Search
LeftSideCut (3778 KP) rated Slumber Party Massacre (2021) in Movies
Mar 22, 2022
This update of the 80s cult favourite hits all the right notes for the first two thirds of its runtime. There's some decent gore, some great shots, and it feels different enough from the original to have its own identity. Most importantly, the core group of characters are likable as hell. The movie takes the time to establish that we are following the story of a group of strong, determined women who ain't taking any shit. The feminist stance is far less subtle than the original, but it absolutely works. The scene wherein the group of men are the subjects of a topless pillow fight is ridiculous and hilarious, and moments like this, combined with the capable main protagonists ensure that it's mostly a blast.
Unfortunately, a lot of this falls apart in the final third. The film makes a shift into full blown, serious slasher territory, and flat out abandons a lot of what made the first hour so entertaining. The smart characters start making dumb decisions, and the narrative plays out in a way that leaves a slightly sour taste in the mouth. It ultimately leads to an underwhelming ending, which is a shame considering how genuinely decent it started out.
However, Slumber Party Massacre is a pretty good time overall, and is a slasher that can stand proudly side by side with the original.
Unfortunately, a lot of this falls apart in the final third. The film makes a shift into full blown, serious slasher territory, and flat out abandons a lot of what made the first hour so entertaining. The smart characters start making dumb decisions, and the narrative plays out in a way that leaves a slightly sour taste in the mouth. It ultimately leads to an underwhelming ending, which is a shame considering how genuinely decent it started out.
However, Slumber Party Massacre is a pretty good time overall, and is a slasher that can stand proudly side by side with the original.
Awix (3310 KP) rated The Divine Order (2017) in Movies
Mar 10, 2018 (Updated Mar 10, 2018)
It's not that uncommon for a certain kind of feminist film to turn up in art-house cinemas in the UK - these are usually about the struggle for self-determination as experienced by women in traditionalist societies around the world. What is unusual is to see this sort of story taking place in a recognisably modern European setting, as is the case with The Divine Order. The year is 1971, the setting is rural Switzerland, and a vote is looming over whether women should be given the right to vote. Yes, 1971; yes, Switzerland. Young housewife Nora finds herself almost by accident leading the women of her village in a campaign for, if not equality, then at least recognition.
A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.
A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.
This book was not for me
I want to say something positive about this book. Okay, it is a quick read, I actually wanted to continue reading it although I am not sure if my reasons for this were because of enjoyment. I chose this book as I am going to be writing a part memoir for my dissertation. I liked the synopsis because I enjoy a bit of humour. In the past I have read (and enjoyed) a book by Mike Gayle called 'Turning Thirty' which I thought, and hoped, this book would have been similar. WRONG!!!!
Edwards basically writes some (I believe) far fetched memoir but mingles it with self help bullshit that has been regurgitated from other peoples ideas. I am confused by the author's objectives. Whilst I appreciate any woman who is a good and opinionated feminist, I feel that Edward's 'Sisterhood' is cringey. The writer comes across as middle class and perhaps would have benefited from excluding her middle class status to seem less arrogant to working class readers.
I learned of a technique for essay writing in college (PEE) Point, Evidence and Evaluation. This is a formula that Edwards uses throughout her book and it makes the flow very artificial instead of conversational.
On the plus side, it was her first novel, and she managed to write it and publish it. It just wasn't for me.
Edwards basically writes some (I believe) far fetched memoir but mingles it with self help bullshit that has been regurgitated from other peoples ideas. I am confused by the author's objectives. Whilst I appreciate any woman who is a good and opinionated feminist, I feel that Edward's 'Sisterhood' is cringey. The writer comes across as middle class and perhaps would have benefited from excluding her middle class status to seem less arrogant to working class readers.
I learned of a technique for essay writing in college (PEE) Point, Evidence and Evaluation. This is a formula that Edwards uses throughout her book and it makes the flow very artificial instead of conversational.
On the plus side, it was her first novel, and she managed to write it and publish it. It just wasn't for me.
Awix (3310 KP) rated Greed (2019) in Movies
Feb 24, 2020
The latest Coogan-Winterbottom collaboration is the kind of satire that draws blood, so it's lucky they have a note from the lawyers making it clear that it's absolutely and positively not based on the life of Sir Philip Green. A crass and amoral entrepreneur prepares for a lavish and decadent birthday celebration, in part to restore his image following some very bad publicity. Friends, family, and various hangers-on assemble; all does not go quite to plan - meanwhile, the ugly tale of the man's rise unfolds in flashback.
A friend initially demurred from seeing Greed, suggesting that he didn't need to see a movie to know how screwed up capitalism is - but I dragged him along anyway and we both enjoyed it. Mainly this is because it has a strong cast and a good script, although Steve Coogan is doing one of his comic grotesques and David Mitchell is basically just playing his usual comic persona under a different name. The shift from comedy to darker and more serious material as the film goes on is well handled, although you could argue the film is pushing it by attempting to be anti-capitalist, pro-feminist and pro-refugee all at the same time. Manages to be crowd-pleasing entertainment while scoring some serious points about the nature of the world in which we live. It may not teach you anything new, but it will probably make you care more about things you already know.
A friend initially demurred from seeing Greed, suggesting that he didn't need to see a movie to know how screwed up capitalism is - but I dragged him along anyway and we both enjoyed it. Mainly this is because it has a strong cast and a good script, although Steve Coogan is doing one of his comic grotesques and David Mitchell is basically just playing his usual comic persona under a different name. The shift from comedy to darker and more serious material as the film goes on is well handled, although you could argue the film is pushing it by attempting to be anti-capitalist, pro-feminist and pro-refugee all at the same time. Manages to be crowd-pleasing entertainment while scoring some serious points about the nature of the world in which we live. It may not teach you anything new, but it will probably make you care more about things you already know.
Take Courage: Anne Bronte and the Art of Life
Book
"I was wowed and moved." (Tracy Chevalier). Anne Bronte is the forgotten Bronte sister, overshadowed...
Buffy the Vampire Slayer
10.0
Rate It
Book
Few could have predicted the enduring affection inspired by Joss Whedon's television series Buffy...
Shared Lives of Humans and Animals: Animal Agency in the Global North
Taina Syrjamaa and Tuomas Rasanen
Book
Animals are conscious beings that form their own perspective regarding the lifeworlds in which they...
TA
The Al-Baqara Crescendo: Understanding the Qur'an's Style, Narrative Structure, and Running Themes
Book
Recent manuscript evidence from al-Jami' al-Kabir in ?an 'a' suggests that the Qur'an took its final...
1992 Deluxe by Princess Nokia
5.7
Rate It
Album Watch
Princess Nokia – aka New York rapper Destiny Frasqueri – has been releasing music via Youtube...
hip-hop