a salvage company by the name of Sovereign Metals.
A true product of its time, and remaining faithful to the time-period in which the story is set, one of the few things of note to make in regards to its characters is the absolute lack of a strong female presence. The two women that are present, especially Chaney in the 1975 portion of the book, are Mary Sue-esque and, without a doubt, sexualized. Another note to be made comes in the form of the male characters: they are portrayed as stereotypical, stubborn men that, despite being superstitious, are also skeptics. This manner of male character is more prominent in the second part of the book than the first.
The plot, on the other hand, was pretty stellar. In 1975, the expedition lacks the proper equipment to dive down into the depths of the Atlantic and explore the ship for extended periods of time. They make the most of what they do have, however. Intent on claiming the lost treasure, most of John Hawke's crew show little regard for the fact that they are desecrating a grave: greed is, after all, the heart of all evil. While the Atlantic Ocean treats the crew well, the Titanic is anything but forgiving: the decrepit ship plays host to more than the relics of the souls that once stood upon its deck. Whatever that thing is, it doesn't play nicely. In 1995, the US Navy gathers a crew to find out what exactly happened in 1975, and to complete the earlier expedition's salvage mission.
Given the presence of a female in a heavily male dominated field, it goes without saying that there's a bit of teasing and a bit of romance. That subplot is fairly minor and serves mostly to remind readers of a certain character's penchant for being a total asshole and little more. There is also sex, briefly, but I'll leave that to someone else.
Serling's knowledge of the Titanic is actually pretty accurate, down to the fact that the fourth funnel on the ship was a fake, there was a shortage of lifeboats, and most of the lifeboats were dropped before they were filled.
It isn't very often that a book really draws me in, but that could be attributed to the fact that I no longer read as I used to. Serling's prose kept me on the edge of my seat and at times, it even raised my heart rate a little. Rather than paint us an entire picture of the supernatural phenomena that takes place, he begins with little bits and pieces, crumbs if you will, until finally, you begin to question the sanity of the characters involved, whilst simultaneously hoping for the best.
A true product of its time, and remaining faithful to the time-period in which the story is set, one of the few things of note to make in regards to its characters is the absolute lack of a strong female presence. The two women that are present, especially Chaney in the 1975 portion of the book, are Mary Sue-esque and, without a doubt, sexualized. Another note to be made comes in the form of the male characters: they are portrayed as stereotypical, stubborn men that, despite being superstitious, are also skeptics. This manner of male character is more prominent in the second part of the book than the first.
The plot, on the other hand, was pretty stellar. In 1975, the expedition lacks the proper equipment to dive down into the depths of the Atlantic and explore the ship for extended periods of time. They make the most of what they do have, however. Intent on claiming the lost treasure, most of John Hawke's crew show little regard for the fact that they are desecrating a grave: greed is, after all, the heart of all evil. While the Atlantic Ocean treats the crew well, the Titanic is anything but forgiving: the decrepit ship plays host to more than the relics of the souls that once stood upon its deck. Whatever that thing is, it doesn't play nicely. In 1995, the US Navy gathers a crew to find out what exactly happened in 1975, and to complete the earlier expedition's salvage mission.
Given the presence of a female in a heavily male dominated field, it goes without saying that there's a bit of teasing and a bit of romance. That subplot is fairly minor and serves mostly to remind readers of a certain character's penchant for being a total asshole and little more. There is also sex, briefly, but I'll leave that to someone else.
Serling's knowledge of the Titanic is actually pretty accurate, down to the fact that the fourth funnel on the ship was a fake, there was a shortage of lifeboats, and most of the lifeboats were dropped before they were filled.
It isn't very often that a book really draws me in, but that could be attributed to the fact that I no longer read as I used to. Serling's prose kept me on the edge of my seat and at times, it even raised my heart rate a little. Rather than paint us an entire picture of the supernatural phenomena that takes place, he begins with little bits and pieces, crumbs if you will, until finally, you begin to question the sanity of the characters involved, whilst simultaneously hoping for the best.
Kyera (8 KP) rated The Shadow Queen (Ravenspire, #1) in Books
Feb 1, 2018
As a huge fan of re-tellings, I was excited to pick up and read this book. The Shadow Queen is the tale of Snow White, re-imagined into a vast world populated with not only magic users but dragons. Of all of the versions of this story that I've experienced, the Shadow Queen is probably my favourite version. It is always more enjoyable when the heroine is not solely a damsel in distress but is able to save herself when the need arises. The portrayal of a strong female lead is welcome in this story and she is supported by an array of characters.
I really enjoyed how the characters were initially introduced and then developed over the course of the novel. We meet Lorelei (and her brother Leo) as children when their father is still alive and married to his second wife, Irina. You see the love that was once there and then the betrayal that occurs, leading to the princess fleeing the castle. She grows up outside of the palace and is able to learn about her people, become more self-sufficient than she would have been had she lived as a royal and become a stronger person as a result. You understand her motivation and drive to do what is right, even at the cost of herself.
Kol is a royal from another land who always felt like he disappointed his family, but must take on more than he feels he is ready for when he is thrust into a challenging situation. He is initially very immature but quickly grows into the strong leader that his friends already saw him as. You learn just how deeply loyal he is and willing to sacrifice for his people.
The villain was well thought out and not one-dimensional. Queen Irina feels that she must act the way she does and that she deserves the crown. As the elder of two sisters, she was supposed to be married first but that did not happen. She felt betrayed and cheated by her father, her uncle, her sister. No one treated her as she deserved and it made her bitter. She vowed to make the crown hers, whatever the cost. Despite her actions and whether she deserved it, Lorelei's betrayal just added to the darkening of her heart. Irina thought that Lorelei understood her and when it was clear that she did not, Lorelei also became the enemy. While Irina's beliefs are not necessarily valid, it was nice to see the series of events that led her to become the person she was in the novel and show her reasons for her horrific actions.
The world was vast and varied, from the dual-hearted people who could change into dragons, to magic wielders and peasants. I wish that we had seen or heard about more of the world, in depth but what we did experience was very well written. You could imagine the castle or villages that our heroes occcupied and traveled through.
Overall, I would recommend this book to young adult/teen readers who enjoy fairytales, re-tellings, fantasy, magic, dragons, strong female heroines, well-developed characters or Snow White. I enjoyed reading this book and can't wait to see where the series goes, its after happily ever after.
I really enjoyed how the characters were initially introduced and then developed over the course of the novel. We meet Lorelei (and her brother Leo) as children when their father is still alive and married to his second wife, Irina. You see the love that was once there and then the betrayal that occurs, leading to the princess fleeing the castle. She grows up outside of the palace and is able to learn about her people, become more self-sufficient than she would have been had she lived as a royal and become a stronger person as a result. You understand her motivation and drive to do what is right, even at the cost of herself.
Kol is a royal from another land who always felt like he disappointed his family, but must take on more than he feels he is ready for when he is thrust into a challenging situation. He is initially very immature but quickly grows into the strong leader that his friends already saw him as. You learn just how deeply loyal he is and willing to sacrifice for his people.
The villain was well thought out and not one-dimensional. Queen Irina feels that she must act the way she does and that she deserves the crown. As the elder of two sisters, she was supposed to be married first but that did not happen. She felt betrayed and cheated by her father, her uncle, her sister. No one treated her as she deserved and it made her bitter. She vowed to make the crown hers, whatever the cost. Despite her actions and whether she deserved it, Lorelei's betrayal just added to the darkening of her heart. Irina thought that Lorelei understood her and when it was clear that she did not, Lorelei also became the enemy. While Irina's beliefs are not necessarily valid, it was nice to see the series of events that led her to become the person she was in the novel and show her reasons for her horrific actions.
The world was vast and varied, from the dual-hearted people who could change into dragons, to magic wielders and peasants. I wish that we had seen or heard about more of the world, in depth but what we did experience was very well written. You could imagine the castle or villages that our heroes occcupied and traveled through.
Overall, I would recommend this book to young adult/teen readers who enjoy fairytales, re-tellings, fantasy, magic, dragons, strong female heroines, well-developed characters or Snow White. I enjoyed reading this book and can't wait to see where the series goes, its after happily ever after.
The Classification of Sex: Alfred Kinsey and the Organization of Knowledge
Book
Alfred C. Kinsey's revolutionary studies of human sexual behaviour are world-renowned. His...
ClareR (5721 KP) rated My Dark Vanessa in Books
Feb 9, 2020
As soon as I started reading My Dark Vanessa, I questioned why I had chosen to read it. It’s a subject that I’d usually not even attempt to read as I find it too upsetting, but I’d heard such good things about it, and I was curious. And boy am I glad I read it. It’s an uncomfortable read though.
An insecure, lonely 15 year old is groomed by her much older teacher, Jacob Strane, and she is led to believe that it’s all on her own terms. She is in control. There are parts of this book that really distressed me, and I had to put the book down. However, I really felt for the main character, Vanessa. Even as a 35 year old woman, her life is still dictated by her relationship with Strane. These scenes where she is older, in a boring job, living in a tiny apartment and drinking too much, really made me see how Strane had ruined her life. She refuses to see it, however. Even when she is seeing a counsellor about the death of her father, she still sees no link between her feelings for Strane and how he affected her life before the death of her father. And when former female students blow the whistle on his abuse, Vanessa refuses to get involved. Strane tells her they’re lying, that they’re fantasists - and she believes him. He continues to control her for years after their sexual relationship ends.
I think the way that the narrative swapped between present day and the past, showing us how the ‘relationship’ developed, made it all the more stark. Everyone, including the reader, can see the abuse. Everyone except Vanessa. I don’t know what the laws about the age of consent are like in the USA, but I’m pretty certain that if he’d been found out in the UK, he would never have taught again. But of course I could be wrong.
For me, the end was a relief. I was glad I’d made it through - it was traumatic for me as a reader.
I’ve given this 5 stars, but I wouldn’t qualify this 5/5 with an “I loved it!” like I often do with my top marked books. I do think that this is an important book though, and to be perfectly honest, it’s beautifully written.
Many thanks to HarperCollins 4th Estate and NetGalley for my copy of this book to read and review.
An insecure, lonely 15 year old is groomed by her much older teacher, Jacob Strane, and she is led to believe that it’s all on her own terms. She is in control. There are parts of this book that really distressed me, and I had to put the book down. However, I really felt for the main character, Vanessa. Even as a 35 year old woman, her life is still dictated by her relationship with Strane. These scenes where she is older, in a boring job, living in a tiny apartment and drinking too much, really made me see how Strane had ruined her life. She refuses to see it, however. Even when she is seeing a counsellor about the death of her father, she still sees no link between her feelings for Strane and how he affected her life before the death of her father. And when former female students blow the whistle on his abuse, Vanessa refuses to get involved. Strane tells her they’re lying, that they’re fantasists - and she believes him. He continues to control her for years after their sexual relationship ends.
I think the way that the narrative swapped between present day and the past, showing us how the ‘relationship’ developed, made it all the more stark. Everyone, including the reader, can see the abuse. Everyone except Vanessa. I don’t know what the laws about the age of consent are like in the USA, but I’m pretty certain that if he’d been found out in the UK, he would never have taught again. But of course I could be wrong.
For me, the end was a relief. I was glad I’d made it through - it was traumatic for me as a reader.
I’ve given this 5 stars, but I wouldn’t qualify this 5/5 with an “I loved it!” like I often do with my top marked books. I do think that this is an important book though, and to be perfectly honest, it’s beautifully written.
Many thanks to HarperCollins 4th Estate and NetGalley for my copy of this book to read and review.
Charlie Cobra Reviews (1840 KP) rated The Kitchen (2019) in Movies
Jul 7, 2020
A Very Messy Kitchen: Good Ingredients But No Flavor
The Kitchen is a 2019 action crime movie written and directed by Andrea Berloff and producers Michael Dell Luca and Marcus Viscidi. It's based on the Vertigo comic created by Ollie Masters and Ming Doyle and produced by New Line Cinema, Bron Creative, D.C. Vertigo and Michael Dell Luca Productions with distribution by Warner Bros. Pictures. The film stars Melissa McCarthy, Tiffany Haddish, Elisabeth Moss and Common.
In 1978 Hell's Kitchen, 3 women married to husbands in the Irish mob face hardship as all 3 of their husbands are arrested and sentenced to 3 years in prison. The new head of the mob ensures that they will be taken care of financially but gives them each a tiny pittance. When they go to ask him for more they are aggressively refused. At a loss for what to do next the women seize an opportunity when they are told that despite local businesses paying protection fees, the mob has done little to help them. They themselves begin collecting protection fees and helping the neighborhood becoming beloved and making a huge profit as well as lots of enemies.
This movie was not what I expected. I was really let down, especially for it having a great cast of actors. I don't think it was over hyped either, I felt like it was false advertising. From the trailer it looked like it was supposed to be a gritty female led mob movie but didn't deliver. From the beginning and throughout the movie it felt really lackluster and didn't have enough going for it to remain interesting. I honestly don't know how I made it through the movie, I guess I just kept waiting for it to get better and it never really did. I did like certain things, Melissa McCarthy's acting was good for being a drama and Tiffany Haddish did a decent job, also Elisabeth Moss's character was probably the one that had the most character development, but even then, you'll see what I'm talking about if you ever decide to watch this movie. It also didn't have a very compelling plot, and with the girl's situation and what they were dealing with, you would think it would be more gripping but there was not enough tension for a movie dealing with the mob and the dangers of being killed. I would have to give this movie a 4/10 because I felt it was really below average.
In 1978 Hell's Kitchen, 3 women married to husbands in the Irish mob face hardship as all 3 of their husbands are arrested and sentenced to 3 years in prison. The new head of the mob ensures that they will be taken care of financially but gives them each a tiny pittance. When they go to ask him for more they are aggressively refused. At a loss for what to do next the women seize an opportunity when they are told that despite local businesses paying protection fees, the mob has done little to help them. They themselves begin collecting protection fees and helping the neighborhood becoming beloved and making a huge profit as well as lots of enemies.
This movie was not what I expected. I was really let down, especially for it having a great cast of actors. I don't think it was over hyped either, I felt like it was false advertising. From the trailer it looked like it was supposed to be a gritty female led mob movie but didn't deliver. From the beginning and throughout the movie it felt really lackluster and didn't have enough going for it to remain interesting. I honestly don't know how I made it through the movie, I guess I just kept waiting for it to get better and it never really did. I did like certain things, Melissa McCarthy's acting was good for being a drama and Tiffany Haddish did a decent job, also Elisabeth Moss's character was probably the one that had the most character development, but even then, you'll see what I'm talking about if you ever decide to watch this movie. It also didn't have a very compelling plot, and with the girl's situation and what they were dealing with, you would think it would be more gripping but there was not enough tension for a movie dealing with the mob and the dangers of being killed. I would have to give this movie a 4/10 because I felt it was really below average.
Ross (3284 KP) rated Perfect Crime in Books
Feb 19, 2019 (Updated Feb 19, 2019)
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
Merissa (12051 KP) rated Alpha's Fake Wife by Maria Warren in Books
Jun 23, 2022
ALPHA'S FAKE WIFE is the first book in a series that really does show potential but, unfortunately for me, I just didn't feel as though it lived up to that potential as it stands right now.
It is a slow-burn Reverse Harem romance with a mystery/romantic suspense element to it as someone is drugging and assaulting females in Drew's pack.
Our main female, Laura, is brought to a party by her not-so-likeable best friend, Brandon, before he abandons her for other women. After he leaves her, she is handed a drink, drinks it, is immediately drugged, and starts to be led away. She is able to free herself but feels ill - which is how she meets Drew. Lance is Drew's half-brother who acts completely out of character when he throws a party for the pack to celebrate the new Luna - even though he is only tolerated by most of them, and actually prefers to stay out of the limelight. Lance meets Laura the same night and mistakes her for one of Drew's usual floozies. We don't meet Xavier until about halfway through (or so it felt) although he is supposed to be Drew's bodyguard! I am told about these four having a connection - or rather, three having a connection to Laura, and her to the three - but I never see or feel it.
There are situations and circumstances left unexplained in here that, although may be explained in future books, could have done with at least something to be going on with. For example, what is with the intense dislike of cherries? There are some fruits I don't like, but hers is crazy. And seriously, if you've got someone going around assaulting women, stop going out by yourself when you've been asked not to (unless it's for a bloody good reason which none of hers were). And how many times are you going to be on the receiving end of a drugged drink and be able to pass it off as a mistake?
There are a couple of Not-So-Big Bads here that didn't come as a surprise at all, but there are clues given to a Big Bad called The Alchemist who I guess will be the overall story arc going forward.
If this book went through a severe editing process, dropped a few thousand unnecessary words, tightened up the story as a whole, made a connection between the characters, and made said characters more relatable, then I would continue with it, but as it stands, I won't be reading this series any further.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
It is a slow-burn Reverse Harem romance with a mystery/romantic suspense element to it as someone is drugging and assaulting females in Drew's pack.
Our main female, Laura, is brought to a party by her not-so-likeable best friend, Brandon, before he abandons her for other women. After he leaves her, she is handed a drink, drinks it, is immediately drugged, and starts to be led away. She is able to free herself but feels ill - which is how she meets Drew. Lance is Drew's half-brother who acts completely out of character when he throws a party for the pack to celebrate the new Luna - even though he is only tolerated by most of them, and actually prefers to stay out of the limelight. Lance meets Laura the same night and mistakes her for one of Drew's usual floozies. We don't meet Xavier until about halfway through (or so it felt) although he is supposed to be Drew's bodyguard! I am told about these four having a connection - or rather, three having a connection to Laura, and her to the three - but I never see or feel it.
There are situations and circumstances left unexplained in here that, although may be explained in future books, could have done with at least something to be going on with. For example, what is with the intense dislike of cherries? There are some fruits I don't like, but hers is crazy. And seriously, if you've got someone going around assaulting women, stop going out by yourself when you've been asked not to (unless it's for a bloody good reason which none of hers were). And how many times are you going to be on the receiving end of a drugged drink and be able to pass it off as a mistake?
There are a couple of Not-So-Big Bads here that didn't come as a surprise at all, but there are clues given to a Big Bad called The Alchemist who I guess will be the overall story arc going forward.
If this book went through a severe editing process, dropped a few thousand unnecessary words, tightened up the story as a whole, made a connection between the characters, and made said characters more relatable, then I would continue with it, but as it stands, I won't be reading this series any further.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!